Download or read book Poetics of Dance written by Gabriele Brandstetter and published by Oxford University Press, USA. This book was released on 2015 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Author Gabriele Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity.
Download or read book Poetics of Contemporary Dance written by Laurence Louppe and published by Dance Books Limited. This book was released on 2010 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Drawing on the whole practical and theoretical heritage of modern dance and its pre-cursors and including discussion of works up to and including the 1980s, Louppe reviews the main 'tools' of contemporary dance creation and thought: the body, weight, space, time, flow, breath, style and composition. She also weaves through her analysis a vision of the broader historical and philosophical concerns and challenges specific to this art and its defining values. Rather than taking an objective, cognitive approach to her role as observer and critic, Louppe writes from an intimate place of attention to all of the contemporary dancer's resources and practices: from the 'pre-movement' when stylistic values are born invisibly in bodies, to the moment and location of performance and the encounter with a public."--Publisher.
Download or read book Dance Pathologies written by Felicia M. McCarren and published by Stanford University Press. This book was released on 1998 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of dances pathologization may startle readers who find in dance performance grace, discipline, geometry, poetry, and the bodys transcendence of itself. Exploring dances historical links to the medical and scientific connotations of a pathology, this book asks what has subtended the idealization of dance in the West. It investigates the nineteenth-century response, in the intersections of dance, literature, and medicine, to the complex and long-standing connections between illness, madness, poetry, and performance. In the nineteenth century, medicine becomes a major cultural index to measure the bodys meanings. As a particularly performative form of madness, nineteenth-century hysteria preserved the traditional connection to dance in medical descriptions of choreas. In its withholding of speech and its use of body code, dance, like hysteria, functions as a form of symptomatic expression. Yet by working like a symptom, dance performance can also be read as a commentary on symptomatology and as a condition of possibility for such alternative approaches to mental illness as psychoanalysis. By redeeming as art what is lost in hysteria, dance expresses non-hysterically what only hysteria had been able to express: the somatic translation of idea, the physicalization of meaning. Medicines discovery of idea manifesting itself in the body in mental illness strikingly parallels a literary fascination with the ability of nineteenth-century dance to manifest idea, suggesting that the evolution of medical thinking about mind-body relations as they malfunction in madness, as well as changes in the cultural reception of danced representations of these relations, might be paradigmatic shifts caused by the same cultural factors: concern about the body as a site of meaning and about vision as a theater of knowledge.
Download or read book Poetics of Dance written by Gabriele Brandstetter and published by Oxford University Press. This book was released on 2015-03-11 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: When it was first published in Germany in 1995, Poetics of Dance was already seen as a path-breaking publication, the first to explore the relationships between the birth of modern dance, new developments in the visual arts, and the renewal of literature and drama in the form of avant-garde theatrical and movement productions of the early twentieth-century. Author Gabriele Brandstetter established in this book not only a relation between dance and critical theory, but in fact a full interdisciplinary methodology that quickly found foothold with other areas of research within dance studies. The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity. As Brandstetter demonstrates, the aesthetic renewal of dance vocabulary which was pursued by modern dancers on both sides of the Atlantic - Isadora Duncan and Loie Fuller, Valeska Gert and Oskar Schlemmer, Vaslav Nijinsky and Michel Fokine - unfurled itself in new ideas about gender and subjectivity in the arts more generally, thus reflecting the modern experience of life and the self-understanding of the individual as an individual. As a whole, the book makes an important contribution to the theory of modernity.
Download or read book Dance and Theory written by Gabriele Brandstetter and published by transcript Verlag. This book was released on 2014-03-31 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept? The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«.
Download or read book Dance We Do written by Ntozake Shange and published by Beacon Press. This book was released on 2020-10-13 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her first posthumous work, the revered poet crafts a personal history of Black dance and captures the careers of legendary dancers along with her own rhythmic beginnings. Many learned of Ntozake Shange’s ability to blend movement with words when her acclaimed choreopoem for colored girls who have considered suicide/when the rainbow is enuf made its way to Broadway in 1976, eventually winning an Obie Award the following year. But before she found fame as a writer, poet, performer, dancer, and storyteller, she was an untrained student who found her footing in others’ classrooms. Dance We Do is a tribute to those who taught her and her passion for rhythm, movement, and dance. After 20 years of research, writing, and devotion, Ntozake Shange tells her history of Black dance through a series of portraits of the dancers who trained her, moved with her, and inspired her to share the power of the Black body with her audience. Shange celebrates and honors the contributions of the often unrecognized pioneers who continued the path Katherine Dunham paved through the twentieth century. Dance We Do features a stunning photo insert along with personal interviews with Mickey Davidson, Halifu Osumare, Camille Brown, and Dianne McIntyre. In what is now one of her final works, Ntozake Shange welcomes the reader into the world she loved best.
Download or read book Dancing with the Devil written by José Eduardo Limón and published by Univ of Wisconsin Press. This book was released on 1994 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: An extended ethnographic essay that explores the socially produced, narratively mediated, and relatively unconscious ideological responses of people--scholars and folk--to a history of race and class domination, with specific reference to several distinct though inter- related spheres of folkloric symbolic action concerning the working classes of Mexican-American south Texas. Paper edition (unseen), $15.95. Annotation copyright by Book News, Inc., Portland, OR
Download or read book Rules for the Dance written by Mary Oliver and published by Houghton Mifflin Harcourt. This book was released on 1998 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: For both readers and writers of poetry, here is a concise and engaging introduction to sound, rhyme, meter, and scansion - and why they matter. "The dance, " in the case of this brief and luminous book, refers to the interwoven pleasures of sound and sense to be found in some of the most celebrated and beautiful poems in the English language, from Shakespeare to Edna St. Vincent Millay to Robert Frost. With a poet's ear and a poet's grace of expression, Mary Oliver helps us understand what makes a metrical poem work - and enables readers, as only she can, to "enter the thudding deeps and the rippling shallows of sound-pleasure and rhythm-pleasure."
Download or read book Physics and Dance written by Emily Coates and published by Yale University Press. This book was released on 2019-01-01 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A fascinating exploration of our reality through the eyes of a physicist and a dancer--and an engaging introduction to both disciplines. From stepping out of our beds each morning to admiring the stars at night, we live in a world of motion, energy, space, and time. How do we understand the phenomena that shape our experience? How do we make sense of our physical realities? Two guides--a former member of New York City Ballet, Emily Coates, and a CERN particle physicist, Sarah Demers--show us how their respective disciplines can help us to understand both the quotidian and the deepest questions about the universe. Requiring no previous knowledge of dance or physics, this introduction covers the fundamentals while revealing how a dialogue between art and science can enrich our appreciation of both. Readers will come away with a broad cultural knowledge of Newtonian to quantum mechanics and classical to contemporary dance. Including problem sets and choreographic exercises to solidify understanding, this book will be of interest to anyone curious about physics or dance."--Jacket.
Download or read book The Dance of the Intellect written by Marjorie Perloff and published by Northwestern University Press. This book was released on 1996 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Must poetic form be, as Yeats demanded, "full, sphere-like, single", or can it accommodate the "impurities" Yeats and his Modernist generation found so problematic? Sixty years later, these are still open questions, questions to which Marjorie Perloff addresses herself in the essays collected here. The first group of essays deals with Pound's own poetics as that poetics related to two of his great contemporaries, Stevens and Joyce, as well as to the visual arts of his day. The second group deals with the more technical aspects of verse and prose. In the last four essays, Perloff takes up broader issues, including the current pessimism about the state of poetry, and the work of experimental poets and conceptual poets.
Download or read book Words that Dance Movement that Speaks written by Robert Esposito and published by . This book was released on 1998 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Literature Modernism and Dance written by Susan Jones and published by Oxford University Press. This book was released on 2013-08 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literature, Modernism, and Dance explores the complex reciprocal relationship between literature and dance in the modernist period
Download or read book Performance Theatre and the Poetics of Failure written by Sara Jane Bailes and published by Routledge. This book was released on 2011-03-17 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to "fail" in performance? How might staging failure reveal theatre’s potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure, Sara Jane Bailes begins with Samuel Beckett and considers failure in performance as a hopeful strategy. She examines the work of internationally acclaimed UK and US experimental theatre companies Forced Entertainment, Goat Island and Elevator Repair Service, addressing accepted narratives about artistic and cultural value in contemporary theatre-making. Her discussion draws on examples where misfire, the accidental and the intentionally amateur challenge our perception of skill and virtuosity in such diverse modes of performance as slapstick and punk. Detailed rehearsal and performance analysis are used to engage theory and contextualise practice, extending the dialogue between theatre arts, live art and postmodern dance. The result is a critical account of performance theatre that offers essential reading for practitioners, scholars and students of Performance, Theatre and Dance Studies.
Download or read book Cripple Poetics written by Petra Kuppers and published by Homofactus Press. This book was released on 2008 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: A love story for crip culture! By turns playful, unsettling, raw and moving, Cripple Poetics: A Love Story is an immersive and sensual correspondence that builds and heats by accretion-one keystroke at a time. The dance of courtship is reflected in language that alternately snakes and darts, declares and obfuscates, reminisces and forges-finding freedom within its limitations. Cripple Poetics preserves and unfolds the artifacts of an original and timely love story that might otherwise have remained shrouded in a small, forgotten corner of cyberspace.
Download or read book The Poetics of Dance in Nineteenth century France written by Amanda Erin Lee and published by . This book was released on 2014 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: My dissertation examines the theorization of dance as a poetic language by philosophers, poets, choreographers, and dance critics from 1750 to 1914. I demonstrate how late eighteenth- and nineteenth-century thinkers were preoccupied with the notion of an emotional, spiritual, or poetic essence that could not be captured through verbal communication. They believed this essence could be successfully conveyed by gesture and danced movement. Using poems, ballet libretti, iconography, aesthetic treatises, and dance reviews, I investigate how dance came to be viewed as a poetic language in French intellectual circles and popular culture. I focus on both texts and performances in order to unpack discourses on dance as a poetic language in eighteenth-century theories of language and nineteenth-century poetic movements, including Romanticism, Parnassianism, Orientalism and Symbolism. These discourses inscribe the dancer's body with ambiguity in the realms of gender, sexuality, and race, even as they proclaim the dancer a poet, who writes dynamic and ephemeral poetry through movement in performance. In order to transcribe this corporeal poetry, authors Théophile Gautier, Gérard de Nerval, Charles Baudelaire and Stéphane Mallarmé incorporated dance rhythms and imagery into their poetic works in the hopes of recapturing the transport they experienced as spectators of renowned dancers Marie Taglioni, Carlotta Grisi, Amalia Ferraris, and Loïe Fuller. These dancers incarnated otherworldly beings and exotic others in ballets such as La Sylphide (1832), Giselle (1841), La Péri (1843) and Sacountâla (1858), culminating in the controversial ballet L'Après-midi d'un faune (1912) choreographed by Vaslav Nijinksy, a work that attempted to fulfill Mallarmé's Symbolist ideal of the Spectacle futur while ushering in Modernist aesthetics. Understanding how philosophers, poets, and critics grappled with the idea of dance as a poetic language ultimately sheds light on larger questions of language, performance, and translation faced by scholars of literary theory and dance studies today, as bodies continue to move through gender, sexuality, and culture.
Download or read book Dancing in Odessa written by Ilya Kaminsky and published by Tupelo Press. This book was released on 2014-01-28 with total page 77 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the prestigious Tupelo Press Dorset Prize, selected by poet and MacArthur "genius grant" recipient Eleanor Wilner who says, "I'm so happy to have a manuscript that I believe in so powerfully, poetry with such a deep music. I love it." One might spend a lifetime reading books by emerging poets without finding the real thing, the writer who (to paraphrase Emily Dickinson) can take the top of your head off. Kaminsky is the real thing. Impossibly young, this Russian immigrant makes the English language sing with the sheer force of his music, a wondrous irony, as Ilya Kaminsky has been deaf since the age of four. In Odessa itself, "A city famous for its drunk tailors, huge gravestones of rabbis, horse owners and horse thieves, and most of all, for its stuffed and baked fish," Kaminksy dances with the strangest — and the most recognizable — of our bedfellows in a distinctive and utterly brilliant language, a language so particular and deft that it transcends all of our expectations, and is by turns luminous and universal.
Download or read book Dance and the Lived Body written by Sondra Horton Fraleigh and published by University of Pittsburgh Pre. This book was released on 1996-05-15 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her remarkable book, Sondra Horton Fraleigh examines and describes dance through her consciousness of dance as an art, through the experience of dancing, and through the existential and phenomenological literature on the lived body. She describes, with performance photographs, specific imagery in dance masterworks by Doris Humphrey, Anna Sokolow, Viola Farber, Nina Weiner, and Garth Fagan.
