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Book Practical Film Criticism

Download or read book Practical Film Criticism written by Bert Cardullo and published by . This book was released on 1999 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two volumes of "Practical Film Criticism" are an attempt to grapple with the nature of film art through the evaluation of vital and representative instances of that art, created throughout the world, from 1993 to 1998. The essays contained herein are acts of analysis and interpretation, they are neither windy theoretical musings nor impenetrable scholarly tracts. In addition, there are two translations of visionary articles by prominent international directors; an extended interview with an esteemed American movie critic, a speculative piece on the relationships among theatre, fiction and film; an overview of the careers of the Vittorio De Sica and Woody Allen; and a long, polemical introduction.

Book Practical Film Criticism

Download or read book Practical Film Criticism written by Bert Cardullo and published by Mellen Research University. This book was released on 1999 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two volumes of Practical Film Criticism are an attempt to grapple with the nature of film art through the evaluation of vital and representative instances of that art, created throughout the world, from 1993 to 1998. The essays contained herein are acts of analysis and interpretation, they are neither windy theoretical musings nor impenetrable scholarly tracts. In addition, there are two translations of visionary articles by prominent international directors; an extended interview with an esteemed American movie critic, a speculative piece on the relationships among theatre, fiction and film; an overview of the careers of Vittorio De Sica and Woody Allen; and a long, polemical introduction. The book is illustrated.

Book The Critical Practice of Film

Download or read book The Critical Practice of Film written by Elspeth Kydd and published by Bloomsbury Publishing. This book was released on 2017-09-16 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Critical Practice of Film introduces film studies and production through the integration of criticism, theory and practice. Its approach is that of critical practice, a process that explores the integration and intersection between the critical analysis of films and the practical aspects of filmmaking. In other words, this book is both an introduction to the ways in which we watch films, as well as an introduction to how films are created. The more you know about how films are made, the more you can appreciate the artistry involved in a film. Author Elspeth kydd combines explorations of basic technical and aesthetic principles with extended analyses drawn from both classic and contemporary Hollywood and other world cinemas, including Battleship Potemkin (1927), Un Chien andalou (1929), Stagecoach (1939), Mildred Pierce (1945), Notorious (1946), Letter from an Unknown Woman (1948), Gentlemen Prefer Blondes (1953), Breathless (1959), Memories of Underdevelopment (1968), Star Wars (1977), Raiders of the Lost Ark (1981), Distant Voices, Still Lives (1988), The Matrix (1999), Amores Perros (2000), Gosford Park (2001) and The Lord of the Rings trilogy (2001–3). Also included is a range of exercises designed to stimulate critical and analytical thought and help to demystify the process of creative mediamaking. Assignments range in scale from simple storyboarding and narrative development exercises that may be explored with minimal technology, to more complex video projects that can be adapted to suit varying levels of technical skill. The Critical Practice of Film provides an accessible introduction to the theory and practice of film studies, integrating creative practice with critical and theoretical engagement to guide students towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production. Elspeth kydd is a Senior Lecturer in Film Studies and Video Production at the University of the West of England. She has taught, researched and published in film and television studies for nearly twenty years, as well as being an active documentary videomaker. This book developed from teaching integrated theory-practice film courses at universities in the US and UK.

Book Introduction To Film Criticism  Major Critical Approaches To Narrative Film

Download or read book Introduction To Film Criticism Major Critical Approaches To Narrative Film written by Tim Bywater and published by Pearson Education India. This book was released on 2009-09 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Placing Movies

    Book Details:
  • Author : Jonathan Rosenbaum
  • Publisher : Univ of California Press
  • Release : 2023-09-01
  • ISBN : 9780520914957
  • Pages : 356 pages

Download or read book Placing Movies written by Jonathan Rosenbaum and published by Univ of California Press. This book was released on 2023-09-01 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films—from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism. It is this last element—Rosenbaum's reflections on the art of film criticism—that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism. They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.

Book Making Meaning

    Book Details:
  • Author : David BORDWELL
  • Publisher : Harvard University Press
  • Release : 2009-06-30
  • ISBN : 0674028538
  • Pages : 353 pages

Download or read book Making Meaning written by David BORDWELL and published by Harvard University Press. This book was released on 2009-06-30 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques--a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.

Book An Annotated Bibliography of the Writings of the Film Critic Andre Bazin

Download or read book An Annotated Bibliography of the Writings of the Film Critic Andre Bazin written by Professor Bert Cardullo and published by . This book was released on 2014-09-01 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andre Bazin (1918-1958) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among the film critics who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: Truffaut, Godard, Rivette, and Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style. Unlike nearly all the other authors of major film theories, Bazin was a working or practical critic who wrote regularly about individual films. He based his criticism on the film actually made rather than on any preconceived aesthetic or sociological principles; and for the first time with him, film theory therefore became not a matter of pronouncement or prescription, but of description, analysis, and deduction. Indeed, Bazin can be regarded as the aesthetic link between film critics and film theorists. During his relatively short writing career, his primary concern was not to answer questions but to raise them, not to establish cinema as an art but to ask, "What is art?" and "What is cinema?" Regrettably, Andre Bazin died tragically young of leukemia in 1958. Yet he left much material behind, all of which is now duly noted and annotated, for the first time, in this book's comprehensive bibliography of writings by Bazin and about Bazin, in all languages. Also featuring a contextual introduction to Bazin's life and work, An Annotated Bibliography of the Writings of the Film Critic Andre Bazin represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world's pre-eminent critical thinkers.

Book Film Essays and Criticism

Download or read book Film Essays and Criticism written by Rudolf Arnheim and published by Univ of Wisconsin Press. This book was released on 1997 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by Rudolph Arnheim (film criticism, U. of Michigan) explores film theory, criticism, and many classic films from the silent and early sound period (the 1920s and early 1930s). The majority of essays included in this collection were written and published in Berlin during the Weimar Republic, and have been translated into English for the first time. Arnheim argues that up until 1930, film artists created pure forms of cinema crafted with a narrative economy which could unify the most varied of effects. As movies became more realistic looking due to technical advances, cinema began to lose its integrity and viability. Paper edition (unseen), $18.95. Annotation copyrighted by Book News, Inc., Portland, OR

Book Literature into Film

Download or read book Literature into Film written by Linda Costanzo Cahir and published by McFarland. This book was released on 2014-12-24 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: For most people, film adaptation of literature can be summed up in one sentence: "The movie wasn't as good as the book." This volume undertakes to show the reader that not only is this evaluation not always true but sometimes it is intrinsically unfair. Movies based on literary works, while often billed as adaptations, are more correctly termed translations. A director and his actors translate the story from the written page into a visual presentation. Depending on the form of the original text and the chosen method of translation, certain inherent difficulties and pitfalls are associated with this change of medium. So often our reception of a book-based movie has more to do with our expectations and reading of the literature than with the job that the movie production did or did not do. Avoiding these biases and fairly evaluating any particular literary-based film takes an awareness of certain factors. Written with a formalistic rather than historical approach, this work presents a comprehensive guide to literature-based films, establishing a contextual and theoretical basis to help the reader understand the relationships between such movies and the original texts as well as the reader's own individual responses to these productions. To this end, it focuses on recognizing and appreciating the inherent difficulties encountered when basing a film on a literary work, be it a novel, novella, play or short story. Individual chapters deal with the specific issues and difficulties raised by each of these genres, providing an overview backed up by case studies of specific film translations. Films and literary works receiving this treatment include The Unbearable Lightness of Being, The Manchurian Candidate (1962), Lady Windemere's Fan by Oscar Wilde and Shakespeare's Henry V. Interspersed throughout the text are suggestions for activities the film student or buff can use to enhance his or her appreciation and understanding of the films. Instructors considering this book for use in a course may request an examination copy here.

Book Theory of Film Practice

Download or read book Theory of Film Practice written by Noel Burch and published by Princeton University Press. This book was released on 2014-07-14 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Book An Introduction to Criticism

Download or read book An Introduction to Criticism written by Michael Ryan and published by John Wiley & Sons. This book was released on 2012-02-13 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: An accessible and thorough introduction to literary theory and contemporary critical practice, this book is an essential resource for beginning students of literary criticism. Covers traditional approaches such as formalism and structuralism, as well as more recent developments in criticism such as evolutionary theory, cognitive studies, ethical criticism, and ecocriticism Offers explanations of key works and major ideas in literary criticism and suggests key elements to look for in a literary text Also applies critical approaches to various examples from film studies Helps students to build a critical framework and write analytically

Book Lessons in Perception

    Book Details:
  • Author : Paul Taberham
  • Publisher : Berghahn Books
  • Release : 2018-06-19
  • ISBN : 1785339028
  • Pages : 226 pages

Download or read book Lessons in Perception written by Paul Taberham and published by Berghahn Books. This book was released on 2018-06-19 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling account of how their works expand the spectator’s range of aesthetic sensitivities and open creative vistas uncharted by commercial cinema.

Book An Introduction to Film Analysis

Download or read book An Introduction to Film Analysis written by Michael Ryan and published by Bloomsbury Publishing USA. This book was released on 2020-04-16 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through: -the basic technical terms -shot-by-shot analyses of film sequences -set design, composition, editing, camera work, post-production, art direction and more -each chapter provides clear examples and full colour images from classic as well as contemporary films Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way. The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory. New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.

Book Film Criticism in the Digital Age

Download or read book Film Criticism in the Digital Age written by Mattias Frey and published by Rutgers University Press. This book was released on 2015-04-20 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.

Book A Short Guide to Writing about Film

Download or read book A Short Guide to Writing about Film written by Timothy Corrigan and published by Longman Publishing Group. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This best-selling text is a succinct guide to thinking critically and writing precisely about film. Both an introduction to film study and a practical writing guide, this brief text introduces students to major film theories as well as film terminology, enabling them to write more thoughtfully and critically. With numerous student and professional examples, this engaging and practical guide progresses from taking notes and writing first drafts to creating polished essays and comprehensive research projects. Moving from movie reviews to theoretical and critical essays, the text demonstrates how an analysis of a film can become more subtle and rigorous as part of a compositional process.

Book Film Criticism in the Digital Age

Download or read book Film Criticism in the Digital Age written by Mattias Frey and published by Rutgers University Press. This book was released on 2015-04-20 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.