Download or read book San Francisco Mime Troupe clippings written by and published by . This book was released on 2000 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The San Francisco Mime Troupe written by R. G. Davis and published by Palo Alto, Calif. : Ramparts Press. This book was released on 1975 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: The inside story of the San Francisco Mime Troupe's first ten years, as told by its founder. Not an official history, this text presents one person's assessment of a complex period. Topics covered include hard facts about alternative lifestyles and art forms: getting busted for dope and obscenity, grappling internally with racism and sexism, and stresses between participatory democracy and the need for discipline and organization.
Download or read book San Francisco Mime Troupe written by and published by . This book was released on 2011 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The San Francisco Mime Troupe Reader written by Susan Vaneta Mason and published by University of Michigan Press. This book was released on 2013-07-03 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: The San Francisco Mime Troupe Reader is a long-overdue collection of some of the finest political satires created and produced by the Tony Award-winning company during the last forty years. It is also a history of the company that was the theater of the counterculture movement in the 1960s and that, against all odds, has managed to survive the often hostile economic climate for the arts in the United States. The plays selected are diverse, representing some of the Troupe's finest shows, and the book's illustrations capture some of the Troupe's most memorable moments. These hilarious, edgy, and imaginative scripts are accompanied by insightful commentary by theater historian and critic Susan Vaneta Mason, who has been following the Troupe for more than three decades. The Mime Troupe Reader will engage and entertain a wide range of audiences, not only general readers but also those interested in the history of American social protest, the counterculture of the 1960s-particularly the San Francisco scene-and the evolution of contemporary political theater. It will also appeal to the legions of Troupe fans who return every year to see them stand up against another social or corporate Goliath.
Download or read book By Popular Demand written by San Francisco Mime Troupe and published by . This book was released on 1980-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Festive Revolutions written by Claudia Orenstein and published by Univ. Press of Mississippi. This book was released on 1998 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are traditions of popular theatre still alive in politically-engaged theatre today? In San Francisco they are. The San Francisco Mime Troupe is a modern link in the long history of public performances that have a merry air but have a voice of political protest and social comment. Every summer since 1962 the Troupe has taken free outdoor performances to public parks in the Bay Area. In a style that is festive and a spirit that is revolutionary the Mime Troupe has relied on popular theatre forms to address timely political and social issues. Their productions maintain a contemporary political edge, while showing their origins to be the popular traditions of the commedia dell'arte, circus clowning, vaudeville, puppetry, and minstrel shows. With The Minstrel Show or Civil Rights in a Cracker Barrel (1965) they expressed support of the civil rights movement. With L'Amant Militaire (1967) they voiced support of Vietnam War protests. To discover what makes these apparently frivolous theatrical traditions effective for contemporary political theatre, Festive Revolutions explores the historical origins of the popular forms the Mime Troupe draws on. In old Europe, where performance traditions began, political turmoil blended with festive celebration. The lineage of the Mime Troupe's Punch the Red can be traced back to the Italian puppet figure Pulcinella through its English and Russian counterparts Punch and Petrushka. In the Mime Troupe the use of stereotypes and reliance upon colorful festivity are diverse strategies for dodging censorship. Productions like Ripped Van Winkle continue today to rekindle the radicalism the Troupe inherited from the culture of the 1960s. Festive Revolutions shows that such forms have inspired political theatre for centuries.
Download or read book Festive Revolutions written by Claudia Orenstein and published by Univ. Press of Mississippi. This book was released on 1998 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are traditions of popular theatre still alive in politically-engaged theatre today? In San Francisco they are. The San Francisco Mime Troupe is a modern link in the long history of public performances that have a merry air but have a voice of political protest and social comment. Every summer since 1962 the Troupe has taken free outdoor performances to public parks in the Bay Area. In a style that is festive and a spirit that is revolutionary the Mime Troupe has relied on popular theatre forms to address timely political and social issues. Their productions maintain a contemporary political edge, while showing their origins to be the popular traditions of the commedia dell'arte, circus clowning, vaudeville, puppetry, and minstrel shows. With The Minstrel Show or Civil Rights in a Cracker Barrel (1965) they expressed support of the civil rights movement. With L'Amant Militaire (1967) they voiced support of Vietnam War protests. To discover what makes these apparently frivolous theatrical traditions effective for contemporary political theatre, Festive Revolutions explores the historical origins of the popular forms the Mime Troupe draws on. In old Europe, where performance traditions began, political turmoil blended with festive celebration. The lineage of the Mime Troupe's Punch the Red can be traced back to the Italian puppet figure Pulcinella through its English and Russian counterparts Punch and Petrushka. In the Mime Troupe the use of stereotypes and reliance upon colorful festivity are diverse strategies for dodging censorship. Productions like Ripped Van Winkle continue today to rekindle the radicalism the Troupe inherited from the culture of the 1960s. Festive Revolutions shows that such forms have inspired political theatre for centuries.
Download or read book The San Francisco Mime Troupe as Radical Theater written by Mary Elizabeth Booth Edelson and published by . This book was released on 1975 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book By Popular Demand written by San Francisco Mime Troupe and published by . This book was released on 1980 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dictionary Catalog of the Dance Collection written by New York Public Library. Dance Collection and published by . This book was released on 1974 with total page 708 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Republic of Rock written by Michael J. Kramer and published by Oxford University Press. This book was released on 2013-04-05 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam. Now, in The Republic of Rock, Michael Kramer draws on new archival sources and interviews to explore sixties music and politics through the lens of these two generation-changing places--San Francisco and Vietnam. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, the military's use of rock music to "boost morale" in Vietnam, and the forgotten tale of a South Vietnamese rock band, The Republic of Rock shows how the musical connections between the City of the Summer of Love and war-torn Southeast Asia were crucial to the making of the sixties counterculture. The book also illustrates how and why the legacy of rock music in the sixties continues to matter to the meaning of citizenship in a global society today. Going beyond clichéd narratives about sixties music, Kramer argues that rock became a way for participants in the counterculture to think about what it meant to be an American citizen, a world citizen, a citizen-consumer, or a citizen-soldier. The music became a resource for grappling with the nature of democracy in larger systems of American power both domestically and globally. For anyone interested in the 1960s, popular music, and American culture and counterculture, The Republic of Rock offers new insight into the many ways rock music has shaped our ideas of individual freedom and collective belonging.
Download or read book Subject Collections written by and published by . This book was released on 1985 with total page 1088 pages. Available in PDF, EPUB and Kindle. Book excerpt: A guide to special book collections and subject emphases as reported by university, college, public, and special libraries and museums in the United States and Canada.
Download or read book Uncle Tom s Cabin on the American Stage and Screen written by John W. Frick and published by Springer. This book was released on 2016-04-30 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: No play in the history of the American Stage has been as ubiquitous and as widely viewed as Uncle Tom's Cabin . This book traces the major dramatizations of Stowe's classic from its inception in 1852 through modern versions on film. Frick introduce the reader to the artists who created the plays and productions that created theatre history.
Download or read book Subject Collections written by Lee Ash and published by New Providence, N.J. : R.R. Bowker. This book was released on 1993 with total page 1314 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre and Performing Arts Collections written by Lee Ash and published by Routledge. This book was released on 2019-10-19 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here is an exciting book that provides detailed descriptions of dozens of the most important and unique collections of “theatricana” in the United States and Canada. In Theatre and Performing Arts Collections, distinguished theatre specialists, librarians, and curators describe the unique possessions of the best and largest collections in theatre and performing arts. Each chapter provides detailed descriptions of the collections, as well as important notes about their history--information that is not available in any other source!
Download or read book Tear Down the Walls written by Patrick Burke and published by University of Chicago Press. This book was released on 2021-05-10 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding race. In Tear Down the Walls, Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969. The book sheds new light on a significant but overlooked facet of 1960s rock—white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These artists’ attempts to cast themselves as revolutionary were often naïve, misguided, or arrogant, but they could also reflect genuine interest in African American music and culture and sincere investment in anti-racist politics. White musicians such as those in popular rock groups Jefferson Airplane, the Rolling Stones, and the MC5, fascinated with Black performance and rhetoric, simultaneously perpetuated a long history of racial appropriation and misrepresentation and made thoughtful, self-aware attempts to respectfully present African American music in forms that white leftists found politically relevant. In Tear Down the Walls Patrick Burke neither condemns white rock musicians as inauthentic nor elevates them as revolutionary. The result is a fresh look at 1960s rock that provides new insight into how popular music both reflects and informs our ideas about race and how white musicians and activists can engage meaningfully with Black political movements.
Download or read book Censorship of the American Theatre in the Twentieth Century written by John H. Houchin and published by Cambridge University Press. This book was released on 2003-06-26 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Houchin explores the impact of censorship in twentieth-century American theatre, arguing that theatrical censorship coincided with significant challenges to religious, political and cultural systems. The study provides a summary of theatre censorship in the eighteenth and nineteenth centuries and analyses key episodes from 1900 to 2000. These include attempts to censure Olga Nethersole for her production of Sappho in 1901 and the theatre riots of 1913 that greeted the Abbey Theatre's production of Playboy of the Western World. Houchin explores the efforts to suppress plays in the 1920s that dealt with transgressive sexual material and investigates Congress' politically motivated assaults on plays and actors during the 1930s and 1940s. He investigates the impact of racial violence, political assassinations and the Vietnam War on the trajectory of theatre in the 1960s and concludes by examining the response to gay activist plays such as Angels in America.
