Download or read book Six Solos for a German Flute or Violin with a Thorough Bass for the Harpsichord or Violoncello etc written by Filippo Ruge and published by . This book was released on 1751 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Six Solos for the German Flute or Violin With a Thorough Bass for the Harpsichord Opera 1st written by George Muschet and published by . This book was released on 1805 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Six solos for the German flute hautboy or violin with a thorough bass for the harpsichord written by Alessandro Besozzi and published by . This book was released on 1759 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Six Easy Solos for a German Flute or Violin with a Thorough Bass for the Harpsichord written by Giovanni Battista Sammartini and published by . This book was released on 1765 with total page 22 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The songs of Scotland without words for the pianoforte written by J. T. Surenne and published by . This book was released on 1803 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Six Lectures on the Recorder and Other Flutes in Relation to Literature written by Christopher Welch and published by London ; New York : Oxford University Press. This book was released on 1911 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Six Solos for a Hautboy German Flute Violin or Harpsicord with a Thorough Bass Opera Prima written by Thomas Vincent and published by . This book was released on 1748 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Six solos for the German flute hautboy or violin with a thorough bass for the harpsichord written by Alessandro Besozzi and published by . This book was released on 1983 with total page 39 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A treatise on the construction the history and the practice of the flute written by Richard Shepherd Rockstro and published by . This book was released on 1890 with total page 718 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Strad written by and published by . This book was released on 1923 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Complete Sonatas written by William McGibbon and published by A-R Editions, Inc.. This book was released on 2018-11-30 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now better known for his collections of Scottish tunes with variations, William McGibbon (16961756) was the best-known and most popular violinist-composer in Edinburgh in the eighteenth century. His three volumes of trio sonatasone of which survives only in fragmentary formcombine fluidity of writing with Corellian influence. The 1729 set was the first music published in Scotland for the transverse flute, and its sixth trio sonata features virtuosic violin writing as well. This edition contains twelve trio sonatas, six solo sonatas, six flute duets, and the surviving first flute part of the fragmentary third volume of trio sonatas.
Download or read book British Musical Biography written by James Duff Brown and published by . This book was released on 1897 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Handel written by Romain Rolland and published by Routledge. This book was released on 2015-12-22 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rolland’s biography attempts to provide an overview of Handel’s life and works from his early lessons in music to the classical context in which he is commonly placed. Originally published in English in 1916, Hull’s translation gives an insight into biographical facts and the musical pieces composed by Handel including his operas, oratorios and chamber music. This title will be of interest to students of music and musical history.
Download or read book The Scoring of Baroque Concertos written by C. R. F. Maunder and published by Boydell Press. This book was released on 2004 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Download or read book British Music Musicians and Institutions C 1630 1800 written by Julian Rushton and published by Boydell & Brewer. This book was released on 2021 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Download or read book Handel written by Romain Rolland and published by London : K. Paul, Trench, Trubner. This book was released on 1916 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book William Boyce written by Ian Bartlett and published by Cambridge Scholars Publishing. This book was released on 2011-01-18 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Boyce: A Tercentenary Sourcebook and Compendium is published in celebration of the three-hundreth anniversary of the birth in 1711 of England’s leading eighteenth-century composer. It is the first book to be devoted to a musician who more than any of his contemporaries carried the flag in the broadest sense for English music during a period that was inevitably dominated by the towering figure of Handel, who was then resident in London. By the late 19th century, however, Boyce had become generally known only as a composer of anthems and the national song, ‘Hearts of Oak,’ and as the editor of a monumental historical anthology of English anthems, Cathedral Music, which was still in use at that time. The emergent ‘Baroque revival’ led to a gradual broadening of awareness of Boyce from the 1890s onwards. Yet it was only following the initiatives inspired by the bicentenary of his death in 1979 that a significantly wider public appreciation of the quality and range of his achievements came about. Previously neglected works were revived, new recordings made, scholarly articles written, and new editions of his music began to be published. This book brings together diplomatic transcriptions of all the most significant contemporary documents relevant to Boyce’s personal and family life, his career as a composer, editor, theorist, teacher, conductor, Master of the King’s Music, and the reception history of his music. They are accompanied by critical commentaries whenever necessary. The range of sources drawn on includes memoirs, histories, diaries, letters, poems, concert programmes and related press reports, chapel royal, court and parish archives, prefaces to Boyce’s own publications of his music and those edited by others, advertisements for performances of his works and related press reports, details of his subscriptions to musical and literary works, and materials that throw light on his character and professional relationships with the poets, playwrights, churchmen and other musicians with whom he collaborated within the vibrant, burgeoning, and sometimes colourful, English musical culture of his time. The book’s ‘Catalogue of Works’ constitutes the first comprehensive listing of Boyce’s musical output to have been published, and the select, historical ‘Discography’ is the first catalogue of recordings to have been devoted to the composer’s works.
