Download or read book Sixteenth Century Polyphony A Basic For The Study Of Counterpoint written by Arthur Tillman Merritt and published by Read Books Ltd. This book was released on 2013-05-31 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: A. Tillman Merritt graduated from the University of Missouri in 1924 and was the first recipient of a new degree, Bachelor of Fine Arts, in 1926. That autumn he came to Harvard as a graduate student in music; recognition of his unusual talent was immediate. In February, 1927, he was asked to be Walter Piston's teaching assistant in music theory. This book is intended to be an introduction and guide to the early study of counterpoint, and deals with the construction of the single line and with the combination of two lines, three lines, and four lines.
Download or read book Sixteenth Century Polyphony written by Arthur Tillman Merritt and published by . This book was released on 1939-02-05 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Counterpoint written by Knud Jeppesen and published by Courier Corporation. This book was released on 2013-04-15 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.
Download or read book The Performance of 16th Century Music written by Anne Smith and published by Oxford University Press. This book was released on 2011-03-30 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes readers through the significance of part-book notation; solmization; rhythmic flexibility; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest, most glorious potential.
Download or read book Sixteenth century Polyphony written by Arthur Tillman Merritt and published by . This book was released on 1946 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge History of Sixteenth Century Music written by Iain Fenlon and published by Cambridge University Press. This book was released on 2019-01-24 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.
Download or read book Sixteenth Century Polyphony written by Arthur Tillman Merritt and published by . This book was released on 1939 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Polyphonic Composition written by Owen Swindale and published by . This book was released on 1962 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Women and Music in Sixteenth Century Ferrara written by Laurie Stras and published by Cambridge University Press. This book was released on 2018-09-27 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rethinks and retells the history of music in sixteenth-century Ferrara, putting women, of the court and convent, at the narrative centre.
Download or read book A Companion to Music in Sixteenth Century Venice written by and published by BRILL. This book was released on 2017-12-18 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an overview of all facets of musical life in sixteenth-century Venice. It addresses the city’s institutions (churches, confraternities, and academies) against the background of public and private occasions of music making. Supported by a generous collection of archival, literary, and iconographical sources, it treats both ceremonial life in the Serenissima and private forms of patronage. The Companion also addresses the dense web of musical activity (from chapel masters and singers to instrumentalists and instrument makers to music printers and theorists) and the rich variety of styles and musical genres (the frottola, the madrigal, motets and masses, instrumental music, polychoral music, Venetian-language polyphony), broadening the geographical perspective beyond the Veneto to Istria and Dalmatia. Contributors are Rodolfo Baroncini, Sherri Bishop, Bonnie J. Blackburn, David Bryant, Ivano Cavallini, Paolo Da Col, Daniel Donnelly, Rebecca Edwards, Iain Fenlon, Jonathan Glixon, Don Harrán (†), Jeffrey Kurtzman, Giulio M. Ongaro, Francesco Passadore, Elena Quaranta, Katelijne Schiltz, Eleanor Selfridge-Field, and Giovanni Zanovello.
Download or read book A Practical Approach to Sixteenth century Counterpoint written by Robert Gauldin and published by Prentice Hall. This book was released on 1985 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author emphasizes acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth century sacred polyphonic idioms in this volume. The author follows a didactic method of a "non species or direct" approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices taken from musical literature or composed by the author; demonstration of the possibility of employing a single given pitch series within the contexts of different compositional techniques; a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasis of Palestrina and the Counter Reformation sacred style; discussion of various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Download or read book Music in the Collective Experience in Sixteenth Century Milan written by Christine Suzanne Getz and published by Taylor & Francis. This book was released on 2023-05-31 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance music, like its sister arts, was most often experienced collectively. While it was possible to read Renaissance polyphony silently from a music manuscript or print, improvise alone, or perform as a soloist, the very practical nature of Renaissance music defied individualism. The reading and improvisation of polyphony was most frequently achieved through close co-operation, and this mutual endeavour extended beyond the musicians to include the society to which it is addressed. In sixteenth-century Milan, music, an art traditionally associated with the court and cathedral, came to be appropriated by the old nobility and the new aristocracy alike as a means of demonstrating social primacy and newly acquired wealth. As class mobility assumed greater significance in Milan and the size of the city expanded beyond its Medieval borders, music-making became ever more closely associated with public life. With its novel structures and diverse urban spaces, sixteenth-century Milan offered an unlimited variety of public performance arenas. The city's political and ecclesiastical authorities staged grand processions, church services, entertainments, and entries aimed at the propagation of both church and state. Yet the private citizen utilized such displays as well, creating his own miniature spectacle in a visual and an aural imitation of the ecclesiastical and political panoply of the age. Using archival documents, music prints, manuscripts and contemporary writing, Getz examines the musical culture of sixteenth-century Milan via its life within the city's most influential social institutions to show how fifteenth-century courtly traditions were adapted to the public arena. The book considers the relationship of the primary cappella musicale, including those of the Duomo, the court of Milan, Santa Maria della Scala, and Santa Maria presso San Celso, to the sixteenth-century institutions that housed them. In addition, the book investigates the musician's role as an actor and a functionary in the political, religious, and social spectacles produced by the Milanese church, state, and aristocracy within the city's diverse urban spaces. Furthermore, it establishes a context for the numerous motets, madrigals, and lute intabulations composed and printed in sixteenth-century Milan by examining their function within the urban milieu in which they were first performed. Finally, it musically documents Milan's transformation from a ducal state dominated by provincial traditions into a mercantile centre of international acclaim. Such an important study in Italian Renaissance music will therefore appeal to anyone interested in the culture of Renaissance Italy.
Download or read book Choral Insights written by Ruth Whitlock and published by . This book was released on 1982 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Counterpoint written by Knud Jeppesen and published by . This book was released on 2017-07-24 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book A Practical Approach to 16th Century Counterpoint written by Robert Gauldin and published by Waveland Press. This book was released on 2013-03-04 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Download or read book Counterpoint written by Knud Jeppesen (Komponist, Dänemark) and published by . This book was released on 1951 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Polyphonic Composition written by Owen Swindale and published by London : Music Department, Oxford University Press. This book was released on 1962 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt:
