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Book Societe Des Concerts Au Conservatoire  1828 1967

Download or read book Societe Des Concerts Au Conservatoire 1828 1967 written by D. Kern Holoman and published by . This book was released on 2008-04-01 with total page 620 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of one of the world¿s great philharmonic societies. Established in 1828 with roots stretching back to the 1790s, the Societe des Concerts du Conservatoire reflected the development of French culture, & of Western music, in the 19th & 20th cent. Admired by Wagner, Liszt, & Mendelssohn, the Societe canonized the Beethoven symphonies & popularized Franck & Saint-Saens. When the Armistice came, in 1918, the orchestra was in the midst of a tour of the U.S. Having survived two revolutions & three wars, the Societe was dissolved in 1967, to be reincorp. as the Orchestre de Paris. This book chronicles the life of the Societe, from its day-to-day operations to its role in creating the canon of orchestral concert music in our culture. Illus

Book The Soci  t   Des Concerts Du Conservatoire  1828 1967

Download or read book The Soci t Des Concerts Du Conservatoire 1828 1967 written by D. Kern Holoman and published by Univ of California Press. This book was released on 2004-02-24 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description

Book Maurice Durufl

Download or read book Maurice Durufl written by James E. Frazier and published by University Rochester Press. This book was released on 2007 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on the accounts of those who knew Duruflé personally as well as on Frazier's own detailed research, this new biography offers a broad sketch of this modest and elusive man, widely recognized today for having created some of the greatest works in the organ repertory - and the masterful Requiem. Frazier also examines the career and contributions of Duruflé's wife, the formidable organist Marie-Madeleine Duruflé-Chevalier.

Book Genealogies of Music and Memory

Download or read book Genealogies of Music and Memory written by Mark Everist and published by Oxford University Press, USA. This book was released on 2021 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible -- together with the soprano Pauline Viardot -- for the 'revival' of the composer's Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Gluck's music for the Parisian stage. The 'revival' of Orfeo is contextualised among other attempts at reviving Gluck's works in the 1860s, and the role of Berlioz, Viardot and a host of others re-examined.

Book Building the Operatic Museum

Download or read book Building the Operatic Museum written by William James Gibbons and published by University Rochester Press. This book was released on 2013 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works of visual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this "museum" transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness. William Gibbons is Associate Professor of Musicology at Texas Christian University.

Book Nineteenth Century Choral Music

Download or read book Nineteenth Century Choral Music written by Donna M. Di Grazia and published by Routledge. This book was released on 2013-03-05 with total page 543 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction to choral singing and the ways it was linked to different parts of society, and to the role of choral voices in the two principal large-scale genres of the period: the symphony and opera. A second section highlights ten choral-orchestral masterworks that are a central part of the repertoire. The final section presents overview and focus chapters covering composers, repertoire (both small and larger works), and performance life in an historical context from over a dozen regions of the world: Britain and Ireland, the Czech Republic, France, Germany, Hungary, Italy, Latin America, the Philippines, Poland, Russia, Scandinavia and Finland, Spain, and the United States. This diverse collection of essays brings together the work of 25 authors, many of whom have devoted much of their scholarly lives to the composers and music discussed, giving the reader a lively and unique perspective on this significant part of nineteenth-century musical life.

Book Taffanel

    Book Details:
  • Author : Edward Blakeman
  • Publisher : Oxford University Press, USA
  • Release : 2005
  • ISBN : 0195170997
  • Pages : 354 pages

Download or read book Taffanel written by Edward Blakeman and published by Oxford University Press, USA. This book was released on 2005 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paul Taffanel (1844-1908) is essentially the father of modern flute playing. Drawing on previously unavailable material from a private archive in Paris, Blakeman describes and evaluates Taffanel's life, career, and works, with particular reference to his influence as founder of the modern French School of flute playing.

Book C  sar Franck

Download or read book C sar Franck written by Robert James Stove and published by Scarecrow Press. This book was released on 2012 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: C sar Franck (1822-1890), Belgian born and French domiciled, was one of the most remarkable composers of the 19th century. A number of his works are commonly recorded--such as his Symphony in D Minor, Symphonic Variations, Violin Sonata, and the ever-popular Panis Angelicus--and yet 38 years have elapsed since a biography of him appeared in English. Now with C sar Franck: His Life and Times, R. J. Stove fills this gap in the history of late 19th-century classical music with a full-length study of the man and his music. Drawing on sources never before cited in English, Stove paints a far more detailed picture of this great musician and deeply loved man, whose influence in both his native and adopted lands was exceptional. Stove carefully delves into intimate matters of Franck's life, including his resilience in the face of his exploitation as a child prodigy at the piano, his development from a shy and harassed piano teacher into one of the most sought-after luminaries of Paris's Conservatoire, and the truth behind Franck's alleged affair with one of his students. Throughout his study, Stove interweaves panoramic surveys of the political and social scene in Belgium and France, contextualizing Franck's achievements in his historical milieu, from his rise as a recognized master of the organ to his dealings with significant composers such as Liszt, Gounod, Saint-Sa ns, Massenet, Chabrier, and others. C sar Franck: His Life and Times is an engagingly written biography sure to interest classical music listeners of all stripes.

Book Liszt as Transcriber

    Book Details:
  • Author : Jonathan Kregor
  • Publisher : Cambridge University Press
  • Release : 2010-11-18
  • ISBN : 0521117771
  • Pages : 315 pages

Download or read book Liszt as Transcriber written by Jonathan Kregor and published by Cambridge University Press. This book was released on 2010-11-18 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing illuminating insights into Liszt's working methods, this book investigates the composer's transcriptions in their musical, cultural, and historical contexts.

Book The Cambridge Companion to French Music

Download or read book The Cambridge Companion to French Music written by Simon Trezise and published by Cambridge University Press. This book was released on 2015-02-19 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.

Book Visions of Eternity

    Book Details:
  • Author : Michael R Bundy
  • Publisher : Troubador Publishing Ltd
  • Release : 2017-06-20
  • ISBN : 1788037332
  • Pages : 600 pages

Download or read book Visions of Eternity written by Michael R Bundy and published by Troubador Publishing Ltd. This book was released on 2017-06-20 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: sions of Eternity is the companion volume to Prophets without Honour (Matador, 2011) which explored the forgotten mélodies of Charles-Marie Widor, Louis Vierne and Charles Tournemire. The present work continues that study but with regard to the largely unknown choral works and operas by these same composers: it also expands upon the mores of Parisian Musical society, 1870-1939, and discusses in greater detail than before the prevalent influences and restrictions, which might have had a bearing on a young composer. Widor’s printed and unpublished works are discussed, as are those of his pupil Louis Vierne alongside a more detailed, and possibly provocative, discussion of the latter’s life and loves, and their relevance to that composer’s compositions. His completely unknown ‘cantate lyrique’ Praxinoë is also revealed. The greater part of Visions of Eternity is given over to a discussion of the influences that affected another of Widor’s pupils, Charles Tournemire, in both temporal and theological terms. His individual musical language, discussing both his use of traditional Latin and Indian chants, quixotic character and amours are also investigated. This is a book of great musical relevance, for it deals with composers and issues which greatly influenced later French musicians, particularly Maurice Duruflé, Jean Yves Daniel-Lesur, Jean Langlais and Olivier Messiaen: these, in turn, passed their knowledge to more contemporary composers. Whilst this book has been researched in great depth, its content is delivered with a light, occasionally humorous touch. This is not a dry, academic work, but one for both the cognoscenti and enthusiast alike.

Book Franz Liszt and the Vocabularies of Transcription  1833 1865

Download or read book Franz Liszt and the Vocabularies of Transcription 1833 1865 written by Jonathan Sanvi Kregor and published by . This book was released on 2007 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Music in Society

Download or read book Music in Society written by Ivo Supičić and published by Pendragon Press. This book was released on 1987 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: The subject of this study has two distinct but not unrelated aspects: first, an investigation into the sociology of music as an autonomous and specialized discipline; and second, an examination of certain fundamental facts that may be considered within the purview of the sociology of music itself. If an analysis and study even a preliminary one of these facts is to be properly focused and fruitful, we must first try to determine the subject and methods of the sociology of music, its position and boundaries in respect to musicology, and, most especially, its relation to the aesthetics of music and music history. It is equally indispensable to ascertain what the sociology of music as a separate scholarly discipline embraces, where its investigation leads, and, finally, to establish its position vis-a-vis sociology in general. (From the Author's Introduction.)

Book Historic Brass Society Journal

Download or read book Historic Brass Society Journal written by and published by . This book was released on 2009 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Music Drama at the Paris Od  on  1824   1828

Download or read book Music Drama at the Paris Od on 1824 1828 written by Mark Everist and published by Univ of California Press. This book was released on 2002-12-04 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.

Book Gaston Crunelle and Flute Playing in Twentieth Century France

Download or read book Gaston Crunelle and Flute Playing in Twentieth Century France written by Leonard Garrison and published by Oxford University Press. This book was released on 2024-09-09 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gaston Crunelle (1898--1990) was Professor of Flute at the Paris Conservatory from 1941 to 1969 and taught an entire generation of the world's leading flutists. A leading orchestral, chamber music, and solo flutist, his recordings are among the best of the 78-rpm and early LP eras. Gaston Crunelle and Flute Playing in Twentieth-Century France establishes Crunelle's place in history as one of the most important flutists of the twentieth century and shines light on musical life in France during his lifetime from the silent film era, through the German Occupation, to the changes in music and education since 1968.

Book Opera in Paris from the Empire to the Commune

Download or read book Opera in Paris from the Empire to the Commune written by Mark Everist and published by Routledge. This book was released on 2018-12-10 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production, with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique, opérette, comédie-vaudeville and mélodrame, for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera, and its focus moves towards the music of its closest neighbours, the Italian-speaking states, and of its most problematic partners, the German-speaking states, especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange, genre and institution, this collection brings together twelve of the author’s previously published articles and essays, fully updated for this volume and translated into English for the first time.