Download or read book From Stage to Screen written by Bill Britten and published by Bloomsbury Publishing. This book was released on 2014-11-20 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: The camera enables us to see right into a character's soul, revealing his or her innermost thoughts and emotions. Screen acting requires a more rigorously truthful and spontaneous performance than the stage, as well as very different technical expertise. From Stage to Screen is a handbook for the professional actor packed with advice on how to make the transition and fully prepare for a TV or film role. The book is divided into three sections: the first examines the relationship between the actor and the camera and how it differs from that of a performer with a stage audience; the second addresses the technical skills the screen actor needs in order to work as part of a large collaborative team and 'make the shot work'; and the third explores the very different experience of an actor working on a screen project, including getting the job, how to prepare properly, what to expect and how to manage the whole process, from casting through to ADR, in order to deliver the very best work.
Download or read book Film and Television Acting written by Ian Bernard and published by CRC Press. This book was released on 1997-12-11 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film and Television Acting offers solid techniques for creating a natural, believable performance for film and television. The reader will discover techniques for listening and reacting, blocking and business, character, focus, the closeup, and comedy as they pertain to acting in front of a camera. The book analyzes the differences between theatre, film, and television acting, providing the theatre trained actor with specific approaches for making the transition to on-camera work. This second edition is thoroughly revised and updated. The book contains numerous scenes and exercises, including sample scenes from Cheers and Seinfeld, which provide the reader with ways to practice the specific techniques outlined by the author. Included are interviews with well-know actors and directors: Don Murray, Norman Jewison, and Emmy award winner, Glenn Jordan, to name a few. These interviews illustrate how the professionals apply their training and technique to filmed performances. There is also a chapter-length interview with John Lithgow, in which the actor provides a first-hand account of the differences of acting for the theatre and for the camera.
Download or read book From Stage to Screen written by Massimiliano Sala and published by Brepols Pub. This book was released on 2012 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers new contributions to international scholarship on musical films (1927-1961), focusing in particular on the relationships between entertainment genres such as operetta, cafe music, music hall, cabaret, revue that were prominent during the early years of film. In this volume twenty scholars investigate a number of significant aspects of the topic, exploring the interrelations and possible borrowings between European film culture (including some reference to Eastern European film culture), and the musical theatre and film tradition of the United States. The authors featured are: Lauren Acton, Beatrice Birardi, Antonio Caroccia, Marija Ciric, Jonathan De Souza, James Deutsch, Alexandra Grabarchuk, Clara Huber, Ryan P. Jones, Raymond Knapp, Isabelle Le Corff, Sergio Miceli, Matilde Olarte, Jaume Radigales, Elena Redaelli, Marida Rizzuti, Cecile Vendramini, Isabel Villanueva, Delphine Vincent, Emile Wennekes, Leanne Wood, Iryna Yaroshchuk.
Download or read book Adapting Performance Between Stage and Screen written by Victoria Lowe and published by . This book was released on 2020 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fight Direction for Stage and Screen written by William Hobbs and published by . This book was released on 1995 with total page 143 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Hobbs has written his book as a guide to the inexperienced, so they are able to put their ideas into action more smoothly. The author's aim is to promote a more professional attitude and way of thinking about the task of performing and arranging fights that will demonstrate the range of exciting challenges which are open to directors, actors and fight arrangers alike. Both amateurs and professionals will find the problems and dangers of stage combat dealt with by the author. There is a fully illustrated glossary of strokes, a chapter on battle scenes and mass fighting, and an account of how to arrange comic and symbolic fights and how to stage unarmed fights. The author explains his system of notation for recording the moves of a fight, and includes a 6short chapter on weapons. The final chapter covers slapstick - a deceptively simple art. Forewords by Laurence Olivier and Roman Polanski. The author's first fight direction was for Franco Zefferelli's Romeo and Juliet at the Old Vic and he was Fight Director to Olivier's National Theatre Company for 9 years. He has worked at the National Theatre with Peter Hall, the RSC, the Royal Opera House and the ENO and on many productions in Europe. His many TV productions include Olivier's King Lear and the recent BBC series, Clarissa. Fight direction on feature films includes Cyrano de Bergerac, Dangerous Liaisons, Hamlet, The Duellists, Excalibur and many others. He has just finished shooting the film Rob Roy."
Download or read book Acting Jewish written by Henry Bial and published by University of Michigan Press. This book was released on 2005 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Download or read book Twenty First Century Musicals written by George Rodosthenous and published by Routledge. This book was released on 2017-08-14 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twenty-First Century Musicals stakes a place for the musical in today’s cinematic landscape, taking a look at leading contemporary shows from their stage origins to their big-screen adaptations. Each chapter offers a new perspective on a single musical, challenging populist narratives and exploring underlying narratives and sub-texts in depth. Themes of national identity; race, class and gender; the ‘voice’ and ‘singing live’ on film; authenticity; camp sensibilities; and the celebration of failure are addressed in a series of questions including: How does the film adaptation provide a different viewing experience from the stage version? What themes are highlighted in the film adaptation? What does the new casting bring to the work? Do camera angles dictate a different reading from the stage version? What is lost/gained in the process of adaptation to film? Re-interpreting the contemporary film musical as a compelling art form, Twenty-First Century Musicals is a must-read for any student or scholar keen to broaden their understanding of musical performance.
Download or read book Peter Pan on Stage and Screen 1904 2010 2d ed written by Bruce K. Hanson and published by McFarland. This book was released on 2011-08-10 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recounting the more than century-long stage and screen history of J.M. Barrie's play Peter Pan, Bruce K. Hanson updates and expands his 1993 volume on "The Boy Who Wouldn't Grow Up." Hanson traces the origin of Barrie's tale through the first London production in 1904, to various British and American theatrical and film productions up to and including the stage versions of 2010. Included are excerpts of interviews with actresses Dinah Sheridan, Mary Martin and Sandy Duncan, all of whom portrayed Peter Pan on stage, and Betty Comden and Adolph Green, lyricists for the 1954 Broadway musical. The book features a wealth of rare photos, posters, programs and costume designs. An appendix lists virtually every actor who has performed a featured role in a London, Broadway or Hollywood production of Peter Pan from 1904 to the present.
Download or read book The Disney Musical on Stage and Screen written by George Rodosthenous and published by Bloomsbury Publishing. This book was released on 2017-06-29 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance. The volume is divided into three sections to provide a contextual analysis of Disney's most famous musicals: · DISNEY MUSICALS: ON FILM · DISNEY ADAPTATIONS: ON STAGE AND BEYOND · DISNEY MUSICALS: GENDER AND RACE The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies, Frozen, High School Musical, Aladdin and The Jungle Book. The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television in the early 1990s and 2000s. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact.
Download or read book Teachers and Teaching on Stage and on Screen written by Diane Conrad and published by . This book was released on 2019 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Portrayals of teachers in stage plays and films abound. This edited anthology brings together scholars in education to seriously reflect upon portrayals of teachers and teaching in theatre and film.
Download or read book The Looming Tower written by Lawrence Wright and published by Vintage. This book was released on 2006-08-08 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: NATIONAL BESTSELLER • PULITZER PRIZE WINNER • A “heart-stopping account of the events leading up to 9/11” (The New York Times Book Review), this definitive history explains in gripping detail the growth of Islamic fundamentalism, the rise of al-Qaeda, and the intelligence failures that culminated in the attacks on the World Trade Center. In gripping narrative that spans five decades, Lawrence Wright re-creates firsthand the transformation of Osama bin Laden and Ayman al-Zawahiri from incompetent and idealistic soldiers in Afghanistan to leaders of the most successful terrorist group in history. He follows FBI counterterrorism chief John O’Neill as he uncovers the emerging danger from al-Qaeda in the 1990s and struggles to track this new threat. Packed with new information and a deep historical perspective, The Looming Tower is a sweeping, unprecedented history of the long road to September 11.
Download or read book Special Makeup Effects for Stage and Screen written by Todd Debreceni and published by Taylor & Francis. This book was released on 2013 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transforming an actor into a character for film or theater takes a great deal of skill, prowess, and creativity, and in this new edition, author Todd Debreceni empowers you with just those qualities. From his years of film, TV, and theatrical experience, he shows you tips and techniques that will have you applying your own makeup effects like a pro in no time. Along with walking you through genre-specific considerations (horror, fantasy, sci-fi, and so on) Todd also teaches you about the gear you will need, how to maintain your kit, how to take care of the actor's skin, how to airbrush properly when HD is involved, and so much more. Learn how to sculpt and mold your own makeup prosthetics, with a focus on how human anatomy relates to sculpture, to create the most realistic effects. Recipes scattered throughout the book show you exactly what you need and how to use it, helping you to create the best SFX makeup applications. Case studies feature some of the world's top makeup effects artists including Steve Wang, Thom Flouts, Ve Neill, Neill Gorton, Greg Nicotero, Kazuhiro Tsuji, Jordu Schell, Howard Berger, Matthew Mungle, Christien Tinsely, Vittorio Sodano, and Tami Lane. Put your new techniques into practice right away and see how some of the looks from the book were achieved with the step-by-step tutorials on the companion website, www.focalpress.com/cw/debreceni. New to this edition: * Animatronics * Specialty contact lenses * Collapsible core molds * Contoured or conforming molds * Making resin and silicone eyes * Even MORE information about silicone rld's top makeup effects artists including Steve Wang, Thom Flouts, Ve Neill, Neill Gorton, Greg Nicotero, Kazuhiro Tsuji, Jordu Schell, Howard Berger, Matthew Mungle, Christien Tinsely, Vittorio Sodano, and Tami Lane. Put your new techniques into practice right away and see how some of the looks from the book were achieved with the step-by-step tutorials on the companion website, www.focalpress.com/cw/debreceni. New to this edition: * Animatronics * Specialty contact lenses * Collapsible core molds * Contoured or conforming molds * Making resin and silicone eyes * Even MORE information about silicone
Download or read book Les Mis rables written by Benedict Nightingale and published by Applause Theatre & Cinema Books. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Applause Books). It has been 150 years since Victor Hugo's novel Les Miserables was first published. However, for the last 25 or so, the poignant saga of Jean Valjean, a villain to some but a savior to others, set in France during the early years of the 19th century, has become one of the world's most popular musicals and has become one of the must-see movies of 2013. In Les Miserables: From Stage to Screen , the reader can find out how the musical came to life the trials and tribulations of turning it from the initial concept into a thrilling musical extravaganza and how the new film version starring Hugh Jackman and Russell Crowe and directed by the Oscar-winning Tom Hooper ( The King's Speech ) has emerged from the show that has been seen by over 60 million people worldwide. To bring this fascinating story to life, the book also contains at least 20 facsimiles that highlight key moments in the creation of Les Miserables , both on stage and on the screen, including: * Original costume sketches * Annotated scripts * Original music scores and librettos * Film screenplay extracts and anniversary mementos
Download or read book Physical Expression on Stage and Screen written by Bill Connington and published by A&C Black. This book was released on 2014-08-14 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: A practical book on the Alexander Technique for actors and acting/movement teachers.
Download or read book Stephen Poliakoff on Stage and Screen written by Robin Nelson and published by A&C Black. This book was released on 2011-05-20 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over four decades, Stephen Poliakoff has proved himself to be a distinctive dramatist in the mediums of theatre, film and television. Moving from playwright to television and film director, he has been hailed as 'TV's foremost writer' (Independent) and as 'one of our most poetic and best TV dramatists' (Daily Telegraph). In the USA, his TV 'films' have received industry acclaim, The Lost Prince winning three Emmy Awards and Gideon's Daughter two Golden Globes. This book is the first to offer a comprehensive overview of Poliakoff's work for stage and screen and a framework for its critical evaluation. It will prove invaluable to students of theatre, film, and television studies. Robin Nelson locates Poliakoff's distinctive vision and fierce independence as a writer and director in both personal and public histories and against industry contexts. He charts Poliakoff's 'meteoric rise' as a playwright, and his 'second starburst' in television drama since Shooting the Past (1999) which re-affirmed his reputation as a dramatist of distinction. While the chronology of Poliakoff's impressive output is clearly laid out, works are discussed in thematic clusters ranging across mediums to afford a fresh perspective. The book covers 'issue dramas', 'quirky strong women' and 'histories/memories' as well as Poliakoff's early developing dramaturgy, and it examines in detail the later feature films and television dramas which have secured his reputation as our most distinctive television dramatist.
Download or read book Film and Television Acting written by Ian Bernard and published by CRC Press. This book was released on 1997-12-11 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film and Television Acting offers solid techniques for creating a natural, believable performance for film and television. The reader will discover techniques for listening and reacting, blocking and business, character, focus, the closeup, and comedy as they pertain to acting in front of a camera. The book analyzes the differences between theatre, film, and television acting, providing the theatre trained actor with specific approaches for making the transition to on-camera work. This second edition is thoroughly revised and updated. The book contains numerous scenes and exercises, including sample scenes from Cheers and Seinfeld, which provide the reader with ways to practice the specific techniques outlined by the author. Included are interviews with well-know actors and directors: Don Murray, Norman Jewison, and Emmy award winner, Glenn Jordan, to name a few. These interviews illustrate how the professionals apply their training and technique to filmed performances. There is also a chapter-length interview with John Lithgow, in which the actor provides a first-hand account of the differences of acting for the theatre and for the camera.
Download or read book Stage to Screen Theatrical Method from Garrick to Griffith written by A. Nicholas Vardac and published by Davidson Press. This book was released on 2008-11 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: STAGE TO SCREEN i THEATRICAL METHOD FROM 6ARRICE TO GRIFFITH A. NICHOLAS VARDAG HARVARD UNIVERSITY PRESS CAMBRIDGE 1949 TO SPYROS P. SKOURAS PREFACE The position of the motion picture in the evolution of the theatre of the world has yet to be determined. Much has been written in description and in critical analysis of the film. These studies spread roots like aerial plants through a fruitless vacuum. The atmosphere of nineteenth-century theatre has yet to be cleared and the proper source of cinema exposed. A new art form does not simply appear. In aesthetic as well as scientific and political areas the old dies as the new is born, the whole process being as in sistent as it is gradual. The time has come to see how the film fits into the evolutionary pattern of world theatre, how the blood stream of the screen was drawn from the stage, and how, under the pressure of this withdrawal, certain stage forms died upon the boards. The roots of a new art form are to be found in the sociological needs and tensions, in the spirit of the times, which sponsor its growth. This tension is so thoroughly woven into the cultural fabric that it can best be identified through its expression in the arts, in this case, in the related arts of theatre and of staging. In this fashion the spiritual, the sociological, and most of all, the aesthetic roots of the motion picture can be revealed through a composite study of both the early film and theatrical methods during the years leading to and surrounding its birth. The patterns within this period of theatrical history, as yet uncharted, must be traced by direct scrutiny of the spectacular promptbooks and the revealing periodical accounts of productions appearingduring these years. From this body of source material the expression as well as the motivation of the forces, the social tensions, working behind the aesthetic strivings of the popular nineteenth-century stage, the early twentieth-century popular the atre, the early twentieth-century experimental producers the atre and finally the motion picture, will appear in their distinct vii PREFACE and special relationship. A more complete and accurate under standing of stage and screen will arise. I should like to acknowledge my gratitude to Professor Al lardyce Nicoll for his inestimable support of the ideas of this study. To Dr. William VanLennep, Curator of the Harvard Theatre Collection, I am indebted for much valuable material. Untapped sources in that great collection eventually disclosed the use of cinematic devices upon the stage of the nineteenth century. To Miss Iris Barry, Curator of the Film Library of the Museum of Modern Art, may I express appreciation for courtesy and con sideration in the arrangement of special showings of early Ameri can and foreign films. I am particularly grateful to Mr. Percy MacKaye, whose interest in my subject has made possible the use of material concerning the work of his father, Steele MacKaye, which otherwise might not have been available for presentation at this time. And for the careful editorial perusal of Professor Hubert C. Hef ier both the reader and myself will find, I am sure, good reason for gratitude. A. NICHOLAS VARDAC Palo Alto, California June 1947 vtti CONTEHTS INTRODUCTION REALISM - ROMANCE - AND THE DEVELOP MENT OF THE MOTION PICTURE xvii I THEATRES . STAGING METHODS - AND THE BREAKDOWN OF NINETEENTH-CENTURY CONVENTIONS i II THEMELODRAMA CINEMATIC CONCEP TIONS AND SCREEN TECHNIQUES 20 III PICTURE PLAYS THE SPECTACLE STAGE 68 IV THE PHOTOGRAPHIC IDEAL 89 HENRY IRVING 89 DAVID BELASCO 108 STEELE MACKAYE 155 V PICTORIAL FANTASY THE PANTOMIME SPECTACLE 152 VI PHOTOGRAPHIC REALISM THE BIRTH OF THE FILM 1895-1902 165 VII PICTORIAL FANTASY GEORGE MfiLIfcS 174 MELODRAMA THE PHOTOPLAY - 1902-1913 180 IX IX REALISM AND ROMANCE D. W. GRIFFITH 199 X SPECTACLE THE FEATURE FILM an XI FROM GARRICK TO GRIFFITH 34 NOTES 55 INDEX 73 . . MJ ...
