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Book Rembrandt s Shadow

    Book Details:
  • Author : Janet Lee Berg
  • Publisher : Simon and Schuster
  • Release : 2016-09-20
  • ISBN : 1682611434
  • Pages : 304 pages

Download or read book Rembrandt s Shadow written by Janet Lee Berg and published by Simon and Schuster. This book was released on 2016-09-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sylvie Rosenberg escaped the Holocaust-- but can she escape the past? October 20, 1942. Benjamin Katz and his six-year-old daughter Sylvie stand with their frightened family at a train station in occupied Holland, unsure if the train would take them to their freedom-- or to a death camp. Hitler and his henchmen have long had their eye on the art collection of Benjamin and his brother, which includes Rembrandt's "Portrait of Raman." Now the brothers are faced with the ultimate choice --part with the art, or suffer the consequences. Based on a true story, Rembrandt's Shadow is the tale of two women from different generations who find themselves forced to confront each other years later-- while still haunted by the past.

Book Rembrandt

    Book Details:
  • Author : Pascal Bonafoux
  • Publisher : Thames & Hudson
  • Release : 1992
  • ISBN : 9780500300220
  • Pages : 175 pages

Download or read book Rembrandt written by Pascal Bonafoux and published by Thames & Hudson. This book was released on 1992 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: Apprenticeship and ambition - Rejoicing and mourning - Lonliness and banckruptcy - Retirement and death - Documents.

Book In Rembrandt s Shadow

    Book Details:
  • Author : Eileen Haavik McIntire
  • Publisher : Amanita Books
  • Release : 2016-10-15
  • ISBN : 9780961451950
  • Pages : 300 pages

Download or read book In Rembrandt s Shadow written by Eileen Haavik McIntire and published by Amanita Books. This book was released on 2016-10-15 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: It's 1616 in the Spanish Netherlands. Saul Levi Morteira rows ashore at night to rescue a family from the ravages of the Inquisition and take them to tolerant, egalitarian Amsterdam. Love blooms in Saul's heart that night, but the same qualities that spur him to greatness are the ones that doom him to unrequited love. The family recoups its fortune and, in gratitude, commissions Rembrandt to paint a portrait of Morteira. Almost four centuries later, Sara Miller and Josh Davila dig up the painting, hidden during the Holocaust in an ancient cemetery in Gibraltar. Now their task and their challenge is to search for the painting's rightful owner, but danger stalks them through the streets of Gibraltar, forcing them to flee to Paris. As they dodge thieves and a murderer, Sara and Josh struggle against impossible odds to fulfill a promise made sixty years before. In Rembrandt's Shadow follows the adventures of Sara and Josh that began in Shadow of the Rock, also by Eileen Haavik McIntire. Saul Levi Morteira was a rabbi in 17th century Amsterdam. He was instrumental in excommunicating the great philosopher Baruch Spinoza. In praise of Shadow of the Rock, Midwest Book Review called it "A riveting tale of time and humanity, highly recommended." Foreword Reviews said "A bold adventure....Chapters move quickly in a mixture of danger, excitement, and pure enjoyment..."

Book A Corpus of Rembrandt Paintings V

    Book Details:
  • Author : Ernst van de Wetering
  • Publisher : Springer Science & Business Media
  • Release : 2013-12-12
  • ISBN : 1402057865
  • Pages : 674 pages

Download or read book A Corpus of Rembrandt Paintings V written by Ernst van de Wetering and published by Springer Science & Business Media. This book was released on 2013-12-12 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the fifth volume of A Corpus of Rembrandt Paintings, a project devoted to all Rembrandt’s paintings. This is the work of ‘The Rembrandt Research Project’, consisting of a group of scholars led since 1993 by Professor Ernst van de Wetering. The project began in 1968 with the aim of separating Rembrandt’s own paintings from the vast number of Rembrandtesque paintings made by his many apprentices and followers. Having opted for a chronological approach to the cataloguing of Rembrandt’s paintings (from 1625 till 1642) in the first three volumes, it was decided in 1993 to adopt a thematic approach for further volumes. This was largely to facilitate the recognition of different hands. The new approach yielded much more information not only about Rembrandt’s working methods but also about the function and meaning of his works. This expanded field of view meant that etchings and drawings with similar themes also needed to be included. In 2005 Volume IV appeared, devoted to Rembrandt’s self-portraits, in painting, etching and drawing. Volume V consists of a catalogue and analysis of the so-called small-scale history and genre paintings. That theme was chosen because this type of complex work shows a variety of full-length protagonists acting in different narrative settings. For this reason, in the 17th century, painting, etching or drawing biblical and mythological scenes was looked upon as an artist’s greatest challenge. The choice of this theme proved to be highly fruitful in several ways. Small-scale history pieces reveal Rembrandt’s artistic ambitions most clearly. They also offer the authors a much more accurate view of the daily routine in Rembrandt’s studio; his apprentices mostly copied this type of work or used it as a starting point for their own. As a result it was easier to distinguish the works by the master himself from those of his pupils. All aspects of the skills necessary to create a pictorial illusion play a part in the creation of small-figured history paintings. These aspects were referred to as ‘the basis of the noble art of painting’ in Rembrandt’s days. Two seventeenth century painter/theoreticians discussed these principles systematically in two books which up till now have only sporadically been consulted in the context of 17th century studio practice. Karel van Mander wrote his Grond der edel vry schilder-const [Basis of the Art of Painting] in 1604 and Samuel van Hoogstraten produced his Inleyding tot de hooge schoole der schilderkonst [Academy of Painting] in 1678. Van Hoogstraten was a pupil of Rembrandt between 1642 and ’48. Comparing the two books and considering them in relation to Rembrandt’s oeuvre, gradually reveals his original views on painting and how these had developed during his career. Thus, the authors of this new Volume of A Corpus have gained an unexpected and profound insight into Rembrandt’s ideas and approach to his art. The ‘basic aspects’ of painting included the following topics: function and methods of drawing; human proportions; various positions, poses and gestures of figures; ways of arranging a scene’s protagonists in a composition; facial expressions of a variety of emotions; light, shadows and reflected light; landscape and animals; draperies and articles of clothing; methods of painting, and various characteristics and uses of colours. The way these ‘basic aspects’ were selected and dealt with presumed that the more practical side to the art of painting would be learned by the apprentice in the daily routine of his master’s studio. With the development of art history in the nineteenth century the ‘basic aspects’ of the art of painting listed above acquired the vague label of ‘style’. However, the seventeenth century categorization of the ‘basic aspects’ provides a much more acute means of probing the views and criteria for judging a painting by Rembrandt and his contemporaries than the concept of ‘style’. Volume V in the series A Corpus of Rembrandt Paintings breaks new ground from the point of view of art history, not only in its approach to Rembrandt as an artist, but more particularly to his thinking about painting. Moreover, a detailed comparison of Rembrandt’s works and those by his apprentices who based their works on his, led to a profound and detailed understanding of Rembrandt’s views on pictorial quality. In art historical literature quality usually does not feature prominently since it is regarded as being too subjective. This comparative approach, together with the analysis of seventeenth century categories of thought about painting, have given the research on Rembrandt a new impetus, at the same time allowing us to see more clearly through seventeenth century eyes. That is why the new volume of the ‘Corpus’ is an important publication – not only for art historians but also for all who want to fully enjoy the numerous works of art that date back to the Dutch Golden Age, now scattered in museums around the world.

Book Rembrandt s First Masterpiece

    Book Details:
  • Author :
  • Publisher : Morgan Library & Museum
  • Release : 2016-06
  • ISBN : 9780875981765
  • Pages : 77 pages

Download or read book Rembrandt s First Masterpiece written by and published by Morgan Library & Museum. This book was released on 2016-06 with total page 77 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of an exhibition held at the Morgan Library & Museum, June 3-September 18, 2016.

Book A Corpus of Rembrandt Paintings IV

    Book Details:
  • Author : Ernst van de Wetering
  • Publisher : Springer Science & Business Media
  • Release : 2005-10-18
  • ISBN : 1402032803
  • Pages : 724 pages

Download or read book A Corpus of Rembrandt Paintings IV written by Ernst van de Wetering and published by Springer Science & Business Media. This book was released on 2005-10-18 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.

Book The Dramatic Portrait

Download or read book The Dramatic Portrait written by Chris Knight and published by Rocky Nook, Inc.. This book was released on 2017-07-13 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Without light, there is no photograph. As almost every photographer knows, the word “photograph” has its roots in two Greek words that, together, mean “drawing with light.” But what is less commonly acknowledged and understood is the role that shadow plays in creating striking, expressive imagery, especially in portraiture. It is through deft, nuanced use of both light and shadow that you can move beyond shooting simply ordinary, competent headshots into the realm of creating dramatic portraiture that can so powerfully convey a subject’s inner essence, communicate a personal narrative, and express your photographic vision.

In The Dramatic Portrait: The Art of Crafting Light and Shadow, Chris Knight addresses portraiture with a unique approach to both light and shadow that allows you to improve and elevate your own portraiture. He begins with the history of portraiture, from the early work of Egyptians and Greeks to the sublime treatment of light and subject by artists such as Caravaggio, Rembrandt, and Vermeer. Chris then dives into a deep, hands-on exploration of light, shadow, and portraiture, offering numerous lessons and takeaways. He covers:

    • The qualities of light: hard, soft, and the spectrum in between
    • The relationships between light, subject, and background, and how to control them
    • Lighting patterns such as Paramount, Rembrandt, loop, and split
    • Lighting ratios and how they affect contrast in your image
    • Equipment: from big and small modifiers to grids, snoots, barn doors, flags, and gels
    • Multiple setups for portrait shoots, including those that utilize one, two, and three lights
    • How color contributes to drama and mood, eliciting an emotional response from the viewer
    • How to approach styling your portrait, from wardrobe to background
    • The post-processing workflow, including developing the RAW file, maximizing contrast, color grading, retouching, and dodging and burning for heightened drama and effect
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    • How all of these elements culminate to help you define your personal style and create your own narrative

Book Digital Portrait Photography  Art  Business and Style

Download or read book Digital Portrait Photography Art Business and Style written by Steve Sint and published by Sterling Publishing Company, Inc.. This book was released on 2009 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most amateurs dream of taking professional-quality portraits; Steve Sint can show them how. After shooting over a million portraits, he has a wealth of knowledge to share, on everything from the basics of good composition to the fine details of advanced lighting techniques. Sint simply delivers a complete course in digital portrait photography: he discusses set-ups and backdrops; the most flattering ways to pose both individuals and groups; tips on making the sessions fun and comfortable for everyone; and insider info on using electronic flash, both indoors and out. For those hoping to go pro, an entire chapter offers all the nuts and bolts information needed to turn your passion into a career!

Book Photographic Mosaics

Download or read book Photographic Mosaics written by and published by . This book was released on 1871 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Rembrandt s Roughness

    Book Details:
  • Author : Nicola Suthor
  • Publisher : Princeton University Press
  • Release : 2018-04-03
  • ISBN : 0691172447
  • Pages : 240 pages

Download or read book Rembrandt s Roughness written by Nicola Suthor and published by Princeton University Press. This book was released on 2018-04-03 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Roughness is the sensual quality most often associated with Rembrandt's idiosyncratic style. It best defines the specific structure of his painterly textures, which subtly capture and engage the imagination of the beholder. Rembrandt's Roughness examines how the artist's unconventional technique pushed the possibilities of painting into startling and unexpected realms. Drawing on the phenomenological insights of Edmund Husserl as well as firsthand accounts by Rembrandt's contemporaries, Nicola Suthor provides invaluable new perspectives on many of the painter's best-known masterpieces, including The Anatomy Lesson of Dr. Deyman, The Return of the Prodigal Son, and Aristotle with a Bust of Homer. She focuses on pictorial phenomena such as the thickness of the paint material, the visibility of the colored priming, and the dramatizing element of chiaroscuro, showing how they constitute Rembrandt's most effective tools for extending the representational limits of painting. Suthor explores how Rembrandt developed a visually precise handling of his artistic medium that forced his viewers to confront the paint itself as a source of meaning, its challenging complexity expressed in the subtlest stroke of his brush. A beautifully illustrated meditation on a painter like no other, Rembrandt's Roughness reflects deeply on the intellectual challenge that Rembrandt's unrivaled artistry posed to the art theory of his time and its eminent role in the history of art today.

Book Rembrandt s Eyes

    Book Details:
  • Author : Simon Schama
  • Publisher : Knopf
  • Release : 1999
  • ISBN : 9780375709814
  • Pages : 0 pages

Download or read book Rembrandt s Eyes written by Simon Schama and published by Knopf. This book was released on 1999 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Available for the first time in paperback is Schama's magnificent rendering of the genius of Rembrandt--both a biography and an exploration of the art itself--that makes it clear why after 350 years he continues to be regarded the greatest of painters. 352 full-color and b&w illustrations.

Book Shadow

    Book Details:
  • Author : Simon Unwin
  • Publisher : Routledge
  • Release : 2020-02-18
  • ISBN : 1000054098
  • Pages : 184 pages

Download or read book Shadow written by Simon Unwin and published by Routledge. This book was released on 2020-02-18 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Each of these Analysing Architecture Notebooks is devoted to a particular theme in understanding the rich and varied workings of architecture. They can be thought of as addenda to the foundation volume Analysing Architecture, which first appeared in 1997 and has subsequently been enlarged in three further editions. Examining these extra themes as a series of Notebooks, rather than as additional chapters in future editions, allows greater space for more detailed exploration of a wider variety of examples, whilst avoiding the risk of the original book becoming unwieldy. Shadows may be insubstantial but they are, nevertheless, an important element in architecture. In prehistoric times we sought shade as a refuge from the hot sun and chilling rain. Through history architects have used shadows to draw, to mould form, to paint pictures, to orchestrate atmosphere, to indicate the passing of time ... as well as to identify place. Sometimes shadow can be the substance of architecture.

Book The Professional and Amateur Photographer

Download or read book The Professional and Amateur Photographer written by and published by . This book was released on 1908 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Stealing Rembrandts

    Book Details:
  • Author : Anthony M. Amore
  • Publisher : St. Martin's Press
  • Release : 2011-07-05
  • ISBN : 0230337422
  • Pages : 272 pages

Download or read book Stealing Rembrandts written by Anthony M. Amore and published by St. Martin's Press. This book was released on 2011-07-05 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anthony M. Amore and Tom Mashberg's Stealing Rembrandts is a spellbinding journey into the high-stakes world of art theft Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston, Worcester to Ohio - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence. They also show how museums are thwarted in their ability to pursue the thieves - even going so far as to conduct investigations on their own, far away from the maddening crowd of police intervention, sparing no expense to save the priceless masterpieces. Stealing Rembrandts is an exhilarating, one-of-a-kind look at the black market of art theft, and how it compromises some of the greatest treasures the world has ever known.

Book Practical Teacher s Art Monthly

Download or read book Practical Teacher s Art Monthly written by and published by . This book was released on 1905 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Rembrandt s Nose

    Book Details:
  • Author : Michael Taylor
  • Publisher : Distributed Art Publishers (DAP)
  • Release : 2007
  • ISBN :
  • Pages : 176 pages

Download or read book Rembrandt s Nose written by Michael Taylor and published by Distributed Art Publishers (DAP). This book was released on 2007 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandt's Nose ISBN 1-933045-44-2 / 978-1-933045-44-3 Hardcover, / pgs / / U.S. CDN To be set / Nonfiction and Criticism If the sitter is the lead actor of a performance, for in essence that is what a portrait is, then the nose is his understudy on the stage of the face. The nose stands in the center, the focal point of our gaze if not the exact center, and demands that we notice it. It's a peacockish actor: too obvious, too egotistical, too histrionic. It upstages the rest of the face and would make us forget that its posturing is mere vanity and vacuity compared to the eloquence of the eyes and lips.

Book A Corpus of Rembrandt Paintings

    Book Details:
  • Author : J. Bruyn
  • Publisher : Springer Science & Business Media
  • Release : 2013-05-14
  • ISBN : 9400908113
  • Pages : 815 pages

Download or read book A Corpus of Rembrandt Paintings written by J. Bruyn and published by Springer Science & Business Media. This book was released on 2013-05-14 with total page 815 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. THIS VOLUME: A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume III) contains 820 pages, starting of with three introductory chapters and discussing 86 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume important paintings including the Night Watch are discussed.