Download or read book Sanja Ivekovic written by Roxana Marcoci and published by The Museum of Modern Art. This book was released on 2011 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exhibition brings together a historic group of single-channel videos and media installations and over a hundred photomonages.
Download or read book Sanja Ivekovic written by Ruth Noack and published by MIT Press. This book was released on 2013-03-22 with total page 121 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first sustained examination of a canonical and widely exhibited work by a leading artist of the former Yugoslavia. In Sanja Iveković's Triangle (Trokut, 1979), four black-and-white photographs and written text capture an eighteen-minute performance from May 10, 1979. On that date, a motorcade carrying Josip Broz Tito, then president of Yugoslavia, drove through the streets of downtown Zagreb. As the President's limousine passed beneath her apartment, Ivokevic began simulating masturbation on her balcony. Although she could not be seen from the street, she knew that the surveillance teams on the roofs of neighboring buildings would detect her presence. Within minutes, a policeman appeared at her door ordered her inside. Not only did Ivekovic's action expose government repression and call attention to the rights of women, it also called attention to the relationship of gender to power, and to the particular experience of political dissidence under communist rule in Eastern Europe. Triangle is considered one of Iveković's key works and yet, despite Iveković's stature as one of the leading artists of the former Yugoslavia, it has received little direct attention. With this book, Ruth Noack offers the first sustained examination of Iveković's widely exhibited, now canonical artwork. After a detailed analysis of the work's formal qualities, Noack considers its position in the context of artistic production and political history in socialist Yugoslavia. She looks closely at the genesis of the performance and its documentation as a work of art, and relates the making of the work and the politics of canon-making to issues pertaining to the former East-West divide. She discusses the artistic language and meaning-making in relation to conceptualism and performance and to the position of women in Tito's Yugoslavia and in society at large, and investigates the notion that Iveković's work of this period is participating in citizenship, shifting the focus from the artist's subversive act to her capacity to shape the terms through which we order our world.
Download or read book Sanja Ivekovic written by Ruth Noack and published by MIT Press. This book was released on 2013-03-22 with total page 121 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first sustained examination of a canonical and widely exhibited work by a leading artist of the former Yugoslavia. In Sanja Iveković's Triangle (Trokut, 1979), four black-and-white photographs and written text capture an eighteen-minute performance from May 10, 1979. On that date, a motorcade carrying Josip Broz Tito, then president of Yugoslavia, drove through the streets of downtown Zagreb. As the President's limousine passed beneath her apartment, Ivokevic began simulating masturbation on her balcony. Although she could not be seen from the street, she knew that the surveillance teams on the roofs of neighboring buildings would detect her presence. Within minutes, a policeman appeared at her door ordered her inside. Not only did Ivekovic's action expose government repression and call attention to the rights of women, it also called attention to the relationship of gender to power, and to the particular experience of political dissidence under communist rule in Eastern Europe. Triangle is considered one of Iveković's key works and yet, despite Iveković's stature as one of the leading artists of the former Yugoslavia, it has received little direct attention. With this book, Ruth Noack offers the first sustained examination of Iveković's widely exhibited, now canonical artwork. After a detailed analysis of the work's formal qualities, Noack considers its position in the context of artistic production and political history in socialist Yugoslavia. She looks closely at the genesis of the performance and its documentation as a work of art, and relates the making of the work and the politics of canon-making to issues pertaining to the former East-West divide. She discusses the artistic language and meaning-making in relation to conceptualism and performance and to the position of women in Tito's Yugoslavia and in society at large, and investigates the notion that Iveković's work of this period is participating in citizenship, shifting the focus from the artist's subversive act to her capacity to shape the terms through which we order our world.
Download or read book A Slow Burning Fire written by Marko Ilic and published by MIT Press. This book was released on 2021-02-16 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management. In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovi&ć, Sanja Ivekovi&ć, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ili&ć offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s.
Download or read book I Am Jugoslovenka written by Jasmina Tumbas and published by . This book was released on 2022-12-27 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works.
Download or read book Sanja Ivekovi Urgent matters written by Maria Hlavajova and published by . This book was released on 2009 with total page 83 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sanja Ivekovi written by Generali Foundation (Vienna, Austria) and published by . This book was released on 2001 with total page 34 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In Tragedy of a Venus, 1975-78, newspaper photographs of Marilyn Monroe are paired with photographs from the artist's own albums to create quaint parallels. "--ArtForum (Web site viewed May 23, 2005).
Download or read book Her Noise written by Lina Dzuverovic and published by Forma Arts and Media Limited. This book was released on 2005 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Her Noise is a season of exhibitions, performances and screenings that maps the activity of international artists whose practice involves the use of sound as a medium. This catalogue forms an invaluable resource, highlighting the often overlooked contribution of women artists to the development of genres as disparate as Fluxus, performance art, punk and sound-based installation."--BOOK JACKET.
Download or read book Entry Points written by Carin Kuoni and published by Duke University Press. This book was released on 2016-01-22 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing a lively snapshot of the state of art and social justice today on a global level, Entry Points accompanies the inaugural Vera List Center Prize for Art and Politics, launched at The New School on the occasion of the center’s twentieth anniversary. This book captures some of the most significant worldwide examples of art and social justice and introduces an interested audience of artists, policy makers, scholars, and writers to new ways of thinking about how justice is defined, advanced, and practiced through the arts. In so doing, it assembles some of the latest scholarship in this field while refining our vocabulary for speaking about social justice, social engagement, community enhancement, empowerment, and even art itself. The book's first half contains three essays by Thomas Keenan, João Ribas, and Sharon Sliwinski that map the field of art and social justice. These essays are accompanied by more than twenty profiles of recent artist projects that consist of brief essays and artist pages. This curated and carefully considered map of artists and projects identifies key moments in art and social justice. The book's second half consists of an in-depth analysis of Theaster Gates's The Dorchester Projects, which won the inaugural Vera List Prize for Art and Politics. Produced to complement the project’s exhibition at the Sheila C. Johnson Design Center, Parsons School of Design in September 2013, this analysis illuminates Gates's rich, complex, and exemplary work. This section includes an interview between Gates and Vera List Center director Carin Kuoni; essays by Horace D. Ballard Jr., Romi N. Crawford, Shannon Jackson, and Mabel O. Wilson; and a number of responses to The Dorchester Projects by faculty in departments across The New School. Published by Duke University Press and the Vera List Center for Art and Politics at The New School
Download or read book Networking the Bloc written by Klara Kemp-Welch and published by MIT Press. This book was released on 2019-02-12 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of the experimental zeitgeist in Eastern European art, seen through personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Throughout the 1970s, a network of artists emerged to bridge the East-West divide, and the no less rigid divides between the countries of the Eastern bloc. Originating with a series of creative initiatives by artists, art historians, and critics and centered in places like Budapest, Poznań, and Prague, this experimental dialogue involved Western participation but is today largely forgotten in the West. In Networking the Bloc, Klara Kemp-Welch vividly recaptures this lost chapter of art history, documenting an elaborate web of artistic connectivity that came about through a series of personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Countering the conventional Cold War narrative of Eastern bloc isolation, Kemp-Welch shows how artistic ideas were relayed among like-minded artists across ideological boundaries and national frontiers. Much of the work created was collaborative, and personal encounters were at its heart. Drawing on archival documents and interviews with participants, Kemp-Welch focuses on the exchanges and projects themselves rather than the personalities involved. Each of the projects she examines relied for its realization on a network of contributors. She looks first at the mobilization of the network, from 1964 to 1972, exploring five pioneering cases: a friendship between a Slovak artist and a French critic, an artistic credo, an exhibition, a conceptual proposition, and a book. She then charts a series of way stations for experimental art from the Soviet bloc between 1972 and 1976—points of distribution between studios, private homes, galleries, and certain cities. Finally, she investigates convergences—a succession of shared exhibitions and events in the second half of the 1970s in locations ranging from Prague to Milan to Moscow. Networking the Bloc, Kemp-Welch invites us to rethink the art of the late Cold War period from Eastern European perspectives.
Download or read book Primary Documents written by Laura J. Hoptman and published by The Museum of Modern Art. This book was released on 2002 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text presents documents drawn from the artistic archives of Eastern and Central Europe during the second half of the 20th century.
Download or read book Ostalgia written by Jarrett Gregory and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents works by more than thirty artists from twenty countries across Eastern Europe and the former Soviet republics, interspersed with pieces by Westerners grappling with the facts and the fictions of life under Communism.
Download or read book Mapping the Terrain written by Suzanne Lacy and published by . This book was released on 1995 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this wonderfully bold and speculative anthology of writings, artists and critics offer a highly persuasive set of argument and pleas for imaginative, socially responsible, and socially responsive public art.... "--Amazon.
Download or read book Art and Theory of Post 1989 Central and Eastern Europe written by Ana Janevski and published by Moma Primary Documents. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This latest volume of MoMA's Primary Documents reflects on the effects that communism's disintegration across Central and Eastern Europe--including the Soviet Union's fifteen republics--had on the art practices, criticism, and cultural production of the following decades.
Download or read book Sanja Ivekovic Unknown Heroine written by Sanja Iveković and published by . This book was released on 2013-02 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sanja Ivekovi written by Helena Reckitt and published by . This book was released on 2013 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Witness written by Frederik Tygstrup and published by Museum Tusculanum Press. This book was released on 2008 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Witness is an anthology comprising 40 critical essays from an international cast of researchers who engage with a complex set of questions concerning notions of witnessing and attestation in 20th- and 21st-century Western culture. The contributors provide insightful perspectives on the subject of witnessing and suggest how this vital yet relatively unexplored concept lends itself to a wide range of media and subject areas. The essays critically reconsider existing scholarly tendencies which focus on historical evidence and the witness' vocalization of true remembrance. They do this by establishing important links with canonical texts, images, and voices within a theoretical and interpretive framework where questions of mediation, memorization, and representation are addressed.
