Download or read book Shakespeare s Comedies Histories Tragedies and Poems written by William Shakespeare and published by . This book was released on 1858 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Nineteenth Century and After written by and published by . This book was released on 1902 with total page 1066 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Shakespearean Myth written by Appleton Morgan and published by . This book was released on 1881 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Shakespeare Not Shakespeare written by Christy Desmet and published by Springer. This book was released on 2017-11-09 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This essay collection addresses the paradox that something may at once “be” and “not be” Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier’s “Shakespearean rhizome,” which co-opts Deleuze and Guattari’s concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between “Shakespeare” and “not Shakespeare” through a number of critical lenses—networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts—and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.

Download or read book The Twentieth Century written by and published by . This book was released on 1902 with total page 1108 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Shakespearean Myth written by James Appleton Morgan and published by . This book was released on 1888 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Reader in the Language of Shakespearean Drama written by Vivian Salmon and published by John Benjamins Publishing. This book was released on 1987-01-01 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years the language of Shakespearean drama has been described in a number of publications intended mainly for the undergraduate student or general reader, but the studies in academic journals to which they refer are not always easily accessible even though they are of great interest to the general reader and essential for the specialist. The purpose of this collection is therefore to bring together some of the most valuable of these studies which, in discussing various aspects of the language of the early 17th century as exemplified in Shakespearean drama, provide the reader with deeper insights into the meaning of Shakespearean text, often by reference to the social, literary and linguistic context of the time.

Download or read book A Life of William Shakespeare written by Sir Sidney Lee and published by . This book was released on 1925 with total page 854 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Who Hears in Shakespeare written by Laury Magnus and published by Lexington Books. This book was released on 2012 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, examining the ways in which Shakespeare's plays are designed for hearers as well as spectators, has been prompted by recent explorations of the auditory dimension of early modern drama by such scholars as Andrew Gurr, Bruce Smith, and James Hirsh. To look at the dynamics of hearing in Shakespeare's plays involves a paradigm shift that changes how we understand virtually everything about them, from the architecture of the buildings, to playing spaces, to blocking, and to larger interpretative issues, including our understanding of character based on players' responses to what they hear, mishear, or refuse to hear. Who Hears in Shakespeare? Auditory Worlds on Stage and Screen is comprised of three sections on Shakespeare's texts and performance history: "The Poetics of Hearing and the Early Modern Stage"; "Metahearing: Hearing, Knowing, and Audiences, Onstage and Off"; and "Transhearing: Hearing, Whispering, Overhearing, and Eavesdropping in Film and Other Media." Chapters by noted scholars explore the complex reactions and interactions of onstage and offstage audiences and show how Shakespearean stagecraft, actualized on stage and adapted on screen, revolves around various situations and conventions of hearing--soliloquies, asides, avesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing. The volume ends with Stephen Booth's afterword, his inspiring meditation on hearing that considers Shakespearean "audiences" and their responses to what they hear--or don't hear--in Shakespeare's plays.

Download or read book The Shakespearean Archive written by Alan Galey and published by Cambridge University Press. This book was released on 2014-10-23 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.

Download or read book The Corpse as Text written by Thea Tomaini and published by Boydell & Brewer. This book was released on 2017 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1700 and 1900, the subject of disinterment (exhumation) attracted the attention of antiquaries, who constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. Between 1700 and 1900, the sixteenth and seventeenth centuries were stereotyped, idealised, and held as a standard by which the present time could be measured. Various figures in politics, academia, and the church pointed to historical persons such as Henry VIII, Shakespeare, Charles I, and Oliver Cromwell as icons whose lives, deaths and corpses illustrated the victories of English Protestantism, the values of Monarchism (or Republicanism), and the superiority of the English culture and its language. In particular, the subject of disinterment (exhumation) attracted the attention of antiquaries. They constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. These 'texts' accompanied and enhanced the traditional texts of chronicle, literature, and epitaph. This study explores the cooperation of ideology and aesthetic, the paradox of allure and revulsion, and the uncanny attraction to death. In each case there is a desire for the dead to speak in a contemporary voice; each historical personage becomes symbolic of larger aspects of the contemporary culture. The discourse of the noble body in death is reconfigured to validate English nationalist ideals and to establish the past as a Golden Era of unimpeachable superiority. It was not enough simply to study the lives and deaths of historical figures. Itwas necessary to disinter the corpses, engage physically with the dead, and experience the discourse of validation. THEA TOMAINI is Associate Professor of English (Teaching) at the University of Southern California.

Download or read book The Friar and the Cipher written by Lawrence Goldstone and published by Broadway Books. This book was released on 2005-02-15 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compulsively readable account of the most mysterious manuscript in the world, one that has stumped the world’s greatest scholars and codebreakers. The Voynich Manuscript, a mysterious tome discovered in 1912 by the English book dealer Wilfrid Michael Voynich, has puzzled scholars for a century. A small six inches by nine inches, but over two hundred pages long, with odd illustrations of plants, astrological diagrams, and naked women, it is written in so indecipherable a language and contains so complicated a code that mathematicians, book collectors, linguists, and historians alike have yet to solve the mysteries contained within. However, in The Friar and the Cipher, the acclaimed bibliophiles and historians Lawrence and Nancy Goldstone describe, in fascinating detail, the theory that Roger Bacon, the noted thirteenth-century, pre-Copernican astronomer, was its author and that the perplexing alphabet was written in his hand. Along the way, they explain the many proposed solutions that scholars have put forth and the myriad attempts at labeling the manuscript's content, from Latin or Greek shorthand to Arabic numerals to ancient Ukrainian to a recipe for the elixir of life to good old-fashioned gibberish. As we journey across centuries, languages, and countries, we meet a cast of impassioned characters and case-crackers, including, of course, Bacon, whose own personal scientific contributions, Voynich author or not, were literally and figuratively astronomical. The Friar and the Cipher is a wonderfully entertaining and historically wide-ranging book that is one part The Code Book, one part Possession, and one part The Da Vinci Code and will appeal to bibliophiles and laypeople alike.

Download or read book Shakespearean Comedies written by William Shakespeare and published by . This book was released on 1900 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Shakespearean Quarterly written by and published by . This book was released on 1922 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Complete Works of William Shakespeare written by William Shakespeare and published by . This book was released on 1909 with total page 706 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Shakespeare and the Modern Stage with Other Essays written by Sidney Sir Lee and published by DigiCat. This book was released on 2022-09-16 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: DigiCat Publishing presents to you this special edition of "Shakespeare and the Modern Stage; with Other Essays" by Sidney Sir Lee. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Download or read book Shakespearean Gothic written by Christy Desmet and published by University of Wales Press. This book was released on 2009-09-15 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind. This book addresses the gap for an up to date analysis of Shakespeare's relation to the Gothic. An authority on the Gothic, E.J. Clery, has stated that "It would be impossible to overestimate the importance of Shakespeare as touchstone and inspiration for the terror mode, even if we feel the offspring are unworthy of their parent. Scratch the surface of any Gothic fiction and the debt to Shakespeare will be there." This book therefore addresses Shakespeare's importance to the Gothic tradition as a whole and also to particular, well-known and often studied Gothic works. It also considers the influence of the Gothic on Shakespeare, both in-print and on stage in eighteenth- and nineteenth-century Britain. The introductory chapter places the chapters within the historical development of both Shakespearean reception and Gothic Studies. The book is divided into three parts: 1) Gothic Appropriations of "Shakespeare"; 2) Rewriting Shakespearean Plays and Characters; 3) Shakespeare Before/After the Gothic.