Download or read book Temple Art Icons and Culture of India and South East Asia written by K. V. Raman and published by . This book was released on 2006 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Book Presents A Valuable Collection Of Essays Written Over A Period Of Forty Years During The Author`S Illustrious Career As A Distinguished Art-Historian And Archaeologist. These Articles Were Originally Published In Various National And International Journals, Volumes And Seminar Proceedings. They Cover A Wide Range Of Topics, Such As Temple-Architecture, Iconography, Folk Culture, Art And Other Aspects Of History And Culture Of India And South-East Asia.
Download or read book Connected Histories of India and Southeast Asia written by Dhar, Parul Pandya and published by SAGE Publishing India. This book was released on 2022-11-29 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Connected Histories of India and Southeast Asia unravels the fascinating history of cultural interactions, of outstanding and universal significance, between India and Southeast Asia, with special emphasis on artistic expressions. India's connections with Southeast Asian countries, namely, Brunei, Cambodia, Indonesia, Lao People's Democratic Republic, Malaysia, Myanmar, the Philippines, Singapore, Thailand, and Vietnam are seen not only in trade and commerce but also in cultural and religious exchanges. Such histories are well-documented in their monuments, icons, narratives, inscribed artefacts, texts, and ritual paraphernalia. The first part of the book offers an overview of the nature of cultural and artistic interactions and the trade routes that facilitated an exchange of ideas, objects, people, and knowledge systems since ancient times. The second part addresses issues relating to architectural forms, motifs, and mobility across long distances and time periods. The final segment includes essays that discuss narratives and iconographies arising from cross-cultural artistic exchanges. With contributions by eminent scholars and over 170 colour photographs, maps, and illustrations, this book is an invaluable resource for understanding connected histories, which play a key role in revitalizing cultural connectivity and people-to-people contacts between India and Southeast Asia.
Download or read book The Arts of India Southeast Asia and the Himalayas at the Dallas Museum of Art written by Dallas Museum of Art and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art
Download or read book The Art of South and Southeast Asia written by Steven Kossak and published by Metropolitan Museum of Art. This book was released on 2001 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Download or read book The Divine Within written by Asian Civilisations Museum (Singapore) and published by . This book was released on 2007 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: The South Asia collection of the Asian Civilisations Museum, Singapore, is the most comprehensive in Southeast Asia. Begun in 1993 at the same time as the establishment of the Museum, the collection has grown steadily and is now over 250-object strong. Government grants, loans, donations from committed supporters and a dynamic team made it possible. Although the collections primary focus is south India because of its historical and cultural links with Singapore, it covers various regions and periods of South Asian history.This 288-page volume of detailed catalogue entries approaches the collection thematically weaving a web of interconnections. The catalogue covers a wide spectrum of artefacts from the ancient period to the 20th century, linking the threads of communication and historical development. Themes such as religion, architecture, festivals, rituals and visual and performing arts unveil the cultural richness and diversity of South Asia. Impressive stone sculptures and massive architectural fragments are set alongside exquisite textiles, jewellery and ritual objects.
Download or read book Materializing Southeast Asia s Past written by Veronique Degroot and published by NUS Press. This book was released on 2013-05-01 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The latest historical and anthropological archaeology, epigraphy, and art history on Southeast Asia, these articles offer new understandings of classical Hindu and Buddhist cultures of Southeast Asia and their relationship to the regionÍs medieval cultures. The articles are presented under four headings: Art, religion and politics (Buddhist monuments in Java and Cambodia); Southeast Asian transformations (cultural exchange with South Asia); Technology (workmanship in art and material culture); and Southeast Asia between past and present.
Download or read book India s Cultural Relations with South east Asia written by Manjushri Rao and published by . This book was released on 1996 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present book comprising nearly 28 papers dealing with the recent findings and interpretation relating to Geography; Culture, Religion, Art, Performing Art, Polity, Archaeology and Epigraphy. This book will attract the scholars, students and laymen alike.
Download or read book Cultural Interface of India with Asia written by National Museum Institute (New Delhi, India) and published by . This book was released on 2004 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Collection Of Scholarly Papers Focuses On The Centrality Of The Indian Contribution In Defining The Asian Cultural Matrix And Brings Under One Rubric The Views Of Indian As Well As Eurasian Experts On The Subject.
Download or read book Reading iva written by Ellen Raven and published by BRILL. This book was released on 2021-12-20 with total page 669 pages. Available in PDF, EPUB and Kindle. Book excerpt: An extensive, illustrated bibliography for the Hindu god Śiva in the arts of South and Southeast Asia, offering detailed indices and easy access to resource repositories.
Download or read book Art Icon and Architecture in South Asia Essays in Honour of Dr Devangana Desai 2 Vols written by and published by . This book was released on 2016 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 2-volume festschrift carries latest research papers of Devangana Desai as well as 37 essays by scholars. The essays have been grouped in five thematically organized sections: Buddhist monuments and icons; iconography, narrative sculpture and images; monuments (architecture); painting; general themes. Among other specific themes, the essays focus on the Ashokan Stupa at Sopara, Kachwaha Temples and water structures of Gujarat.
Download or read book Studies in Southeast Asian Art written by Nora A. Taylor and published by Cornell University Press. This book was released on 2018-08-06 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging collection of essays examines the arts of Southeast Asia in context. Contributors study the creation, use, and local significance of works of art, illuminating the many complex links between an object's aesthetic qualities and its origins in a community.
Download or read book Kalyana Mitra Volume 4 written by Prof. Katta Narasimha Reddy, Prof. E. Siva Nagi Reddy, Prof. K. Krishna Naik and published by Blue Rose Publishers. This book was released on 2023-08-13 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: Epigraphy and NumismaticsDescriptionVolume IV, Epigraphy and Numismatics: The Volume contains 34 articles in which there are 23 articles on Epigraphy and 11 articles on Numismatics. The epigraphy section covers studies on almost all the dynasties ruled over the Indian sub-continent and through valuable light on Political, social, economic, religious and other aspects of Indian history. The second section of the book covers important aspects of Coinage found from various regions of India right from the pre-Mauryan times to late medieval times. These articles shed light on the coinage on a Pan Indian context right from the Punch marked coins, Satavahana, Roman, Kshatrapa, Pandyas and Sultanate and also symbols on the coins which opens new vistas in the Numismatics study.This volume serves as a valuable source book for the students, research scholars and teachers as well in the fields. This volume also highlights the love and affection of Prof. P. Chenna Reddy enjoys in the intellectual world. The felicitation Volume is brought out in a series of 12 independent books covering a total of 460 articles. Every volume contains two sections. The first section contains the biographical sketch of Prof.P.Chenna Reddy, his achievements and contribution to archaeology, history and Society. The second section of each volume is subject specific.
Download or read book The Creative South written by Andrea Acri and published by ISEAS-Yusof Ishak Institute. This book was released on 2022-04-12 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. "Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places. This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography."-- Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS) "The collective objective of this two-volume work is to give substance to the oft cited mantra that mediaeval maritime Southeast Asia was as much an innovative contributor to, as a recipient, in the cultural conversations that took place across the Bay of Bengal and South China Sea. In bracketing these studies between the 7th and 14th centuries, the editors have drawn into focus two key traditions that are explicated in texts, ritual art and architecture and religious landscapes of this period: tantric Buddhism and esoteric Shaivism. A great strength of these studies is this focus, for which the editors are to be commended. The chapters contain much that represents significant milestones in building new understanding in the field, including overdue recognition of the importance of Southeast Asian esoteric Buddhist practice in shaping Chinese Buddhism. Nowhere did the architects of the religious landscape of early Southeast Asia think of themselves as being on the periphery, or as outsiders, looking in. Rather, they knowingly imbued their tirthas and sacred centres with the same authority as those in India and created religious edifices that were on occasions beyond India’s experience. I highly commend this publication to anyone with an interest in bringing a wider lens to the study of Indian esoteric religious practices and to understanding the relationship of early Hindu-Buddhist Southeast Asia to the wider Asian world." -- John Guy, Senior Curator of South and Southeast Asian Art, The Metropolitan Museum of Art, New York "The Creative South is a rich compendium of scholarship concerning the religious art of Southeast Asia and its ties to India in the period beginning in the 8th century. It was a time when merchants were crisscrossing the seas from India to China and when advocates of innovative doctrines and rituals were finding ready support among the rulers of the varied kingdoms. From the identification of images embraced by the seafarers to the mysteries of the fire shrines in Cambodian temples, from the funerary beliefs of Odisha to the unique character of the Javanese Ramayana, these eighteen studies provide fresh understandings of the patterns of reception and innovation." -- Hiram Woodward, Mr. and Mrs. Thomas Quincy Scott Curator of Asian Art Emeritus, The Walters Art Museum
Download or read book Early Interactions Between South and Southeast Asia written by Pierre-Yves Manguin and published by Institute of Southeast Asian Studies. This book was released on 2011 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book takes stock of the results of some two decades of intensive archaeological research carried out on both sides of the Bay of Bengal, in combination with renewed approaches to textual sources and to art history. To improve our understanding of the trans-cultural process commonly referred to as Indianisation, it brings together specialists of both India and Southeast Asia, in a fertile inter-disciplinary confrontation. Most of the essays reappraise the millennium-long historiographic no-man's land during which exchanges between the two shores of the Bay of Bengal led, among other processes, to the Indianisation of those parts of the region that straddled the main routes of exchange. Some essays follow up these processes into better known "classical" times or even into modern times, showing that the localisation process of Indian themes has long remained at work, allowing local societies to produce their own social space and express their own ethos.
Download or read book India and South East Asia written by Christopher Tadgell and published by Batsford. This book was released on 1998 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Architecture is a series of books that focuses on the story of the classical tradition from its origins in Egypt & Mesopotamia through to the present day and the modernist and post-modernist styles.
Download or read book Esoteric Buddhism in Mediaeval Maritime Asia written by Andrea Acri and published by ISEAS-Yusof Ishak Institute. This book was released on 2016-09-05 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume advocates a trans-regional, and maritime-focused, approach to studying the genesis, development and circulation of Esoteric (or Tantric) Buddhism across Maritime Asia from the seventh to the thirteenth centuries ce. The book lays emphasis on the mobile networks of human agents (‘Masters’), textual sources (‘Texts’) and images (‘Icons’) through which Esoteric Buddhist traditions spread. Capitalising on recent research and making use of both disciplinary and area-focused perspectives, this book highlights the role played by Esoteric Buddhist maritime networks in shaping intra-Asian connectivity. In doing so, it reveals the limits of a historiography that is premised on land-based transmission of Buddhism from a South Asian ‘homeland’, and advances an alternative historical narrative that overturns the popular perception regarding Southeast Asia as a ‘periphery’ that passively received overseas influences. Thus, a strong point is made for the appreciation of the region as both a crossroads and rightful terminus of Buddhist cults, and for the re-evaluation of the creative and transformative force of Southeast Asian agents in the transmission of Esoteric Buddhism across mediaeval Asia.
Download or read book The Creative South written by Andrea Acri and published by ISEAS-Yusof Ishak Institute. This book was released on 2022-08-29 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. "Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places. This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography."-- Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS) "The collective objective of this two-volume work is to give substance to the oft cited mantra that mediaeval maritime Southeast Asia was as much an innovative contributor to, as a recipient, in the cultural conversations that took place across the Bay of Bengal and South China Sea. In bracketing these studies between the 7th and 14th centuries, the editors have drawn into focus two key traditions that are explicated in texts, ritual art and architecture and religious landscapes of this period: tantric Buddhism and esoteric Shaivism. A great strength of these studies is this focus, for which the editors are to be commended. The chapters contain much that represents significant milestones in building new understanding in the field, including overdue recognition of the importance of Southeast Asian esoteric Buddhist practice in shaping Chinese Buddhism. Nowhere did the architects of the religious landscape of early Southeast Asia think of themselves as being on the periphery, or as outsiders, looking in. Rather, they knowingly imbued their tirthas and sacred centres with the same authority as those in India and created religious edifices that were on occasions beyond India’s experience. I highly commend this publication to anyone with an interest in bringing a wider lens to the study of Indian esoteric religious practices and to understanding the relationship of early Hindu-Buddhist Southeast Asia to the wider Asian world." -- John Guy, Senior Curator of South and Southeast Asian Art, The Metropolitan Museum of Art, New York "The Creative South is a rich compendium of scholarship concerning the religious art of Southeast Asia and its ties to India in the period beginning in the 8th century. It was a time when merchants were crisscrossing the seas from India to China and when advocates of innovative doctrines and rituals were finding ready support among the rulers of the varied kingdoms. From the identification of images embraced by the seafarers to the mysteries of the fire shrines in Cambodian temples, from the funerary beliefs of Odisha to the unique character of the Javanese Ramayana, these eighteen studies provide fresh understandings of the patterns of reception and innovation." -- Hiram Woodward, Mr. and Mrs. Thomas Quincy Scott Curator of Asian Art Emeritus, The Walters Art Museum
