Download or read book Poetic Form and British Romanticism written by Stuart Curran and published by Oxford University Press. This book was released on 1990-02-22 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Across Europe, and particularly in Great Britain, the Romantic age coincided with a large-scale revival of lost literatures and the first attempts to create a coherent history of Western literature. Calling into question that history, Stuart Curran demonstrates that the Romantic poets, far from being indifferent or hostile to popular forms of literature were actually obsessed with them as repositories of literary conventions and conveyors of implicit ideological value. Whether in their proccupation with fixed forms, which resulted in the incomparable artistry of Romantic odes, or in their rethinking of major genres like the pastoral, the epic, and the romance, the Romantic poets transformed every element they touched to suit their own democratic, secular and skeptical ethos--a world view recognizably modern in its dimensions.
Download or read book Poetic Form and British Romanticism written by Stuart Curran and published by Oxford University Press. This book was released on 1986 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lively analysis argues that, contrary to stereotype, the Romantic poets did not reject genre; rather, they adapted traditional poetic forms to suit their own democratic, secular, and skeptical ethos--a world view recognizably modern in its dimensions.
Download or read book Poetic Form and British Romanticism written by Stuart Curran and published by . This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study confronts the popular stereotype that the Romantics either accepted or rejected previously established literary genres, proposing rather that they adapted traditional poetic forms to suit their own democratic, secular, and sceptical ethos.
Download or read book British Women Poets and the Romantic Writing Community written by Stephen C. Behrendt and published by JHU Press. This book was released on 2009-02-02 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: Approaching the work of Romantic-era British women poets through the lenses of public radicalism, war, and poetic form. This compelling study recovers the lost lives and poems of British women poets of the Romantic era. Stephen C. Behrendt reveals the range and diversity of their writings, offering new perspectives on the work of dozens of women whose poetry has long been ignored or marginalized in traditional literary history. British Romanticism was once thought of as a cultural movement defined by a small group of male poets. This book grants women poets their proper place in the literary tradition of the time. In an approach ripe for classroom teaching, Behrendt first reviews the subject thematically, exploring the ways in which the poems addressed both public concerns and private experiences. He next examines the use of particular genres, including the sonnet and various other long and short forms. In the concluding chapters, Behrendt explores the impact of national identity, providing the first extensive study of Romantic-era poetry by women from Scotland and Ireland. In recovering the lives and work of these women, Behrendt reveals their active participation within the rich cultural community of writers and readers throughout the British Isles. This study will be a key resource for scholars, teachers, and students in British literary studies, women’s studies, and cultural history.
Download or read book Unfettering Poetry written by J. Robinson and published by Springer. This book was released on 2006-04-29 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book calls attention to the pervasive but largely unacknowledged poetics of the 'Fancy' evident in poetry written during the British Romantic period. These poetics, Robinson demonstrates, are an early nineteenth-century version of what will become the visionary, experimental, open-form poetics of the twentieth-century.
Download or read book The Cambridge Companion to British Romantic Poetry written by James Chandler and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than any other period of British literature, Romanticism is strongly identified with a single genre. Romantic poetry has been one of the most enduring, best loved, most widely read and most frequently studied genres for two centuries and remains no less so today. This Companion offers a comprehensive overview and interpretation of the poetry of the period in its literary and historical contexts. The essays consider its metrical, formal, and linguistic features; its relation to history; its influence on other genres; its reflections of empire and nationalism, both within and outside the British Isles; and the various implications of oral transmission and the rapid expansion of print culture and mass readership. Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and Clare.
Download or read book Formal Charges written by Susan J. Wolfson and published by . This book was released on 1997 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Book Prize of the American Conference on Romanticism
Download or read book Poetic Form and Romantic Provocation written by Carmen Faye Mathes and published by Stanford University Press. This book was released on 2022-06-28 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critics have long understood the development of Romantic aesthetics as a turning point in the history of literary theory, a turn that is responsible for theories of mind and body that continue to inform our understandings of subjectivity and embodiment today. Yet the question of what aesthetic experience can "do" grates against the fact that much Romantic writing represents subjects as not actually in charge of the feelings they feel, the dreams they dream, or the actions they take. In response to this dilemma, Poetic Form and Romantic Provocation argues that being moved contrary to one's will is itself an aesthetic phenomenon explored by Romantic poets whose experiments with poetic form and genre provoke unanticipated feelings through verse. By analyzing how Romantic poets intervene, affectively and aesthetically, in readerly expectations of form and genre, Mathes shows how provocations disrupt and invite, disturb and compel—interrupting or suspending or retreating in ways that ask readers to orient themselves, materially and socially, in relation to literary experiences that are at once virtual and embodied. Examining the formal tactics of Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley, alongside their reactions to historical events such as Toussaint Louverture's revolt and the Peterloo Massacre, Mathes reveals that an aesthetics of radical openness is central to the development of literary theory and criticism in Romantic Britain.
Download or read book Formal Charges written by Susan J. Wolfson and published by . This book was released on 2022 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why care about poetic form and its intricacies, other than in nostalgia for a bygone era of criticism? The purpose of this book is to refresh today this care for criticism, applying a historically aware formalist reading to poetic form in Romanticism and showing how in theory and practice Romantic writers addressed, debated, tested, and contested fundamental questions about what is at stake in the poetic forming of language. In the process, it suggests the importance of these conflicted inquiries for contemporary critical discussion and demonstrates the pleasures of attending to the complex changes of form in poetic writing. After an introductory chapter on the controversies about poetic form and formalism from the Romantic era to our own, succeeding chapters consider particular instances in Romantic poetry in which experimental agendas or unsettled traditions promote an awareness of new textual possibilities. The author shows how Blake's Poetical Sketches predicts many of the key issues of Romantic theory and practice, and how Coleridge's ambivalent engagement with simile impels him to address the very foundations of poetic form. A chapter on Wordsworth's revision of an episode in The Prelude demonstrates how a repeated reworking of form virtually characterizes the work of autobiography, and the dilemma of self-formation is also the focus of a chapter on Byron's seemingly perverse choice of the heroic couplet in The Corsair. Keats, too, is shown to wrestle with the issue of self and form at the end of his career in his personal lyrics to Fanny Browne, which subverted the formalism of the "Great Odes" of 1819, the celebrated icons of New Criticism. A final chapter describes Shelley's investment of poetic performance with social agency in two seemingly opposite but related modes--the political exhortation of The Mask of Anarchy and the intimate addresses to Jane and Edward Williams. In an afterword, the author reviews recent attacks on formalist criticism and argues for the specific value of shaped language as one of the texts in which culture is written and revised.
Download or read book Romanticism and Form written by A. Rawes and published by Springer. This book was released on 2007-04-26 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers new analyzes of canonical texts, contextualizations of Romantic forms in relation to war, nationalism and empire, reassessments of neglected and marginalized writers and explorations of the relationship between form and reader. It showcases a range of new approaches that are informed by deconstruction, theology and new technology.
Download or read book The Meaning of Life in Romantic Poetry and Poetics written by Ross Wilson and published by Routledge. This book was released on 2009-01-02 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together an impressive range of established and emerging scholars to investigate the meaning of ‘life’ in Romantic poetry and poetics. This investigation involves sustained attention to a set of challenging questions at the heart of British Romantic poetic practice and theory. Is poetry alive for the Romantic poets? If so, how? Does ‘life’ always mean ‘life’? In a range of essays from a variety of complementary perspectives, a number of major Romantic poets are examined in detail. The fate of Romantic conceptions of ‘life’ in later poetry also receives attention. Through, for examples, a revision of Blake’s relationship to so-called rationalism, a renewed examination of Wordsworth’s fascination with country graveyards, an exploration of Shelley’s concept of survival, and a discussion of the notions of ‘life’ in Byron, Kierkegaard, and Mozart, this volume opens up new and exciting terrain in Romantic poetry’s relation to literary theory, the history of philosophy, ethics, and aesthetics.
Download or read book The Romantic Poets written by Uttara Natarajan and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This welcome addition to the Blackwell Guides to Criticism series provides students with an invaluable survey of the critical reception of the Romantic poets. Guides readers through the wealth of critical material available on the Romantic poets and directs them to the most influential readings Presents key critical texts on each of the major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – as well as on poets of more marginal canonical standing Cross-referencing between the different sections highlights continuities and counterpoints
Download or read book The Cambridge Companion to British Romantic Poetry written by Maureen N. McLane and published by Cambridge University Press. This book was released on 2008-09-04 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than any other period of British literature, Romanticism is strongly identified with a single genre. Romantic poetry has been one of the most enduring, best loved, most widely read and most frequently studied genres for two centuries and remains no less so today. This Companion offers a comprehensive overview and interpretation of the poetry of the period in its literary and historical contexts. The essays consider its metrical, formal, and linguistic features; its relation to history; its influence on other genres; its reflections of empire and nationalism, both within and outside the British Isles; and the various implications of oral transmission and the rapid expansion of print culture and mass readership. Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and Clare.
Download or read book Life written by Denise Gigante and published by Yale University Press. This book was released on 2009-05-26 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gigante offers a way to read ostensibly difficult poetry and reflects on the natural-philosophical idea of organic form and the discipline of literary studies.
Download or read book The Cambridge Introduction to British Romantic Poetry written by Michael Ferber and published by Cambridge University Press. This book was released on 2012-04-26 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The best way to learn about Romantic poetry is to plunge in and read a few Romantic poems. This book guides the new reader through this experience, focusing on canonical authors - Wordsworth, Coleridge, Byron, Keats, Blake and Shelley - whilst also including less familiar figures as well. Each chapter explains the history and development of a genre or sets out an important context for the poetry, with a wealth of practical examples. Michael Ferber emphasizes connections between poets as they responded to each other and to great literary, social and historical changes around them. A unique appendix resolves most difficulties new readers of works from this period might face: unfamiliar words, unusual word order, the subjunctive mood and meter. This enjoyable and stimulating book is an ideal introduction to some of the most powerful and pleasing poems in the English language, written in one of the greatest periods in English poetry.
Download or read book Poetry as an Occupation and an Art in Britain 1760 1830 written by Peter T. Murphy and published by Cambridge University Press. This book was released on 1993-08-05 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contrasts different notions of the status of poetry in the work of MacPherson, Burns, Hogg, Scott, and Wordsworth.
Download or read book Watchwords written by Lily Gurton-Wachter and published by Stanford University Press. This book was released on 2016-03-23 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book revisits British Romanticism as a poetics of heightened attention. At the turn of the nineteenth century, as Britain was on the alert for a possible French invasion, attention became a phenomenon of widespread interest, one that aligned and distinguished an unusual range of fields (including medicine, aesthetics, theology, ethics, pedagogy, and politics). Within this wartime context, the Romantic aesthetic tradition appears as a response to a crisis in attention caused by demands on both soldiers and civilians to keep watch. Close formal readings of the poetry of Blake, Coleridge, Cowper, Keats, (Charlotte) Smith, and Wordsworth, in conversation with research into Enlightenment philosophy and political and military discourses, suggest the variety of forces competing for—or commanding—attention in the period. This new framework for interpreting Romanticism and its legacy illuminates what turns out to be an ongoing tradition of war literature that, rather than give testimony to or represent warfare, uses rhythm and verse to experiment with how and what we attend to during times of war.
