Download or read book Studies in Medieval Music Theory and the Early Sequence written by Richard L. Crocker and published by Routledge. This book was released on 1997 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores such aspects of medieval music theory as the influence of Pythagorean mathematics and musical thought, rhythm and meter, alphabetic notation, Hermann's major sixth, descant, counterpoint, harmony, Zarlino's renumbering of the modes, the troping hypothesis, the repertory of proses at Saint Martial de Limoges in the 10th century, and the early Frankish sequence as a new musical form. The 18 essays are reproduced from previous journal publication between 1958 and 1975. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Tonal Consciousness and the Medieval West written by Fiona McAlpine and published by Peter Lang. This book was released on 2008 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tonal consciousness, in the sense of a clear intuition about which note or chord a piece of music will finish on, is as much a part of our everyday experience of music as it is of contemporary music theory. This book asks to what extent such tonal consciousness might have operated in the minds of musicians of the Middle Ages, given the different tone world found in the modes of Gregorian chant, in troubadour and trouvère music, in Minnesang and in the early polyphony based upon chant. The author's approach is analytical, focusing on modality and balancing up-to-date concepts and methods of music analysis with those insights into their own compositional needs and processes that the people of the Middle Ages provided themselves through their writings about music. The book examines a range of both music sources and theoretical sources from the ninth to the thirteenth centuries. This is a ground-breaking contribution both to the study of medieval music and to music analysis.
Download or read book The Cambridge History of Western Music Theory written by Thomas Christensen and published by Cambridge University Press. This book was released on 2006-04-20 with total page 1033 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
Download or read book Reader s Guide to Music written by Murray Steib and published by Routledge. This book was released on 2013-12-02 with total page 928 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Download or read book Sourcebook for Research in Music Third Edition written by Allen Scott and published by Indiana University Press. This book was released on 2015-06-01 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Download or read book Revisiting the Music of Medieval France written by Manuel Pedro Ferreira and published by Taylor & Francis. This book was released on 2023-05-31 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvère and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.
Download or read book Greek and Latin Music Theory written by Edward Nowacki and published by Boydell & Brewer. This book was released on 2020 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: A long-needed overview of, and guide to, the principles behind the treatises on music theory written in ancient Greece and Rome and continuing through the Middle Ages.
Download or read book Music Theory and Natural Order from the Renaissance to the Early Twentieth Century written by Suzannah Clark and published by Cambridge University Press. This book was released on 2001 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.
Download or read book Reading Memory and Identity in the Texts of Medieval European Holy Women written by M. Cotter-Lynch and published by Springer. This book was released on 2012-03-14 with total page 471 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines a range of texts commemorating European holy women from the ninth through fifteenth centuries. Explores the relationship between memorial practices and identity formation. Draws upon much of the recent scholarly interest in the nature and uses of memory.
Download or read book Medieval Music Magical Minds written by Mary Devlin and published by iUniverse. This book was released on 2001-05-31 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: MEDIEVAL MUSIC, MAGICAL MINDS It has only been since the Age of Reason that human beings consider music to be strictly an aesthetic experience. Up until that time, however, music was both intended and designed to have a specific effect upon the mind and emotions of the listener. Religious chant was designed to raise consciousness. Dance music was meant to celebrate fertility, both human and that of the Earth, and to bring earthly joy and ecstasy to those both dancing and listening. This groundbreaking book fulfills two purposes. The first is to introduce interested musicians to the increasingly-popular field of medieval music. The second is to trace the history of all music, as well as its effect upon the level of awareness of the listeners. Internationally-noted soprano Mary Devlin, a great lover of medieval music expounds upon both her studies and her experience with that genre to try to recreate the thoughts and feelings of the people in the Middle Ages who once composed, performed, and lived that music.
Download or read book Mathematics and Music written by Gerard Assayag and published by Springer Science & Business Media. This book was released on 2013-06-29 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Western Civilization Mathematics and Music have a long and interesting history in common, with several interactions, traditionally associated with the name of Pythagoras but also with a significant number of other mathematicians, like Leibniz, for instance. Mathematical models can be found for almost all levels of musical activities from composition to sound production by traditional instruments or by digital means. Modern music theory has been incorporating more and more mathematical content during the last decades. This book offers a journey into recent work relating music and mathematics. It contains a large variety of articles, covering the historical aspects, the influence of logic and mathematical thought in composition, perception and understanding of music and the computational aspects of musical sound processing. The authors illustrate the rich and deep interactions that exist between Mathematics and Music.
Download or read book Foundations of Diatonic Theory written by Timothy A. Johnson and published by Scarecrow Press. This book was released on 2008-09-26 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Foundations of Diatonic Theory: A Mathematically Based Approach to Music Fundamentals is an introductory, undergraduate-level textbook that provides an easy entry point into the challenging field of diatonic set theory, a division of music theory that applies the techniques of discrete mathematics to the properties of diatonic scales. After introducing mathematical concepts that relate directly to music theory, the text concentrates on these mathematical relationships, firmly establishing a link between introductory pedagogy and recent scholarship in music theory. It then relates concepts in diatonic set theory directly to the study of music fundamentals through pedagogical exercises and instructions. Ideal for introductory music majors, the book requires only a general knowledge of mathematics, and the exercises are provided with solutions and detailed explanations. With its basic description of musical elements, this textbook is suitable for courses in music fundamentals, music theory for non-music majors, music and mathematics, and other similar courses that allow students to improve their mathematics skills while pursuing the study of music.
Download or read book Early Music History Volume 20 written by Iain Fenlon and published by Cambridge University Press. This book was released on 2002-04-08 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 20 include: The Footnote Quarrels of the Modal Theory: A Remarkable Episode in the Reception of Medieval Music; The Vatican Organum Treatise Re-examined; Ludwig Senfl and the Judas Trope: Composition and Religious Toleration at the Bavarian Court; Who 'Made' the Magnus liber?
Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Download or read book 1997 written by Massimo Mastrogregori and published by Walter de Gruyter. This book was released on 2013-05-08 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
Download or read book The Sources of Beneventan Chant written by Thomas Forrest Kelly and published by Taylor & Francis. This book was released on 2023-05-31 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: The area whose capital was the southern Lombard city of Benevento developed a culture identified with the characteristic form of writing known as the Beneventan script, which was used throughout the area and was brought to perfection at the abbey of Montecassino in the late eleventh century. This repertory, along with other now-vanished or suppressed local varieties of music, give a far richer picture of the variety of musical practice in early medieval Europe than was formerly available. Thomas Forrest Kelly has identified and collected the surviving sources of an important repertory of early medieval music; this is the so-called Beneventan Chant, used in southern Italy in the early middle ages, before the adoption there of the now-universal music known as Gregorian chant. Because it was deliberately suppressed in the course of the eleventh century, this music survives mostly in fragments and palimpsests, and the fascinating process of restoring the repertory piece by piece is told in the studies in this book. A companion volume to this collection also by Professor Kelly details the practice of Medieval music.
Download or read book Studies in English Church Music 1550 1900 written by Nicholas Temperley and published by Taylor & Francis. This book was released on 2023-06-14 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.
