Download or read book Sonata no 1 in F minor op 80 for violin and piano written by Sergey Prokofiev and published by . This book was released on 1960 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sonata no 1 op 80 violin and piano written by Sergey Prokofiev and published by . This book was released on 1947 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sonata in F minor written by Sergey Prokofiev and published by . This book was released on 1948 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sonata no 1 in F for piano and violin written by Edvard Grieg and published by . This book was released on 1917 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ten Masterpieces of Music written by Harvey Sachs and published by Liveright Publishing. This book was released on 2021-10-26 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Some pieces of music survive. Most fall into oblivion. What gives the ten masterpieces selected for this book their exceptional vitality? In this penetrating volume, Harvey Sachs, acclaimed biographer and historian of classical music, takes readers into the hearts of ten extraordinary works of classical music in ten different genres, showing both the curious novice and the seasoned listener how to recognize, appreciate, and engage with these masterpieces on a historical and compositional level. Far from what is often thought, classical music is neither dead nor dying. As a genre, it is constantly evolving, its pieces passing through countless permutations and combinations yet always retaining that essential élan vital, or life force. The works collected here, composed in the years between 1784 and 1966, are a testament to this fact. As Sachs skillfully demonstrates, they have endured not because they were exceptionally well-made or interesting but because they were created by composers—Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi, and Brahms; Sibelius, Prokofiev, and Stravinsky—who had a particular genius for drawing music out of their deepest wellsprings. “Through music,” Sachs writes, “they universalized the intimate.” In describing how music actually sounds, Ten Masterpieces of Music seems to do the impossible, animating the process of composing as well as the coming together of disparate scales and melodies, trills and harmonies. It tells us, too, how particular compositions came to be, often revealing that the pieces we now consider “classic” were never intended to be so. In poignant, exquisite prose, Sachs shows how Mozart, a former child prodigy under constant pressure to produce new music, hastily penned Piano Concerto No. 17 in G major, one of his finest piano concertos, for a teenage student, and likewise demonstrates how Goethe’s Faust, Part One, became a springboard for the musical imagination of the French composer Berlioz. As Sachs explains, these pieces are not presented as candidates for a new “Top Ten.” They represent neither the most well-known nor the most often-performed works of each composer. Instead, they were chosen precisely because he had something profound to say about them, about their composers, about how each piece fits into its composer’s life, and about how each of these lives can be contextualized by time and place. In fact, Sachs encourages readers to form their own favorites, and teaches them how to discern special characteristics that will enhance their own listening experiences. With Ten Masterpieces of Music, it becomes evident that Sachs has lived with these pieces for a veritable lifetime. His often-soaring descriptions of the works and the dramatic lives of the men who composed them bring a heightened dimension to the musical perceptions of all listeners, communicating both the sheer improbability of a work becoming a classic and why certain pieces—these ten among them—survive the perilous test of time.
Download or read book National Union Catalog written by and published by . This book was released on 1983 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book De Bekker s Music Musicians written by Leander Jan De Bekker and published by . This book was released on 1916 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Black s Dictionary of Music Musicians written by Leander Jan De Bekker and published by London : A. & C. Black, Limited. This book was released on 1924 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bending the Rules of Music Theory written by Timothy Cutler and published by Routledge. This book was released on 2019-02-04 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Download or read book University Musical Encyclopedia University dictionary of music and musicians written by Louis Charles Elson and published by . This book was released on 1912 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: "These volumes form a complete encyclopedia and history of music and musicians. They comprise a library covering the whole field of musical literature. The material has been written by more than forty of the greatest musicians, critics, and experts on musical subjects in this country and Europe." copyright 1914.
Download or read book Dictionary Catalog of the Rodgers and Hammerstein Archives of Recorded Sound written by Rodgers and Hammerstein Archives of Recorded Sound and published by . This book was released on 1981 with total page 856 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music of the Great Composers written by Patrick Kavanaugh and published by Zondervan. This book was released on 1996 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique guide to enhance and enrich your enjoyment of classical music, this book is for music lovers who want to better understand the works of the masters.
Download or read book The Essential Canon of Classical Music written by David Dubal and published by Macmillan. This book was released on 2003-10-24 with total page 796 pages. Available in PDF, EPUB and Kindle. Book excerpt: Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.
Download or read book Robert Schumann written by John Daverio and published by Oxford University Press, USA. This book was released on 1997 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work focuses on the work of the romantic composer Robert Schumann.
Download or read book Robert Schumann written by Martin Geck and published by University of Chicago Press. This book was released on 2013 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Schumann (1810-56) is one of the most important and representative composers of the Romantic era. Here acclaimed biographer martin Geck tells the story of this multifaceted genius, set in the context of the political and social revolutions of his time.
Download or read book Violin and Keyboard From the seventeenth century to Mozart written by Abram Loft and published by Hal Leonard Corporation. This book was released on 1991 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wonderful book is written for musicians seeking to build or extend a sonata repertoire. Analyses are given of both well-known and many lesser-known pieces of music, with recommendations on performance as well as descriptions of difficulties. Many are suitable for student or amateur musicians. This is mainly a book for violinists, though; many of the keyboard parts of these pieces are little more than continuo accompaniment. The second volume, detailing the music of Beethoven onward, contains descriptions of music that puts the keyboardist on more equal footing with the violinist.
Download or read book Beethoven Forum written by Mark Evan Bonds and published by U of Nebraska Press. This book was released on 1999-01-01 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume grew out of an international Beethoven conference held in honor of Lewis Lockwood at Harvard University in 1996. Michelle Fillion?s opening essay explores the Mass in C and its turn away from the ?heroic? style of the ?middle-period? works. In ?Beethoven and the Aesthetic State,? Karol Berger reflects on the manner in which the composer?s music often shifts back and forth between a ?real? and an ?imagined? world. William Drabkin examines the role of the cello part in Beethoven's late quartets, particularly in regard to the elusive parameter of texture. Richard Kramer?s reading of the song Resignation (1818) opens new perspectives on the idea of a ?late? style in the composer?s output. ø In ?Beethoven's ?Expressive? Markings,? Leo Treitler demonstrates how seemingly straightforward directions to performers about tempo, mood, or dynamics raise fundamental questions about the relationship between music and language. Michael C. Tusa reviews more than a century of attempts to relate form and content in the last movement of the Ninth Symphony and offers a new interpretation on the idea of the choral finale as a kind of four-movement symphony in its own right. Maynard Solomon?s essay on the ?Diabelli? variations argues that the theme itself, although simple, is by no means trivial and indeed is ?perfectly suited to unpacking issues of firstness and lastness and their interchangeability.? William Drabkin concludes the volume with a review essay on Beethoven: Interpretationen seiner Werke, edited by Albrecht Riethm_ller, Carl Dahlhaus, and Alexander Ringer.
