Download or read book Poetry Creativity and Aesthetic Experience written by Natavarlal Joshi and published by . This book was released on 1994-01-01 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Creative Intuition in Art and Poetry written by Jacques Maritain and published by . This book was released on 1955 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Poetry Beauty and Contemplation written by John G Trapani and published by CUA Press. This book was released on 2011 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poetry, Beauty, and Contemplation provides a basic introduction to, and an extensive examination of, Maritain's philosophy of art and beauty
Download or read book The Nature of Aesthetic Experience in Wordsworth written by John H. Talbot and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1989 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the wealth of scholarly commentary on the literary criticism of Wordsworth, very little critical attention has been given to the importance of the notion of aesthetic experience in his writings. Stated simply as the synthesis of aesthetic perception and aesthetic response, this notion plays a major role in an understanding of Wordsworth's ideas on poetic language and communication and their bearing on the Coleridgean concept of the poetic imagination. In Wordsworth, we find for the first time in the history of aesthetics, an active and on-going process of poetic composition influenced and co-existing with a critical theory with which it was directly related. For this reason, an understanding of Wordsworth's notion of aesthetic experience, considered as an integral element in his critical thought is, therefore, essential not only to an understanding of his poetry, but also, to a thoroogh understanding of his literary critism as a whole.
Download or read book Arabic Poetics written by Lara Harb and published by Cambridge University Press. This book was released on 2020-05-14 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revealing how an aesthetic of wonder underlies classical Arabic treatments of poetry, the Quran, and Aristotelian poetics, this fresh look at the question of literary quality, using the framework of aesthetic theory, is essential reading for scholars and students of Arabic literature, Islamic Studies, literary theory and Islamic art history.
Download or read book The Aesthetics of Power written by Claire Keyes and published by University of Georgia Press. This book was released on 2008 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: When still a senior at Radcliffe, Adrienne Rich was selected as a Yale Younger Poet. The judge, W.H. Auden, wrote the introduction to her first book of poems. Thus Rich's career was launched by one of the most distinguished poets of the twentieth century, someone Rich herself admired and emulated. Adrienne Rich's early mentors were men, and her early poetry consequently adopted a strong male persona. In her development as artist, woman, and activist, however, Rich emerged as a leading voice of modern feminism--a voice which rejects a male-dominated world, forcing new definitions of power, new possibilities for women, and profound repercussions for society. In The Aesthetics of Power, Claire Keyes examines the shape and scope of Rich's poetry as it applies to Rich's female aesthetic. Keyes uncovers the process by which Rich embraces, then rejects, accepted uses of power, achieving a vision of beneficent female power. In her early poems, Adrienne Rich accepts certain traditions associated with the divisions of power according to sex. Later, Rich continually defines and redefines power until she can reject power-as-force (patriarchal power) for the power-to-transform, which, for her, is the truly significant and essential power. Surveying Rich's poetry and prose from 1951 to the present, this book traces the development of Adrienne Rich's new understanding of the power of the poet and the power of woman. Sharing Rich's feminist sensibilities, yet at times critical of her more radical positions, Claire Keyes draws a portrait of an artist who was molded by the complex political and social climate of post-World War II America. It is a portrait that reveals the creative growth of an artist, and the personal growth of a powerful and controversial woman.
Download or read book Poetry And Imagined Worlds written by Olga V. Lehmann and published by Springer. This book was released on 2018-01-11 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the deep, imaginative, and creative power of poetry as part of the human experience. How poetry provides insight into human psychology is a question at the beginning of its theoretical development, and is a constant challenge for cultural psychologists and the humanities alike. Poetry functions, in all ages and cultures, as a rite that merges the beauty, truth and the unbearable conditions of existence. Both the general and the particular can be found in its expression. Collectively the authors aim to evoke a holistic understanding of what poetry conveys about decision making and the human search for meaning. This ground-breaking collection will be indispensable to scholars of clinical and theoretical psychology, philosophy, anthropology, literature, aesthetics and sociology.
Download or read book The Creative Mind in Coleridge s Poetry written by Kathleen M. Wheeler and published by Harvard University Press. This book was released on 1981 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: Five of Coleridge's major poems are given fresh scrutiny in this arresting study. One of its unusual features is the attention given the Preface to "Kubla Khan," the Gloss to The Ancient Mariner, and other prose accompaniments to the poems usually dismissed as extraneous. Devices such as these, the author argues, are strategically employed by Coleridge in an effort to engage the reader in a fully imaginative response. Kathleen Wheeler elucidates the texts in terms of aesthetic experience and also in terms of the philosophical principles that inform them, showing how Coleridge's theories of mind and imagination function within the poems and shape their design. A subtle and gifted reader of poetry, she enriches our understanding of poems we thought we knew well, and provides insights along the way into the creative process.
Download or read book Poetic Inquiry written by Sandra L. Faulkner and published by Routledge. This book was released on 2019-07-22 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poetic Inquiry: Craft, Method and Practice examines the use of poetry as a form of qualitative research, representation, and method used by researchers, practitioners, and students from across the social sciences and humanities. It serves as a practical manual for using poetry in qualitative research through the presentation of varied examples of Poetic Inquiry. It provides how-to exercises for developing and using poetry as a qualitative research method. The book begins by mapping out what doing and critiquing Poetic Inquiry entails via a discussion of the power of poetry, poets’, and researchers’ goals for the use of poetry, and the kinds of projects that are best suited for Poetic Inquiry. It also provides descriptions of the process and craft of creating Poetic Inquiry, and suggestions for how to evaluate and engage with Poetic Inquiry. The book further contends with questions of method, process, and craft from poets’ and researchers’ perspectives. It shows the implications for the aesthetic and epistemic concerns in poetry, and furthers transdisciplinary dialogues between the humanities and social sciences. Faulkner shows the importance of considering the form and function of Poetic Inquiry in qualitative research through discussions of poetry as research method, poetry as qualitative analysis and representation, and Poetic Inquiry as a powerful research tool.
Download or read book Artists All written by Burton Raffel and published by Penn State Press. This book was released on 1991 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Basic human drives&—curiosity, passion, the need to provide shape and structure, the excitement of discovery&—underlie all human creativity. Different minds and sensibilities necessarily focus on different aspects of human experience. However, in our educational systems and professional lives, we give undue and untrue emphasis to our differences rather than to our similarities. In Artists All Burton Raffel demonstrates that the creative force in the natural and social sciences is essentially the same as the creative energies of the arts; that the arts and aesthetic experiences frequently inspire insight in scientists and sociologist; that the arts themselves, though mutually untranslatable, share a deep unity; that disciplinary boundaries and divisions can frequently stunt creativity; that &"what we chose to call artistic creativity is nothing more or less than the heightened engagement of human beings with themselves, their fellows, and their environment&"; and that there is always &"a link between what artists produce and their stance toward their society's place and posture in the world.&" When used to define intellectual disciplines, the very word Interdisciplinary is a misnomer, almost a contradiction in terms, Raffel contends, because it implies boundaries rather than interconnectedness and interrelationships. Since it is his own primary concern, Raffel uses literature as a touchstone, analyzing its relationships with social science, natural science, music, and the visual arts. He then provides practical recommendations, addressed to the academic community as a whole, about ways of restructuring universities to reflect functioning interdisciplinary realities rather than convenient but artificial and seriously constrictive disciplinary boundaries. Written with humor and sensitivity, Artists All makes a significant contribution to current thinking about higher education.
Download or read book The Poetry and Music of Science written by Tom McLeish and published by Oxford University Press. This book was released on 2019-01-10 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: What human qualities are needed to make scientific discoveries, and which to make great art? Many would point to 'imagination' and 'creativity' in the second case but not the first. This book challenges the assumption that doing science is in any sense less creative than art, music or fictional writing and poetry, and treads a historical and contemporary path through common territories of the creative process. The methodological process called the 'scientific method' tells us how to test ideas when we have had them, but not how to arrive at hypotheses in the first place. Hearing the stories that scientists and artists tell about their projects reveals commonalities: the desire for a goal, the experience of frustration and failure, the incubation of the problem, moments of sudden insight, and the experience of the beautiful or sublime. Selected themes weave the practice of science and art together: visual thinking and metaphor, the transcendence of music and mathematics, the contemporary rise of the English novel and experimental science, and the role of aesthetics and desire in the creative process. Artists and scientists make salient comparisons: Defoe and Boyle; Emmerson and Humboldt, Monet and Einstein, Schumann and Hadamard. The book draws on medieval philosophy at many points as the product of the last age that spent time in inner contemplation of the mystery of how something is mentally brought out from nothing. Taking the phenomenon of the rainbow as an example, the principles of creativity within constraint point to the scientific imagination as a parallel of poetry.
Download or read book Art as Experience written by John Dewey and published by . This book was released on 1935 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Aesthetic Experience and Moral Vision in Plato Kant and Murdoch written by Meredith Trexler Drees and published by Springer Nature. This book was released on 2021-08-17 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses how Plato, Kant, and Iris Murdoch (each in different ways) view the connection aesthetic experience has to morality. While offering an examination of Iris Murdoch’s philosophy, it analyses deeply the suggestive links (as well as essential distinctions) between Plato’s and Kant’s philosophies. Meredith Trexler Drees considers not only Iris Murdoch’s concept of unselfing, but also its relationship with Kant’s view of Achtung and Plato’s view of Eros. In addition, Trexler Drees suggests an extended, and partially amended, version of Murdoch’s view, arguing that it is more compatible with a religious way of life than Murdoch herself realized. This leads to an expansion of the overall argument to include Kant’s affirmation of religion as an area of life that can be improved through Plato’s and Murdoch’s vision of how being good and being beautiful can be part of the same life-task.
Download or read book The New Apologists for Poetry written by Murray Krieger and published by U of Minnesota Press. This book was released on 1956 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: The New Apologists for Poetry was first published in 1956. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The author's purpose is to clear the ground for a systematic aesthetics of poetry consistent with the insights of our most influential contemporary literary critics. The book is concerned with those of the so-called "new critics" who are trying to answer the need, forced on them by historical and cultural pressures, to justify poetry by securing for it a unique function for which modern "scientism" cannot find a substitute. This volume provides intensive analyses of work by critics of several persuasions: T. E. Hulme, T. S. Eliot, I. A. Richards, John Crowe Ransom, Yvor Winters, Allen Tate, and Cleanth Brooks, and, for purposes of contrast, D. G. James, R. S. Crane, Elder Olson, and Max Eastman. Allen Tate, the poet and critic, writes: "Mr. Krieger's book is the most searching in scholarship and the most profound in critical analysis of the existing books in this field." Robert B. Heilman, critic and teacher, comments: "The author's knowledge of a complex field and his mastery of the analytical techniques which he is applying to a chosen set of critical positions are very impressive. He not only clarifies the positions of various contemporary critics by examining them in the light of the same set of general principles, but also provides some helpful, at times brilliant, insights into the works of various critics from the Greeks up to the present. He traces the history of concepts and thus establishes relationships among individual critics and critical schools."
Download or read book Teaching for Aesthetic Experience written by Gene Diaz and published by Peter Lang. This book was released on 2004 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: The artist/educators in this book invite you to come with them on a journey of discovery into the meaning of teaching for aesthetic experience. With learning as their art, they create educational encounters with passion and feeling, and leave their students with vivid impressions, growth, and change. Each author engages in aesthetic experience from an individual perspective - as poet, dancer, visual artist, or musician - and each of them engages as an educator who brings art into his or her classroom, no matter what the subject. Inspired by the words of philosopher Maxine Greene, the contributors transform the theoretical into the practical, urging students to look to the arts and nature for simple beauty, and awaken their minds to new possibilities of creative learning.
Download or read book Michael Oakeshott as a Philosopher of the Creative written by Wendell John Coats Jr. and published by Andrews UK Limited. This book was released on 2021-06-22 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a collection of eight (mostly) recent essays on the work of the 20th-century English philosophic essayist, Michael Oakeshott. Six of them advance the view in different ways that Oakeshott's multifarious lifework may be understood as variations on a singular insight — that the structure of experiential reality is 'creative' or 'poetic’, with the form and content (the how and what) of thought and activity occurring simultaneously and conditioning one another reciprocally; and that this experiential structure has specifiable cultural, political and legal ramifications. In advancing and illustrating this viewpoint, comparisons and contrasts are drawn with medieval nominalism, philosophic idealism, Cartesianism, modernity, post-modernism, Chinese Daoism and with the views of thinkers such as Sir Henry Maine, Charles McIlwain, M.B. Foster, Leo Strauss, A.C. Graham, Friedrich Hayek, Efraim Podoksik, John Liddington, and others. Included also is an essay on the educational views of Oakeshott and A.N. Whitehead, and another on Oakeshott, Max Weber and Carl Schmitt and the relationship between politics and armed force. A very brief concluding postscript asserts the continued relevance (as a corrective) of Oakeshott’s views on the creative structure of human experience in an age of ‘artificial intelligence’ (AI).
Download or read book The Phenomenology of Aesthetic Experience written by Mikel Dufrenne and published by Northwestern University Press. This book was released on 1973 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Phenomenology of Aesthetic Experience (Fr. Ph nom nologie de l'exp rience esth tique) was first published in 1953. In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting. He devotes his third section to aesthetic perception. In the fourth, he describes a Kantian critique of aesthetic experience. A perennial classic in the SPEP series, the work is rounded out by a detailed "Translator's Foreword" especially helpful to readers in aesthetics interested in the context and circumstances around which the original was published as well as the phenomenological background of the book.
