Download or read book Reflections Upon Musical Art Considered in Its Wider Relations written by Joseph Goddard and published by . This book was released on 1893 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and Theology in Nineteenth Century Britain written by Martin Clarke and published by Routledge. This book was released on 2016-04-22 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
Download or read book Art and the Human Spirit written by Edward Howard Griggs and published by . This book was released on 1908 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Philosophy of Art written by Edward Howard Griggs and published by . This book was released on 1913 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Sackbut written by and published by . This book was released on 1926 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Library News written by Newark Public Library and published by . This book was released on 1895 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and Musicians written by Wigan (England). Free Public Library and published by . This book was released on 1903 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Musical Times and Singing class Circular written by and published by . This book was released on 1883 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Times and Singing class Circular written by and published by . This book was released on 1883 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Courier written by and published by . This book was released on 1895 with total page 1100 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.
Download or read book Speech Distinct Pleasing Or why Not Learn to Speak Correctly written by Frank Philip and published by . This book was released on 1936 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Violinist s Manual written by Henry F. Gosling and published by . This book was released on 1935 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Beckett and Musicality written by Sara Jane Bailes and published by Routledge. This book was released on 2016-04-15 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discussion concerning the ’musicality’ of Samuel Beckett’s writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Beckett’s engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Beckett’s work. In Beckett’s drama and prose writings, the relationship with music plays out in implicit and explicit ways. Several of his works incorporate canonical music by composers such as Schubert and Beethoven. Other works integrate music as a compositional element, in dialogue or tension with text and image, while others adopt rhythm, repetition and pause to the extent that the texts themselves appear to be ’scored’. But what, precisely, does it mean to say that a piece of prose or writing for theatre, radio or screen, is ’musical’? The essays included in this book explore a number of ways in which Beckett’s writings engage with and are engaged by musicality, discussing familiar and less familiar works by Beckett in detail. Ranging from the scholarly to the personal in their respective modes of response, and informed by approaches from performance and musicology, literary studies, philosophy, musical composition and creative practice, these essays provide a critical examination of the ways we might comprehend musicality as a definitive and often overlooked attribute throughout Beckett’s work.
Download or read book Perspectives on Research Assessment in Architecture Music and the Arts written by Fredrik Nilsson and published by Taylor & Francis. This book was released on 2017-02-03 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the creative fields of architecture, design, music and the arts has experienced dynamic development for over two decades. The research in these practice- and arts-based fields has become increasingly mature but has also led to various discussions on what constitutes doctoral proficiency in these fields. The term ‘doctorateness’ is often used when referring to the assessment of the production of doctoral research and the research competence of research students, but in architecture and the arts, the concept of doctorateness has not yet attained a clearly articulated definition. The assessment of quality has been practiced by way of supervising, mentoring and the evaluation of dissertations but much less discussed. This book offers perspectives on how to qualify and assess research in architecture, music and the arts. It creates a broader arena for discussion on doctorateness by establishing a framework for its application to creative fields. The book is grouped into three sections and includes contributions from international experts in the various fields working in Australia, Belgium, Brazil, Canada, Norway, Sweden, Switzerland, Spain, the Netherlands and the UK. The first section offers general frameworks for further conceptualising doctorateness in the fields in question. It is followed by a section that describes and discusses various experiences, concerns and visions on the production and assessment of doctoral research reporting from doctoral programmes in different stages of development. The third section includes future-oriented perspectives on knowledge-building processes, and asks how the ongoing, profound changes in academia could influence the concept of quality in both doctoral process and product. The book presents different perspectives on research assessment practices and developments of relevant criteria in the practice-based and creative fields of architecture and the arts. The contributions propose ways of framing this issue conceptually, show the need for awareness of the specific context and tradition programmes develop and give proposals for various potential trajectories for the future.
Download or read book Dangerous Melodies Classical Music in America from the Great War through the Cold War written by Jonathan Rosenberg and published by W. W. Norton & Company. This book was released on 2019-12-10 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Juilliard-trained musician and professor of history explores the fascinating entanglement of classical music with American foreign relations. Dangerous Melodies vividly evokes a time when classical music stood at the center of twentieth-century American life, occupying a prominent place in the nation’s culture and politics. The work of renowned conductors, instrumentalists, and singers—and the activities of orchestras and opera companies—were intertwined with momentous international events, especially the two world wars and the long Cold War. Jonathan Rosenberg exposes the politics behind classical music, showing how German musicians were dismissed or imprisoned during World War I, while numerous German compositions were swept from American auditoriums. He writes of the accompanying impassioned protests, some of which verged on riots, by soldiers and ordinary citizens. Yet, during World War II, those same compositions were no longer part of the political discussion, while Russian music, especially Shostakovich’s, was used as a tool to strengthen the US-Soviet alliance. During the Cold War, accusations of communism were leveled against members of the American music community, while the State Department sent symphony orchestras to play around the world, even performing behind the Iron Curtain. Rich with a stunning array of composers and musicians, including Karl Muck, Arturo Toscanini, Wilhelm Furtwängler, Kirsten Flagstad, Aaron Copland, Van Cliburn, and Leonard Bernstein, Dangerous Melodies delves into the volatile intersection of classical music and world politics to reveal a tumultuous history of twentieth-century America.
Download or read book Twentieth Century Music and Politics written by Pauline Fairclough and published by Routledge. This book was released on 2016-02-17 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.
