Download or read book English Keyboard Music Before the Nineteenth Century written by John Caldwell and published by Courier Corporation. This book was released on 1985-01-01 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: English keyboard art from Robertsbridge Codex (c. 1325) to John Field. Illuminating coverage of organ, harpsichord, pianoforte, other instruments; works of Tallis, Byrd, Gibbons, Tomkins, many others. Bibliography.
Download or read book Six sonatas for the piano forte or harpsichord with an accompaniment for a violin written by Alexander Reinagle and published by . This book was released on 1783 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Six Sonatas for the Piano Forte or Harpsichord with an Accompaniment for a Violin Operaiii Score written by Valentino Nicolai and published by . This book was released on 1775 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Library of the Sacred Harmonic Society written by Anonymous and published by BoD – Books on Demand. This book was released on 2023-04-27 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reprint of the original, first published in 1872.
Download or read book Catalogue of the library With written by Sacred harmonic society and published by . This book was released on 1855 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Bibliography of Early Secular American Music written by Oscar George Sonneck and published by . This book was released on 1905 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Library of the Sacred Harmonic Society written by Sacred Harmonic Society (London, England). Library and published by . This book was released on 1862 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music by Subscription written by Simon D.I. Fleming and published by Routledge. This book was released on 2021-12-30 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.
Download or read book J C Bach written by Paul Corneilson and published by Routledge. This book was released on 2017-07-05 with total page 557 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays brings together the best of recent scholarship on Johann Christian Bach, the youngest son of J.S. Bach and a friend and mentor of Mozart. J.C. Bach had a cosmopolitan career, beginning in Berlin as a pupil of his half-brother, C.P.E. Bach, then a sojourn to Italy where he studied with Padre Martini in Bologna; after making his successful debut with operas for Turin and Naples he moved to London, where he became a leading composer and impresario. The articles selected for this volume represent the principal themes of scholarly research and writing over the past fifty years. The introduction provides a survey of J.C. Bach‘s career and an overview of recent literature. The collection includes English translations of two articles first published in German in the Bach-Jahrbuch, as well as one article published as recently as 2015. An appendix lists the complete contents of The Collected Works of Johann Christian Bach, using the Warburton catalogue numbers.
Download or read book Music In European Capitals written by Daniel Heartz and published by W. W. Norton & Company. This book was released on 2003-05-27 with total page 1128 pages. Available in PDF, EPUB and Kindle. Book excerpt: A glittering cultural tour of Europe's major capitals during a period of intense musical change. This volume continues the study of the eighteenth century begun in Haydn, Mozart, and the Viennese School 1740–1780 (1995) by focusing on the capital cities other than Vienna that were most important in the creation and diffusion of new music. It tells of events in Naples, where Vinci and Pergolesi went beyond their pre-1720 models to cultivate opera in a simpler, more direct manner, soon after christened the galant style. No less central was Venice, where Vivaldi perfected the concerto, on which were patterned the early symphonies and the newer kind of sonata. Dresden profited first from all these achievements and became, under Hasse's direction, the foremost center of Italian opera in Germany. Mannheim with its great orchestra did much to shape the modern symphony. A few years later, Paris became paramount, especially for its Opéra-Comique; during the 1770s the Opéra provided Gluck with a stage on which to cap his long international career. The book concludes with a description of Christian Bach in London, Paisiello in Saint Petersburg, and Boccherini in Madrid. This long-awaited book offers a view of eighteenth-century music that is broad and innovative while remaining sensitive to the values of those times and places. One comes away from it with an understanding of the European context behind the triumphs of Haydn and Mozart. Lavishly illustrated with music examples and reproductions, both in black-and-white and color, this master study will be of inestimable importance to scholars, cultural historians, performers, and all music lovers.
Download or read book The Eighteenth Century Fortepiano Grand and Its Patrons written by Eva Badura-Skoda and published by Indiana University Press. This book was released on 2017-11-20 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice
Download or read book A Descriptive Catalogue of the Music Collection at Burghley House Stamford written by Gerald Gifford and published by Routledge. This book was released on 2017-11-01 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.
Download or read book Catalogue of the library of The Sacerd Harmonic Sooiety A new edition revised and augmented written by and published by . This book was released on 1872 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Library of the Sacred Harmonic Society written by Sacred Harmonic Society and published by . This book was released on 1872 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Philadelphia Sonatas written by Alexander Reinagle and published by A-R Editions, Inc.. This book was released on 1978-01-01 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Catalogue of Music and Books on Music written by Kenneth Mummery (Firm) and published by . This book was released on 1973 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music Entries at Stationers Hall 1710 1818 written by Michael Kassler and published by Routledge. This book was released on 2016-04-29 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt: The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.
