Download or read book Popular Music and the Underground written by Chuck Mancuso and published by . This book was released on 1996 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt: An interpretive history of America's pre-rock, popular commercial music spanning 1900-1950. The author examines both popular music stars who ruled the airwaves, sold the most records, and were featured in major motion pictures, and performers in the musical underground: jazz, blues, and country. Chapters are arranged chronologically, with biographies of important musicians and numerous photographs. Contains a discography and videography as well as indexes of musical performers, contributors and music titles. Annotation copyrighted by Book News, Inc., Portland, OR

Download or read book Sounds of the Underground written by Stephen Graham and published by University of Michigan Press. This book was released on 2016-04 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first scholarly examination of underground music in the digital age

Download or read book The Downtown Pop Underground written by Kembrew McLeod and published by Abrams. This book was released on 2018-10-23 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt: “McLeod’s deft and generous book tells of a constellation of avant-garde squatters, divas, and dissidents who reinvented the world.” —Jonathan Lethem, New York Times-bestselling author of Motherless Brooklyn The 1960s to early ’70s was a pivotal time for American culture, and New York City was ground zero for seismic shifts in music, theater, art, and filmmaking. The Downtown Pop Underground takes a kaleidoscopic tour of Manhattan during this era and shows how deeply interconnected all the alternative worlds and personalities were that flourished in the basement theaters, dive bars, concert halls, and dingy tenements within one square mile of each other. Author Kembrew McLeod links the artists, writers, and performers who created change, and while some of them didn’t become everyday names, others, like Patti Smith, Andy Warhol, and Debbie Harry, did become icons. Ambitious in scope and scale, the book is fueled by the actual voices of many of the key characters who broke down the entrenched divisions between high and low, gay and straight, and art and commerce—and changed the cultural landscape of not just the city but the world. “The story of underground artists of the 1960s and ’70s, an amalgam of bustling radical creativity and fearless groundbreaking work in art, music, and theater.” —Tim Robbins “Breathes new fire into a familiar history and is a must-read for anyone who wants to know how American bohemia really happened.” —Ann Powers, critic, NPR Music “Honors those who were at the forefront of a movement that transformed our understandings of sexuality and artistic freedom.” —Lily Tomlin

Download or read book The Underground Is Massive written by Michaelangelo Matos and published by Harper Collins. This book was released on 2015-04-28 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joining the ranks of Please Kill Me and Can’t Stop Won’t Stop comes this definitive chronicle of one of the hottest trends in popular culture—electronic dance music—from the noted authority covering the scene. It is the sound of the millennial generation, the music “defining youth culture of the 2010s” (Rolling Stone). Rooted in American techno/house and ’90s rave culture, electronic dance music has evolved into the biggest moneymaker on the concert circuit. Music journalist Michaelangelo Matos has been covering this beat since its genesis, and in The Underground Is Massive, charts for the first time the birth and rise of this last great outlaw musical subculture. Drawing on a vast array of resources, including hundreds of interviews and a library of rare artifacts, from rave fanzines to online mailing-list archives, Matos reveals how EDM blossomed in tandem with the nascent Internet—message boards and chat lines connected partiers from town to town. In turn, these ravers, many early technology adopters, helped spearhead the information revolution. As tech was the tool, Ecstasy—(Molly, as it’s know today) an empathic drug that heightens sensory pleasure—was the narcotic fueling this alternative movement. Full of unique insights, lively details, entertaining stories, dozens of photos, and unforgettable misfits and stars—from early break-in parties to Skrillex and Daft Punk—The Underground Is Massive captures this fascinating trend in American pop culture history, a grassroots movement that would help define the future of music and the modern tech world we live in.

Download or read book DIY Cultures and Underground Music Scenes written by Andy Bennett and published by Routledge. This book was released on 2018-12-07 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the global influence and impact of DIY cultural practice as this informs the production, performance and consumption of underground music in different parts of the world. The book brings together a series of original studies of DIY musical activities in Europe, North and South America, Asia and Oceania. The chapters combine insights from established academic writers with the work of younger scholars, some of whom are directly engaged in contemporary underground music scenes. The book begins by revisiting and re-evaluating key themes and issues that have been used in studying the cultural meaning of alternative and underground music scenes, notably aspects of space, place and identity and the political economy of DIY cultural practice. The book then explores how the DIY cultural practices that characterize alternative and underground music scenes have been impacted and influenced by technological change, notably the emergence of digital media. Finally, in acknowledging the over 40-year history of DIY cultural practice in punk and post-punk contexts, the book considers how DIY cultures have become embedded in cultural memory and the emotional geographies of place. Through combining high-quality data and fresh conceptual insights in the context of an international body of work spanning the disciplines of popular-music studies, cultural and media studies, and sociology the book offers a series of innovative new directions in the study of DIY cultures and underground/alternative music scenes. This volume will be of particular interest to undergraduate students in the above-mentioned fields of study, as well as an invaluable resource for established academics and researchers working in these and related fields.

Download or read book Quit Your Band Musical Notes from the Japanese Underground written by Ian F. Martin and published by . This book was released on 2016-09-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the sugar rush of Tokyo's idol subculture to the discordant polyrhythms of its experimental punk and indie scenes, this book by Japan Times music columnist Ian F. Martin offers a witty and tender look at the wide spectrum of issues that shape Japanese music today. With unique theories about the evolution of J-pop as well as its history, infrastructure and (sub)cultures, Martin deconstructs an industry that operates very differently from counterparts overseas. Based partly on interviews with influential artists, label owners and event organisers, Martin's book combines personal anecdotes with cultural criticism and music history. An accessible and humorous account emerges of why some creative acts manage to overcome institutional pressures, without quitting their bands. Ian Martin's writing about Japanese music has appeared in The Japan Times, CNN Travel and The Guardian among other places. Martin is based in Tokyo, where he also runs Call And Response Records.

Download or read book You Better Work written by Kai Fikentscher and published by Wesleyan University Press. This book was released on 2000-08-18 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in-depth study of underground dance music.

Download or read book Performance and Popular Music written by Ian Inglis and published by Ashgate Publishing, Ltd.. This book was released on 2007-11 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the emergence of rockOCOnOCOroll in the early 1950s, there have been a number of live musical performances that became hugely influential in the way they shaped the subsequent trajectory and development of popular music. Each, in its own way, introduced new styles, confronted existing practices, shifted accepted definitions, and provided templates for others to follow. Performance And Popular Music explores these processes by focusing on some of the specific occasions when such transformations occurred. An international array of scholars reveal that it is through the dynamics of performance OCo and the interaction between performer and audience OCo that patterns of musical change and innovation can best be recognised."

Download or read book Popular Music and Public Diplomacy written by Mario Dunkel and published by transcript Verlag. This book was released on 2019-03-31 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.

Download or read book Popular Music and Human Rights World music written by Ian Peddie and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression that reaches far and wide.

Download or read book Paul Weller and Popular Music written by Andrew West and published by Taylor & Francis. This book was released on 2022-10-21 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using research, analysis and a range of historical sources, Paul Weller and Popular Music immerses the reader in the excitement of Paul Weller’s unique creative journey, covering topics such as the artist’s position within his field; his creative processes; the contexts in which the music was made; the artist as collaborator; signifiers that mark the trajectory of the music; and formative influences. Focusing on over 40 years of recorded work from ‘In the City’ to ‘Fat Pop (Volume One)’, this study explores why Paul Weller's music is widely considered both timeless and of its time, and with reference to a wide range of interviews, reviews and texts, it offers an in-depth critical analysis of Paul Weller’s music. It will be of particular interest to scholars and researchers of popular music, popular culture, performance studies and music production.

Download or read book Popular Music in Japan written by Toru Mitsui and published by Bloomsbury Publishing USA. This book was released on 2020-07-09 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular music in Japan has been under the overwhelming influence of American, Latin American and European popular music remarkably since 1945, when Japan was defeated in World War II. Beginning with gunka and enka at the turn of the century, tracing the birth of hit songs in the record industry in the years preceding the War, and ranging to the adoption of Western genres after the War--the rise of Japanese folk and rock, domestic exoticism as a new trend and J-Pop--Popular Music in Japan is a comprehensive discussion of the evolution of popular music in Japan. In eight revised and updated essays written in English by renowned Japanese scholar Toru Mitsui, this book tells the story of popular music in Japan since the late 19th century when Japan began positively embracing the West.

Download or read book Popular Music written by Will Straw and published by Montréal :$bCentre for Research on Canadian Cultural Industries and Institutions. This book was released on 1995 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Popular Music Culture written by Roy Shuker and published by Routledge. This book was released on 2022-03-22 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now in its fifth edition, this popular A–Z student reference book provides a comprehensive survey of key ideas and concepts in popular music culture, examining the social and cultural aspects of popular music. Fully revised with extended coverage of the music industries, sociological concepts and additional references to reading, listening and viewing throughout, the new edition expands on the foundations of popular music culture, tracing the impact of digital technology and changes in the way in which music is created, manufactured, marketed and consumed. The concept of metagenres remains a central part of the book: these are historically, socially, and geographically situated umbrella musical categories, each embracing a wide range of associated genres and subgenres. New or expanded entries include: Charts, Digital music culture, Country music, Education, Ethnicity, Race, Gender, Grime, Heritage, History, Indie, Synth pop, Policy, Punk rock and Streaming. Popular Music Culture: The Key Concepts is an essential reference tool for students studying the social and cultural dimensions of popular music.

Download or read book Soundtrack of the Revolution written by Nahid Siamdoust and published by Stanford University Press. This book was released on 2017-01-18 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A lovely tribute to the courage and creativity of Iran’s musicians . . . filled with hope and sadness—and the universal human desire for freedom.” —Joe Klein, Time Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. Now, more than forty years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic. Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians—a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper—each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran—about its future and identity, changing notions of religious belief, and the quest for political freedom. Music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public. “Paints a vivid portrait of the struggles over popular music in the Islamic Republic.” —Mark LeVine, author of Heavy Metal Islam

Download or read book The Guinness Encyclopedia of Popular Music Threepenny Opera Z Z Top written by Colin Larkin and published by . This book was released on 1995 with total page 868 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Sounds of the Underground written by Stephen Graham and published by University of Michigan Press. This book was released on 2020-03-06 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams. The term “underground music” as it’s being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that’s noisy and exploratory in sound and that’s largely independent from both the market and from traditional high art institutions. It sometimes exists at the fringes of these commercial and cultural institutions, as for example with experimental metal or improv, but for the most part it’s removed from the mainstream, “underground,” as we see with noise artists such as Werewolf Jerusalem or Ramleh, obscure black metal artists such as Lord Foul, and improvisers such as Maggie Nicols. In response to a lack of previous scholarly discussion, Graham provides a cultural, political, and aesthetic mapping of this broad territory. By outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism. The book explores these various ideas of separation and captures, through interviews and analysis, a critical account of both the music and the political and cultural economy of the scene.