Download or read book Staging a Revolution written by Peter J. Chelkowski and published by . This book was released on 2000 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to examine this colossal political event through the images that set it in motion. With previously unpublished historical sources and essays by Peter Chelkowski and Hamid Dabashi.
Download or read book Staging Revolution written by Xing Fan and published by Hong Kong University Press. This book was released on 2018-01-11 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merits. As a prominent component shaping the culture of the Cultural Revolution, model Beijing Opera (jingju) is the epitome of art used for political ends. Arguing against commonly accepted interpretations, Xing Fan demonstrates that in a performance of model jingju, political messages could only be realized through the most rigorously formulated artistic choices and conveyed by performers possessing exceptional techniques. Fan contextualizes model jingju at the intersection of history, artistry, and aesthetics. Integral to jingju’s interactions with politics are the practitioners’ constant artistic experimentations to accommodate the modern stories and characters within the jingju framework and the eventual formation of a new sense of beauty. Therefore, a thorough understanding of model jingju demands close attention to how the artists resolved actual production problems, which is a critical perspective missing in earlier studies. This book provides exactly this much-needed dimension of analysis by scrutinizing the decisions made in the real, practical context of bringing dramatic characters to life on stage, and by examining how major artistic elements interacted with each other, sometimes harmoniously, sometimes antagonistically. Such an approach necessarily places jingju artists center stage. Making use of first person accounts of the creative process, including numerous interviews conducted by the author, Fan presents a new appreciation of a lived experience that, on a harrowing journey of coping with political interference, was also filled with inspiration and excitement. “This fascinating study is ground-breaking and timely. Xing Fan masterfully demonstrates how the creative choices made by playwrights, directors, musicians, actors, and designers intersected with one another in creating an aesthetics of the model theater during the Cultural Revolution. A must-read for anyone interested in Chinese literature and drama, theater studies, and comparative literature.” —Xiaomei Chen, University of California, Davis “Though no longer in fashion, the model revolutionary operas of the Cultural Revolution are still occasionally performed. Xing Fan has done us a great service by analyzing them in detail and reminding us of their merits. I thoroughly enjoyed this engaging book and learned a lot from it. I recommend it strongly.” —Colin Mackerras, Griffith University
Download or read book Staging Chinese Revolution written by Xiaomei Chen and published by Columbia University Press. This book was released on 2016-11-08 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Chinese Revolution surveys fifty years of theatrical propaganda performances in China, revealing a dynamic, commercial capacity in works often dismissed as artifacts of censorship. Spanning the 1960s through the 2010s, Xiaomei Chen reads films, plays, operas, and television shows from an interdisciplinary and comparative perspective, demonstrating how, in a socialist state with "capitalist characteristics," propaganda performance turns biographies, memoirs, and war stories into mainstream ideological commodities, legitimizing the state and its right to rule. Analyzing propaganda performance also brings contradictions and inconsistencies to light that throw common understandings about propaganda's purpose into question. Chen focuses on revisionist histories that stage the lives of the "founding fathers" of the Communist Party, such as Chen Duxiu, Mao Zedong, and Deng Xiaoping, and the engaging mix of elite and ordinary characters that animate official propaganda in the private and public sphere. Taking the form of "personal" memories and representing star and youth culture and cyberspace, contemporary Chinese propaganda appeals through multiple perspectives, complicating relations among self, subject, agent, state building, and national identity. Chen treats Chinese performance as an extended form of political theater confronting critical issues of commemoration, nostalgia, state rituals, and contested history. It is through these reenactments that three generations of revolutionary leaders loom in extraordinary ways over Chinese politics and culture.
Download or read book Staging the French Revolution written by Mark Darlow and published by Oxford University Press. This book was released on 2012-05-03 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last decade, the theatre and opera of the French Revolution have been the subject of intense scholarly reassessment, both in terms of the relationship between theatrical works and politics or ideology in this period and on the question of longer-scale structures of continuity or rupture in aesthetics. Staging the French Revolution: Cultural Politics and the Paris Opera, 1789-1794 moves these discussions boldly forward, focusing on the Paris Opéra (Académie Royale de Musique) in the cultural and political context of the early French Revolution. Both institutional history and cultural study, this is the first ever full-scale study of the Revolution and lyric theatre. The book concentrates on three aspects of how a royally-protected theatre negotiates the transition to national theatre: the external dimension, such as questions of ownership and governance and the institution's relationship with State institutions and popular assemblies; the internal management, finances, selection and preparation of works; and the cultural and aesthetic study of the works themselves and of their reception. In Staging the French Revolution, author Mark Darlow offers an unprecedented view of the material context of opera production, combining in-depth archival research with a study of the works themselves. He argues that a mixture of popular and State interventions created a repressive system in which cultural institutions retained agency, compelling individuals to follow and contribute to a shifting culture. Theatre thereby emerged as a locus for competing discourses on patriotism, society, the role of the arts in the Republic, and the articulation of the Revolution's relation with the 'Old Regime', and is thus an essential key to the understanding of public opinion and publicity at this crucial historical moment. Combining recent approaches to institutions, sociability, and authors' rights with cultural studies of opera, Staging the French Revolution takes a historically grounded and methodologically innovative cross-disciplinary approach to opera and persuasively re-evaluates the long-standing, but rather sterile, concept of propaganda.
Download or read book Staging History written by Michael Burden and published by Bodleian Library. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In the late eighteenth and early nineteenth centuries, historical subjects became some of the most popular topics for stage dramas of all kinds on both sides of the Atlantic. The medium of drama ensured that the telling of these histories--the French Revolution and the American War of Independence, for example, or the travels of Captain Cook and Christopher Columbus--were brought to life through words, music and spectacle. The scale of the productions was often ambitious: a water tank with model floating ships was deployed at Sadler's Wells for the staging of the Siege of Gibraltar, and another production on the same theme used live cannons which set fire to the vessels in each performance. Exploring contemporary theatrical documents and images including playbills, set designs, musical scores and prints, this illustrated collection of essays examines a number of extraordinary dramatic productions and casts light on their role in shaping a popular interpretation of historical events."--
Download or read book Staging the revolution written by Rachel Willie and published by Oxford University Press. This book was released on 2015-10-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging the revolution offers a reappraisal of the weight and volume of theatrical output during the commonwealth and early Restoration, both in terms of live performances and performances on the paper stage. It argues that the often-cited notion that 1642 marked an end to theatrical production in England until the playhouses were reopened in 1660 is a product of post-Restoration re-writing of the English civil wars and the representations of royalists and parliamentarians that emerged in the 1640s and 1650s. These retellings of recent events in dramatic form mean that drama is central to civil-war discourse. Staging the revolution examines the ways in which drama was used to rewrite the civil war and commonwealth period and demonstrates that, far from marking a clear cultural demarcation from the theatrical output of the early seventeenth century, the Restoration is constantly reflecting back on the previous thirty years.
Download or read book Staging a Revolution written by Kath Kenny and published by Upswell. This book was released on 2022-09-01 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claire Dobbin, Helen Garner, Evelyn Krape, Jude Kuring and Yvonne Marini mocked the ocker character beloved by Pram Factory playwrights, and performed monologues about men, sex, and how they felt "as a woman". Directed by Kerry Dwyer and produced by the Carlton Women's Liberation group, the play's frank revelations stunned audiences and shocked the Pram Factory world. Set against a backdrop of moratorium marches, inner-city cafes and share houses, and the rising tide of sexual liberation and countercultural movements, Kath Kenny uses interviews and archival material to tell the story of Betty Can Jump. On the 50th anniversary of this ground-breaking play, she considers its ongoing impact on Australian culture, and asks why the great cultural renaissance of women's liberation has been largely forgotten. She sets out her stake in this story, as a theatre reviewer today and as a child born into the revolutionary early 1970s. And she asks why feminism keeps getting stuck in mother-daughter battles, rethinking her own experience as a young feminist who clashed with Garner over the publication of The First Stone.
Download or read book Staging the World written by Rebecca E. Karl and published by Duke University Press. This book was released on 2002-04-22 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVAn historical analysis of how the Chinese constructed their understandings of their place in the world in the late nineteenth and early twentieth centuries./div
Download or read book Staging History written by Astrid Oesmann and published by State University of New York Press. This book was released on 2012-02-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging History analyzes the commitment to social change present in the theatrical and theoretical writings of Bertolt Brecht. Challenging previous notions, Astrid Oesmann argues that Brecht's work was less dependent on Marxist ideology than is often assumed and that his work should be seen as a coherent whole. Brecht used the stage to release political ideas into experimental spaces in which actors and spectators could explore the relationships between abstract thought and concrete social life. Oesmann places Brecht within the context of the major leftist theorists of the twentieth century, particularly Adorno, Benjamin, and Lukàcs, focusing on their discussions of realism, aesthetics, natural history, and mimesis. Oesmann elaborates upon the vision of a "counter-public sphere" in a number of Brecht's theoretical texts and plays—especially The Three Penny Trial and Fear and Misery of the Third Reich—that present the emergence of such a sphere in the face of fascism. By exploring Brecht's theoretical writings, selected plays, and recently published theatrical fragments, Oesmann reveals unpredictable constructions of history and surprising distinctions among various political ideologies, while also proving that Brecht remains vitally relevant to a "post-communist" world.
Download or read book London in a Box written by Odai Johnson and published by University of Iowa Press. This book was released on 2017-05-15 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: 2017 Theatre Library Association Freedley Award Finalist In this remarkable feat of historical research, Odai Johnson pieces together the surviving fragments of the story of the first professional theatre troupe based in the British North American colonies. In doing so, he tells the story of how colonial elites came to decide they would no longer style themselves British gentlemen, but instead American citizens. London in a Box chronicles the enterprise of David Douglass, founder and manager of the American Theatre, from the 1750s to the climactic 1770s. How he built this network of patrons and theatres and how it all went up in flames as the revolution began is the subject of this witty history. A treat for anyone interested in the world of the American Revolution and an important study for historians of the period.
Download or read book Staging the Past written by Maria Bucur and published by Purdue University Press. This book was released on 2001 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains three sections of essays which examine the role of commemoration and public celebrations in the creation of a national identity in Habsburg lands. It also seeks to engage historians of culture and of nationalism in other geographic fields as well as colleagues who work on Habsburg Central Europe, but write about nationalism from different vantage points. There is hope that this work will help generate a dialogue, especially with colleagues who live in the regions that were analyzed. Many of the authors consider the commemorations discussed in this volume from very different points of view, as they themselves are strongly rooted in a historical context that remains much closer to the nationalism we critique.
Download or read book Staging Social Justice written by Norma Bowles and published by SIU Press. This book was released on 2013-06-03 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fringe Benefits, an award-winning theatre company, collaborates with schools and communities to create plays that promote constructive dialogue about diversity and discrimination issues. Staging Social Justice is a groundbreaking collection of essays about Fringe Benefits’ script-devising methodology and their collaborations in the United States, Australia, Canada and the United Kingdom. The anthology also vividly describes the transformative impact of these creative initiatives on participants and audiences. By reflecting on their experiences working on these projects, the contributing writers—artists, activists and scholars—provide the readerwith tools and inspiration to create their own theatre for social change. “Contributors to this big-hearted collection share Fringe Benefits’ play devising process, and a compelling array of methods for measuring impact, approaches to aesthetics (with humor high on the list), coalition and community building, reflections on safe space, and acknowledgement of the diverse roles needed to apply theatre to social justice goals. The book beautifully bears witness to both how generative Fringe Benefits’ collaborations have been for participants and to the potential of engaged art in multidisciplinary ecosystems more broadly.”—Jan Cohen-Cruz, editor of Public: A Journal of Imagining America
Download or read book Staging Discomfort written by Bretton White and published by University Press of Florida. This book was released on 2020-05-11 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: This visionary volume examines how queer bodies are theatrically represented on the Cuban stage in ways that challenge one of the state’s primary revolutionary tools, the categorization and homogenization of individuals. Bretton White critically analyzes contemporary performances that upset traditional understandings of performer and spectator, as well as what constitutes the ideal Cuban citizenry. Following the 1959 revolution, nonconformists were monitored and reported by local committees and punished or reformed by the government. Censorship was rampant, and Cuban art suffered as the state tried to control the national message. Through the lens of queer theory, White explores how the body has been central to the state’s fear-based marginalization of gay life and looks at the ways these theatrical performances defuse that fear. She highlights the revolutionary model of masculinity and the role it plays in excluding people based upon visible queer difference. White finds that, through experimental performances of sexuality, actors create connections with audiences to evoke shared feelings of discomfort, intimacy, shame, longing, frustration, and failure, which echo the prevalence of these feelings in other Cuban spaces. By performing queerness, these plays question the state’s narrative of heteronormativity and empower citizens to negotiate alternative understandings of Cuban identity.
Download or read book Staging Faith written by Craig R. Prentiss and published by NYU Press. This book was released on 2014 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: - "Lively descriptions... compelling analysis... and careful attention to historical contexts." - Judith Weisenfeld, author of Hollywood Be Thy Name "Methodically and brilliantly probes the nuances... One of the most brilliant and engaging studies on African American theater." - David Krasner, author of A Beautiful Pageant
Download or read book Belarus Free Theatre Staging a Revolution written by Belarus Free Theatre and published by Bloomsbury Publishing. This book was released on 2016-11-17 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: The International Contest of Contemporary Drama (ICCD) was set up by Belarus Free Theatre to encourage new writing and to promote Belarusian cultural identity on an international stage with the participation of artists across Europe. The contest will be held underground in Belarus, hidden from the authorities, and simultaneously in London, and means that Belarusian playwrights, who remain isolated in their own country because of the state policy on internet censorship and media control, and are banned from performing can be recognized for their work internationally, and have the opportunity to show their work free from state oppression. This publication is dedicated to promoting the works of the winning playwrights. This collection contains: Herman, Franz and Gregor by Julia Tupikina DIPROSOPUS: A Story in Two Faces by Lyudmila Zaytseva ONYX by Maxim Dosko Same Thing BY OLGA PRUSAK The Time Wardrobe or The New Adventures of D’Artagnan by Yuri Leonidovich Harin The Women and the Sniper by Tatiana Kitsenko
Download or read book Staging Civilization written by Rahul Markovits and published by University of Virginia Press. This book was released on 2021-07-07 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eighteenth-century France is understood to have been the dominant cultural power on that era’s international scene. Considering the emblematic case of the theater, Rahul Markovits goes beyond the idea of "French Europe" to offer a serious consideration of the intentions and goals of those involved in making this so. Drawing on extensive archival research, Staging Civilization reveals that between 1670 and 1815 at least twenty-seven European cities hosted resident theater troupes composed of French actors and singers who performed French-language repertory. By examining the presence of French companies of actors in a wide set of courts and cities throughout Europe, Markovits uncovers the complex mechanisms underpinning the dissemination of French culture. The book ultimately offers a revisionist account of the traditional Europe française thesis, engaging topics such as transnational labor history, early-modern court culture and republicanism, soft power, and cultural imperialism.
Download or read book Working Class Politics in the German Revolution written by Ralf Hoffrogge and published by BRILL. This book was released on 2014-09-11 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Müller, a leading figure of the German Revolution in 1918, is unknown today. As the operator and unionist who represented Berlin’s metalworkers, he was main organiser of the ‘Revolutionary Stewards’, a clandestine network that organised a series of mass strikes between 1916 and 1918. With strong support in the factories, the Revolutionary Stewards were the driving force of the Revolution. By telling Müller's story, this study gives a very different account of the revolutionary birth of the Weimar Republic. Using new archival sources and abandoning the traditional focus on the history of political parties, Ralf Hoffrogge zooms in on working class politics on the shop floor and its contribution to social change. First published in German by Karl Dietz Verlag as Richard Müller - Der Mann hinter der November Revolution, Berlin, 2008, this english edition was completerly revised for the english speaking audience and contains new sources and recent literature.
