Download or read book Print Quarterly written by and published by . This book was released on 2008 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Conversations from the Print Studio written by Craig Zammiello and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over his thirty years as a master printer, Craig Zammiello has established himself as a foremost specialist of intaglio printmaking in the United States. Through lively discussions between Zammiello, Elisabeth Hodermarsky, and ten contemporary artists--Mel Bochner, Carroll Dunham, Ellen Gallagher, Jane Hammond, Suzanne McClelland, Chris Ofili, Elizabeth Peyton, Matthew Ritchie, Kiki Smith, and Terry Winters--Conversations from the Print Studio offers an intimate look at the relationship between printer and artist, as well as insight into the technical challenges of intaglio printmaking. The conversations follow ten unique projects from inception to completion, tracing each artist's initial vision, the artist's and printer's creative strategies, and reactions to the final product. By documenting the dual perspectives of artist and printer, the book reveals recent innovations in the field of printmaking as well as the collaborative nature of art-making itself. The result is a rare behind-the-scenes excursion into the workings of the contemporary print studio. Distributed for the Yale University Art Gallery
Download or read book The Print Collector s Quarterly written by A. H. Stubbs and published by . This book was released on 1913 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Renaissance Print 1470 1550 written by David Landau and published by Yale University Press. This book was released on 1994-01-01 with total page 453 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
Download or read book Michelangelo in Print written by Bernadine Barnes and published by Routledge. This book was released on 2017-07-05 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.
Download or read book The Renaissance of Etching written by Catherine Jenkins and published by Metropolitan Museum of Art. This book was released on 2019-10-21 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Download or read book Vasari and the Renaissance Print written by Sharon Gregory and published by Ashgate Publishing, Ltd.. This book was released on 2012 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: In both Vasari's life and in his Lives, prints played important roles. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, revealing how it sheds light on aspects of Vasari's career, and on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective.
Download or read book Mariette and the Science of the Connoisseur in Eighteenth Century Europe written by Kristel Smentek and published by Routledge. This book was released on 2017-07-05 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.
Download or read book Collecting Prints and Drawings in Europe c 1500 750 written by Christopher Baker and published by Routledge. This book was released on 2017-09-29 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.
Download or read book Printing Colour 1400 1700 written by and published by BRILL. This book was released on 2015-08-24 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art.
Download or read book Monarchy Print Culture and Reverence in Early Modern England written by Stephanie E. Koscak and published by Routledge. This book was released on 2020-06-11 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly illustrated and interdisciplinary study examines the commercial mediation of royalism through print and visual culture from the second half of the seventeenth century. The rapidly growing marketplace of books, periodicals, pictures, and material objects brought the spectacle of monarchy to a wide audience, saturating spaces of daily life in later Stuart and early Hanoverian England. Images of the royal family, including portrait engravings, graphic satires, illustrations, medals and miniatures, urban signs, playing cards, and coronation ceramics were fundamental components of the political landscape and the emergent public sphere. Koscak considers the affective subjectivities made possible by loyalist commodities; how texts and images responded to anxieties about representation at moments of political uncertainty; and how individuals decorated, displayed, and interacted with pictures of rulers. Despite the fractious nature of party politics and the appropriation of royal representations for partisan and commercial ends, print media, images, and objects materialized emotional bonds between sovereigns and subjects as the basis of allegiance and obedience. They were read and re-read, collected and exchanged, kept in pockets and pasted to walls, and looked upon as repositories of personal memory, national history, and political reverence.
Download or read book The Return of History written by Jonathan Pearlman and published by The Jewish Quarterly. This book was released on 2021-05-06 with total page 125 pages. Available in PDF, EPUB and Kindle. Book excerpt: “For a long time now, the authority of knowledge has been under siege from those who march under the banner of pure belief.” —Simon Schama Welcome to the new JQ. The Return of History investigates rising global populism, and the forces propelling modern nativism and xenophobia. In wide-ranging, lively essays, Simon Schama explores the age-old tropes of Jews as both purveyors of disease and mono-polists of medical wisdom, in the wake of a global pandemic; Holly Case takes us by train to Hungary; Mikołaj Grynberg reflects on Poland’s commitment to forgetting its atrocities; and Deborah Lipstadt puts white supremacy under the microscope, examining its antisemitic DNA. Recently discovered letters about Israel from Isaiah Berlin to Robert Silvers are published here for the first time. In new sections on History and Community, Ian Black revisits a turning point in the Arab–Israeli conflict, and Elliot Perlman traces the roots of the Jewish farmers in Uganda. And in three insightful, erudite book reviews, Hadley Freeman, Benjamin Balint and Robert Manne cast light on second-generation Holocaust memoirs and the work of Paul Celan and Götz Aly. The Return of History is a truly global issue, bringing together esteemed, well-known voices and those you’ll be exhilarated to read for the first time.
Download or read book Prints in Translation 1450 750 written by EdwardH. Wouk and published by Routledge. This book was released on 2017-07-05 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.
Download or read book Print Manuscript and the Search for Order 1450 1830 written by David McKitterick and published by Cambridge University Press. This book was released on 2003-07-10 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: See:
Download or read book Sculpture in Print 1480 1600 written by Anne Bloemacher and published by BRILL. This book was released on 2021-04-19 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print, the essays in this volume reflect the printmakers’ various approaches and challenges of translating antique or contemporary artworks, underlining their highly creative handling.
Download or read book Female Printmakers Printsellers and Print Publishers in the Eighteenth Century written by Cristina S. Martinez and published by Cambridge University Press. This book was released on 2024-03-31 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Integrates the vital contributions of women as printmakers, printsellers and print publishers into the history of eighteenth-century art.
Download or read book Copyright in the Renaissance Prints and the Privilegio in Sixteenth Century Venice and Rome written by Christopher Witcombe and published by BRILL. This book was released on 2004-06-01 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly documented study of copyright in sixteenth-century Venice and Rome provides valuable new information about the privilegio and the printers, engravers, painters, mapmakers, and others who used it to protect their commercial interests in various types of printed images.
