Download or read book Portraiture in Paris Around 1800 written by Philippe Bordes and published by University of Washington Press. This book was released on 2003 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on portrait painting in Paris during the Consulate (November 1799 to May 1804), this book explores the contextual nexus in which the Portrait of Cooper Penrose was created. Philippe Bordes considers how this picture relates to other works painted by David during this period and to portraits painted by the artist's contemporaries, and also explores the political and social consequences of David's attitude to Bonaparte, the artist's relations with his clients, and the state of his family finances during this period. This investigation of the Portrait of Cooper Penrose constitutes the most complete analysis of the picture ever undetaken. Bordes proposes that Penrose selected David as his portraitist not only because of his international renown as an artist, but also because of his reputation as a Revolutionary.
Download or read book Public Access to Art in Paris A Documentary History from the Middle Ages to 1800 written by and published by Penn State Press. This book was released on 1999 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Image of the Artist in France written by Joanna Crown Stein and published by . This book was released on 1982 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Interior Portraiture and Masculine Identity in France 1789 914 written by HeatherBelnap Jensen and published by Routledge. This book was released on 2017-07-05 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing specifically on portraiture as a genre, this volume challenges scholarly assumptions that regard interior spaces as uniquely feminine. Contributors analyze portraits of men in domestic and studio spaces in France during the long nineteenth century; the preponderance of such portraits alone supports the book's premise that the alignment of men with public life is oversimplified and more myth than reality. The volume offers analysis of works by a mix of artists, from familiar names such as David, Delacroix, Courbet, Manet, Rodin, and Matisse to less well-known image makers including Dominique Doncre, Constance Mayer, Anders Zorn and Lucien-Etienne Melingue. The essays cover a range of media from paintings and prints to photographs and sculpture that allows exploration of the relation between masculinity and interiority across the visual culture of the period. The home and other interior spaces emerge from these studies as rich and complex locations for both masculine self-expression and artistic creativity. Interior Portraiture and Masculine Identity in France, 1789-1914 provides a much-needed rethinking of modern masculinity in this period.
Download or read book Portraiture and Politics in Revolutionary France written by Amy Freund and published by Penn State University Press. This book was released on 2014 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the genre of portraiture and the political and cultural role of images in Revolutionary France. Focuses on portraiture as a privileged site for the elaboration of modern notions of selfhood and political agency.
Download or read book The Past Rediscovered written by Minneapolis Institute of Arts and published by . This book was released on 1969 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of a loan exhibition held at the Minneapolis Institute of Arts, July 3-Sept. 7, 1969.
Download or read book La Grande Mani re written by Donald A. Rosenthal and published by University of Washington Press. This book was released on 1987 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Women Artists in Paris 1850 1900 written by Laurence Madeline and published by Yale University Press. This book was released on 2017-01-01 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
Download or read book Romantic Paris written by Michael Marrinan and published by . This book was released on 2009 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: Romantic Paris is a survey of Parisian art and culture during the first half of the nineteenth century, when the experiments of Romantic artists and writers directly challenged the norms of tradition and when dramatic changes in the habits and spaces of everyday life shaped the social foundations of an urban modernity.
Download or read book Artists and Amateurs written by Perrin Stein and published by Yale University Press. This book was released on 2013-10-29 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Download or read book Portraiture and Friendship in Enlightenment France written by Jessica L. Fripp and published by University of Virginia Press. This book was released on 2021-02-05 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Portraiture and Friendship in Enlightenment France examines how new and often contradictory ideas about friendship were enacted in the lives of artists in the eighteenth century. It demonstrates that portraits resulted from and generated new ideas about friendship by analyzing the creation, exchange, and display of portraits alongside discussions of friendship in philosophical and academic discourse, exhibition criticism, personal diaries, and correspondence. This study provides a deeper understanding of how artists took advantage of changing conceptions of social relationships and used portraiture to make visible new ideas about friendship that were driven by Enlightenment thought. Studies in Seventeenth- and Eighteenth-Century Art and Culture Distributed for the University of Delaware Press
Download or read book The French Portrait written by Margaret A. Oppenheimer and published by . This book was released on 2005 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of portraits painted between 1784 and 1826 with essays on the times and the artists represented.
Download or read book Lessons in Likeness written by Estill Curtis Pennington and published by University Press of Kentucky. This book was released on 2011 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1802, when the young Kentucky artist William Edward West began to paint portraits while on a downriver journey, and 1920, when the last of Frank Duveneck's students worked in Louisville, a large number of notable portrait artists were active in Kentucky and the Ohio River Valley. In Lessons in Likeness: Portrait Painters in Kentucky and the Ohio River Valley, 1802-1920, Estill Curtis Pennington charts the course of those artists as they painted a variety of sitters drawn from both urban and rural society. The work is illustrated, when possible, from The Filson Historical Society collection of some four hundred portraits representing one of the most extensive holdings available for study in the region. Portraiture involves artists and subjects, known as sitters, and is an art that combines elements of biography, aesthetics, and cultural history. Private portraits often attract an oral history that enlivens the more colorful aspects of local tradition and culture. Public portraits of towering figures such as George Washington, Henry Clay, and Abraham Lincoln were often reproduced in printed format to satisfy popular demand and subsequently attained an iconic, timeless status. Lessons in Likeness is organized in two parts. Part One, the cultural chronology, serves as a backdrop to the biographies of the portrait artists. This section identifies stylistic sources and significant historical moments that influenced the artists and their milieus. Rather than working in isolation, portrait artists were connected to the world around them and influenced by prevailing trends in their trade. Early in the nineteenth century, for instance, Matthew Jouett journeyed to Boston for study with Gilbert Stuart, and upon his return to Kentucky painted in a style that subsequently influenced an entire generation. Later artists, notably Oliver Frazer and William Edward West, studied the lessons of Thomas Sully in Philadelphia. Sully popularized the lush, warmly colored, and highly flattering style of portraiture practiced by many of the itinerant artists whose careers were facilitated by the introduction of steam and rail travel. The Civil War provoked a dramatic shift in the cultural terrain, further augmented by the rise of photography and the emergence of academic art centers. Painters who had previously worked with a master painter, or learned on their own, were now able to study at established schools, especially in Cincinnati, which became one of the leading centers for the teaching of art in late nineteenth-century America. Several of the teachers there, Frank Duveneck and Thomas Satterwhite Noble in particular, had firsthand experience with avant-garde European styles, notably the realism and naturalism practiced in Munich and Paris in the last quarter of the nineteenth century and then taught in the art schools of New York and Philadelphia. Part Two profiles the artists from this area and period who have appeared in previous art historical literature and have an identifiable body of work represented in public and private collections. Individual biographies provide details of the artists' lives, sources for further study, and locations of works in public collections.
Download or read book French Portraits in Painting and Sculpture 1465 1800 Summer Exhibition 6th Jun 30th Aug 1969 written by Heim Gallery and published by . This book was released on 1969 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Painting written by François Fosca and published by . This book was released on 1960 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Jacques Louis David written by Philippe Bordes and published by Yale University Press. This book was released on 2007-01-01 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: A landmark publication that sheds new light on the work of Jaques-Louis David, the most celebrated artist of his time
Download or read book Slave Portraiture in the Atlantic World written by Agnes Lugo-Ortiz and published by Cambridge University Press. This book was released on 2013-09-30 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
