Download or read book Shore Acres written by James A. Herne and published by . This book was released on 1928 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shore Acres and Other Plays written by James A. Herne and published by . This book was released on 2013-08 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes Shore Acres, Sag Harbor And Hearts Of Oak.
Download or read book Shore Acres written by James A. Herne and published by . This book was released on 1893 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shore Acres and Other Plays By James A Herne written by and published by . This book was released on 1928 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shore Acres and Other Plays Revised and Edited 1928 by Mrs James A Herne Biographical Note by Julie A Herne With Portraits written by James A. Herne and published by . This book was released on 1928 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shore Acres and Other Plays By James A Herne written by Mrs. James A. Herne and published by . This book was released on 1928 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1957 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book San Francisco Daily Times written by and published by . This book was released on 1907 with total page 1176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Entertaining the Nation written by Tice L. Miller and published by SIU Press. This book was released on 2007-10-25 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this survey of eighteenth- and nineteenth-century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century. Miller explores the relationship between American drama and societal issues during this period. While never completely shedding its English roots, says Miller, the American drama addressed issues important on this side of the Atlantic such as egalitarianism, republicanism, immigration, slavery, the West, Wall Street, and the Civil War. In considering the theme of egalitarianism, the volume notes Alexis de Tocqueville’s observation in 1831 that equality was more important to Americans than liberty. Also addressed is the Yankee character, which became a staple in American comedy for much of the nineteenth century. Miller analyzes several English plays and notes how David Garrick’s reforms in London were carried over to the colonies. Garrick faced an increasingly middle-class public, offers Miller, and had to make adjustments to plays and to his repertory to draw an audience. The volumealso looks at the shift in drama that paralleled the one in political power from the aristocrats who founded the nation to Jacksonian democrats. Miller traces how the proliferation of newspapers developed a demand for plays that reflected contemporary society and details how playwrights scrambled to put those symbols of the outside world on stage to appeal to the public. Steamships and trains, slavery and adaptations of Uncle Tom’s Cabin, and French influences are presented as popular subjects during that time. Entertaining the Nation effectively outlines the civilizing force of drama in the establishment and development of the nation, ameliorating differences among the various theatergoing classes, and provides a microcosm of the changes on and off the stage in America during these two centuries.
Download or read book How Plays Work written by Martin Meisel and published by OUP Oxford. This book was released on 2007-06-28 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why are readers who are generally at home with narrative and discursive prose, and even readily responsive to poetry, far less confident and intuitive when it comes to plays? The complication lies in the twofold character of the play as it exists on the page - as a script or score to be realized, and as literature. Martin Meisel's engaging account of how we read play plays on the page shows that the path to the fullest imaginative response is an understanding of how plays work. What is entailed is something like learning a language - vocabulary, grammar, syntax - but learning also how the language operates in those concrete situations where it is deployed. Meisel begins with a look at matters often taken for granted in coding and convention, and then - under 'Beginnings' - at what is entailed in establishing and entering the invented world of the play. Each succeeding chapter is a gesture at enlarging the scope: 'Seeing and Hearing', 'The Uses of Place', 'The Role of the Audience', 'The Shape of the Action', and 'The Action of Words'. The final chapters, 'Reading Meanings' and 'Primal Attractions', explore ways in which both the drive for significant understanding and the appetite for wonder can and do find satisfaction and delight. Cultivated in tone and jargon-free, How Plays Work is illuminated by dozens of judiciously chosen examples from western drama - from classical Greek dramatists to contemporary playwrights, both canonical and relatively obscure. It will appeal as much to the serious student of the theatre as to the playgoer who likes to read a play before seeing it performed.
Download or read book Yankee Theatre written by Francis Hodge and published by University of Texas Press. This book was released on 2014-04-15 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.
Download or read book Theatre Arts Magazine written by Sheldon Cheney and published by . This book was released on 1928 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book America s Lost Plays VII The Early Plays of James A Herne written by James A. Herne and published by Wildside Press LLC. This book was released on 2019-05-16 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: This series collects the complete scripts of 100 selected, previously unpublished plays by 19th-century American playwrights. Volume 7 features James A Herne, with "Within an Inch of His Life," "The Minute Men of 1774-1775," "Drifting Apart," and "The Reverend Griffith Davenport." Includes a Bibliography.
Download or read book The Coming Age written by and published by . This book was released on 1899 with total page 752 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre and Evolution from Ibsen to Beckett written by Kirsten E. Shepherd-Barr and published by Columbia University Press. This book was released on 2015-03-03 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Download or read book The Arena written by and published by . This book was released on 1901 with total page 806 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Twentieth Century American Literature written by Warren French and published by Springer. This book was released on 1980-11-01 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt:
