Download or read book Rock on Compact Disc written by David Prakel and published by . This book was released on 1987-01 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The CD Rock Roll Library written by Bill Shapiro and published by . This book was released on 1988 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reviewing more than 500 discs of rock and roll music, the author analyzes the source of the recording (analog or digital) and rates each disc for content and sound quality.
Download or read book Rock written by Al Spicer and published by . This book was released on 1999 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: A selection of rock albums from the 50's to the 90's "that packs the whole story of rock" from "zillion-sellers to the wilfully obscure". Reviews the artist, the album, and sone of the individual songs.
Download or read book Rock n Roll on Compact Disc written by David Prakel and published by . This book was released on 1987 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rock Roll Review written by Bill Shapiro and published by Andrews McMeel Pub. This book was released on 1991-01-01 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lists more than one thousand compact discs, evaluates the content and sound quality of each one, and includes essays on the history of rock music
Download or read book Both Sides Now the Story of Rock and Roll Presents Oldies on CD written by Mike Callahan and published by . This book was released on 1994 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Essential Guide to Rock on CD written by David Sinclair and published by Salamander Books. This book was released on 1995 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Top 40 Music on Compact Disc written by Pat Downey and published by Libraries Unlimited. This book was released on 1994-10-15 with total page 680 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lists all compact disc releases of top 40 hits from the nostalgic era of rock and roll (1955-1981) by performer and song title. The text includes details of song quality, chart performance and catalogue number.
Download or read book Top 40 Music on Compact Disc 1955 1994 written by Pat Downey and published by . This book was released on 1996 with total page 574 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book I Wanna Wrock written by Paul A. Thomas and published by McFarland. This book was released on 2018-11-16 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Wizard rock"--music based on the Harry Potter series by J. K. Rowling--is an idiosyncratic subgenre, with band names like Harry and the Potters, Draco and the Malfoys and The Whomping Willows. Drawing on input from insiders and fans, and interviews with more than a dozen wizard rockers, this book explores the history and aesthetics of the movement. An appendix lists dozens of popular bands, members and discographies: a must-have for fandom scholars and wizard rock devotees alike.
Download or read book The Story of Stereo Rock Roll Presents A Guide to Oldies on Compact Disc written by Mike Callahan and published by . This book was released on 1992 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Best Rock n Roll Album in the World Ever written by and published by . This book was released on 1994 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Schwann Compact Disc Catalog written by and published by . This book was released on 1988-11 with total page 808 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Swamp Pop written by Shane K. Bernard and published by Univ. Press of Mississippi. This book was released on 2009-09-23 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music of Louisiana was at the heart of rock-and-roll in the 1950s. Most fans know that Jerry Lee Lewis, one of the icons, sprang out of Ferriday, Louisiana, in the middle of delta country and that along with Carl Perkins and Elvis Presley he was one of the very first of these “white boys playing black music.” The genre was profoundly influenced by New Orleans, a launch pad for major careers, such as Little Richard's and Fats Domino's. The untold “rest of the story” is the story of swamp pop, a form of Louisiana music more recognized by its practitioners and their hits than by a definition. What is it? What true rock enthusiasts don't know some of its most important artists? Dale and Grace (“I'm leaving It Up to You”), Phil Phillips (“Sea of Love”), Joe Barry (“I'm a Fool to Care”), Cooke and the Cupcakes (“Mathilda”), Jimmy Clanton (“Just a Dream”), Johnny Preston (“Runnin' Bear”), Rod Bernard (“This Should Go on Forever”), and Bobby Charles (“Later, Alligator”)? There were many others just as important within the region. Drawing on more than fifty interviews with swamp pop musicians in South Louisiana and East Texas, Swamp Pop: Cajun and Creole Rhythm and Blues finds the roots of this often-overlooked, sometimes-derided sister genre of the wildly popular Cajun and zydeco music. In this first book to be devoted entirely to swamp pop, Shane K. Bernard uncovers the history of this hybrid form invented in the 1950s by teenage Cajuns and black Creoles. They put aside the fiddle and accordion of their parents' traditional French music to learn the electric guitar and bass, saxophone, upright piano, and modern drumming trap sets of big-city rhythm-and-blues. Their new sound interwove country-and-western and rhythm-and-blues with the exciting elements of their rural Cajun and Creole heritage. In the 1950s and 1960s American juke boxes and music charts were studded with swamp pop favorites.
Download or read book Billboard written by and published by . This book was released on 1991-10-12 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Download or read book The Purple One written by Judson L. Jeffries and published by Univ. Press of Mississippi. This book was released on 2024-10-23 with total page 121 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributions by Cassandra D. Chaney, Shannon M. Cochran, Samuel P. Fitzpatrick, Judson L. Jeffries, Zada Johnson, Tony Kiene, Aaron J. Kimble, Jerod Lockhart, Molly Reinhoudt, Paul N. Reinsch, Laurel Westrup, and Sherman M. White Prince (1958–2016) looms large in contemporary music history. Despite universal acclaim for his artistry, few scholars and writers have thoroughly treated the underlying ideas expressed in his work or examined his profound impact on popular culture. The Purple One: Prince, Race, Gender, and Everything in Between positions Prince in his proper cultural, political, and social place in history. Contributors employ a diverse range of approaches to explore the intricate facets of this cultural icon, illuminating the many dimensions of his creative output and legacy. The collection is organized around two central themes that shed light on Prince’s artistry and lasting influence. Moving beyond conventional discussions about Prince and masculinity, part I, “Black Masculinity and Gender Performativity,” delves into less-explored aspects of the artist’s gender-bending persona. Essays in this section cover a slew of fascinating subjects, including Prince’s re-scripting of Black masculinity in the cult classic Under the Cherry Moon and an autoethnographic study of African American father-son relationships in the film Purple Rain. Another essay examines the subversive gender performativity of Prince and frequent collaborator Sheila E. Part II, “Beauty, Race, and Spirituality,” explores a range of topics present in Prince’s oeuvre, from the sociopolitical contours of his work to his overlooked but significant projects and protégés. Contributors in this section examine Prince’s representations of female beauty, his articulations of urban rage and protest, and his commercially successful but critically overlooked Batman soundtrack. This second installment of the ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, continues to center Prince as a focal point in music scholarship and enhance our understanding of his complex life and work.
Download or read book Race Rock and Elvis written by Michael T. Bertrand and published by University of Illinois Press. This book was released on 2000 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Race, Rock, and Elvis, Michael T. Bertrand contends that popular music, specifically Elvis Presley's brand of rock 'n' roll, helped revise racial attitudes after World War II. Observing that youthful fans of rhythm and blues, rock 'n' roll, and other black-inspired music seemed more inclined than their segregationist elders to ignore the color line, Bertrand links popular music with a more general relaxation, led by white youths, of the historical denigration of blacks in the South. The tradition of southern racism, successfully communicated to previous generations, failed for the first time when confronted with the demand for rock 'n' roll by a new, national, commercialized youth culture. In a narrative peppered with the colorful observations of ordinary southerners, Bertrand argues that appreciating black music made possible a new recognition of blacks as fellow human beings. Bertrand documents black enthusiasm for Elvis Presley and cites the racially mixed audiences that flocked to the new music at a time when adults expected separate performances for black audiences and white. He describes the critical role of radio and recordings in blurring the color line and notes that these media made black culture available to appreciative whites on an unprecedented scale. He also shows how music was used to define and express the values of a southern working-class youth culture in transition, as young whites, many of them trying to orient themselves in an unfamiliar urban setting, embraced black music and culture as a means of identifying themselves. By adding rock 'n' roll to the mix of factors that fed into civil rights advances in the South, Race, Rock, and Elvis shows how the music,with its rituals and vehicles, symbolized the vast potential for racial accord inherent in postwar society.
