Download or read book Reflections on Blaxploitation written by David Walker and published by Scarecrow Press. This book was released on 2009 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a collection of interviews with many of the men and women who defined blaxploitation--a genre of films produced mainly in the 1970s that were marketed to a predominantly black audience. Among those interviewed are such icons as Jim Brown, Antonio Fargas, Gloria Hendry, Jim Kelly, Rudy Ray Moore, Ron O'Neal, William Marshall, Glynn Turman, Melvin Van Peebles and Fred Williamson.
Download or read book The Blaxploitation Film and its Influence on the Image of African Americans written by Tom Fengel and published by GRIN Verlag. This book was released on 2018-07-02 with total page 33 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2014 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, Dresden Technical University, language: English, abstract: In this paper, it is my objective to examine the characterization of black Americans in Blaxploitation movies to evaluate its influence on the image of African Americans. Not only the cinematic image is to be questioned in this concern, but also the real impression these movies gave to their viewers which also had an impact on the real life, social experience. Thereby, we can differentiate between the black image it produced for blacks, and the impression it left on the white spectators. For this purpose, I will firstly explain the phenomenon of Blaxploitation, its content and structure and name some examples. After that, the historical and social background of this genre is to be analyzed in order to explain how it could emerge and why it vanished as quickly as it came into existence. The depiction of African Americans in film before the 1970s is as important for further comprehension as is the rising political consciousness in the 1960s United States of America which found expression in the Civil Rights Movement. After I have shown the background knowledge concerning Blaxploitation, the description of the image of black people depicted in these movies will follow by analyzing the film “Shaft” and collecting other significant characteristics of this illustration in the genre in general, using the literature on this topic. The analysis will be divided into a plot analysis and a film analysis, whereby the plot will show characteristics which are visible by a mere reflection of the storyline and setting. The film analysis afterwards will have to find said aspects in selected scenes from the movie itself. As the most appropriate books for the paper’s intention, I chose “Framing Blackness” by Ed Guerrero and “Black and White Media” by Karen Ross. Another interesting work, which suits as an informal guide to various Blaxploitation films, is the book “That’s Blaxploitation!” by Darius James. Furthermore, the role and portrayal of women in these films is to be observed concerning the books by Ross and Guerrero and the analysis of “Shaft”. On this basis, I want to consider in the end whether the genre of Blaxploitation had a more positive or negative impact on the cinematic and real image of African Americans, whereas this conclusion will presumably not be a simple statement of good or bad. Moreover, it is to be seen whether and how it influenced the social life of American black citizens and the future cinematic illustration of African Americanism. [...]
Download or read book Blaxploitation Cinema written by Josiah Howard and published by . This book was released on 2008 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dazzling, highly stylised, excessively violent and brimming with sex, blaxploitation films enjoyed a brief but memorable moment in motion picture history. Never before, and never since, have so many African-American performers been featured in films, not in bit parts, but in name-above-the title starring roles. Here's a new and appreciative look back at a distinctly American motion picture phenomenon, the first truly comprehensive examination of the genre, its films, its trends and its far-reaching impact, covering more than 240 Blaxploitation films in detail. This is the primary reference book on the genre, covering not just the films' heyday (1971-1976) but the entire decade (1970-1980). Includes: film posters and ads
Download or read book Beyond Blaxploitation written by Novotny Lawrence and published by Wayne State University Press. This book was released on 2016-11-28 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond Blaxploitation is a much-needed pedagogical tool, informing film scholars, critics, and fans alike, about blaxploitation's richness and complexity.
Download or read book Blackface written by Nelson George and published by . This book was released on 2002 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This important book of essays chronicles the rise of African-American cinema. Subjects include: Spike Lee, Eddie Murphy, Laurence Fishburne, blaxploitation and its influence on modern film, and the social impact of film in the African-American community.
Download or read book Soul Searching written by Christopher Sieving and published by Wesleyan University Press. This book was released on 2011 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on author's dissertation (doctoral) -- University of Wisconsin at Madison.
Download or read book Black Masculinity and the Cinema of Policing written by Jared Sexton and published by Springer. This book was released on 2017-11-07 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush’s 2001 announcement of the War on Terror and President Barack Obama’s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions—from Antoine Fuqua’s Training Day to John Lee Hancock’s The Blind Side to Barry Jenkin's Moonlight—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture.
Download or read book The Witch s Flight written by Kara Keeling and published by Duke University Press. This book was released on 2007-11-05 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVThrough an analysis of filmic representations of Black femininity, and the Black Femme in particular, this book highlights the ways "the cinematic" structures both racist and sexist portrayals, and their potential undoing./div
Download or read book The Black Guy Dies First written by Robin R. Means Coleman and published by Simon and Schuster. This book was released on 2023-02-07 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the history of Black horror films. Delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines
Download or read book Contemporary Black American Cinema written by Mia Mask and published by Routledge. This book was released on 2012-08-21 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson’s and Sidney Poitier’s star vehicles to Lee Daniels’s directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.
Download or read book Women of Blaxploitation written by Yvonne D. Sims and published by McFarland. This book was released on 2015-03-26 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the Civil Rights movement of the sixties fresh in their perspective, movie producers of the early 1970s began to make films aimed toward the underserved African American audience. Over the next five years or so, a number of cheaply made, so-called blaxploitation movies featured African American actresses in roles which broke traditional molds. Typically long on flash and violence but lacking in character depth and development, this genre nonetheless did a great deal toward redefining the perception of African American actresses, breaking traditional African American female stereotypes and laying the groundwork for later feminine action heroines. This critical study examines the ways in which the blaxploitation heroines of the early 1970s reshaped the presentation of African American actresses on screen and, to a certain degree, the perception of African American females in general. It discusses the social, political and cultural context in which blaxploitation films emerged. The work focuses on four African American actresses--Pam Grier, Tamara Dobson, Teresa Graves and Jeanne Belle--providing critical and audience response to their films as well as insight into the perspectives of the actresses themselves. The eventual demise of the blaxploitation genre due to formulaic plots and lack of character development is also discussed. Finally, the work addresses the mainstreaming of the action heroine in general and a recent resurgence of interest in black action movies. Relevant film stills and a selected filmography including cast list and plot synopsis are also included. Instructors considering this book for use in a course may request an examination copy here.
Download or read book Philosophy Black Film Film Noir written by and published by Penn State Press. This book was released on 2008 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy, film studies, and cultural studies"--Provided by publisher.
Download or read book Beyond the Black Power Salute written by Gregory J. Kaliss and published by University of Illinois Press. This book was released on 2023-04-18 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unequal opportunity sparked Jim Brown’s endeavors to encourage Black development while Billie Jean King fought so that women tennis players could earn more money and enjoy greater freedom. Gregory J. Kaliss examines these events and others to guide readers through the unprecedented wave of protest that swept sports in the 1960s and 1970s. The little-known story of the University of Wyoming football players suspended for their activism highlights an analysis of protests by college athletes. The 1971 Muhammad Ali–Joe Frazier clash provides a high-profile example of the Black male athlete’s effort to redefine Black masculinity. An in-depth look at the American Basketball Association reveals a league that put Black culture front and center with its style of play and shows how the ABA influenced the development of hip-hop. As Kaliss describes the breakthroughs achieved by these athletes, he also explores the barriers that remained--and in some cases remain today.
Download or read book Black Hollywood written by Kimberly Fain and published by Bloomsbury Publishing USA. This book was released on 2015-06-30 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thought-provoking work examines the dehumanizing depictions of black males in the movies since 1910, analyzing images that were once imposed on black men and are now appropriated and manipulated by them. Moving through cinematic history decade by decade since 1910, this important volume explores the appropriation, exploitation, and agency of black performers in Hollywood by looking at the black actors, directors, and producers who have shaped the image of African American males in film. To determine how these archetypes differentiate African American males in the public's subconscious, the book asks probing questions—for example, whether these images are a reflection of society's fears or realistic depictions of a pluralistic America. Even as the work acknowledges the controversial history of black representation in film, it also celebrates the success stories of blacks in the industry. It shows how blacks in Hollywood manipulate degrading stereotypes, gain control, advance their careers, and earn money while making social statements or bringing about changes in culture. It discusses how social activist performers—such as Paul Robeson, Sidney Poitier, Harry Belafonte, and Spike Lee—reflect political and social movements in their movies, and it reviews the interactions between black actors and their white counterparts to analyze how black males express their heritage, individual identity, and social issues through film.
Download or read book Black Cultural Production after Civil Rights written by Robert J Patterson and published by University of Illinois Press. This book was released on 2019-08-30 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics. This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions. Contributors: Courtney R. Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork
Download or read book Black Film White Money written by Jesse Algeron Rhines and published by Rutgers University Press. This book was released on 1996 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why are there so few Black filmmakers who control their own work? Why are there scarcely any Black women behind the camera? What happens to Black filmmakers when they move from independent production to the mainstream? What does it mean for whites to control Black images and their distribution globally? And, was it always so? Could it be different? In this vivid portrait of their historic and present-day contributions, Jesse Rhines explores the roles African American men and women have played in the motion picture business from 1915 to the present. He illuminates his discussion by carefully linking the history of early Black filmmaking to the current success of African American filmmakers and examines how African Americans have been affected by changes that have taken place in the industry as a whole. He focuses on the crucial role of distribution companies, the difficulty of raising money for production, the compromises that directors and writers must make to get funding, and the effect of negative, sensationalistic images on the Black community. Many well-known directors, including Spike Lee, Reginald Hudlin, and Grace Blake are interviewed in the book, allowing Rhines to give readers an inside look at how deal making does--or does not--work. Rhines surveys significant eras in film history and their impact on African Americans, from the silent era and the impact of The Birth of a Nation, through the emergence of the Black-owned Lincoln Motion Picture Company, and the later introduction of sound, to the postwar era, the antitrust suit against Paramount Pictures, the introduction of television, and Blaxploitation movies that won audiences back. He brings the story up to date with present-day blockbusters and the success of Spike Lee, who began as an independent and became a force in the industry, and others who hope to follow in Lee's footsteps. Rhines, who has worked behind the camera himself, reflects on independent filmmaking, the risks of both failure and success, and his hope for positive change in the African African community if more African American filmmakers can come to the forefront in the business.
Download or read book Film Blackness written by Michael Boyce Gillespie and published by Duke University Press. This book was released on 2016-08-25 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
