Download or read book Samuel van Hoogstraten s Introduction to the Academy of Painting or The Visible World written by Samuel van Hoogstraten and published by Getty Publications. This book was released on 2021-01-19 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.
Download or read book The Visible World written by Thijs Weststeijn and published by Amsterdam University Press. This book was released on 2008 with total page 477 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.
Download or read book Karel van Mander and his Foundation of the Noble Free Art of Painting written by Walter S. Melion and published by BRILL. This book was released on 2022-10-04 with total page 589 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2023 Roland H. Bainton Prize for Art History Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.
Download or read book The Ashgate Research Companion to Dutch Art of the Seventeenth Century written by Wayne Franits and published by Routledge. This book was released on 2017-07-05 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.
Download or read book Ekphrastic Image making in Early Modern Europe 1500 1700 written by Arthur J. DiFuria and published by BRILL. This book was released on 2021-12-20 with total page 884 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines how and why many early modern pictures operate in an ekphrastic mode.
Download or read book Ficino and Fantasy written by Marieke J.E. van den Doel and published by BRILL. This book was released on 2021-12-13 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino’s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.
Download or read book Artifice and Illusion written by Celeste Brusati and published by University of Chicago Press. This book was released on 1995-11 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multifaceted artist. A rich appreciation of one of the most often cited but least understood figures in seventeenth-century Dutch art, this book will interest scholars and students of art history, social history, and visual culture.
Download or read book Power Image and Memory written by Peter J Holliday and published by Oxford University Press. This book was released on 2024-01-30 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Power, Image, and Memory examines how leaders and societies have used works of art commemorating historical events to shape collective memory. Through iconic artworks over centuries and across the globe, it explores the power of art to affirm cultural identities and thereby mold social groups and nations.
Download or read book A Cultural History of Early Modern Europe written by Charlie R. Steen and published by Routledge. This book was released on 2019-11-21 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Cultural History of Early Modern Europe examines the relationships that developed in cities from the time of the late Renaissance through to the Napoleonic period, exploring culture in the broadest sense by selecting a variety of sources not commonly used in history books, such as plays, popular songs, sketches, and documents created by ordinary people. Extending from 1480 to 1820, the book traces the flourishing cultural life of key European cities and the opportunities that emerged for ordinary people to engage with new forms of creative expression, such as literature, theatre, music, and dance. Arranged chronologically, each chapter in the volume begins with an overview of the period being discussed and an introduction to the key figures. Cultural issues in political, religious, and social life are addressed in each section, providing an insight into life in the cities most important to the creative developments of the time. Throughout the book, narrative history is balanced with primary sources and illustrations allowing the reader to grasp the cultural changes of the period and their effect on public and private life. A Cultural History of Early Modern Europe is ideal for students of early modern European cultural history and early modern Europe.
Download or read book The Cambridge Companion to the Dutch Golden Age written by Helmer J. Helmers and published by Cambridge University Press. This book was released on 2018-08-31 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: During the seventeenth century, the Dutch Republic was transformed into a leading political power in Europe, with global trading interests. It nurtured some of the period's greatest luminaries, including Rembrandt, Vermeer, Descartes and Spinoza. Long celebrated for its religious tolerance, artistic innovation and economic modernity, the United Provinces of the Netherlands also became known for their involvement with slavery and military repression in Asia, Africa, and the Americas. This Companion provides a compelling overview of the best scholarship on this much debated era, written by a wide range of experts in the field. Unique in its balanced treatment of global, political, socio-economic, literary, artistic, religious, and intellectual history, its nineteen chapters offer an indispensable guide for anyone interested in the world of the Dutch Golden Age.
Download or read book Early Modern Media Ecology written by Peter W. Marx and published by Cambridge University Press. This book was released on 2024-01-31 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The early modern world was as enigmatic as it was dynamic. New epistemologies and technologies, open controversies about the world and afterworld, encounters with various cultures, and numerous forms of entertainment wetted the appetite for ever-new sensational experiences, an emerging visual language, and different social constellations. Thaumaturgy, the art of making wonder, was the historical term under which many of these forms were subsumed: encompassing everything from magic lanterns to puppets to fireworks, and deliberately mingling the spheres of commercial entertainment, art, and religion. But thaumaturgy was not just an idle pastime but a vital field of cultural and intercultural negotiation. This Element introduces this field and suggests a new form of historiography-media ecology-which focuses on connections, formations, and transformations and takes a global perspective.
Download or read book The Universal Art of Samuel Van Hoogstraten 1627 1678 written by Thijs Weststeijn and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The versatile painter, poet, courtier and European traveller Samuel van Hoogstraten (1627-1678), one of Rembrandt's pupils, has received much scholarly attention in the last two decades. Whereas older historians allotted him a marginal role as a minor figure in his master's studio, he is now recognized for his central position in the world of art and letters in the Dutch Golden Age. This new evaluation is mainly due to careful studies of his treatise on painting, 'Inleyding tot de Hooge Schoole der Schilderkonst' (Introduction to the Academy of Painting, 1678). His book has been mined for unique insights not only into Rembrandt's working methods but also into profounder problems relative to Dutch art and culture, such as pictorial realism, imitation and illusion, the rise of landscape and still life and the status of the 'learned artist'.
Download or read book Rembrandt and the Female Nude written by Eric Jan Sluijter and published by Amsterdam University Press. This book was released on 2006 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.
Download or read book Art in History History in Art written by David Freedberg and published by Getty Publications. This book was released on 1996-07-11 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Download or read book The Painting of Stephen Cook written by Stephen Miller and published by Cambridge Scholars Publishing. This book was released on 2023-07-11 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: This beautifully illustrated monograph, including more than 50 colour plates of the artist’s work—most of which appear here for the first time—is the first critical study of the work of the artist Stephen Cook (born 1952), and will serve as both an introduction to, and analysis of, his output in the context of a tradition of figurative art in post-war Britain. The scrutiny of the subjects of these paintings point to a representation of a reality outside of the flux of things and of our everyday experience, albeit one that is derived from the immediately recognisable natural world. This is achieved not only through a method of close observation, but through the rigour of the application of that observation.
Download or read book The Structural Conservation of Panel Paintings written by Kathleen Dardes and published by Getty Publications. This book was released on 1998-10-29 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
Download or read book Cubism and the Trompe l Oeil Tradition written by Emily Braun and published by Metropolitan Museum of Art. This book was released on 2022-10-17 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: The age-old tradition of pictorial illusionism known as trompe l’oeil (“deceive the eye”) employs visual tricks that confound the viewer’s perception of reality and fiction, truth and falsehood. This radically new take on Cubism shows how Pablo Picasso, Georges Braque, and Juan Gris both parodied and paid homage to classic trompe l’oeil themes and motifs. The authors connect Cubist works to trompe l’oeil specialists of earlier centuries by juxtaposing more than one hundred Cubist paintings, drawings, and collages with related compositions by old masters. The informed and engaging texts trace the changing status of trompe l’oeil over the centuries, reveal Braque’s training in artisanal trompe l’oeil techniques as an integral part of his Cubist practice, examine the material used in Gris’s collages, and discuss the previously unstudied trompe l’oeil iconography within Cubist still lifes.
