Download or read book Sacred Mountains in Chinese Art written by Kiyohiko Munakata and published by . This book was released on 1991 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sacred Mountains in Chinese Art written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sacred Mountains in Chinese Art written by Kiyohiko Munakata and published by University of Illinois Press. This book was released on 1991 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exhibition organized by the Krannert Art Museum and curated by Kiyohiko Munakata. Krannert Art Museum November 9-December 16, 1990. The Metropolitan Muswum of Art January 25-March 31, 1991.
Download or read book Sacred Mountains in Chinese Art written by Kiyohiko Munakata and published by . This book was released on 1991 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sacred Mountains of the World written by Edwin Bernbaum and published by Cambridge University Press. This book was released on 2022-03-10 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Andes to the Himalayas, mountains have an extraordinary power to evoke a sense of the sacred. In the overwhelming wonder and awe that these dramatic features of the landscape awaken, people experience something of deeper significance that imbues their lives with meaning and vitality. Drawing on his extensive research and personal experience as a scholar and climber, Edwin Bernbaum's Sacred Mountains of the World takes the reader on a fascinating journey exploring the role of mountains in the mythologies, religions, history, literature, and art of cultures around the world. Bernbaum delves into the spiritual dimensions of mountaineering and the implications of sacred mountains for environmental and cultural preservation. This beautifully written, evocative book shows how the contemplation of sacred mountains can transform everyday life, even in cities far from the peaks themselves. Thoroughly revised and updated, this new edition considers additional sacred mountains, as well as the impacts of climate change on the sacredness of mountains.
Download or read book Mount Wutai written by Wen-shing Chou and published by Princeton University Press. This book was released on 2018-04-10 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The northern Chinese mountain range of Mount Wutai has been a preeminent site of international pilgrimage for over a millennium. Home to more than one hundred temples, the entire range is considered a Buddhist paradise on earth, and has received visitors ranging from emperors to monastic and lay devotees. Mount Wutai explores how Qing Buddhist rulers and clerics from Inner Asia, including Manchus, Tibetans, and Mongols, reimagined the mountain as their own during the eighteenth and nineteenth centuries. Wen-Shing Chou examines a wealth of original source materials in multiple languages and media--many never before published or translated—such as temple replicas, pilgrimage guides, hagiographic representations, and panoramic maps. She shows how literary, artistic, and architectural depictions of the mountain permanently transformed the site's religious landscape and redefined Inner Asia's relations with China. Chou addresses the pivotal but previously unacknowledged history of artistic and intellectual exchange between the varying religious, linguistic, and cultural traditions of the region. The reimagining of Mount Wutai was a fluid endeavor that proved central to the cosmopolitanism of the Qing Empire, and the mountain range became a unique site of shared diplomacy, trade, and religious devotion between different constituents, as well as a spiritual bridge between China and Tibet. A compelling exploration of the changing meaning and significance of one of the world's great religious sites, Mount Wutai offers an important new framework for understanding Buddhist sacred geography.
Download or read book Building a Sacred Mountain written by Wei-Cheng Lin and published by University of Washington Press. This book was released on 2014-06-01 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the tenth century CE, Mount Wutai had become a major pilgrimage site within the emerging culture of a distinctively Chinese Buddhism. Famous as the abode of the bodhisattva Ma�ju r (known for his habit of riding around the mountain on a lion), the site in northeastern China�s Shanxi Province was transformed from a wild area, long believed by Daoists to be sacred, into an elaborate complex of Buddhist monasteries. In Building a Sacred Mountain, Wei-Cheng Lin traces the confluence of factors that produced this transformation and argues that monastic architecture, more than texts, icons, relics, or pilgrimages, was the key to Mount Wutai�s emergence as a sacred site. Departing from traditional architectural scholarship, Lin�s interdisciplinary approach goes beyond the analysis of forms and structures to show how the built environment can work in tandem with practices and discourses to provide a space for encountering the divine. For more information: http://arthistorypi.org/books/building-a-sacred-mountain
Download or read book Conversations with Sacred Mountains written by Laurence Brahm and published by Nicolas-Hays, Inc.. This book was released on 2017-04-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inspired by James Hilton's 1933 novel Lost Horizon, Laurence Brahm went in search of the mystical realm of Shangri-la, traveling along the ancient Tea Caravan Trail in Yunnan Province of southwest China. Starting in the capital city of Kunming, Braham traveled from Dali to Lijiang through Yi to Lago Lake and to Zhongdian and Deqin and the sacred Kawagebo Mountain. Each region has its own culture and ethnic tradition and is trying to preserve the old way of life while adapting to the economic realities of modern life and tourism. Along the way, Laurence met various individuals--including the famous Chinese dancer Yang Liping--and learned of a movement of conscious people fighting against the onslaught of modernism to preserve their cultures and identities. They shared with him stories about the misty mountains that stand majestically in this land "south of the clouds," and explained how such mountains are sacred to all who live in these regions.
Download or read book Framing Famous Mountains written by Li-tsui Flora Fu and published by Chinese University Press. This book was released on 2009 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Treating landscape painting as yet another framing systems, in both the symbolic and material sense, this book examines sixteenth-century paintings of famous mountains by three major artists in the light of a diachronic account of the evolution of famous mountains over time and a synchronic account of the vogue for the grand tour in late Ming society." --Book Jacket.
Download or read book Chinese Religious Art written by Patricia Eichenbaum Karetzky and published by Lexington Books. This book was released on 2013-12-19 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese Religious Art is a broad survey of the origins and development of the various forms of artistic expression of Chinese religions. The study begins with an overview of ancient archaeology in order to identify nascent religious ideologies in various Neolithic Cultures and early Chinese historical eras including the Shang dynasty (1300-1050 BCE) and Zhou Dynasty(1000-221 BCE) up until the era of the First Emperor (221-210 BCE) Part Two treats Confucianism as a religious tradition examining its scriptures, images, temples and rituals. Adopted as the state ideology in the Han dynasty, Confucian ideas permeated society for over two thousand years. Filial piety, ethical behavior and other principles shaped the pictorial arts. Part Three considers the various schools of Daoist belief and their expression in art. The ideas of a utopian society and the pursuit of immortality characterize this religion from its earliest phase. Daoism has an elaborate pantheon and ritualistic art, as well as a secular tradition best expressed in monochrome ink painting. Part Four covers the development of Buddhist art beginning with its entry into China in the second century. Its monuments—comprised largely of cave temples carved high in the mountains along the frontiers of China and large metropolitan temples —provide evidence of its evolution including the adoption of savior cults of the Buddha of the Western Paradise, the Buddha of the Future, the rise of Ch’an (Zen) and esoteric Buddhism. In their development, these various religious traditions interacted, sharing art, architecture, iconography and rituals. By the twelfth century a stage of syncretism merged all three traditions into a popular religion. All the religions are reviving after their extirpation during the Cultural Revolution. Using historical records and artistic evidence, much of which has not been published, this study examines their individual and shared manner of worshipping the divine forces.
Download or read book Pilgrims and Sacred Sites in China written by Susan Naquin and published by Univ of California Press. This book was released on 2023-11-15 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until now, China has been scarcely represented in the burgeoning comparative literature on pilgrimage. This volume remedies that omission, discussing the interaction between pilgrims and sacred sites from the tenth century to the present. From the perspectives of literature, art, history, religion, politics, and anthropology, the essays focus on China's most famous pilgrimage mountains as well as lesser known sites.
Download or read book Mountains and Streams written by Mae Anna Pang and published by . This book was released on 2006 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Mountains and streams emerge from me. And I, from mountains and streams." Daoji (1642-1708) China's majestic scenery has inspired its scholars, poets and painters for thousands of years. Landscape painting ( shanshui , mountain and water) was regarded as creation of the mind with cosmic significance. The concept of depicting scenery for its own sake came from Daoist attitudes and ideas in the fourth and fifth centuries. The scholar Mi Fu (1051-1107) wrote "...Landscape painting is a creation of the mind and is intrinsically superior art." Included are paintings on scrolls, porcelains and other surfaces, jade carvings and even so-called `dream stones' (marble plaques evocative of misty mountains). Images include the scholar wandering within the landscape, his servant following with his lute, the recluse attending to the sounds of a waterfall in autumn, and black-and-white photographs of Mount Hua in Shaanxi province, one of the five sacred mountains in China (taken by a visiting photographer in the 1930's). In the 11th century, the tradition of scholar-amateur painting emerged and this lasted until the early 20th century. Scholar-officials who were versed in philosophy, poetry, music and calligraphy took on painting as a pastime and as a vehicle for self-expression, mastering the techniques of the brush and ink in the art of calligraphy, tools that are also used in Chinese painting. The mystical mountains, with their soaring peaks and misty clouds, were believed to be the realm of the immortals. In times of political turmoil, mountains and streams became a spiritual refuge, places to retreat to calm and purify the mind. Dr. Pang explores this underlying theme of the philosophical and aesthetic aspects of China's landscape painting. By becoming one with nature, one creates as nature does and we can reveal the true nature of our minds.
Download or read book A Companion to Chinese Art written by Martin J. Powers and published by John Wiley & Sons. This book was released on 2022-04-26 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history. Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history Offers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism
Download or read book Spirit Rocks Sacred Mountain written by Willow Hai Chang and published by . This book was released on 2011 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Xu Xiake 1586 1641 written by Julian Ward and published by Routledge. This book was released on 2013-12-16 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this, the first full-length study in English of China's best-known travel writer, new light is shed on the importance of the diaries of Xu Xiake (1587-1687) a compulsive traveller who spent a lifetime visiting and writing about China's 'beauty spots'. The general view of his work, that he brought a sober, analytical approach to a genre previously the domain of the dillentante and that his writing was 'utilitarian' and lacking in literary merit is cast aside, revealing Xu to be a figure of his age, his concerns perfectly in tune with the exuberant tastes of other late Ming literati. Essential background is provided with a survey of the history of Chinese travel writing in general with particular emphasis given to the late-Ming period and a resume of Xu Xiake's life. The core of the work examines the wealth of new information to be found in a longer version of Xu's account of his great journey to southwest China, rediscovered in the 1970s. Detailed study of Xu's use of language serves to underline the breadth of achievement of a man who utilised traditional and contemporary Chinese poetic language in order to express an emotional response to the landscape through which he passed. This is reinforced by a complete annotated translation of a deeply personal essay, written towards the end of Xu's life. The book covers a broad spectrum of voguish sinological subjects relating to late Ming China ranging from the huge growth in all forms of geographical writing to the anthropological analysis of the non-Han peoples of southwest China. This book will interest both seasoned sinologists and anyone who has spent time travelling in China or is interested in the art of travel writing.
Download or read book Taoism and the Arts of China written by Stephen Little and published by Univ of California Press. This book was released on 2000-01-01 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: A celebration of Taoist art traces the influence of philosophy on the visual arts in China.
Download or read book The Zoomorphic Imagination in Chinese Art and Culture written by Jerome Silbergeld and published by University of Hawaii Press. This book was released on 2016-10-31 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as “running dogs,” and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both “the tigers” and “the flies.” Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present. In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping—these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture. The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric. Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang.
