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Book The Cambridge History of Seventeenth Century Music

Download or read book The Cambridge History of Seventeenth Century Music written by Tim Carter and published by Cambridge University Press. This book was released on 2005-12-22 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2005, this title provides extensive knowledge on seventeenth-century music.

Book A Performer s Guide to Seventeenth Century Music

Download or read book A Performer s Guide to Seventeenth Century Music written by Stewart Carter and published by Indiana University Press. This book was released on 2012-03-21 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.

Book Music in the Seventeenth Century

Download or read book Music in the Seventeenth Century written by Lorenzo Bianconi and published by Cambridge University Press. This book was released on 1987-11-26 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines musical life in the seventeenth century, a period of profound change in the history of music.

Book Musical Cultures in Seventeenth Century Russia

Download or read book Musical Cultures in Seventeenth Century Russia written by Claudia R. Jensen and published by Indiana University Press. This book was released on 2009-10-05 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudia R. Jensen presents the first unified study of musical culture in the court and church of Muscovite Russia. Spanning the period from the installation of Patriarch Iov in 1589 to the beginning of Peter the Great's reign in 1694, her book offers detailed accounts of the celebratory musical performances for Russia's first patriarch -- events that were important displays of Russian piety and power. Jensen emphasizes music's varied roles in Muscovite society and the equally varied opinions and influences surrounding it. In an attempt to demystify what has previously been an enigma to Western readers, she paints a clear picture of the dazzling splendor of musical performances and the ways in which 17th-century Muscovites employed music for spiritual enlightenment as well as entertainment.

Book Desire and Pleasure in Seventeenth Century Music

Download or read book Desire and Pleasure in Seventeenth Century Music written by Susan McClary and published by Univ of California Press. This book was released on 2012-03-06 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.

Book Music in Seventeenth century Naples

Download or read book Music in Seventeenth century Naples written by Dinko Fabris and published by Ashgate Publishing, Ltd.. This book was released on 2007 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dinko Fabris draws on newly discovered archival documents to reconstruct the career of Francesco Provenzale (1624-1704) who became the leader of his musical world, despite his relatively small musical output. The book examines Provenzale's surviving works alongside those of his most important Neapolitan contemporaries. Fabris provides both a life and works study of Provenzale and a conspectus of Neapolitan musical life of the seventeenth century.

Book Music Theory in Seventeenth century England

Download or read book Music Theory in Seventeenth century England written by Rebecca Herissone and published by Oxford University Press, USA. This book was released on 2000 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thus, over the course of the seventeenth century, there occurred a complete transformation in almost every aspect of theory: by the 1720s, many of the principles being described bore close relation to those still used today. Nowhere was this metamorphosis clearer than in England where, because of a traditional emphasis on practicality, there was much more willingness to accept and encourage new theoretical ideas than on the continent.

Book Divas in the Convent

Download or read book Divas in the Convent written by Craig A. Monson and published by University of Chicago Press. This book was released on 2012-06-08 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Monson retells the story of Vizzana and the nuns of Santa Cristina to elucidate the role that music played in the lives of these cloistered women. Monson explains how the sisters fought back with words and music, and when these proved futile, with bricks, roof tiles, and stones.

Book Music and the Language of Love

    Book Details:
  • Author : Catherine Gordon-Seifert
  • Publisher : Indiana University Press
  • Release : 2011-04-07
  • ISBN : 0253000858
  • Pages : 409 pages

Download or read book Music and the Language of Love written by Catherine Gordon-Seifert and published by Indiana University Press. This book was released on 2011-04-07 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Simple songs or airs, in which a male poetic voice either seduces or excoriates a female object, were an influential vocal genre of the French Baroque era. In this comprehensive and interdisciplinary study, Catherine Gordon-Seifert analyzes the style of airs, which was based on rhetorical devices of lyric poetry, and explores the function and meaning of airs in French society, particularly the salons. She shows how airs deployed in both text and music an encoded language that was in sensuous contrast to polite society's cultivation of chaste love, strict gender roles, and restrained discourse.

Book Opera in Seventeenth Century Venice

Download or read book Opera in Seventeenth Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi

Book The Evolution of Organ Music in the 17th Century

Download or read book The Evolution of Organ Music in the 17th Century written by John R. Shannon and published by McFarland. This book was released on 2014-01-10 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 17th century was the century of the organ in much the same way the 19th century was the century of the piano. Almost without exception, the major composers of the century wrote for the instrument, and most of them were practicing organists themselves. This historical book surveys, analyzes, and discusses the major national styles of 17th century European organ music. Due to the extraordinarily extensive body of literature produced during this 100-year period, this text includes 350 musical examples to illustrate the various styles. The book also includes brief discussions of the various national styles of organ building, an appendix about the various notational methods used in the 17th century, and a chapter on Spain and Portugal written by Andre Lash, an expert on the subject.

Book Music in the Service of the King  France in the Seventeenth Century

Download or read book Music in the Service of the King France in the Seventeenth Century written by Robert M. Isherwood and published by Ithaca [N.Y.] : Cornell University Press. This book was released on 1973 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: The arts, particularly music, are viewed in this work as an integral part of evolving royal absolutism during the reign of Louis XIV. Drawing extensively on archival documents and musical scores, the author views the historical association of music and monarchy as a continuous development beginning with the Valois and climaxing in Louis XIV’s reign. The king is pictured as a rational, calculating man whose luxurious life style was politically motivated, and who undertook the centralization of the arts to assure French artistic preeminence. Elaborate, costly musical productions were also used to distract the nobility, to demonstrate French affluence to foreign powers, and to embellish the royal image.

Book O Let Us Howle Some Heavy Note

    Book Details:
  • Author : Amanda Eubanks Winkler
  • Publisher : Indiana University Press
  • Release : 2006-11
  • ISBN : 0253348056
  • Pages : 250 pages

Download or read book O Let Us Howle Some Heavy Note written by Amanda Eubanks Winkler and published by Indiana University Press. This book was released on 2006-11 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous. O Let Us Howle Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects—those who presented either a direct or metaphorical threat to the health of the English kingdom in 17th-century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies.

Book Rhythmic Alteration in Seventeenth  and Eighteenth century Music

Download or read book Rhythmic Alteration in Seventeenth and Eighteenth century Music written by Stephen E. Hefling and published by MacMillan Publishing Company. This book was released on 1993 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Notes inegales is the historical name of the French practice, prevalent from 1690 to 1780, of performing diminution-like passages as uneven pairs of notes despite their notation in equal values. "Overdotting" (a modern term) designates the Baroque custom of rendering certain dotted rhythms longer than their notation indicates. Appropriate adoption of both practices in performance requires that the performer weigh a wide range of interrelated variables, including tempo, articulation, and national musical styles.

Book Studies in Sixteenth and Seventeenth century Italian Sacred Music

Download or read book Studies in Sixteenth and Seventeenth century Italian Sacred Music written by Jeffrey G. Kurtzman and published by Routledge. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although he is often identified as a Monteverdi scholar, the majority of Jeffrey Kurtzman's work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, this book provides critical and analytical essays spotlighting the sacred music of Monteverdi and other seventeenth-century composers such as Giovanni Francesco Capello and Palestrina. It investigates issues of performance and surveys Italian liturgical music in its historical context.

Book Buildings for Music

Download or read book Buildings for Music written by Michael Forsyth and published by CUP Archive. This book was released on 1985 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book focuses on how musical taste and style affected architecture and acoustics influenced musical composition.

Book Music  Science  and Natural Magic in Seventeenth century England

Download or read book Music Science and Natural Magic in Seventeenth century England written by Penelope Gouk and published by . This book was released on 1999 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.