Download or read book Tamil Drama Origin and Development written by Ē. En̲ Perumāḷ and published by . This book was released on 1981 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tamil Drama written by A. N. Perumal and published by . This book was released on 1981 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Drama in Ancient Tamil Society written by Karthigesu Sivathamby and published by . This book was released on 1970 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Drama in Ancient Tamil Society written by Karthigesu Sivathamby and published by . This book was released on 1981 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Drama in Ancient Tamil Society written by Karthigesu Sivathamby and published by . This book was released on 1981 with total page 443 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Lexicon of Tamil Literature written by K.V. Zvelebil and published by BRILL. This book was released on 2021-12-06 with total page 813 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lexicon of Tamil Literature is a reference-dictionary of Tamil literature of South India from its early beginnings more than 2000 years ago until the present time (ca. 1980). It includes in the order of Roman alphabet names and short biographies of authors, lists of their works, anonymous literary works and most important matters of Tamil prosody, rhetoric and poetics. Whenever available, bibliographic data are given with individual entries in selection. Brief contents and evaluative statements are given with literary works of greater importance, whether ancient or modern. An introduction is included. The work is the first of its kind in a non-Indian language. It is an indispensable source of data and work of reference for Tamil literature in particular, and for the totality of Indic literatures in general.
Download or read book Ritualistic Origins of Tamil Drama written by K. Sivathamby and published by . This book was released on 1968 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Drama in Ancient Tamil Society written by Kārttikēcu Civattampi and published by . This book was released on 1981 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Garland Encyclopedia of World Music South Asia the Indian subcontinent written by Bruno Nettl and published by Taylor & Francis. This book was released on 1998 with total page 1126 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Kattaikkuttu written by Hanne M. de Bruin and published by Bloomsbury Publishing. This book was released on 2023-09-21 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to offer a clear introduction to Kattaikkuttu (or Terukkuttu), a vibrant, vocal and physical outdoor Tamil theatre tradition from India. It describes the theatre's characteristic heroic nature as expressed through its principal, male kattai characters, explores its history, social status and ritual context, and examines the production of all-night plays. After placing Kattaikkuttu in the wider, competitive context of the performing arts in India, Hanne M. de Bruin introduces readers to some of the debates about the form and provides an overview of the different elements that make up a Kattaikkuttu performance. It considers its performance spaces and the way the form has changed, such as its transition towards an independent and more professional theatre genre, as well as the opening up of the form to different castes and to women. It covers the production and frameworks of all-night performances, uses the Mahabharata play Karna Moksam as a case study and examines recent changes in the Kattaikkuttu repertory. In addition, the book looks in more detail at the role of the performer, including the training of a Kattaikkuttu novice, the performance score of actor-singers that underlie a specific role or vesam, and a seasoned performer's agency in interpreting well-known roles. Finally, the study turns to recent innovations, in particular the creation of new work and the Kattaikkuttu Gurukulam.
Download or read book Sanskrit Drama Its Origin and Decline written by Shekhar and published by BRILL. This book was released on 1960-12 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cult of Draupad written by Alf Hiltebeitel and published by Motilal Banarsidass Publishe. This book was released on 1991 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first volume of a projected three-volume work on the little known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual and dramatic forms. It focuses on the Draupadi cult's own double mythology, moving from its storieis about Draupadi's 'primal temple' near the capital of the medieval South Indian Kingdom of Gingee to its version of the Mahabharata war on the North Indian plain of Kuruksetra. Throughout, Hiltebeitel intertwines 'regional' data, gathered from both oral and written sources, with the 'epic', drawn from the cult's own performative traditions as well as from classical versions of the Mahabharata in both Tamil and Sanskrit. He re-examines many issues critical to Indological studies and takes up them while breaking new ground in investigating the further rapport between the Hindu goddess and the Indian epic. Future volumes will treat the rituals of the Draupadi cult and the Mahabharata as seen through a Draupadi cult retrospective. Contents List of Maps, List of Plates, List of Tables, Preface, Acknowledgements, Conventions, PART I: From Gingee: Introduction: Invocatory Songs to Draupadi, 'The Lady Who Resides in Gingee', The Draupadi Cult: Its Historical and Regional Settings, Social Background, Diffusion, Variation, and Change, The Sources of the Gingee Kingdom: The Living River and the Tree of Gold, Myths of the Melacceri Draupadi Temple, Muttal Ravuttan: Draupadi's Muslim Devotee, PART II: To Kuruksetra: The Draupadi Cult's Mahabharata: An Introduction, The Death of Baka: Prelude to the Drama Cycle, Additional Marriages, The two Sabhas: 'The Rajasuya Sacrifice' and 'Dice Match and Disrobing' , Arjuna's Tapas, Draupadi's Forest Exile and the Period in Disguise: Virapancali, Puvalicci, and Kuravanci, Krsna the Messenger, Aravan's Sacrifice, Pormannan's Fight: Pottu Raja at Kuruksetra, Pormannan's Flight: The War Kings Weapons and Their Mythical Sources, Kuruksetra: The Mahabharata War, When Draupadi Walked on fire, Appendix 1: The Lunar Dynasty from its origins to draupadi's Second Advent at Gingee, Appendix 2. An outline History of Gingee, Abbreviations, Bibliography, Index.
Download or read book Honeymoon Couples and Jurassic Babies written by Kristen Rudisill and published by State University of New York Press. This book was released on 2022-10-01 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Honeymoon Couples and Jurassic Babies is the first in-depth study of Sabha Theater, a type of Tamil-language popular theater that started in Chennai (Madras) in the period following India's independence, thriving especially between 1965 and 1985. Breaking new ground in the study of stage and performance, this interdisciplinary book presents a complex view of a significant genre, using historical research and ethnographic information obtained through interviews with performers, writers, and audience members, as well as observations of rehearsals, performances, and television and film shootings. This careful coverage not only contextualizes Sabha Theatre historically, politically, and aesthetically within the wider history of the Tamil stage and a performance scene that includes classical dance and mass media but also reveals how its plays express a Tamil Brahmin identity that is at once traditional and modern. Analyzing what particular plays mean to the specific, urban, elite Brahmin community that produces and consumes them, Kristen Rudisill examines humor that reveals a complex Brahmin identity and surveys markers of moral superiority.
Download or read book History of Indian Theatre written by Manohar Laxman Varadpande and published by Abhinav Publications. This book was released on 1987 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Is The First Volume Of The Six-Volume History Of Indian Theatre. Written By An Eminent Scholar M.L, Varadpande This Veritable Encyclopedia Speaks About An Early Phase Of India S Theatre History, Which Also Is The History Of India S Fine Arts. For The First Time The Origin And Evolution Of Theatrical Arts In India Is Traced In An Elaborate Manner Providing An Insight Into One Of The Oldest Theatrical Traditions Of The World. The Book Draws From The Sources Including Mesolithic Cave Paintings, Ancient Archaeological Finds And Mass Of Literature Belonging To The Vedic And Buddhist Era To Give You The Complete Picture Of India S Theatre History.In A Lucid Style It Tells About Ritualistic Dances And Hunt Dramas Of Aboriginals; Statuettes Of Dancers, Jesters And String Manipulated Puppet Toys Belonging To Earliest Known Urban Civilization Of India The Indus Civilization; Dramatic Rituals Full Of Dancing, Singing And Music; The Dancing Gods And Compositions In Dialogue Form Of Early Aryans; The Troupes Of Actors Moving In The Country Enacting Humorous Plays And Erotic Dances; Efforts Of The State Administration To Impose Entertainment Tax And Strict Code Of Censors And The Flourishing Theatre Of The People. The Book Also Tells About The Advent Of Greeks In India And Their Theatrical Activities, Staging Of A Play Agen In The Military Camp Of Alexander The Great And The Play Written In Greek And Indian Languages Found In Egypt. It Discusses The Problem Of Greek Influence On Indian Theatre In Detail And Speaks About Indian View Of Theatre.This Well-Documented And Profusely Illustrated Work Presents An Enchanting Panorama Of India S Early Theatre History In A Manner At Once Scholarly And Interesting. Known For His Erudition And Profound Scholarship, M.L. Varadpande (B; 1936) Is An Eminent Theatre Historian Of India. His Major Works Published By Abhinav Publications Are Traditions Of Indian Theatre, Ancient Indian And Indo-Greek Theatre, Religion And Theatre And Krishna Theatre In India. His Other Well-Known Works On Indian Theatre Are Invitation To An Indian Theatre And The Critique Of Indian Theatre (Ed.). The Sahita Akademi, India S National Academy Of Letters, Has Published His Book Shripad Krishna Kolhatkar In Marathi (Out Of Print), Hindi (Second Edition) And Punjabi. It Is Now Being Translated Into English. His Forthcoming Works Are The Mahabharata In Performance And Ankia Nat: Vaishnava Opera Of Assam. As A Research Fellow Of The Indian Council Of Historical Research He Is Working On The Research Project Temple Theatre In India.
Download or read book An Introduction to the History of Tamil Literature written by M. Arunachalam and published by Tiruchitrambalam, India : G. Vidyalayam. This book was released on 1974 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book An Anthology Of English Essays Critical Writing In Multidisciplinary Way written by Dr. Arvind Kumar and published by Booksclinic Publishing. This book was released on 2024-02-12 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contains nineteen essays focused on diverse literature of Indian and English authors with tradition, religion, ritual concerns, circumstances, art and culture – the main critical formations by multidisciplinary way. The compendiums of Indian Folklore such as Panchatantra, Hitopadesha, Kathasaritsagara, Jataka and others narrations have filled with knowledge and wisdom which lead us in right path – “Good wins over evil,” To obey your elders,” “Life is a long lesson in humanity,” “Humans as slave of circumstances,” “Back to the Vedas,” “The path of glory leads but to the grave” – are some quotes remain popular and valuable in all times to read, to understand, and to follow.
Download or read book Stigmas of the Tamil Stage written by Susan Seizer and published by Duke University Press. This book was released on 2005-04-11 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the lives of popular theater artists, Stigmas of the Tamil Stage is the first in-depth analysis of Special Drama, a genre of performance unique to the southernmost Indian state of Tamilnadu. Held in towns and villages throughout the region, Special Drama performances last from 10 p.m. until dawn. There are no theatrical troupes in Special Drama; individual artists are contracted “specially” for each event. The first two hours of each performance are filled with the kind of bawdy, improvisational comedy that is the primary focus of this study; the remaining hours present more markedly staid dramatic treatments of myth and history. Special Drama artists themselves are of all ages, castes, and ethnic and religious affiliations; the one common denominator in their lives is their lower-class status. Artists regularly speak of how poverty compelled their entrance into the field. Special Drama is looked down upon by the middle- and upper-classes as too popular, too vulgar, and too “mixed.” The artists are stigmatized: people insult them in public and landlords refuse to rent to them. Stigma falls most heavily, however, on actresses, who are marked as “public women” by their participation in Special Drama. As Susan Seizer’s sensitive study shows, one of the primary ways the performers deal with such stigma is through humor and linguistic play. Their comedic performances in particular directly address questions of class, culture, and gender deviations—the very issues that so stigmatize them. Seizer draws on extensive interviews with performers, sponsors, audience members, and drama agents as well as on careful readings of live Special Drama performances in considering the complexities of performers’ lives both on stage and off.
