Download or read book Scarring the Black Body written by Carol E. Henderson and published by University of Missouri Press. This book was released on 2002 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scarring and the act of scarring are recurrent images in African American literature. In Scarring the Black Body, Carol E. Henderson analyzes the cultural and historical implications of scarring in a number of African American texts that feature the trope of the scar, including works by Sherley Anne Williams, Toni Morrison, Ann Petry, Ralph Ellison, and Richard Wright. The first part of Scarring the Black Body, "The Call," traces the process by which African bodies were Americanized through the practice of branding. Henderson incorporates various materials -- from advertisements for the return of runaways to slave narratives -- to examine the cultural practice of "writing" the body. She also considers way in which writers and social activists, including Frederick Douglass, Olaudah Equiano, Harriet Tubman, and Sojourner Truth, developed a "call" centered on the body's scars to demand that people of African descent be given equal rights and protection under the law.
Download or read book Black Bodies and Transhuman Realities written by Melvin G. Hill and published by Rowman & Littlefield. This book was released on 2019-08-02 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection explores the Black body in the context of transhuman realities from a variety of literary and artistic perspectives. Contributing to broader thought about Black transcendence of subjectivity in a posthuman framework, the chapters explore interpretations of the “old” and visions of the “new” human.
Download or read book Imagining the Black Female Body written by C. Henderson and published by Springer. This book was released on 2010-12-20 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores issues of black female identity through the various "imaginings" of the black female body in print and visual culture. Contributions emphasize the ways in which the black female body is framed and how black women (and their allies) have sought to write themselves back into social discourses on their terms.
Download or read book The Black Body in Ecstasy written by Jennifer C. Nash and published by Duke University Press. This book was released on 2014-03-31 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of representation. Her analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. Nash's innovative readings of hardcore pornographic films from the 1970s and 1980s develop a new method of analyzing racialized pornography that focuses on black women's pleasures in blackness: delights in toying with and subverting blackness, moments of racialized excitement, deliberate enactments of hyperbolic blackness, and humorous performances of blackness that poke fun at the fantastical project of race. Drawing on feminist and queer theory, critical race theory, and media studies, Nash creates a new black feminist interpretative practice, one attentive to the messy contradictions—between delight and discomfort, between desire and degradation—at the heart of black pleasures.
Download or read book Violence Visual Culture and the Black Male Body written by Cassandra Jackson and published by Routledge. This book was released on 2011-04-13 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: From early photographs of disfigured slaves to contemporary representations of bullet-riddled rappers, images of wounded black men have long permeated American culture. While scholars have fittingly focused on the ever-present figure of the hypermasculine black male, little consideration has been paid to the wounded black man as a persistent cultural figure. This book considers images of wounded black men on various stages, including early photography, contemporary art, hip hop, and new media. Focusing primarily on photographic images, Jackson explores the wound as a specular moment that mediates power relations between seers and the seen. Historically, the representation of wounded black men has privileged the viewer in service of white supremacist thought. At the same time, contemporary artists have deployed the figure to expose and disrupt this very power paradigm. Jackson suggests that the relationship between the viewer and the viewed is not so much static as fluid, and that wounds serve as intricate negotiations of power structures that cannot always be simplified into the condensed narratives of victims and victimizers. Overall, Jackson attempts to address both the ways in which the wound has been exploited to patrol and contain black masculinity, as well as the ways in which twentieth century artists have represented the wound to disrupt its oppressive implications
Download or read book Women s Identities and Bodies in Colonial and Postcolonial History and Literature written by Maria Isabel Romero Ruiz and published by Cambridge Scholars Publishing. This book was released on 2012-01-17 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the second half of the twentieth century, there has been a commitment on the part of women writers and scholars to revise and rewrite the history and culture of colonial and post-colonial women. This collection intends to enter a forum of discussion in which the colonial past serves as a point of reference for the analysis of contemporary issues. This volume will examine topics of women’s identities and bodies through literary representations and historical accounts. In other words, the aim is to reconstruct women’s identities through the representations of their bodies in literature and to analyse women’s bodies historically as sites of abuse, discrimination and violence on the one hand, and of knowledge and cultural production on the other. The chapters of this book will contribute to the formation of a new representation of women through history and literature which fights traditional stereotypes in relation to their bodies and identities. Focusing on female bodies as maternal bodies, as repositories of history and memory, as sexual bodies, as healing bodies, as performative of gender, as black bodies, as migrant and hybrid bodies, as the objects of regulation and control, and as victims of sexual exploitation and murder, the different articles contained in this book will examine issues of space, power/knowledge relations, discrimination, the production of knowledge, gender and boundaries to produce new identities for women which contest and respond to the traditional ones. The volume is addressed to a wide readership, both scholars and those interested in investigating the dynamics of the female body, and the social and cultural conceptualizations of our multicultural and multiethnic contemporary societies in relation to it, without forgetting the historical and colonial roots of these new representations.
Download or read book Black Mothers and the National Body Politic written by Andrea Powell Wolfe and published by Rowman & Littlefield. This book was released on 2020-10-14 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black Mothers and the National Body Politic: The Narrative Positioning of the Black Maternal Body from the Civil War Period through the Present focuses on the struggles and triumphs of black motherhood in six works of narrative prose composed from the Civil War period through the present. Andrea Powell Wolfe examines the functioning of the black maternal body to both define and undermine ideal white womanhood; the physical scarring of the black mother and the reclamation of the black maternal body as a site of subversion and nurturance as well as erotic empowerment; and the construction of oppressive discourses surrounding black female bodies and reproduction and the development of resistance to these types of discourses. These tensions undergird a multifaceted discussion of the narrative positioning of the black maternal body within and in relationship to the national body politic, an inherently exclusionary and restrictive metaphorical entity constructed and socially contracted over time by an already politically empowered citizenry. Ultimately, close analysis of the texts under study suggests that the United States—as a figurative body complete with imagined “parts” that perform separate functions, from intelligence to labor, ingestion to expulsion—has simultaneously used and cast off the black maternal body over the course of centuries.
Download or read book Scars Make Your Body More Interesting written by Sherril Jaffe and published by . This book was released on 1975 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book African Art Culture written by Jane Bingham and published by Capstone Classroom. This book was released on 2005-08-04 with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the art of Africa including pottery, baskets, and wood carving and explains what we can learn about the culture of Africa while examining these art forms.
Download or read book Eating the Black Body written by Carlyle Van Thompson and published by Peter Lang. This book was released on 2006 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Textbook
Download or read book Scars written by A. Breeze Harper and published by Springer. This book was released on 2015-03-18 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scars is a novel about whiteness, racism, and breaking past the normative boundaries of heterosexuality, as experienced through eighteen year old Savannah Penelope Sales. Savannah is a Black girl, born and raised in a white, working class, and rural New England town. She is in denial of her lesbian sexuality, harbors internalized racism about her body, and is ashamed of being poor. She lives with her ailing mother whose Emphysema is a symptom of a mysterious past of suffering and sacrifice that Savannah is not privy to. When Savannah takes her first trip to a major metropolitan city for two days, she never imagines how it will affect her return back home to her mother ... or her capacity to not only love herself, but also those who she thought were her enemies. Scars is about the journey of friends and family who love Savannah and try to help her heal, all while they too battle their own wounds and scars of being part of multiple systems of oppression and power. Ultimately, Scars makes visible the psychological trauma and scarring that legacies of colonialism have caused to both the descendants of the colonized and the colonizer ... and the potential for healing and reconciliation for everyone willing to embark on the journey. As a work of social fiction born out of years of critical race, Black feminist, and critical whiteness studies scholarship, Scars engages the reader to think about USA culture through the lenses of race, whiteness, working-class sensibilities, sexual orientation, and how rural geography influences identity. Scars can be used as a springboard for discussion, self-reflection and social reflection for students enrolled in American Studies, Sociology, Women's Studies, Sexuality Studies, African American Studies, human geography, LGBTQ studies and critical whiteness studies courses, or it can be read entirely for pleasure. Social Fictions Series Editorial Advisory Board: Carl Bagley, University of Durham, UK Anna Banks, University of Idaho, USA Carolyn Ellis, University of South Florida, USA Rita Irwin, University of British Columbia, Canada J. Gary Knowles, University of Toronto, Canada Laurel Richardson, The Ohio State University (Emeritus), USA A. Breeze Harper has a BA in feminist geography, from Dartmouth College, a MA in Educational Technologies from Harvard University, and a PhD from the University of California, Davis, where she studied applications of critical race feminism, critical whiteness studies, and critical food studies within cultural geography. Harper is also the author of the book, Sistah Vegan: Black Female Vegans Speak on Food, Identity, Health, and Society (Lantern Books 2010). www.abreezeharper.com
Download or read book Toni Morrison s Beloved written by Harold Bloom and published by Infobase Publishing. This book was released on 2009 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of critical essays that examine Toni Morrison's novel "Beloved," with a chronology of the author's life, an overview of the novel, its plot, themes, characters, and literary impact, and an introduction by Harold Bloom.
Download or read book Black Body written by H. C. Turk and published by Pinnacle Books. This book was released on 1991-05 with total page 660 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Contemporary Black Men s Fiction and Drama written by Keith Clark and published by University of Illinois Press. This book was released on 2001 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Demonstrating the extraordinary versatility of African-American men's writing since the 1970s, this forceful collection illustrates how African-American male novelists and playwrights have absorbed, challenged, and expanded the conventions of black American writing and, with it, black male identity. From the "John Henry Syndrome"--a definition of black masculinity based on brute strength or violence--to the submersion of black gay identity under equations of gay with white and black with straight, the African-American male in literature and drama has traditionally been characterized in ways that confine and silence him. Contemporary Black Men's Fiction and Drama identifies the forces that limit black male discourse, including traditions established by iconic African-American male authors such as James Baldwin, Richard Wright, and Ralph Ellison. This thoughtful volume also shows how contemporary black male authors use their narratives to put forward new ways of being and knowing that foster a more complete sense of self and more humane and open ways of communicating with and relating to others. In the work of Charles Johnson, Ernest Gaines, and August Wilson, contributors find paths toward broader, less rigid ideas of what black literature can be, what the connections among individual and communal resistance can be, and how black men can transcend the imprisoning models of hyper masculinity promoted by American culture. Seeking greater spiritual connection with the past, John Edgar Wideman returns to the folk rituals of his family, while Melvin Dixon and Brent Wade reclaim African roots and traditions. Ishmael Reed struggles with a contemporary cultural oppression that he sees as an insidious echo of slavery, while Clarence Major's experimental writing suggests how black men might reclaim their own voices in a culture that silences them. Taking in a wide range of critical, theoretical, cultural, gender, and sexual concerns, Contemporary Black Men's Fiction and Drama provides provocative new readings of a broad range of contemporary writers.
Download or read book The Fragmented Female Body and Identity written by Pamela B. June and published by Peter Lang. This book was released on 2010 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Fragmented Female Body and Identity explores the symbol of the wounded and scarred female body in selected postmodern, multiethnic American women's novels, namely Toni Morrison's Beloved, Theresa Hak Kyung Cha's Dictée, Phyllis Alesia Perry's Stigmata, Gayl Jones's Corregidora, Emma Pérez's Gulf Dreams, Paula Gunn Allen's The Woman Who Owned the Shadows, and Kathy Acker's Blood and Guts in High School and Empire of the Senseless. In each of these novels, disjointed, postmodern writing reflects the novel's focus on fragmented female bodies. The wounded and scarred body emerges from various, often intersecting, forms of oppression, including patriarchy, racism, and heteronormativity. This book emphasizes the different and nuanced forms of oppression each woman faces. However, while the fragmented body symbolizes oppression and pain, it also catalyzes resistance through recognition. When female characters recognize some element of a shared oppression, they form bonds with one another. These feminist unities, as a response to multiple forms of oppression, become viable means for resistance and healing.
Download or read book Inside Joss Dollhouse written by Jane Espenson and published by BenBella Books, Inc.. This book was released on 2010-10-12 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though Joss Whedon's television show Dollhouse ended in January 2010 after its second season, its small but devoted cult following is still reeling from not only from its mind-blowing plot twists but also its challenging, dystopic look at the ethics of new technology. Inside Joss' Dollhouse is a fitting tribute to this complex, engaging show. The anthology's 18 sometimes funny, always insightful pieces cover Dollhouse from anticipated start to explosive finish. Drawn from an international contest judged by fan favorite Whedon screenwriter Jane Espenson, its essays get right to heart of what Dollhouse viewers loved most about the show. Espenson also acts as the book's editor, offering context and extra insight on its topics and the show—a role she played in previous anthologies Finding Serenity and Serenity Found, also on Joss Whedon creations. From programmer Topher's amorality to the accuracy of the show's neurobiology, Inside Joss' Dollhouse brings Dollhouse back to life with a depth sure to satisfy its many still-mourning fans.
Download or read book SNCC s Stories written by Sharon Monteith and published by University of Georgia Press. This book was released on 2020-10-15 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: Formed in 1960 in Raleigh, North Carolina, the Student Non-violent Coordinating Committee (SNCC) was a high-profile civil rights collective led by young people. For Howard Zinn in 1964, SNCC members were “new abolitionists,” but SNCC pursued radical initiatives and Black Power politics in addition to reform. It was committed to grassroots organizing in towns and rural communities, facilitating voter registration and direct action through “projects” embedded in Freedom Houses, especially in the South: the setting for most of SNCC’s stories. Over time, it changed from a tight cadre into a disparate group of many constellations but stood out among civil rights organizations for its participatory democracy and emphasis on local people deciding the terms of their battle for social change. Organizers debated their role and grappled with SNCC’s responsibility to communities, to the “walking wounded” damaged by racial terrorism, and to individuals who died pursuing racial justice. SNCC’s Stories examines the organization’s print and publishing culture, uncovering how fundamental self- and group narration is for the undersung heroes of social movements. The organizer may be SNCC’s dramatis persona, but its writers have been overlooked. In the 1960s it was assumed established literary figures would write about civil rights, and until now, critical attention has centered on the Black Arts Movement, neglecting what SNCC’s writers contributed. Sharon Monteith gathers hard-to-find literature where the freedom movement in the civil rights South is analyzed as subjective history and explored imaginatively. SNCC’s print culture consists of field reports, pamphlets, newsletters, fiction, essays, poetry, and plays, which serve as intimate and illuminative sources for understanding political action. SNCC's literary history contributes to the organization's legacy.
