Download or read book Recent Puerto Rican Theater written by John V. Antush and published by . This book was released on 1991 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of contemporary drama written by Puerto Ricans, the plays included in the collection are: Bodega, by Federico Fraguada; Family Scenes, by Ivette M. Ramirez; Midnight Blues, by Juan Shamsul Alam; Ariano, by Richard V. Irizarry; and First Class, by Candido Tirado. All of the plays are in English, and they have all been successfully produced on stage.
Download or read book Adios to All the Drama written by Diana Rodriguez Wallach and published by K-Teen. This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: When her summer fling comes back to haunt her, Mariana Ruiz, while dealing with her feelings for her locker buddy and her Aunt Teresa's impending nuptials, turns to her best friends Madison and Emily who are otherwise occupied with their own drama.
Download or read book Puerto Rican Drama written by Raoul Gordon and published by . This book was released on 1976-08 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nuestro New York written by John V. Antush and published by Signet Book. This book was released on 1994 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anthology of Puerto-Rican drama includes contributions by Ruben Gonzalez, Eva Lopez, and other writers.
Download or read book Family and Identity in Contemporary Cuban and Puerto Rican Drama written by Camilla Stevens and published by . This book was released on 2004 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stevens illuminates the link between the pervasive image of the family in the theater and the struggle for national and cultural identity in Cuba and Puerto Rico. By focusing on two key periods of family drama productions - the mid-1950s to the mid-1960s and the mid-1980s to the mid-1990s - she traces the historical articulation of the concepts of family and nation in the theater. Through the close readings of 16 plays, Stevens demonstrates how onstage family quarrels between husbands and wives, parents and children, and siblings allegorize divergent views of national experience and provide insight into how and by whom communities are defined, as well as how visions of national culture change over time. America and the Hispanic Caribbean to identify the role of writing in the project of constructing and defining nationhood, the place of performance in the cultural politics of representing the nation has been less rigorously investigated. Stevens's genealogy of modern Cuban and Puerto Rican drama reveals theater and performance to be a special site and activity for imagining communities.
Download or read book Translocas written by Lawrence La Fountain-Stokes and published by University of Michigan Press. This book was released on 2021-04-05 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Argues for the political potential of drag and trans performance in Puerto Rico and its diaspora
Download or read book When I Was Puerto Rican written by Esmeralda Santiago and published by Palabra. This book was released on 2006-02-28 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Magic, sexual tension, high comedy, and intense drama move through an enchanted yet harsh autobiography, in the story of a young girl who leaves rural Puerto Rico for New York's tenements and a chance for success.
Download or read book Performance Trauma and Puerto Rico in Musical Theatre written by Colleen Rua and published by Taylor & Francis. This book was released on 2023-08-11 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study positions four musicals and their associated artists as mobilizers of defiant joy in relation to trauma and healing in Puerto Rico. This book argues that the historical trajectory of these musicals has formed a canon of works that have reiterated, resisted or transformed experiences of trauma through linguistic, ritual, and geographic interventions. These traumas may be disaster-related, migrant-related, colonial or patriarchal. Bilingualism and translation, ritual action, and geographic space engage moments of trauma (natural disaster, incarceration, death) and healing (community celebration, grieving, emancipation) in these works. The musicals considered are West Side Story (1957, 2009, 2019), The Capeman (1998), In the Heights (2008), and Hamilton (2015). Central to this argument is that each of the musicals discussed is tied to Puerto Rico, either through the representation of Puerto Rican characters and stories, or through the Puerto Rican positionality of its creators. The author moves beyond the musicals to consider Lin-Manuel Miranda as an embodied site of healing, that has been met with controversy, as well as post-Hurricane Maria relief efforts led by Miranda on the island and from a distance. In each of the works discussed, acts of belonging shape notions of survivorship and witness. This book also opens a dialogue between these musicals and the work of island-based artists Y no había luz, that has served as sites of first response to disaster. This book will be of interest to students and scholars in Latinx Theatre, Musical Theatre and Translation studies.
Download or read book Thirty Years of Puerto Rican Drama 1938 1968 written by Jordan Blake Phillips and published by . This book was released on 1970 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book THIRTY YEARS OF PUERTO RICAN DRAMA 1938 1968 written by JORDAN B. PHILLIPS and published by . This book was released on 1982 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Healing Dramas written by Raquel Romberg and published by University of Texas Press. This book was released on 2010-01-01 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this intimate ethnography, Raquel Romberg seeks to illuminate the performative significance of healing rituals and magic works, their embodied nature, and their effectiveness in transforming the states of participants by focusing on the visible, albeit mostly obscure, ways in which healing and magic rituals proceed. The questions posed by Romberg emerge directly from the particular pragmatics of Puerto Rican brujería (witch-healing), shaped by the eclecticism of its rituals, the heterogeneous character of its participants, and the heterodoxy of its moral economy. What, if any, is the role of belief in magic and healing rituals? How do past discourses on possession enter into the performative experience of ritual in the here and now? Where does belief stop, and where do memories of the flesh begin? While these are questions that philosophers and anthropologists of religion ponder, they acquire a different meaning when asked from an ethnographic perspective. Written in an evocative, empathetic style, with theoretical ruminations about performance, the senses, and imagination woven into stories that highlight the drama and humanity of consultations, this book is an important contribution to the cross-cultural understanding of our capacity to experience the transcendental in corporeal ways.
Download or read book The Puerto Rican Traveling Theatre Company written by Rosa Luisa Márquez and published by . This book was released on 1981 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Pragmatic Liberation and the Politics of Puerto Rican Diasporic Drama written by JON D. ROSSINI and published by . This book was released on 2024-05-07 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores drama's powerful capacity to model nuanced political action
Download or read book My Broken Language A Theater Jawn written by Quiara Alegría Hudes and published by Theatre Communications Group. This book was released on 2024-07-16 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt: Quiara Alegría Hudes’ stage adaptation of her much-lauded memoir is a joyous celebration of Puerto Rican womanhood in 1990s West Philadelphia. In this memoir-turned-play, Hudes showcases a handful of key life moments that mark subtle changes in her sense of self and her place in the world. Interlaid between these vignettes are moments of song, dance, and ritual that evoke her boisterous girlhood in a house run by the Perez women. Through this piece, we come to understand the collaborative art that was Hudes’s coming of age, and the communal nature of autobiography.
Download or read book Contemporary Theater in Puerto Rico written by J. A. Collins and published by Río Piedras, P.R. : Editorial Universitaria, Universidad de Puerto Rico. This book was released on 1982 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Simpson Street and Other Plays written by Edward Gallardo and published by Arte Publico Press. This book was released on 1990-03-01 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The three plays in this collectionWaltz on a Merry-Go-Round (1975), Simpson Street (1979), and Women Without Men (1985) are all milestones in the development of Hispanic American drama, but Simpson Street represents a turning point. Simpson StreetÍs enormous critical and popular success around the country and abroad established its place solidly in the mainstream of American drama. The play speaks with the authentic voice of the Puerto Rican community to all Americans of our deepest longing and fears in all our rich ethnic diversity; abroad, it speaks with the authentic voice of America to all peoples.
Download or read book My Broken Language a Theater Jawn written by Quiara Alegría Hudes and published by Theatre Communications Group. This book was released on 2024 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Quiara Alegría Hudes' stage adaptation of her much-lauded memoir is a joyous celebration of Puerto Rican womanhood in 1990s West Philadelphia. Rather than attempting to tell the story of an entire life in ninety minutes, Hudes selects key moments that mark subtle changes in her sense of self and her place in the world. Through Hudes' eyes we witness her discovery of her mother's Santería practice, her realization that her cousin cannot read despite having graduated from high school, and her own gradual self-discovery through books by Pabla Neruda, Sanda Cisneros, and William Shakespeare. Interlaid between these stories are moments of song, dance, and ritual that evoke Hudes' boisterous girlhood in a house filled with "the Perez women." Five actresses alternate between playing Quiara herself and the other women of the story, emphasizing the communal nature of autobiography. Through this piece, we come to understand how Hudes' plays are in many ways continuations of the stories she was surrounded by as a child"--
