Download or read book The Italian Novella and Shakespeare s Comic Heroines written by Melissa Emerson Walter and published by University of Toronto Press. This book was released on 2019 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to provide a full treatment of Shakespeare's literary and theatrical engagement with the Italian novella and female agency.
Download or read book Shakespeare and Superheroes written by Jeffrey Kahan and published by ARC Humanities Press. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This short book offers a series of thought experiments and invites Shakespeareans to rediscover the wonders and pleasures of fandom. It does not argue that comic books and movies can or should replace Shakespeare; the goal is to explore the values in both, to think of comics as allusively Shakespearean, telling similar stories, expressing similar concerns, exploring similar values. Shakespeare and Superheroes seeks to re-democratize criticism by encouraging all readers to engage in and to respond to literary arguments using their own common cultural language.
Download or read book Shakespeare s Comic Insight written by Mary Lascelles and published by . This book was released on 1962 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare the Uses of Comedy written by Joseph Allen Bryant and published by University Press of Kentucky. This book was released on 1986 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Shakespeare's hand the comic mode became an instrument for exploring the broad territory of the human situation, including much that had normally been reserved for tragedy. Once the reader recognizes that justification for such an assumption is presented repeatedly in the earlier comedies -- from The Comedy of Errors to Twelfth Night -- he has less difficulty in dispensing with the currently fashionable classifications of the later comedies as problem plays and romances or tragicomedies and thus in seeing them all as manifestations of a single impulse. Bryant shows how Shakespeare, early a.
Download or read book Acting Funny written by Frances N. Teague and published by Fairleigh Dickinson Univ Press. This book was released on 1994 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Finally, these assumptions lead to the corollary that such hierarchies are natural and immutable and not fashioned by critics.
Download or read book The Evolution of Shakespeare s Comedy written by Larry S. Champion and published by Harvard University Press. This book was released on 1970 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The evolution of Shakespeare's comedy, in Larry Champion's view, is apparent in the expansion of his comic vision to include a complete reflection of human life while maintaining a comic detachment for the audience. Like the other popular dramatists of Elizabethan England, Shakespeare used the diverse comic motifs and devices which time and custom had proved effective. He went further, however, and created progressively deeper levels of characterization and plot interaction, thereby forming characters who were not merely devices subordinated to the needs of the plot. Shakespeare's development as a comic playwright, suggests Champion, was "consistently in the direction of complexity or depth of characterization." His earliest works, like those of his contemporaries, are essentially situation comedies: the humor arises from action rather than character. There is no significant development of the main characters; instead, they are manipulated into situations which are humorous as a result, for example, of mistaken identity or slapstick confusion. The ensuing phase of Shakespeare's comedy sets forth plots in which the emphasis is on identity rather than physical action, a revelation of character which occurs in one of two forms: either a hypocrite is exposed for what he actually is or a character who has assumed an unnatural or abnormal pose is forced to realize and admit the ridiculousness of his position. In the final comedies involving sin and sacrificial forgiveness, however, character development is concerned with a "transformation of values." Although each of the comedies is discussed, Champion concentrates on nine, dividing them according to the complexity of characterization. He pursues as well the playwright's efforts to achieve for the spectator the detached stance so vital to comedy. Shakespeare obtained this perspective, Champion observes, through experimentation with the use of material mirroring the main action--mockery, parody, or caricature--and through the use of a "comic pointer" who is himself involved in the action but is sufficiently independent of the other characters to provide the audience with an omniscient view.
Download or read book Shakespeare s Comic Commonwealths written by Camille Wells Slights and published by University of Toronto Press. This book was released on 1993-01-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging the traditional view that Shakespeare's early comedies are about the experience of romantic love and constitute a genre called romantic comedy, Camille Wells Slights demonstrates that they dramatize individual action in the context of social dynamics, reflecting and commenting on the culture in which they originated. Shakespeare's Comic Commonwealths sheds new light on ten Shakespearean comedies: The Comedy of Errors, The Taming of the Shrew, The Two Gentlemen of Verona, Love's Labor's Lost, A Midsummer Night's Dream, The Merchant of Venice, The Merry Wives of Windsor, Much Ado about Nothing, As You Like It and Twelfth Night. In a diversity of comic forms - from rollicking farce to tragicomedy - these plays offer varying perspectives on the forces that make and mar human communities. Dramatizing tensions between savagery and civilization, autonomy and dependence, and isolation and community, Shakespeare's comedies both reflect and comment on the society that produces them. Slights eschews viewing these comedies as endorsements of the prevailing ideologies of sixteenth-century England or as subversions of that hierarchical, patriarchal culture. They can be most fruitfully understood as imaginative forms that present cultural practices, institutions and beliefs as human constructions susceptible to critical scrutiny. While exposing the injustice and brutality as well as the assurances and satisfactions of social experiences, Shakespeare's comedies represent people as inescapably social beings. By combining historical scholarship with formal analysis and incorporating insights from social anthropology and feminist theory, Shakespeare's Comic Commonwealths offers new readings of Shakespeare's early comedies and analyses the interaction between the plays and the social structures and processes of early modern England.
Download or read book William Shakespeare s The Merchant of Venice Comedy tragedy or problem play written by Anni St. and published by GRIN Verlag. This book was released on 2012-02-20 with total page 23 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2010 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, RWTH Aachen University (Institut für Anglistik), course: Hauptseminar Shakespeare's Comedies, language: English, abstract: The first question that Shakespeare’s play The Merchant of Venice raises is “What kind of play is this? Is it a comedy, a tragedy or a problem play?” The Merchant of Venice is believed to be written between 1596 and 1598. Already from the very beginning, hardly any other play has experienced so many diverse receptions after its publication. In his essay on The Merchant of Venice, Walter Cohen comments that “no other Shakespeare comedy before All’s Well That Ends Well (1602) and Measure for Measure (1604), perhaps no other Shakespeare comedy at all, has excited comparable controversy.” Although the title page of the first edition of the play “The Most Excellent Historie of the Merchant of Venice” (first print in 1600) suggested it to be a history play, it had initially been classified as a comedy. In 1623, Heminges and Condell placed The Merchant of Venice among the comedies in the First Folio of Shakespeare’s works. However, many readers, actors, directors and playgoers still argue about the genre of the play. They have difficulties in defining The Merchant of Venice as a comedy as the following quotation shows: “Indeed, seen from any angle, The Merchant of Venice is not a very funny play, and we might gain a lot if, for the moment, we ceased to be bullied by its inclusion in the comedies.” Today, The Merchant of Venice is often read and played more like a problem play or even a tragedy. The following term paper deals with the classification of the literary genre of The Merchant of Venice. Does the play belong to the category of comedies or shall it rather be identified as a tragedy or problem play? To assign the play to a specific category, it is necessary to shortly present the criteria of the genres comedy, tragedy and problem play. In chapter 3, the play will be analysed in terms of comic and tragic aspects. The focus is put on the flesh-bond and the courtship plot, the first having its setting in Venice, the second in Belmont. The aim of this chapter is to illustrate that The Merchant of Venice contains both comic and tragic elements. Chapter 4 deals with the complex character Shylock whose perception has changed through the centuries. Is he still the comic villain of the Elizabethan time or can he rather be seen as a victim of extreme anti-Semitism? By giving an insight into comic and tragic aspects in Shakespeare’s The Merchant of Venice, this term paper shall try to solve the problem of assigning the play to a specific literary genre.
Download or read book Will and Me written by Dominic Dromgoole and published by Penguin Books, Limited (UK). This book was released on 2007 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare has always been a big part of the author's life. This is the story of how he has stumbled, shambled and occasionally glided through the years with Shakespeare as his guide. It also shows us what Shakespeare's rough-and-ready genius can teach us about love, war, sex, death, drunkenness, friendship.
Download or read book Shakspeare s Comedy of Errors With Notes Critical and Explanatory by J Hunter written by Anonymous and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's Comedy of Errors is one of his earliest and most farcical plays. In this edition, editor J. Hunter provides detailed notes on the play's language, characters, and themes, helping readers to navigate the complex web of mistaken identities and comic misunderstandings that drive the plot. Hunter's critical insights offer a fresh perspective on this classic work of English literature and make it accessible to readers of all levels. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Shakespeare s Rhetoric of Comic Character written by Karen Newman and published by Routledge. This book was released on 2013-10-11 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance.
Download or read book Shakespeare and the Traditions of Comedy written by Leo Salingar and published by Cambridge University Press. This book was released on 1974 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: For students of English and European literature, renaissance studies, comparative literature, drama and classics.
Download or read book The Cambridge Companion to Shakespearean Comedy written by Alexander Leggatt and published by Cambridge University Press. This book was released on 2002 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.
Download or read book The Soliloquies of Shakespeare written by Morris LeRoy Arnold and published by . This book was released on 1911 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare and the Uses of Comedy written by J. A. BryantJr. and published by University Press of Kentucky. This book was released on 2014-07-15 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Shakespeare's hand the comic mode became an instrument for exploring the broad territory of the human situation, including much that had normally been reserved for tragedy. Once the reader recognizes that justification for such an assumption is presented repeatedly in the earlier comedies -- from The Comedy of Errors to Twelfth Night -- he has less difficulty in dispensing with the currently fashionable classifications of the later comedies as problem plays and romances or tragicomedies and thus in seeing them all as manifestations of a single impulse. Bryant shows how Shakespeare, early and late, dutifully concerned himself with the production of laughter, the presentation of young people in love, and the exploitation of theatrical conventions that might provide a guaranteed response. Yet these matters were incidental to his main business in writing comedy: to examine the implications of an action in which human involvement in the process of living provides the kind of enlightenment that leads to renewal and the continuity of life. With rare foresight, Shakespeare presented a world in which women were as capable of enlightenment as the men who wooed them, and Bryant shows how the female characters frequently preceded their mates in perceiving the way of the world. In most of his comedies Shakespeare also managed to suggest the role of death in life's process; and in some -- even in plays as diverse as A Midsummer Night's Dream, As You Like It, and The Tempest -- he gave hints of a larger process, one without beginning or end, that may well comprehend all our visions -- of comedy, tragedy, and history -- in a single movement.
Download or read book The Cambridge Introduction to Shakespeare s Comedies written by Penny Gay and published by Cambridge University Press. This book was released on 2008-04-07 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre.
Download or read book A Selective Bibliography of Shakespeare written by James G. McManaway and published by Associated University Presses. This book was released on 1978-07 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bibliography provides easy access to the most important Shakespeare studies in the past four decades. Brief annotations, a detailed table of contents, cross-references, and a complete index make this bibliography especially useful.
