Download or read book Serenatas for Dublin written by Johann Sigismund Kusser and published by A-R Editions, Inc.. This book was released on 2020-01-01 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Johann Sigismund Kusser (or, as he was known in England and Ireland, John Sigismond Cousser), was a Hungarian-born musician who, after a varied and successful career in the German-speaking lands of the Holy Roman Empire, settled in Ireland in July 1707. In Dublin Kusser composed and directed the performances of at least twenty-one festive serenatas that marked important state occasions in Dublin between 1709 and his death in late 1727. Presented before the elite of local society in semistaged productions featuring costumes, stage machinery, and dancing, these works functioned as something of an operatic substitute in the citys cultural life. The contents of the present volume comprise the three serenatas for which music remains extant. Two of these can be proven definitively to be of Kussers own composition, and the third, due to its musical style, overall structure, and subject matter, is almost certainly his creation as well. These works provide remarkably rare musical evidence of a key component of the artistic offerings of Dublins viceregal court during the early decades of the eighteenth century.
Download or read book Handel s Serenata written by John Gay and published by . This book was released on 1865 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Dublin Stage 1720 1745 written by John C. Greene and published by Lehigh University Press. This book was released on 1993 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Dublin Stage, 1720-1745 is a comprehensive documentary history and calendar of Dublin Ireland's theatres from 1720, the year of Joseph Ashbury's death, to 1745, when Thomas Sheridan assumed the management of the united Smock Alley/Aungier Street companies and ushered in the "Golden Age" of early Dublin theatre. During the eighteenth century, Dublin was second only to London in the number of theatres it supported and in the number and quality of productions. Winner of Lehigh University Press's eighteenth-century studies prize, this work details for the first time evidence of nearly 1,400 stage performances in eight competing theatres and theatrical booths and hundreds of performers, many previously unnoticed. Programs are listed in a detailed calendar, which is organized by theatrical season and provides a day-by-day account of the plays, afterpieces, dances, music, and songs that were performed, as well as the many other forms of entertainment that were staged at the public theatres, such as rope-dancing, animal acts, and equilibres." "The actors who performed and their named roles are listed, as well as the recipients of benefits, the titles of all songs, dances, and other entr'acte entertainments. Each entry also incorporates all available contemporary commentary about each performance, financial information, and supplies locations of rare texts." "In the analytical introduction to the calendar, the authors discuss the physical characteristics and locations of the theatres; their acoustics and capacities; the Dublin theatre season; composition, administration, and management of the companies of performers; management styles and techniques; actors' contractual arrangements, conditions, and salaries; ticket prices; benefit and command performances; the composition of the repertory; costumes, scenery, wardrobe, and machinery, and much else. Special attention is paid to areas that have been neglected by previous histories, such as dance and dancers, and prologues and epilogues." "In addition to a general index, The Dublin Stage, 1720-1745 provides indexes of all mainpieces and afterpieces performed during the period in Dublin, cross-referenced with the venue and date of performance; an author/play index; and an alphabetical listing of all personnel associated with the Dublin stage at this time, as well as a selected bibliography." "Incorporating into their book the work of recent eighteenth-century theatre scholarship, the authors bring to light much that is new about a fascinating period of theatre history and greatly expand our knowledge about the plays and entertainments enjoyed by Dublin audiences, and about the identities of the stage personnel active in Dublin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book An Account of the Visit of Handel to Dublin written by Horatio Townsend (the younger.) and published by . This book was released on 1852 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book An Account of the Visit of Handel to Dublin with incidental notices of his life and character written by Horatio TOWNSEND (Barrister-at-Law.) and published by . This book was released on 1852 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Te Deum jubilate anthems odes oratorios and serenatas as they are performed by the Philharmonic Society in Dublin for the improvement of church musick and the further support of Mercer s Hospital written by Philharmonic Society (Dublin, Ireland) and published by . This book was released on 1741 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Congressional Record written by United States. Congress and published by . This book was released on 1960 with total page 1160 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Vivaldi written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 565 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Download or read book The Vocal Serenata of the Seventeenth and Eighteenth Centuries written by Julianne Baird and published by . This book was released on 1976 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Universal Applause of Mount Parnassus written by Johann Sigismund Kusser and published by . This book was released on 1711 with total page 8 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Serenata To be represented on the birth day of the most serene Anne at the Castle of Dublin the sixth day of February 1714 etc written by and published by . This book was released on 1714 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Michele Esposito written by Jeremy Dibble and published by Field Day Publications. This book was released on 2010 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Acis and Galatea a Serenata Etc By John Gay written by John Gay and published by . This book was released on 1778 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre in Dublin 1745 1820 written by John C. Greene and published by Lehigh University Press. This book was released on 2011-12-01 with total page 840 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
Download or read book A Dictionary of Members of the Dublin Book Trade 1550 1800 written by Mary Pollard and published by OUP/The Bibliographical Society of London. This book was released on 2000 with total page 730 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dictionary attempts in nearly 2,200 entries to cover all workers in the various branches of the Dublin book trade until the Act of Union in 1800. All grades of workers from apprentice to master, and papermakers, engravers, hawkers and other peripheral traders are considered, as well as the all-important printers and booksellers. Entries naturally vary from one or two lines to one or two pages in length. The aim is to illustrate the working life of each subject by reference to contemporary sources such as records of the stationer's Guild, state papers, imprints, newspaper advertisements, customers' accounts, etc, with documentation for each statement made. Entries will thus give practical clues to dating undated books, as well as provide a basis for further research into individual traders' work and the Dublin trade as a whole. Some account of the history and organization of the Dublin Guild of St Luke (cutlers, painter-stainers, and stationers) appears as introduction.
Download or read book Handel and Maurice Greene s Circle at the Apollo Academy written by Matthew Gardner and published by V&R Unipress. This book was released on 2008-12-10 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Apollo Academy, a musical club founded in 1731 by Maurice Greene and his friend Michael Christian Festing, was the performance location of various oratorios, odes and masques produced by composers in Greene's circle of friends, colleagues and pupils. Many of the works performed both in and outside the academy meetings are based on subjects such as Jephtha, Deborah and the choice of Hercules which were well known in eighteenth-century England and also attracted the attention of Handel. This long-overdue study explores these works in terms of their intellectual contexts (political, religious, social and cultural), comparing them to Handel's compositions on the same or similar subjects. Additionally, detailed source information and musical analysis of the works is included as well as a discussion of the competition between Handel and his English contemporaries in order to provide a fuller picture of the diverse musical and cultural life in London during the first half of the eighteenth century.
Download or read book Music Letters written by and published by . This book was released on 1922 with total page 916 pages. Available in PDF, EPUB and Kindle. Book excerpt:
