Download or read book Shakespeare s Greek Drama Secret written by Myron Stagman and published by Cambridge Scholars Publishing. This book was released on 2010-08-11 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: To begin with, Shakespeare had a complete grammar school education, and Euripides, Sophocles and Aristophanes were assigned reading!! This book presents voluminous, striking, unmediated textual correspondences between the Greek and Shakespearean plays, and illuminating historical background. Not only should this prove the Shakespeare-Greek Drama connection, but that William Shakespeare became “Shakespeare” because of his mastery of the ancient Greek treasury of Drama. 3. “Pluck’d my nipple from his boneless gums” Many of us associate Lady Macbeth’s special temper with some of the most blood-curdling lines in literature: I have given suck, and know How tender ’tis to love the babe that milks me; I would, while it was smiling in my face, Have pluck’d my nipple from his boneless gums, And dash’d the brains out, had I so sworn As you have done to this. Shakespeare’s precise action image appears in Euripides’ Iphigenia in Aulis, from verses spoken by Clytemnestra. She says to Agamemnon: It was not of my own free will but by force that Thou didst take and wed me, after slaying Tantalus, My former husband, and dashing my babe on the ground alive, When thou hadst torn him from my breast with brutal violence. The derivation of Lady Macbeth’s dashing image cannot be in doubt.
Download or read book Shakespeare s Secret written by Elise Broach and published by Macmillan. This book was released on 2007-08-21 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: A missing diamond, a mysterious neighbor, a link to Shakespeare—can Hero uncover the connections?
Download or read book Shakespeare s Originality written by John Kerrigan and published by Oxford University Press. This book was released on 2018-01-05 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: How original was Shakespeare and how was Shakespeare original? This lucid, innovative book sets about answering these questions by putting them in historical context and investigating how the dramatist worked with his sources: plays, poems, chronicles and prose romances. Shakespeare's Originality unlocks its topic with rewarding precision and flair, showing through a series of case studies that range across the output—from the mature comedies to the great tragedies, from Richard III to The Tempest—what can be learned about the artistry of the plays by thinking about these sources (including newly identified ones) after several decades of neglect. Discussion is enriched by such matters as Elizabethan ruffs and feathers, actors' footwork, chronicle history, modern theatre productions, debts to classical tragedy, scepticism, magic and science, the agricultural revolution, and ecological catastrophe. This is authoritative, lively work by one of the world's leading Shakespearians, accessible to the general reader as well as indispensable for students.
Download or read book The Marlowe Shakespeare Continuum written by Donna Murphy and published by Cambridge Scholars Publishing. This book was released on 2013-09-11 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Marlowe-Shakespeare Continuum, Donna N. Murphy demonstrates how Christopher Marlowe, sometimes in co-authorship with humorist Thomas Nashe, appears to have “become” Shakespeare on a linguistic basis. She documents a sharp, upward learning curve, with the initial penning of works she examines in the following chronological order: Caesar’s Revenge, II Henry VI, The Taming of a Shrew, III Henry VI, Edward III, Titus Andronicus, Thomas of Woodstock, Romeo and Juliet, and I Henry IV, and separates certain plays into Marlowe and Nashe components. Those who read Murphy’s book with an open mind are likely to find her work surprisingly convincing.
Download or read book Greek Tragic Women on Shakespearean Stages written by Tanya Pollard and published by Oxford University Press. This book was released on 2017-09-15 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
Download or read book The Oxford History of Classical Reception in English Literature written by David Hopkins and published by Oxford University Press. This book was released on 2012 with total page 803 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Download or read book The Oxford History of Classical Reception in English Literature written by Patrick Cheney and published by Oxford University Press. This book was released on 2015-10-29 with total page 808 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Download or read book Shakespeare Eugene O Neill T S Eliot and the Greek Tragedy written by R.R. Khare and published by Mittal Publications. This book was released on 1998 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Secret Shakespeare written by Richard Wilson and published by Manchester University Press. This book was released on 2024-06-04 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived. Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist. This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies.
Download or read book Shakespeare s Secret Schemers written by Richard A. Levin and published by . This book was released on 2001 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The study identifies and interprets the function of several secret schemes important to the plays in which they are found, and also develops an argument about how an appreciation of secret scheming confirms the tendency of recent criticism to emphasize the pervasiveness of political issues in the drama. It shows that behind acts that appear apolitical or idealistic are often schemes based on self-interested or sectarian motives."--BOOK JACKET.
Download or read book Shakespeare Bibliographie 1885 und 1886 written by Albert Cohn and published by . This book was released on 1887 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare s Festive Tragedy written by Naomi Conn Liebler and published by Routledge. This book was released on 2002-09-11 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's Festive Tragedy is a unique look at the social and religious foundations of the tragic genre. Naomi Liebler asks whether it is possible to regard tragic heroes such as Coriolanus and King Lear as `sacrifical victims of the prevailing social order'. A fascinating examination of Shakespearean tragedy, this extraordinary book will provoke excitment and controversy alike.
Download or read book Secrets of Acting Shakespeare written by Patrick Tucker and published by Taylor & Francis. This book was released on 2016-11-10 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Secrets of Acting Shakespeare isn’t a book that gently instructs. It is a passionate, yes-you-can guide designed to prove that anybody can act Shakespeare. Patrick Tucker’s classic manual encourages trained and amateur actors alike to look to the original practices of the Elizabethan theatre for inspiration. He explores the ‘cue scripts’ used by actors, who knew only their own lines, to demonstrate the extraordinary way that these plays work by ear. This updated second edition includes: A section dedicated to the modes of address 'thee‘ and 'you‘ A brand new chapter on Original Practices and cue scripts An expanded genealogical chart, showing the interrelations of 92 different characters from the history plays A new discussion of Elizabethan acting spaces – balconies, gates, ramparts and even backstage areas Secrets of Acting Shakespeare is a must-read for actors intrigued by the ‘Original Approach’ to acting Shakespeare, or for anyone curious about how the Elizabethan theater worked.
Download or read book Shakespearean Tragedy written by D. F. Bratchell and published by Routledge. This book was released on 2019-05-24 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume reflects changing critical perceptions of Shakespeare's works from Renaissance to modern times and celebrates the power of Shakespearean tragedy. The selection of critical reaction covers both the general concept of Shakespearean tragedy and its expression in the major plays, illustrating the main directions of critical approaches to Shakespearean tragedy and enabling the reader to develop an informed response to Shakespeare's dramatic works. An introductory chapter traces the development of the concept of tragedy from classical times, and its dramatic expression in the time of Shakespeare. Each of Shakespeare's great tragedies - Hamlet, Macbeth, Lear, and Othello - is considered in turn, and a final chapter summarizes contemporary critical approaches so that the reader can link the best of the critical past with the present critical scene.
Download or read book O Neill s Shakespeare written by Normand Berlin and published by University of Michigan Press. This book was released on 1994 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals unexplored links between Shakespeare's plays and the work of Eugene O'Neill
Download or read book American Motherhood written by and published by . This book was released on 1912 with total page 910 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rewriting Shakespeare s Plays For and By the Contemporary Stage written by Michael Dobson and published by Cambridge Scholars Publishing. This book was released on 2017-06-23 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?
