Download or read book Soft Sculpture and Beyond written by Jutta Feddersen and published by Craftsman House (AU). This book was released on 1993-01 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Soft Sculpture and Other Soft Art Forms With Stuffed Fabrics Fibers and Plastics written by Dona Z. Meilach and published by . This book was released on 1977 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Soft Sculpture and Other Soft Art Forms written by Dona Zweigoron Meilach and published by . This book was released on 1974 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Soft Sculpture written by Carolyn Vosburg Hall and published by . This book was released on 1981 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Beyond Modern Sculpture written by J. Burnham and published by . This book was released on 1968 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book From Soft sculpture to Soft ware Webbing and Interlinking the Material History of Women s Practice written by Cevahir Özdoğan and published by . This book was released on 2019 with total page 29 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The material history of women s craft precipitates and generates a model for soft resistance in responding to the hard, masculine, patriarchal world. Through an articulation of softness softening materials and technology we can restructure our relationship to hard, material impositions and carve new soft, interwoven, communal-communicative spaces. The opposition is subject to power. Shifting the position of women s craft from striving towards entering and simulating male spaces is a way of manipulating intersectionality. In this particular case, there is a certain intersection and interdisciplinary culture that occurs. On the other hand, what fascinates me in terms of materiality, is that the softness and hardness relationship is polarized by gender-based material and gender mainstreaming. The environment we are living is designed by humans through materials and tools that have been changing continuously. In early history, humans divided themselves by daily duties based on their gender role. There were many domains of this division but one of the elements that interests me is softness and hardness. At that point, the characterization of gender and material create the power balance. Feminizing male material through technology, sculptural and constructive materials (hard) as well as digitizing female material (soft) is the core of the thesis. As a result of the transverse of the material we see the non-binary aspect in my works. Technology is inherently masculine because it is always related to power. Particularly, a computer is a woman-made tool, however it is shown as an inherently male tool. There is an extremely strong relationship between soft-ware and soft-art made and shaped by women at the very beginning. However, hard power (masculine) conquered the tool to use for oppression of women. In my practice, using computer soft-ware is a way to take the tool back and women's soft-empowerment. Soft forms adapt to the body, connect with bodies. However, hard forms impose themselves on the body. If 'softness' is a role that is supposed to be adopted by gender, it is definitely supposed to be internalized by all genders as a soft ideology and as a principle of non-binary identities. In this thesis, I started to research the Anatolian Goddess to understand the history of women's craft practice in the particular region where I am from, in conjunction with that history, especially with regard to materials and tools, softness and hardness, woman and man, tradition and technology. It can be seen in this combination as a concern from my wall pieces. I used wood made of laser cut (software) and fur yarn knitting (tangible softness) behind the wood piece. However, the knitting yarn comes out of the wood with the soft body. This wood can be considered more masculine and the fur-knitted yarn is inherently belong to women's practice. In this piece I show the history of women's technological creation and invention behind the history hidden by patriarchy. The next chapter will examine this more closely. The tools we have now are the most efficient ways of effecting positive change and creating space where women can collaborate organically. The space is either cyber or physical potentiality. And the possibility of access by women that is community, national, and international. The most important point revolves around the communities of women crafters organized around technological crafting methods thanks to the internet, accelerated modes of communication, and the distribution and accessibility of new tools for crafting. It is in these spaces that new modes of making are explored, as well as the formation of strong feminine communities that, through their making, can imagine and build a world beyond the patriarchy."--Artist's abstract

Download or read book Enchanting Art Dolls and Soft Sculptures written by Marina Druker and published by C&T Publishing Inc. This book was released on 2012 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: Every doll deserves to be unique Discover the joy of making one-of-a-kind art dolls from head to toe. Learn how to build wire armatures, find out how easy it is to work with air-dry clays, and also add charming fabric sculptures to your doll-making repertoire.

Download or read book Soft Sculpture written by Lucina Ward and published by . This book was released on 2009 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt: SOFT SCULPTURE looks at the ways artists use unconventional materials and methods to challenge the nature of traditional notions of sculpture. It includes works by American and European artists Eva Hesse, Robert Morris, Claes Oldenburg, Robert Rauschenberg, Joseph Beuys and Annette Messager as well as works by Australian artists such as Mikala Dwyer, David Jensz and Ricky Swallow

Download or read book Material Difference written by Polly Ullrich and published by University of Washington Press. This book was released on 2006 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pictures sculptures of the human form constructed of thread, sticks, cantaloupe peels and beads

Download or read book Mixed Media Sculpture written by Joanne A. M. Hendrix and published by . This book was released on 1980 with total page 10 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Aesthetic Concepts Beyond Using Soft Materials in Contemporary Sculpture written by and published by . This book was released on 2015 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Sculpture Beyond the Process written by Todd Mitchell and published by . This book was released on 2016-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Beyond Modern Sculpture written by Jack Burnham and published by . This book was released on 1966 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Soft Sculpture and Other Soft Art Forms with Stuffed Fabrics written by Dona Z. Meilach and published by . This book was released on 1974 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Soft Sculpture for All Seasons written by Carmen Clay and published by . This book was released on 1982 with total page 23 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Alternative Photographic Experience written by Fern M. Helfand and published by . This book was released on 1980 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Sound Art written by Alan Licht and published by . This book was released on 2007 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this volume, author Alan Licht lays bear the origins of sound art, offering the reader the most thorough understanding of the field to date, and explores the genre's most important practitioners"--Jacket, p. [2].