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Book Synthesizer Performance and Real time Techniques

Download or read book Synthesizer Performance and Real time Techniques written by Jeff Pressing and published by . This book was released on 1992 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: The changes wrought by the MIDI and microcomputer revolution in the 1980s have dramatically transformed the world's music. Listeners now expect much more from the electronic music composer and performer, not only in audio quality, but also in skill and versatility across styles. However, to date there has been no comprehensive source of information to ground the synthesizer artist in the requisite technologies and techniques.

Book Synthesizer Performance and Real time Techniques

Download or read book Synthesizer Performance and Real time Techniques written by Jeff Pressing and published by . This book was released on 1992 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: The changes wrought by the MIDI and microcomputer revolution in the 1980s have dramatically transformed the world's music. Listeners now expect much more from the electronic music composer and performer, not only in audio quality, but also in skill and versatility across styles. However, to date there has been no comprehensive source of information to ground the synthesizer artist in the requisite technologies and techniques.

Book The Synthesizer

    Book Details:
  • Author : Mark Vail
  • Publisher : Oxford University Press
  • Release : 2014-01-22
  • ISBN : 0199334854
  • Pages : 432 pages

Download or read book The Synthesizer written by Mark Vail and published by Oxford University Press. This book was released on 2014-01-22 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electronic music instruments weren't called synthesizers until the 1950s, but their lineage began in 1919 with Russian inventor Lev Sergeyevich Termen's development of the Etherphone, now known as the Theremin. From that point, synthesizers have undergone a remarkable evolution from prohibitively large mid-century models confined to university laboratories to the development of musical synthesis software that runs on tablet computers and portable media devices. Throughout its history, the synthesizer has always been at the forefront of technology for the arts. In The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument, veteran music technology journalist, educator, and performer Mark Vail tells the complete story of the synthesizer: the origins of the many forms the instrument takes; crucial advancements in sound generation, musical control, and composition made with instruments that may have become best sellers or gone entirely unnoticed; and the basics and intricacies of acoustics and synthesized sound. Vail also describes how to successfully select, program, and play a synthesizer; what alternative controllers exist for creating electronic music; and how to stay focused and productive when faced with a room full of instruments. This one-stop reference guide on all things synthesizer also offers tips on encouraging creativity, layering sounds, performance, composing and recording for film and television, and much more.

Book Materials and Techniques of Post Tonal Music

Download or read book Materials and Techniques of Post Tonal Music written by Stefan Kostka and published by Routledge. This book was released on 2018-03-13 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.

Book The Contemporary Violin

    Book Details:
  • Author : Patricia Strange
  • Publisher : Scarecrow Press
  • Release : 2003-01-21
  • ISBN : 1461664101
  • Pages : 353 pages

Download or read book The Contemporary Violin written by Patricia Strange and published by Scarecrow Press. This book was released on 2003-01-21 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by a composer and a musician, The Contemporary Violin offers a unique menu of avant-garde musical possibilities that both performers and composers will enjoy exploring. Allen and Patricia Strange's comprehensive study critically examines extended performance techniques found in the violin literature of the latter half of the twentieth century. Drawing from both published and private manuscripts, the authors present extended performance options for the acoustic, modified, electric, and MIDI violin, with signal processing and computer-related techniques, and include more than 400 notated examples. The authors begin with bowing techniques and proceed systematically through other aspects of string playing, including MIDI technologies. Their correspondence and research with many performers and composers, the book's extensive score and text bibliography, and the discography of more than 130 recordings make The Contemporary Violin a valuable contemporary music reference and guide. An additional benefit is its listing of Internet resources that will keep the reader up to date with recent developments in contemporary performance and composition. First published by UC Press, 2001.

Book Computers in Music Education

Download or read book Computers in Music Education written by Andrew Brown and published by Routledge. This book was released on 2012-09-10 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Computers in Music Education addresses the question of how computer technologies might best assist music education. For current and preservice music teachers and designed as a development tool, reference resource, and basic teaching text, it addresses pedagogical issues and the use of computers to aid production and presentation of students’ musical works. Written by a music educator and digital media specialist, it cuts through the jargon to present a concise, easy-to-digest overview of the field, covering: notation software MIDI sound creation downloading music posting personal MP3s for mass distribution. While there are many more technical books, few offer a comprehensive, understandable overview of the field. Computers in Music Education is an important text for the growing number of courses in this area.

Book Choosing and Using Audio and Music Software

Download or read book Choosing and Using Audio and Music Software written by Mike Collins and published by Taylor & Francis. This book was released on 2004 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides advice on which audio software and hardware to purchase, which is most suitable for your latest project or how best to move between platforms mid-project. The guide offers authoritative information and comparison between the systems currently available to help inform your own decisions.

Book The Oxford Handbook of Timbre

Download or read book The Oxford Handbook of Timbre written by Emily I. Dolan and published by Oxford University Press. This book was released on 2021-09-15 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.

Book Physical Theatres  A Critical Reader

Download or read book Physical Theatres A Critical Reader written by John Keefe and published by Routledge. This book was released on 2007-11-13 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning. In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides: six new, specially commissioned essays, covering each of the book’s main themes, from technical traditions to contemporary practises discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition a focus on the relationship and tensions between the verbal and the physical in theatre contributions from Augusto Boal, Stephen Berkoff, Étienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.

Book Pro Tools for Music Production

Download or read book Pro Tools for Music Production written by Mike Collins and published by CRC Press. This book was released on 2012-11-12 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive and colour-illustrated guide to the most popular music production package around.

Book Basic of sound and hearing  Part 5 electroacoustics

Download or read book Basic of sound and hearing Part 5 electroacoustics written by prof. ibrahim elnoshokaty and published by ibrahim elnoshokaty. This book was released on with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: electroacoustics This branch of acoustic engineering deals with the design of headphones, microphones, loudspeakers, sound systems, sound reproduction, and recording.[15] There has been a rapid increase in the use of portable electronic devices which can reproduce sound and rely on electroacoustic engineering, e.g. mobile phones, portable media players, and tablet computers. This term is also used for a set of electrokinetic effects that occur in heterogeneous liquids under influence of ultrasound. There is International Standard that describes such electroacoustic effects in details

Book Orchestration Theory

    Book Details:
  • Author : James E. Perone
  • Publisher : Bloomsbury Publishing USA
  • Release : 1996-04-30
  • ISBN : 0313387893
  • Pages : 200 pages

Download or read book Orchestration Theory written by James E. Perone and published by Bloomsbury Publishing USA. This book was released on 1996-04-30 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting detailed bibliographic information on all aspects of orchestration, instrumentation, and musical arranging with the broadest possible historical and stylistic palette, this work includes over 1,200 citations. The sources range from treatises, dissertations, and textbooks to journal articles and are cross-referenced and indexed. This is the only comprehensive bibliographic reference guide of its kind on the subject of orchestration. It will be of value to the music theory teacher, undergraduate and graduate students of orchestration, and the researcher. The book contains chapters devoted to book-length treatises; a general bibliography of journal articles and books partially related to orchestration; a chronological list of orchestration treatises; a list of jazz-arranging treatises; a list of band-related treatises; a list of treatises dealing with specific instruments or instrumental families; and an index. This is the first in a series of music theory reference books the author is developing.

Book BASICS OF SOUND AND HEARING

Download or read book BASICS OF SOUND AND HEARING written by Dr. ibrahim elnoshokaty and published by ibrahim elnoshokaty. This book was released on with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: Everyday your world is filled with a multitude of sounds. Sound can let you communicate with others or let others communicate with you. It can be a warning of danger or simply an enjoyable experience. Some sounds can be heard by dogs or other animals but cannot be heard by humans. The ability the hear is definitely an important sense, but people who are deaf are remarkable in the ways that they can compensate for their loss of hearing All of the sounds you can hear from plucking the strings above occur because mechanical energy produced by your computer speaker was transferred to your ear through the movement of atomic particles. Sound is a pressure disturbance that moves through a medium in the form of mechanical waves. When a force is exerted on an atom, it moves from its rest or equilibrium position and exerts a force on the adjacent particles. These adjacent particles are moved from their rest position and this continues throughout the medium. This transfer of energy from one particle to the next is how sound travels through a medium. The words "mechanical wave" are used to describe the distribution of energy through a medium by the transfer of energy from one particle to the next. Waves of sound energy move outward in all directions from the source. Your vocal chords and the strings on a guitar are both sources which vibrate to produce sound waves. Without energy, there would be no sound. Let's take a closer look at sound waves

Book Electronic and Computer Music

Download or read book Electronic and Computer Music written by Peter Manning and published by Oxford University Press. This book was released on 2013-04-25 with total page 570 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this new edition of the classic text on the history and evolution of electronic music, Peter Manning extends the definitive account of the medium from its birth to include key developments from the dawn of the 21st century to the present day. After explaining the antecedents of electronic music from the turn of the 20th century to the Second World War, Manning discusses the emergence of the early 'classical' studios of the 1950s, and the subsequent evolution of more advanced analogue technologies during the 1960s and '70s, leading in turn to the birth and development of the MIDI synthesizer. Attention then turns to the characteristics of the digital revolution, from the pioneering work of Max Mathews at Bell Telephone Laboratories in the 1950s to the wealth of resources available today, facilitated by the development of the personal computer and allied digital technologies. The scope and extent of the technical and creative developments that have taken place since the late 1990s are considered in an extended series of new and updated chapters. These include topics such as the development of the digital audio workstation, laptop music, the Internet, and the emergence of new performance interfaces. Manning offers a critical perspective of the medium in terms of the philosophical and technical features that have shaped its growth. Emphasizing the functional characteristics of emerging technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors to provide readers with the most comprehensive resource available on the evolution of this ever-expanding area of creativity.

Book Electronic Music

    Book Details:
  • Author : Nicholas Collins
  • Publisher : Cambridge University Press
  • Release : 2013-05-09
  • ISBN : 1107010934
  • Pages : 241 pages

Download or read book Electronic Music written by Nicholas Collins and published by Cambridge University Press. This book was released on 2013-05-09 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.

Book In the Course of Performance

    Book Details:
  • Author : Bruno Nettl
  • Publisher : University of Chicago Press
  • Release : 1998-12-15
  • ISBN : 9780226574103
  • Pages : 434 pages

Download or read book In the Course of Performance written by Bruno Nettl and published by University of Chicago Press. This book was released on 1998-12-15 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the Course of Performance is the first book in decades to illustrate and explain the practices and processes of musical improvisation. Improvisation, by its very nature, seems to resist interpretation or elucidation. This difficulty may account for the very few attempts scholars have made to provide a general guide to this elusive subject. With contributions by seventeen scholars and improvisers, In the Course of Performance offers a history of research on improvisation and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis. Such diverse genres as Italian lyrical singing, modal jazz, Indian classical music, Javanese gamelan, and African-American girls' singing games are examined. The most comprehensive guide to the understanding of musical improvisation available, In the Course of Performance will be indispensable to anyone attracted to this fascinating art. Contributors are Stephen Blum, Sau Y. Chan, Jody Cormack, Valerie Woodring Goertzen, Lawrence Gushee, Eve Harwood, Tullia Magrini, Peter Manuel, Ingrid Monson, Bruno Nettl, Jeff Pressing, Ali Jihad Racy, Ronald Riddle, Stephen Slawek, Chris Smith, R. Anderson Sutton, and T. Viswanathan.

Book Sound to Sense  Sense to Sound

Download or read book Sound to Sense Sense to Sound written by Pietro Polotti and published by Logos Verlag Berlin GmbH. This book was released on 2008 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1950s, Sound and Music Computing (SMC) research has had a profound impact on the development of culture and technology in our post-industrial society. SMC research approaches the whole sound and music communication chain from a multidisciplinary point of view. By combining scientific, technological and artistic methodologies it aims at understanding, modeling, representing and producing sound and music using computational approaches. This book, by describing the state of the art in SMC research, gives hints of future developments, whose general purpose will be to bridge the semantic gap, the hiatus that currently separates sound from sense and sense from sound.