Download or read book Shakespeare and the Power of Performance written by Robert Weimann and published by Cambridge University Press. This book was released on 2008-08-07 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era.
Download or read book Shakespeare and the Power of Performance written by Robert Weimann and published by Cambridge University Press. This book was released on 2010-12-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself.
Download or read book Shakespeare Race and Performance written by Delia Jarrett-Macauley and published by Routledge. This book was released on 2016-08-05 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to study Shakespeare within a multicultural society? And who has the power to transform Shakespeare? The Diverse Bard explores how Shakespeare has been adapted by artists born on the margins of the Empire, and how actors of Asian and African-Caribbean origin are being cast by white mainstream directors. It examines how notions of 'race' define the contemporary British experience, including the demands of traditional theatre, and it looks at both the playtexts themselves and contemporary productions. Editor Delia Jarrett-Macauley assembles a stunning collection of classic texts and new scholarship by leading critics and practitioners, to provide the first comprehensive critical and practical analysis of this field.
Download or read book Shakespeare and the Power of the Face written by Professor James A Knapp and published by Ashgate Publishing, Ltd.. This book was released on 2015-09-28 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: As contributors to this volume prove, Shakespeare’s language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare’s treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare’s England.
Download or read book This Wide and Universal Theater written by David Bevington and published by University of Chicago Press. This book was released on 2009-05 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.
Download or read book Will Power written by John Basil and published by Hal Leonard Corporation. This book was released on 2006 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a guide for actors which outlines a three-week process for performing Shakespeare's plays.
Download or read book Shakespeare and the Authority of Performance written by William B. Worthen and published by Cambridge University Press. This book was released on 1997-09-25 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: How the idea of Shakespearean authority is still invested in the activities of directing, acting, and scholarship.
Download or read book Shakespeare and Social Theory written by BRADD. SHORE and published by Routledge. This book was released on 2021-08-23 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Download or read book Shakespeare and the Culture of Paradox written by Dr Peter G Platt and published by Ashgate Publishing, Ltd.. This book was released on 2013-04-28 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.
Download or read book Royal Power and Authority in Shakespeare s Late Tragedies written by Alisa Manninen and published by Cambridge Scholars Publishing. This book was released on 2015-10-05 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Shakespeare explores political survival as a question of interaction at court in King Lear, Macbeth, and Antony and Cleopatra. Through a discussion of authority as an element that is distinct from power, this book offers a new perspective on the importance of acts of persuasion and the contribution the late tragedies make to Shakespeare’s portrayal of monarchy. It argues that the most productive uses of the material power to judge or reward are those that reinforce royal authority and establish the monarch at the centre of the web of noble relationships. In the late tragedies, rulership is exercised at court. It acquires a nature of its own as the interaction of powerful and potentially powerful individuals among the nobility. The persuasive exercise of authority complements the tangible power that is founded on the monarch’s material resources, so that consent to the monarch’s supremacy is obtained through various discourses of justification and the performance of the monarch’s social role. Shakespeare’s combination of emotional intimacy with political concerns becomes central to the tragedies of these three plays when the failure to establish control over power and authority leads to the breakdown of established values and political traditions.
Download or read book Understanding Shakespeare s Plays in Performance written by Jay L. Halio and published by Manchester University Press. This book was released on 1988 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: Every year, hundreds of thousands of people buy tickets to see Shakespeare's plays performed. No other playwright commands the kind of interest that Shakespeare does.
Download or read book Shakespeare and the Force of Modern Performance written by William B. Worthen and published by Cambridge University Press. This book was released on 2003-01-30 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses how Shakespeare is recreated in historical performance.
Download or read book Shakespeare Comes to Broadmoor written by Murray Cox and published by Jessica Kingsley Publishers. This book was released on 1992-01-01 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1989 and 1991 several of Shakespeare's tragedies were performed in the central hall of Broadmoor Hospital. This book sets these important events on record. It offers insights into the impact of such drama, in such a setting, upon actors and audience. It includes interviews with the directors and the actors playing the title roles, as well as a description of the hospital and its community of patients and staff. The performances were given by actors from The Royal Shakespeare Company (Hamlet and Romeo and Juliet), The Royal National Theatre (King Lear) and the Wilde Community Theatre Company, a local amateur drama group (Measure for Measure). An account is given of `workshops' which took place after the performances. And a collage of comment, by actors and audience, is presented as a stream of corporate consciousness. The final section of the book has a more academic timbre, including chapters on performance and projective possibilities, the nature and scope of dramatherapy, and contributions on the place of drama in custodial settings by specialists from a variety of disciplines.
Download or read book Shakespeare Re dressed written by James C. Bulman and published by Associated University Presse. This book was released on 2008 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This collection covers a wide range of Shakespeare productions, from Granville Barker and Poel's experiments with cross-gender casting to recent performances by Cheek by Jowl, the National Theatre, and the new Globe; from early twentieth-century performances by women's companies in England and Japan to contemporary stagings by the Los Angeles Women's Shakespeare Company; from Mabou Mines' controversial Lear in New York to a more subtly transgressive Tempest by the Georgia Shakespeare Festival." "These essays are comprehensive in their consideration of cross-gender-cast Shakespeare as it evolved over the past century. Theoretically informed yet grounded in the particularity of individual performances, they forge new connections between performance studies and gender theory and broach issues vital to anyone interested in Shakespeare."--BOOK JACKET.
Download or read book Power Plays written by John O. Whitney and published by Simon and Schuster. This book was released on 2002-05-30 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: The issues fueling the intricate plots of Shakespeare's four-hundred-year-old plays are the same common, yet complex issues that business leaders contend with today. And, as John Whitney and Tina Packer so convincingly demonstrate, no one but the Bard himself can penetrate the secrets of leadership with such piercing brilliance. Let him instruct you on the issues that managers face every day: Power: Richard II's fall from power can enlighten us. Trust: Draw on the experiences of King Lear and Othello. Decision: Hamlet illustrates the dos and don'ts of decision making. Action: See why Henry IV was effective and Henry VI was not. Whitney and Packer do not simply compare Shakespeare's plays with management techniques, instead they draw on their own wealth of business experience to show us how these essential Shakespearean lessons can be applied to modern-day challenges. Power Plays infuses the world of business with new life -- and plenty of drama.
Download or read book Impersonations written by Stephen Orgel and published by Cambridge University Press. This book was released on 1996-02-29 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: A provocative exploration of gender in the Renaissance, from theatrical cross-dressing to cultural subversion.
Download or read book Shakespeare on Theatre written by William Shakespeare and published by Hal Leonard Corporation. This book was released on 2013-04-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and poems. Shakespeare scholar Nick de Somogyi here draws together all the cherishable set pieces including "All the world's a stage," Hamlet's encounters with the Players, and Bottom's amateur theatricals along with many other oblique but no less revealing glances, and further insights into theatre practice by Shakespeare's contemporaries and rivals. De Somogyi's commentary takes us through the entire process of Shakespeare's theatrical production, from its casting and auditions, via rehearsals, costumes, and props, to its premiere and audience reception. Shakespeare on Theatre eavesdrops on the urgently whispered noises-off in the "tiring-house" and inhales the heady aroma of the Globe's first audiences.
