Download or read book Plays about the Theatre in England from The Rehearsal in 1671 to the Licensing Act in 1737 Or The Self conscious Stage and Its Burlesque and Satirical Reflections in the Age of Criticism written by Dane Farnsworth Smith and published by . This book was released on 1936 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Plays about the Theatre in England 1737 1800 written by Dane Farnsworth Smith and published by Bucknell University Press. This book was released on 1979 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is the late author's manuscript abridged and edited by M. L. Lawhon. It follows his earlier volume of similar title for the years 1671-1737, continuing that study through the remainder of the eighteenth century. In addition to Sheridan's Critic, the book treats little-known plays of the lesser playwrights of the period. Illustrated.
Download or read book Plays about the Theatre in England from The Rehearsal in 1671 to the Licensing Act in 1737 Or The Self conscious Stage and Its Burlesques and Satirical Reflections in the Age of Criticism written by Dane Farnsworth Smith and published by . This book was released on 1933 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Plays about the Theatre in England from The Rehearsal in 1671 to the Licensing Act in 1737 written by Dane Farnsworth Smith and published by . This book was released on 1936 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Plays about the Theatre in England from The Rehearsal in 1671 to the Licensing Act in 1737 Or The Self conscious Stage and Its Burlesque and Satirical Reflections in the Age of Criticism written by Dane Farnsworth Smith and published by . This book was released on 1936 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rehearsal from Shakespeare to Sheridan written by Tiffany Stern and published by Clarendon Press. This book was released on 2000-05-18 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected the creation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.
Download or read book The Theater of Experiment written by Al Coppola and published by Oxford University Press. This book was released on 2016-08-19 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take. By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance.
Download or read book The Oxford Handbook of the British Musical written by Robert Gordon and published by Oxford University Press. This book was released on 2016-11-21 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of the British Musical provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's The Beggar's Opera (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from The Boy Friend (1953) to Oliver! (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as Jesus Christ Superstar (1970) and Les Misérables (1980). There is a consideration of "jukebox" musicals such as Mamma Mia! (1999), while essays on overtly political shows such as Billy Elliot (2005) are complemented by those on experimental musicals like Jerry Springer: the Opera (2003) and London Road (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. The Oxford Handbook of the British Musical demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today.
Download or read book Plays Poems and Miscellaneous Writings associated with George Villiers Second Duke of Buckingham written by Robert D. Hume and published by OUP Oxford. This book was released on 2007-03-22 with total page 833 pages. Available in PDF, EPUB and Kindle. Book excerpt: George Villiers, Second Duke of Buckingham (1628-1687) was one of the most scandalous and controversial figures of the Restoration period. He was the principal author of The Rehearsal (1671), an enormously successful burlesque play that ridiculed John Dryden and the rhymed heroic drama. Historians remember Buckingham as an opponent who helped topple Clarendon from power in 1667, as a member of the 'Cabal' government in the early 1670s, and as an ally of the Earl of Shaftesbury in the political crisis of 1678-1683. The duke was prominent among the 'court wits' (Rochester, Etherege, Sedley, Dorset, Wycherley, and their circle); he was closely associated with such writers as Butler and Cowley; he was a conspicuous champion of religious toleration and a friend of William Penn. No edition of Buckingham has been published since 1775, partly because his work presents horrendous attribution problems. He was (probably) adapter or co-author of six plays (two of them vastly successful for more than a century) including one in French that appears here in English for the first time. He is also associated with nine topical pieces (variously political, religious, and satiric) and some twenty poems of wildly varying type. The 'Buckingham' commonplace book has previously been published only in fragmentary form. Almost all of these works present major difficulties in both attribution and annotation, here seriously addressed for the first time. This edition is a companion venture to Harold Love's important edition of Rochester (OUP, 1999).
Download or read book Playing Period Plays written by Lyn Oxenford and published by Dramatic Publishing. This book was released on 1958 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Circulation of Knowledge in Early Modern English Literature written by Sophie Chiari and published by Routledge. This book was released on 2016-03-09 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: With its many rites of initiation (religious, educational, professional or sexual), Elizabethan and Jacobean education emphasized both imitation and discovery in a struggle to bring population to a minimal literacy, while more demanding techniques were being developed for the cultural elite. The Circulation of Knowledge in Early Modern English Literature examines the question of transmission and of the educational procedures in16th- and 17th-century England by emphasizing deviant practices that questioned, reassessed or even challenged pre-established cultural norms and traditions. This volume thus alternates theoretical analyses with more specific readings in order to investigate the multiple ways in which ideas then circulated. It also addresses the ways in which the dominant cultural forms of the literature and drama of Shakespeare’s age were being subverted. In this regard, its various contributors analyze how the interrelated processes of initiation, transmission and transgression operated at the core of early modern English culture, and how Christopher Marlowe, William Shakespeare and Thomas Middleton, or lesser known poets and playwrights such as Thomas Howell, Thomas Edwards and George Villiers, managed to appropriate these cultural processes in their works.
Download or read book The Encyclopedia of British Literature 3 Volume Set written by Gary Day and published by John Wiley & Sons. This book was released on 2015-03-09 with total page 1524 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a comprehensive overview of all aspects of the poetry, drama, fiction, and literary and cultural criticism produced from the Restoration of the English monarchy to the onset of the French Revolution Comprises over 340 entries arranged in A-Z format across three fully indexed and cross-referenced volumes Written by an international team of leading and emerging scholars Features an impressive scope and range of subjects: from courtship and circulating libraries, to the works of Samuel Johnson and Sarah Scott Includes coverage of both canonical and lesser-known authors, as well as entries addressing gender, sexuality, and other topics that have previously been underrepresented in traditional scholarship Represents the most comprehensive resource available on this period, and an indispensable guide to the rich diversity of British writing that ushered in the modern literary era 3 Volumes www.literatureencyclopedia.com
Download or read book History of English Drama 1660 1900 written by Nicoll and published by Cambridge University Press. This book was released on 2009-06-25 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Download or read book The comedy of Sir William Davenant written by Howard S. Collins and published by Walter de Gruyter GmbH & Co KG. This book was released on 2015-08-31 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Dramatists from Dryden to Sheridan written by George Winchester Stone and published by SIU Press. This book was released on 1975 with total page 980 pages. Available in PDF, EPUB and Kindle. Book excerpt: Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.
Download or read book Palsy about the Theatre in England written by Dane Farnsworth Smith and published by . This book was released on 1936 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book John Gay s The Beggar s Opera 1728 2004 written by Uwe Böker and published by Rodopi. This book was released on 2006 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Richard Steele remarked that the greatest Evils in human Society are such as no Law can come at, he was not able to forsee the spectacular success of John Gay's satire of society, the administration of law and crime, politics, the Italian opera and other topics. Gay's The Beggar's Opera, with its mixture of witty dialogue and popular songs, was imitated by 18th century writers, criticized by those on the seats of power, but remained a favourite of the English theatre public ever since. With N. Playfair's 1920 revival and B. Brecht's and K. Weill's 1928 Dreigroschenoper, Gay's play has been a starting-point for dramatists such as V. Havel (Zebrácká opera, 1975), W. Soyinka (Opera Wonyosi, 1977), Ch. Buarque (Ópera do Malandro, 1978), D. Fo (L'opera dello sghignazzo, 1981), A. Ayckbourn (A Chorus of Disapproval, 1984), as well as others such as Latouche, Hacks, Fassbinder, Dear, Wasserman, and Lepage. Apart from contributions by international scholars analysing the above-named plays, the editors' introduction covers other dramatists that have payed hommage to Gay. This interdisciplinary collection of essays is of particular interest for scholars working in the field of drama/theatre studies, the eighteenth century, contemporary drama, postcolonial studies, and politics and the stage.
