Download or read book An Introduction to Gregorian Chant written by Richard L. Crocker and published by Yale University Press. This book was released on 2000-01-01 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard L. Crocker offers in this book and its accompanying compact disc an introduction to the history and meaning of the Gregorian chant. He explains how Gregorian chant began, what functions and meanings it had over time, who heard it and where, and how it was composed, learned, written down and handed on. Crocker explains Gregorian chant and its functions within modern catholic liturgy as well as its position outside this liturgy, where the modern listener may hear it just as music. He describes the origins of the chant in the early Middle Ages, details its medieval development and use, and considers how it survived without, and later with, musical notation. The author probes the paradoxical position of the chant in monastic life -- serving as an expression of liturgical fellowship on the one hand and as the medium of solitary mystic ascent on the other. The book also includes a detailed commentary on each of twenty-six complete chants performed by the Orlando Consort and by the author on the accompanying compact disc. --From publisher's description.

Download or read book A History of Musical Style written by Richard L. Crocker and published by Courier Corporation. This book was released on 1986-01-01 with total page 609 pages. Available in PDF, EPUB and Kindle. Book excerpt: Clear, systematic presentation of the evolution of musical style from Gregorian Chant (AD 700) to mid-20th-century atonal music. Excellent volume for music students, scholars, and laymen emphasizes the continuity of basic musical principles with detailed coverage of major period styles and composers. Over 140 musical examples. Bibliography.

Download or read book Tonal Consciousness and the Medieval West written by Fiona McAlpine and published by Peter Lang. This book was released on 2008 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tonal consciousness, in the sense of a clear intuition about which note or chord a piece of music will finish on, is as much a part of our everyday experience of music as it is of contemporary music theory. This book asks to what extent such tonal consciousness might have operated in the minds of musicians of the Middle Ages, given the different tone world found in the modes of Gregorian chant, in troubadour and trouvère music, in Minnesang and in the early polyphony based upon chant. The author's approach is analytical, focusing on modality and balancing up-to-date concepts and methods of music analysis with those insights into their own compositional needs and processes that the people of the Middle Ages provided themselves through their writings about music. The book examines a range of both music sources and theoretical sources from the ninth to the thirteenth centuries. This is a ground-breaking contribution both to the study of medieval music and to music analysis.

Download or read book Genealogical Guide to the Early Settlers of America written by Henry Whittemore and published by Genealogical Publishing Com. This book was released on 1995 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book Journal written by Massachusetts. General Court. House of Representatives and published by . This book was released on 1928 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The First PoliceWoman written by Lisa Eisemann and published by Trafford Publishing. This book was released on 2006 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dating back to the days of the Wild West, Salinas has had a violent history. From the late 1890s, when the first night watchmen patrolled the streets on foot and without training or weapons, to the state-of-the-art department of 2005, the exceptional men and women who framed the early department are the subjects of many of the legends told in this history. Mae Eisemann was the first policewoman in Salinas and the first female to have a foot patrol in California. As such, she forged the way for other females in law enforcement. The rise of a detective division, the many personalities of the different chiefs, politics and finance are all part of the history of the Salinas Police Department. Most of these stories have never been told outside the department and with their telling comes a responsibility to the memory of fallen officers, an enlightenment for those who serve today, and an opportunity for healing for many families. Filled with both comedic and tragic episodes, the book details the history not only of the department, but of her officers and non-sworn personnel through the years. Recounting the many heroic acts of officers, it also tells of personal tragedy and gives a voice to those who are unable to tell their stories themselves. As the granddaughter of the title character in this book, Lisa Eisemann had heard stories about her grandmother for many years. Although Mae Eisemann died less than one year before her birth, Lisa Eisemann kept yellowed newspaper clippings about cases her grandmother worked in the 1940s. From a young age, Eisemann knew she wanted to follow in her grandmother's footsteps and received a B.A. degree in Criminology and Sociology before attending graduate school, where she studied Forensic Science. Licensed as a private investigator in 1995, Eisemann became interested in researching the history of the police department, particularly as it related to her grandmother's position as the first female police officer. Encouraged by the department's interest in a historical yearbook, she was able to research and write a book not only about Mae Eisemann, but one which included all the characters of the police department from the time it was authorized in 1903. Lisa Eisemann is married to now retired homicide detective Joe Gunter, whom she met while investigating a murder for the defense. Both are experts in crime scene processing and gangs. The two continue to live in Salinas with their daughter, Terrin, who plans to become a police officer and hopes to work as a canine unit someday. Eisemann also owns the Salinas School of Dance, where she teaches ballet, tap, jazz and Irish dancing to hundreds of students each week. As the director of the Spirit of Salinas Irish Dancers, she and her team have traveled to Ireland to compete in a world level competition.

Download or read book Polyphonic Minds written by Peter Pesic and published by MIT Press. This book was released on 2022-09-13 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of polyphony and the perspective it offers on our own polyphonic brains. Polyphony—the interweaving of simultaneous sounds—is a crucial aspect of music that has deep implications for how we understand the mind. In Polyphonic Minds, Peter Pesic examines the history and significance of “polyphonicity”—of “many-voicedness”—in human experience. Pesic presents the emergence of Western polyphony, its flowering, its horizons, and the perspective it offers on our own polyphonic brains. When we listen to polyphonic music, how is it that we can hear several different things at once? How does a single mind experience those things as a unity (a motet, a fugue) rather than an incoherent jumble? Pesic argues that polyphony raises fundamental issues for philosophy, theology, literature, psychology, and neuroscience—all searching for the apparent unity of consciousness in the midst of multiple simultaneous experiences. After tracing the development of polyphony in Western music from ninth-century church music through the experimental compositions of Glenn Gould and John Cage, Pesic considers the analogous activity within the brain, the polyphonic “music of the hemispheres” that shapes brain states from sleep to awakening. He discusses how neuroscientists draw on concepts from polyphony to describe the “neural orchestra” of the brain. Pesic’s story begins with ancient conceptions of God’s mind and ends with the polyphonic personhood of the human brain and body. An enhanced e-book edition allows the sound examples to be played by a touch.

Download or read book The Cleveland Directory Co s Cleveland Cuyahoga County Ohio City Directory written by and published by . This book was released on 1882 with total page 804 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Somerset Parish Registers written by and published by . This book was released on 1910 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Archaeology of Martin s Hundred written by Ivor Noël Hume and published by University of Pennsylvania Press. This book was released on 2016-07-18 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Archaeology of Martin's Hundred explores the history and artifacts of a 20,000-acre tract of land in Tidewater, Virginia, one of the most extensive English enterprises in the New World. Settled in 1618, all signs of its early occupation soon disappeared, leaving no trace above ground. More than three centuries later, archaeological explorations uncovered tantalizing evidence of the people who had lived, worked, and died there in the seventeenth century. Part I: Interpretive Studies addresses four critical questions, each with complex and sometimes unsatisfactory answers: Who was Martin? What was a hundred? When did it begin and end? Where was it located? We then see how scientific detective work resulted in a reconstruction of what daily life must have been like in the strange and dangerous new land of colonial Virginia. The authors use first-person accounts, documents of all sorts, and the treasure trove of artifacts carefully unearthed from the soil of Martin's Hundred. Part II: Artifact Catalog illustrates and describes the principal artifacts in 110 figures. The objects, divided by category and by site, range from ceramics, which were the most readily and reliably datable, to glass, of which there was little, to metalwork, in all its varied aspects from arms and armor to rail splitters' wedges, and, finally, to tobacco pipes. The Archaeology of Martin's Hundred is a fascinating account of the ways archaeological fieldwork, laboratory examination, and analysis based on lifelong study of documentary and artifact research came together to increase our knowledge of early colonial history. Copublished with the Colonial Williamsburg Foundation.

Download or read book Composers at Work written by Jessie Ann Owens and published by Oxford University Press. This book was released on 1998-11-19 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did Renaissance composers write their music? In this revolutionary look at a subject that has fascinated scholars for years, musicologist Jessie Ann Owens offers new and striking evidence that contrary to accepted theory, sixteenth-century composers did not use scores to compose--even to write complex vocal polyphony. Drawing on sources that include contemporary theoretical treatises, documents and letters, iconographical evidence, actual fragments of composing slates, and numerous sketches, drafts, and corrected autograph manuscripts, Owens carefully reconstructs the step-by-step process by which composers between 1450 and 1600 composed their music. The manuscript evidence--autographs of more than thirty composers--shows the stages of work on a wide variety of music--instrumental and vocal, sacred and secular--from across most of Renaissance Europe. Her research demonstrates that instead of working in full score, Renaissance composers fashioned the music in parts, often working with brief segments, according to a linear conception. The importance of this discovery on editorial interpretation and on performance cannot be overstated. The book opens with a broad picture of what has been known about Renaissance composition. From there, Owens examines the teaching of composition and the ways in which musicians and composers both read and wrote music. She also considers evidence for composition that occurred independent of writing, such as composing "in the mind" or composing with instruments. In chapters on the manuscript evidence, she establishes a typology both of the sources themselves and of their contents (sketches, drafts, fair copies). She concludes with case studies detailing the working methods of Francesco Corteccia, Henricus Isaac, Cipriano de Rore, and Giovanni Pierluigi da Palestrina. This book will change the way we analyze and understand early music. Clear, provocative, and painstakingly researched, Composers at Work: The Craft of Musical Composition 1450-1600 makes essential reading for scholars of Renaissance music as well as those working in related fields such as sketch studies and music theory.

Download or read book The Publications written by and published by . This book was released on 1910 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Registers of Baptisms Marriages Burials of the City of Exeter written by W. U. Reynell-Upham and published by . This book was released on 1910 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Transcript of the Parish Register of Brixham Devon 1556 1646 written by and published by . This book was released on 1923 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Handwritten extract of original register.

Download or read book Open Access Musicology written by Louis Epstein and published by Lever Press. This book was released on 2020-10-30 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the fall of 2015, a collection of faculty at liberal arts colleges began a conversation about the challenges we faced as instructors: Why were there so few course materials accessible to undergraduates and lay readers that reflected current scholarly debate? How can we convey the relevance of studying music history to current and future generations of students? And how might we represent and reflect the myriad, often conflicting perspectives, positions, and identities that make up both music’s history and the writers of history? Here we offer one response to those questions. Open Access Musicology is a collection of essays, written in an accessible style and with a focus on modes of inquiry rather than content coverage. Our authors draw from their experience as scholars but also as teachers. They have been asked to describe why they became musicologists in the first place and how their individual paths led to the topics they explore and the questions they pose. Like most scholarly literature, the essays have all been reviewed by experts in the field. Unlike all scholarly literature, the essays have also been reviewed by students at a variety of institutions for clarity and relevance. These essays are intended for undergraduates, graduate students, and interested readers without any particular expertise. They can be incorporated into courses on a range of topics as standalone readings or used to supplement textbooks. The topics introduce and explore a variety of subjects, practices, and methods but, above all, seek to stimulate classroom discussion on music history’s relevance to performers, listeners, and citizens.

Download or read book The Liturgy of the Medieval Church written by Thomas Heffernan and published by Medieval Institute Publications. This book was released on 2005-04-01 with total page 734 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume seeks to address the needs of teachers and advanced students who are preparing classes on the Middle Ages or who find themselves confounded in their studies by reference to the various liturgies that were fundamental to the lives of medieval peoples. In a series of essays, scholars of the liturgy examine The Shape of the Liturgical Year, Particular Liturgies, The Physical Setting of the Liturgy, The Liturgy and Books, and Liturgy and the Arts. A concluding essay, which originated in notes left behind by the late C. Clifford Flanigan, seeks to open the field, to examine liturgy within the larger and more inclusive category of ritual. The essays are intended to be introductory but to provide the basic facts and the essential bibliography for further study. They approach particular problems assuming a knowledge of medieval Europe but little expertise in liturgical studies per se.

Download or read book Embellishing the Liturgy written by Alejandro Enrique Planchart and published by Taylor & Francis. This book was released on 2017-07-05 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.