Download or read book Rutland Boughton and the Glastonbury Festivals written by Michael Hurd and published by . This book was released on 2014 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Glastonbury Festival August 1924 Programme written by Glastonbury Festival (1914-1926) and published by . This book was released on 1924 with total page 8 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Glastonbury Festivals were a series of cultural events held every August, and sometimes at Easter and/or Christmas, in Glastonbury, Somerset. The festivals were founded by composer Rutland Boughton and his librettist Lawrence Buckley. The first festival included the premiere performance of Boughton's opera The Immortal Hour. By the time the festivals ended in 1926, 350 staged works had been performed, as well as a programme of chamber music, lectures and recitals. They ended when financial support was dropped due a scandal.
Download or read book The Glastonbury festival movement written by Rutland Boughton and published by London : Somerset Folk Press. This book was released on 1922 with total page 21 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rutland Boughton and the Glastonbury Festivals written by Michael Hurd and published by Oxford University Press, USA. This book was released on 1993 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: The English composer Rutland Boughton (1878-1960) is remembered as the composer of The Immortal Hour, the opera which enjoyed the greatest number of consecutive performances the world has ever known. But his contribution to modern music goes beyond this famous piece. In 1914 he established his own Beyreuth at Glastonbury where, against all odds, he ran a series of increasingly ambitious festivals until, in 1927, he allowed his socialist principles to undermine everything he had achieved. His unconventional views on life and marriage earned him notoriety in his lifetime and made him one of England's most colorful and courageous composers. Michael Hurd has radically revised and significantly expanded his 1962 biography of Boughton. With the help of his friends and colleagues, including a hilarious series from George Bernard Shaw, he charts the career of the most significant and innovative British opera composer of his day. Catalogues of Boughton's compositions and literary works, together with complete cast lists of the Glastonbury Festivals, 62 music examples, and numerous photographs, complete this definitive account of an extraordinary man and his music.
Download or read book The Provincial Music Festival in England 1784 1914 written by Pippa Drummond and published by Routledge. This book was released on 2016-02-24 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.
Download or read book A National Music Drama written by Rutland Boughton and published by . This book was released on 1917 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Bibliography of Modern Arthuriana 1500 2000 written by Ann F. Howey and published by Boydell & Brewer. This book was released on 2006 with total page 806 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada
Download or read book The Arthurian Revival written by Debra Mancoff and published by Routledge. This book was released on 2014-08-13 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discrete inquiries into 15 forms of the Arthurian legends produced over the last century explore how they have altered the tradition. They consider works from the US and Europe, and those aimed at popular and elite audiences. The overall conclusion is that the "Arthurian revival" is an ongoing event, and has become multivalent, multinational, and multimedia. Originally published in 1992.
Download or read book Masques Mayings and Music dramas written by Roger Savage and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage is Honorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.
Download or read book Opera in the Jazz Age written by Alexandra Wilson and published by Oxford University Press, USA. This book was released on 2018-12-31 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jazz, the Charleston, nightclubs, cocktails, cinema, and musical theatre: 1920s British nightlife was vibrant and exhilarating. But where did opera fit into this fashionable new entertainment world? Opera in the Jazz Age: Cultural Politics in 1920s Britain explores the interaction between opera and popular culture at a key historical moment when there was a growing imperative to categorize art forms as "highbrow," "middlebrow," or "lowbrow." Literary studies of the so-called "battle of the brows" have been numerous, but this is the first book to consider the place of opera in interwar debates about high and low culture. This study by Alexandra Wilson argues that opera was extremely difficult to pigeonhole: although some contemporary commentators believed it to be too highbrow, others thought it not highbrow enough. Opera in the Jazz Age paints a lively and engaging picture of 1920s operatic culture, and introduces a charismatic cast of early twentieth-century critics, conductors, and celebrity singers. Opera was performed during this period to socially mixed audiences in a variety of spaces beyond the conventional opera house: music halls, cinemas, cafés and schools. Performance and production standards were not always high - often quite the reverse - but opera-going was evidently great fun. Office boys whistled operatic tunes they had heard on the gramophone and there was a genuine sense that opera was for everyone. In this provocative and timely study, Wilson considers how the opera debate of the 1920s continues to shape the ways in which we discuss the art form, and draws connections between the battle of the brows and present-day discussions about elitism. The book makes a major contribution to our understanding of the cultural politics of twentieth-century Britain and is essential reading for anybody interested in the history of opera, the battle of the brows, or simply the perennially fascinating decade that was the 1920s.
Download or read book Holy Grail and Holy Thorn written by Richard Hayman and published by Fonthill Media. This book was released on 2017-05-17 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Holy Grail and Holy Thorn: Glastonbury in the English Imagination explores the legends of King Arthur and Joseph of Arimathea at Glastonbury and how their influence has been felt from medieval to modern times. Joseph was said to have built at Glastonbury the first church in Christendom, which made it a centre of medieval pilgrimage, and gave Glastonbury an international profile in the fifteenth century. Through the winter-flowering holy thorn, said to have grown from Joseph’s staff, and later the Chalice Well, Glastonbury remained a focus of superstition in the Protestant centuries. In medieval romance Joseph of Arimathea had been the first keeper of the Holy Grail, a mystical past that was revived by Romantic writers and artists and ensured that Glastonbury retained a place in our national culture. In the twentieth century Glastonbury’s reputation was further elaborated by the belief that Joseph was the great-uncle of Jesus Christ, and that when he first came to Britain he brought the young Jesus with him, an idea suggested by William Blake’s Jerusalem. In the same mystical tradition, in the 1960s John Michell saw in Glastonbury the dimensions of New Jerusalem, which proved crucial in making Glastonbury the capital of New Age culture.
Download or read book John Cowper Powys in Search of a Landscape written by C.A. Coates and published by Springer. This book was released on 1982-06-18 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Radio Camelot written by Roger Simpson and published by DS Brewer. This book was released on 2008 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author provides a full account of Arthurian radio drama, which evolved from D.G. Bridson's patriotic pre-war 'King Arthur', via fascinations with the Holy Grail and the Lady of Shalott, to its flowering in the 1990s with Kevin Crossley-Holland's 'Arthur's Knight'.
Download or read book Paper Great Britain Adult Education Committee written by Great Britain. Adult Education Committee and published by . This book was released on 1926 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Drama in Adult Education written by Great Britain. Board of Education. Adult Education Committee and published by . This book was released on 1926 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Vaughan Williams and His World written by Byron Adams and published by University of Chicago Press. This book was released on 2023-08-05 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: A biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival. Ralph Vaughan Williams (1872-1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams's scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams's cultural nationalism and a distorted view of his international cultural and musical significance. Vaughan Williams and His World traces the composer's stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams's music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams's deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.
Download or read book Operas in English written by Margaret Ross Griffel and published by Scarecrow Press. This book was released on 2012-12-21 with total page 1015 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
