Download or read book Studying 18th century Paintings and Works of Art on Paper written by Centre for Art Technological Studies and Conservation and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the second CATS Conference Proceedings with papers from the international conference: Technology & Practice: Studying 18th Century Paintings & Art on Paper. The conference was organised by CATS in collaboration with Helsinki Metropolia University of Applied Science in Helsinki, Finland; National museum in Stockholm, Sweden, and University of Oslo, Norway. The conference focused on artists' techniques and materials, source research, conservation science, the history of science and technology, trade and pharmacy during the 18th century. Speakers explored tradition and changes in artistic practices in the light of the establishment of a series of national Art Academies in Europe throughout the century. Papers include topics such as workshop practice and materials, art historical and technical approaches to documentary evidence and technical examination and the analysis of paintings and drawings. Also issues of trade, supply and questions concerning the demand for materials for diverse artistic expressions are analysed and discussed. Contents: ForewordDiscipline and wonder: the 18th-century art academy and the invention of the artist as a free practitionerMikkel BoghThe effect of Prussian blue on the technique of the Danish court painters Hendrik Krock and Benoît le CoffreLoa Ludvigsen, Mikala Bagge and Vibeke RaskBreaking new ground: investigating Pellegrini's use of ground in the Golden Room of the Mauritshuis Carol Pottasch, Susan Smelt and Ralph HaswellLiotard's pastels: techniques of an 18th-century pastellistLeila Sauvage and Cécile GombaudAn investigation of the painting technique in portraits by Jens JuelTine Louise Slotsgaard72 florin for colours, white and glue: the Tiepolos, the Veninos and WürzburgAndreas Burmester and Stefanie CorrellThe coarse painter and his position in 17th- and 18th-century Dutch decorative paintingPiet Bakker, Margriet van Eikema Hommes and Katrien KeuneA 'painted chamber' in Beverwijk by Johannes Luberti Augustini: novel insights into the working methods and painting practices in a painted wall-hanging factoryIge Verslype, Johanneke Verhave, Susan Smelt, Katrien Keune, Hinke Sigmond and Margriet van Eikema HommesEighteenth-century practices in the art academies in Spain: the use of paper in prints and drawingsClara de la Peña McTigueNicolai Abildgaard: an 18th-century Danish artist and his paperIngelise Nielsen and Niels BorringSemi-mechanical transfer methods in Nicolai Abildgaard's drawingsNiels BorringCanvas supports in paintings by Nicolai Abildgaard: fabrics and formatsTroels Filtenborg'1st olio after Capivi' copaiba balsam in the paintings of Sir Joshua ReynoldsAlexandra Gent, Rachel Morrison and Nelly von AderkasFerdinand Bauer's Flora Graeca colour code Richard Mulholland
Download or read book Scientific Examination of Art written by and published by National Academies Press. This book was released on 2005-01-01 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
Download or read book Artists and Amateurs written by Perrin Stein and published by Yale University Press. This book was released on 2013-10-29 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Download or read book Paper and Light written by Julian Brooks and published by Getty Publications. This book was released on 2024-10-29 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume looks at the techniques and materials that artists have utilized since the Renaissance to create spectacular light effects in drawings. The treatment of light and shadow is one of the building blocks of drawing. From techniques such as highlights and reserves, to material selection and the creation of translucent tracing paper, to the use of light as a medium for viewing artworks, artists for hundreds of years have found innovative and dazzling ways to create light on a sheet of paper. This publication examines the central relationship between paper and light in the world of drawings in western European art from the Renaissance to the twentieth century. Focusing on drawings from the collection of the J. Paul Getty Museum, as well as works from the British Museum, Musée du Louvre, and others, and featuring masterful works by such artists as Parmigianino, Leonardo da Vinci, Nicolas Poussin, Odilon Redon, Edgar Degas, and Georges Seurat, Paper and Light will entice readers to look longer and more closely at drawings, deriving an even deeper appreciation for the skill and labor that went into them. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 15, 2024, to January 19, 2025.
Download or read book Collecting in the 18th Century written by and published by . This book was released on 1981 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Historical Painting Techniques Materials and Studio Practice written by Arie Wallert and published by Getty Publications. This book was released on 1995-08-24 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Download or read book Ad vivum written by Thomas Balfe and published by BRILL. This book was released on 2019-06-07 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ad Vivum? explores the issues raised by this Latin term and its vernacular cognates al vivo, au vif, nach dem Leben and naer het leven with reference to a variety of visual materials produced and used in Europe before 1800.
Download or read book Drawing on Blue written by Edina Adam and published by Getty Publications. This book was released on 2024-02-13 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: This engaging book highlights the role of blue paper in the history of drawing. The rich history of blue paper, from the late fifteenth to the mid-eighteenth centuries, illuminates themes of transcultural interchange, international trade, and global reach. Through the examination of significant works, this volume investigates considerations of supply, use, economics, and innovative creative practice. How did the materials necessary for the production of blue paper reach artistic centers? How were these materials produced and used in various regions? Why did they appeal to artists, and how did they impact artistic practice and come to be associated with regional artistic identities? How did commercial, political, and cultural relations, and the mobility of artists, enable the dispersion of these materials and related techniques? Bringing together the work of the world’s leading specialists, this striking publication is destined to become essential reading on the history, materials, and techniques of drawings executed on blue paper.
Download or read book Trading Paintings and Painters Materials written by Anne Haack Christensen and published by . This book was released on 2019-07-08 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: The papers in this volume were presented at the CATS international technical art history conference Trading Paintings and Painters' Materials 1550-1800 which explored international markets for paintings and artists' materials in the early modern period and their implications for artistic production. Questions central to these papers include: did preferences exist for artists' materials and paintings from specific geographical areas in particular places and if so why? How did the import of painting materials and artworks impact local production, connoisseurship and art theory? In what conditions were these artists' materials and finished artworks produced and traded in early modern Europe and beyond? The lavishly illustrated contributions in this volume deal with the above questions and shed light on different trades, products, countries and timeframes by combining a large variety of methods and sources, including visual analyses, written sources, pigment analyses and archaeological excavations. This fourth CATS Proceedings will be of interest to scholars and students, museum professionals, curators, conservators, art historians and conservation scientists.
Download or read book The Eighteenth Century Watteau to Tiepolo written by Francois Fosca and published by . This book was released on 2011-06-01 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Art of Painting written by Gérard de Lairesse and published by . This book was released on 1738 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Place of Many Moods written by Dipti Khera and published by Princeton University Press. This book was released on 2020-09-29 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: "India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--
Download or read book Eighteenth century French Drawings in New York Collections written by Perrin Stein and published by Metropolitan Museum of Art. This book was released on 1999 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Collecting in the 18th Century written by and published by . This book was released on 1981 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Art of Parmigianino written by David Franklin and published by Yale University Press. This book was released on 2003-01-01 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The beauty and range of the work of the sixteenth-century artist Parmigianino as painter, draughtsman, and printmaker make him one of the most remarkable figures of the Italian Renaissance. He was an artist who seemed to discover his style without any effort, and his art was universally recognized as being graceful, or full of grace. In his day, "grace" was understood to be a spiritual endowment, conferring qualities that could not be taught. It was one of the preconditions of natural genius, so highly valued among Renaissance artists. But nothing as effortlessly elegant as Parmigianino's drawings and paintings could have been achieved without effort. It is through a close study of the drawings, in particular, that one is able to discern the sources of Parmigianino's style and the creative struggles he endured. This illustrated study offers a comprehensive reassessment of his work as a draughtsman. More than eighty works on paper, selected from collections around the world, are discussed in detail. Among Renaissance artists, Parmigianino was perhaps more conscious than any of the potential of the graphic arts to convey, and indeed broadcast, complex ideas. He explored this potential himself, not only by means of his numerous drawings but also through the etchings he produced on his own (effectively introducing this print medium into Italian art) and through the engravings and chiaroscuro woodcuts that were made after his designs. In these media, his influence travelled farther and wider than it could have through his paintings alone. This book coinciding with the quincentenary of the artist's birth in Parma in 1503, accompanies an exhibition presented at the National Gallery of Canada, Ottawa, from October 3, 2003 to January 4, 2004, and at The Frick Collection, New York, from January 27 to April 18, 2004.
Download or read book The Rediscovery of Antiquity written by Jane Fejfer and published by Museum Tusculanum Press. This book was released on 2003 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classical Archaeologists, art historians and artists consider the Role of the Artist' in the rediscovery of the past.
Download or read book On Canvas written by Stephen Hackney and published by Getty Publications. This book was released on 2020-02-11 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas. Throughout its long history in Western art, canvas has played an influential role in the creative process. From the Renaissance development of oil painting on canvas to the present day—through Impressionism, Abstract Expressionism, and other art historical movements—the use of canvas has enhanced the scale of painting, freedom of brushwork, and spontaneity in technique. This book recounts some of that rich history in relation to corresponding developments in conservation practice. Rather than concentrating on the familiar concerns of cleaning and varnish removal, this volume considers the preservation of a painting’s structure. By focusing on recent studies on the fundamental nature of canvas and its mechanisms of deterioration, the book explains new approaches to the conservation of both contemporary and historical art—including reversible, passive, and preventive treatments, particularly with respect to lining. Written by Stephen Hackney, a conservation practitioner and leader in conservation research, On Canvas is the first book to take a comprehensive look at this important subject and is destined to become an invaluable resource for the field.
