Download or read book Shakespeare on the American Stage From Booth and Barrett to Sothern and Marlowe written by Charles Harlen Shattuck and published by Associated University Presses. This book was released on 1976 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This set of essays, which surveys major developments in the winding down of nineteenth-century methods of Shakespeare staging, spans the decades from the 1880s to about 1920. The Epilogue describes the American celebration of the Tercentenary of Shakespeare's death.
Download or read book The American Stage written by Ron Engle and published by Cambridge University Press. This book was released on 1993-05-06 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the economic and social forces which shaped American theatre throughout its history. Alone or as a collection, these essays, written by leading theatre historians and critics of the American theatre, will stimulate discussions concerning the traditionally held views of America's theatrical heritage.
Download or read book Macready Booth Terry Irving written by Richard Schoch and published by A&C Black. This book was released on 2014-03-27 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive critical analysis of the most important Shakespearean critics, editors, actors and directors. This volume focuses on Shakespeare's reception by figures in Victorian theatre.
Download or read book Highbrow Lowbrow written by Lawrence W. LEVINE and published by Harvard University Press. This book was released on 2009-06-30 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this unusually wide-ranging study, spanning more than a century and covering such diverse forms of expressive culture as Shakespeare, Central Park, symphonies, jazz, art museums, the Marx Brothers, opera, and vaudeville, a leading cultural historian demonstrates how variable and dynamic cultural boundaries have been and how fragile and recent the cultural categories we have learned to accept as natural and eternal are. For most of the nineteenth century, a wide variety of expressive forms—Shakespearean drama, opera, orchestral music, painting and sculpture, as well as the writings of such authors as Dickens and Longfellow—enjoyed both high cultural status and mass popularity. In the nineteenth century Americans (in addition to whatever specific ethnic, class, and regional cultures they were part of) shared a public culture less hierarchically organized, less fragmented into relatively rigid adjectival groupings than their descendants were to experience. By the twentieth century this cultural eclecticism and openness became increasingly rare. Cultural space was more sharply defined and less flexible than it had been. The theater, once a microcosm of America—housing both the entire spectrum of the population and the complete range of entertainment from tragedy to farce, juggling to ballet, opera to minstrelsy—now fragmented into discrete spaces catering to distinct audiences and separate genres of expressive culture. The same transition occurred in concert halls, opera houses, and museums. A growing chasm between “serious” and “popular,” between “high” and “low” culture came to dominate America’s expressive arts. “If there is a tragedy in this development,” Lawrence Levine comments, “it is not only that millions of Americans were now separated from exposure to such creators as Shakespeare, Beethoven, and Verdi, whom they had enjoyed in various formats for much of the nineteenth century, but also that the rigid cultural categories, once they were in place, made it so difficult for so long for so many to understand the value and importance of the popular art forms that were all around them. Too many of those who considered themselves educated and cultured lost for a significant period—and many have still not regained—their ability to discriminate independently, to sort things out for themselves and understand that simply because a form of expressive culture was widely accessible and highly popular it was not therefore necessarily devoid of any redeeming value or artistic merit.” In this innovative historical exploration, Levine not only traces the emergence of such familiar categories as highbrow and lowbrow at the turn of the century, but helps us to understand more clearly both the process of cultural change and the nature of culture in American society.
Download or read book Great Shakespeareans Set I written by Peter Holland and published by Bloomsbury Publishing. This book was released on 2010-06-03 with total page 1078 pages. Available in PDF, EPUB and Kindle. Book excerpt: Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. Great Shakespeareans will be an essential resource for students and scholars in Shakespeare studies.
Download or read book Great Shakespeareans Set II written by Adrian Poole and published by Bloomsbury Publishing. This book was released on 2014-09-29 with total page 1051 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second set of volumes in the eighteen-volume series Great Shakespeareans, covering the work of nineteen key figures who influenced the global understanding of Shakespeare
Download or read book Shakespeare Studies written by Susan Zimmerman and published by Fairleigh Dickinson Univ Press. This book was released on 2010-09 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: SHAKESPEARE STUDIES is an international volume published every year in hard cover that contains essays and studies by critics and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its socio-political history, and its place in the emerging globalism of the period. In addition to articles, the journal includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modern literature. Volume XXXVIII features another in the journal's ongoing series of Forums on an issue of importance to Renaissance studies. Organised and introduced by Greg Colon Semenza, this Forum, 'After Shakespeare and Film', includes the interdisciplinary perspectives of nine contributors on the positioning of Shakespeare studies in digital and other contemporary technologies. The volume also features an article on representing 'blackness' in Shakespearean productions from 1821 to 1844, and another on the influence of 19th-century melodrama on the Shakespeare critical tradition, as well as a review article on 'Shakespeare and the Gothic Strain'. Reviews in this issue address such disparate topics as Shakespeare and the problem of adaptation, Renaissance culture and the rise of the machine, and locating privacy in Tudor England.
Download or read book Shakespeare in America written by Alden T. Vaughan and published by Oxford University Press. This book was released on 2012-04-05 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a lively account of how American culture has embraced the English playwright and poet from colonial times to the present. It ranges widely, following the story of Shakespeare's reception in America from the scholarly - criticism, editions of the plays, and curricula - to the light-hearted - burlesques, musical comedies, and kitsch.
Download or read book Coriolanus on Stage in England and America 1609 1994 written by John Ripley and published by Fairleigh Dickinson Univ Press. This book was released on 1998 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon promptbooks and other theater documents, engravings and photographs, reviews, interviews, letters, diaries, and memoirs, he creates a richly layered account of a play persistently denied its character and rarely staged without explicit or implicit apology.
Download or read book The Cambridge History of American Theatre written by Don B. Wilmeth and published by Cambridge University Press. This book was released on 1998 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second volume of the authoritative, multi-volume Cambridge History of American Theatre, first published in 1999, begins in the post-Civil War period and traces the development of American theatre up to 1945. It covers all aspects of theatre from plays and playwrights, through actors and acting, to theatre groups and directors. Topics examined include vaudeville and popular entertainment, European influences, theatre in and beyond New York, the rise of the Little Theatre movement, changing audiences, modernism, the Federal Theatre movement, scenography, stagecraft, and architecture. Contextualising chapters explore the role of theatre within the context of American social and cultural history, and the role of American theatre in relation to theatre in Europe and beyond. This definitive history of American theatre includes contributions from the following distinguished academics - Thomas Postlewait, John Frick, Tice L. Miller, Ronald Wainscott, Brenda Murphy, Mark Fearnow, Brooks McNamara, Thomas Riis, Daniel J. Watermeier, Mary C. Henderson, and Warren Kliewer.
Download or read book William Shakespeare The Complete Works written by William Shakespeare and published by Oxford University Press, USA. This book was released on 2005-04-21 with total page 1423 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compact edition of the complete works of William Shakespeare. It combines impeccable scholarship with beautifully written editorial material and a user-friendly layout of the text. Also included is a foreword, list of contents, general introduction, essay on language, contemporary allusions to Shakespeare, glossary, consolidated bibliography and index of first lines of Sonnets.
Download or read book The Merchant of Venice written by John W. Mahon and published by Routledge. This book was released on 2013-10-28 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a collection of all-new original essays covering everything from feminist to postcolonial readings of the play as well as source queries and analyses of historical performances of the play. The Merchant of Venice is a collection of seventeen new essays that explore the concepts of anti-Semitism, the work of Christopher Marlowe, the politics of commerce and making the play palatable to a modern audience. The characters, Portia and Shylock, are examined in fascinating detail. With in-depth analyses of the text, the play in performance and individual characters, this book promises to be the essential resource on the play for all Shakespeare enthusiasts.
Download or read book The Portable Theater written by Alan Louis Ackerman and published by JHU Press. This book was released on 1999 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Portable Theater, Alan Ackerman investigates the crucial importance of theater in the works of Walt Whitman, Herman Melville, William Dean Howells, Louisa May Alcott, and Henry James. Whether as drama critics, playwrights, amateur actors, or simply as avid theater goers, each of these authors thought deeply about the theater and represented it in literature.
Download or read book Hamlet and the Visual Arts 1709 1900 written by Alan R. Young and published by University of Delaware Press. This book was released on 2002 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare. The visual material considered in this study offers a unique perspective that complements biographical, critical, and theater history studies by showing how a broad spectrum of the literate and not-so-literate absorbed and responded to Shakespeare's works, not necessarily in academic libraries or at play performances, but in their homes, when browsing in print shops, when reading in coffee houses, or (a far rarer experience) when visiting an art gallery or exhibition.
Download or read book North American Players of Shakespeare written by Michael W. Shurgot and published by University of Delaware Press. This book was released on 2007 with total page 800 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a collection of interviews of twenty-one actors from Shakespeare theaters and festivals across North America, from the Oregon Shakespeare Festival in Ashland to the Chicago Shakespeare Theatre and the Stratford Shakespeare Festival in Ontario. The interviews celebrate the variety in education, training, and approaches to acting conducted by recognized performance scholars. Thus, this book combines scholarly expertise with actors' insights to produce unique views on contemporary Shakespearean performances in the United States and Canada, and fills an important niche in performance criticism. Michael W. Shurgot is Professor of Humanities at South Puget Sound Community College.
Download or read book The Oxford Handbook of Shakespearean Tragedy written by Michael Neill and published by Oxford University Press. This book was released on 2016-08-18 with total page 1179 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Shakespearean Tragedy presents fifty-four essays by a range of scholars from all parts of the world. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The opening section explores ways in which later generations of critics have shaped our idea of 'Shakespearean' tragedy, and addresses questions of genre by examining the playwright's inheritance from the classical and medieval past. The second section is devoted to current textual issues, while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book's final section expands readers' awareness of Shakespeare's global reach, tracing histories of criticism and performance across Europe, the Americas, Australasia, the Middle East, Africa, India, and East Asia.
Download or read book A Midsummer Night s Dream written by Jay L. Halio and published by Manchester University Press. This book was released on 2003-09-20 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: After an historical survey of A Midsummer Night's Dream from Shakespeare's time through to the 19th century, Jay Halio focuses primarily on 20th century productions and adaptations, for film and television as well as for the stage. Chapters are devoted to productions by Max Reinhardt, Peter Hall, Robert Lepage, and especially to Peter Brook's landmark production in 1970 and the reactions to it. Using a wealth of personal experience, as well as original promptbooks and critical reviews, Halio shows how differently but still very effectively the play may be staged, as the wide variety of plays he records. This second, enlarged edition contains three new chapters on Adrian Noble's RSC production and film, Michael Hoffman's film, and the Dream in China. Written in clear, jargon-free language, this is the only book so far in print that offers an extended study of major 20th-century productions of the Dream in their historical context.
