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Book Piano trio no  2  op  138

Download or read book Piano trio no 2 op 138 written by Edmund Rubbra and published by . This book was released on 1973 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Beethoven s Chamber Music in Context

Download or read book Beethoven s Chamber Music in Context written by Angus Watson and published by Boydell Press. This book was released on 2012 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: A noted violinist and conductor, Watson is particularly well suited for his chosen task: outlining the historical context and character of more than 50 of the chamber works that Beethoven composed during his years in Vienna. Avoiding the pitfalls of becoming too critical or "academic," the author characterizes each composition in general terms only, and does not discuss changing styles of performance. Instead, Watson provides information on a work's historical background and character, and on the musical points of interest in each movement. He pays special attention to the influence of Beethoven's large-scale compositions on his chamber music, and on the composer's increasing mastery of improvisation. Filling a hole in scholarship on Beethoven's compositions, this book will be greatly appreciated by professional and amateur musicians.

Book Piano Trio No  2    Op  1  No  2  G Major

Download or read book Piano Trio No 2 Op 1 No 2 G Major written by and published by Alfred Music Publishing. This book was released on 1985-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A trio for Violin, Cello, and Piano expertly composed by Ludwig van Beethoven.

Book The Musical Idea and the Logic  Technique  and Art of Its Presentation  New Paperback English Edition

Download or read book The Musical Idea and the Logic Technique and Art of Its Presentation New Paperback English Edition written by Arnold Schoenberg and published by Indiana University Press. This book was released on 2006-07-18 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents one of the most important documents in twentieth century musical thought.

Book The Piano in Chamber Ensemble  Third Edition

Download or read book The Piano in Chamber Ensemble Third Edition written by Maurice Hinson and published by Indiana University Press. This book was released on 2021-07-27 with total page 853 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.

Book The Piano

    Book Details:
  • Author : Susan Tomes
  • Publisher : Yale University Press
  • Release : 2021-07-13
  • ISBN : 0300262868
  • Pages : 399 pages

Download or read book The Piano written by Susan Tomes and published by Yale University Press. This book was released on 2021-07-13 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fascinating history of the piano explored through 100 pieces chosen by one of the UK’s most renowned concert pianists An astonishingly versatile instrument, the piano allows just two hands to play music of great complexity and subtlety. For more than two hundred years, it has brought solo and collaborative music into homes and concert halls and has inspired composers in every musical genre—from classical to jazz and light music. Charting the development of the piano from the late eighteenth century to the present day, pianist and writer Susan Tomes takes the reader with her on a personal journey through 100 pieces including solo works, chamber music, concertos, and jazz. Her choices include composers such as Bach, Mozart, Beethoven, Robert Schumann, Tchaikovsky, Debussy, Gershwin, and Philip Glass. Looking at this history from a modern performer’s perspective, she acknowledges neglected women composers and players including Fanny Mendelssohn, Maria Szymanowska, Clara Schumann, and Amy Beach.

Book Joachim Raff

Download or read book Joachim Raff written by Helene Raff and published by Lulu.com. This book was released on 2012 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joachim Raff (1822-1882), a protégé of both Mendelssohn and Liszt, was one of the most popular composers in the second half of the nineteenth century. This book, the only biography of him ever published, is an essential source for anyone interested in his fascinating life and times and Alan Howe's splendid, idiomatic and extremely readable translation makes it available in English for the first time. Helene Raff's distinctively brisk voice, objective and unsentimental in her judgement of her father, is masterfully brought to life for today's readers. This modern edition significantly enhances the original 1925 book with many illustrations, extensively researched footnotes, a complete work list and an index.

Book The Variations of Johannes Brahms

Download or read book The Variations of Johannes Brahms written by Julian Littlewood and published by Plumbago Books and Arts. This book was released on 2004 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.

Book Music in Independent Schools

Download or read book Music in Independent Schools written by Bernarr Rainbow and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first serious study of music in independent schools, which bears eloquent witness to a high standard achieved over the last fifty years. This is the first serious study of music in independent schools. The high standard of musical work in such schools has long been known but now Andrew Morris and his team have provided up-to-date information. There are contributions from seven individual schools - Bedford, Dulwich, Eton, Gresham's, St. Paul's, Uppingham and Worksop - as well as chapters about Girls' Schools, Preparatory Schools, Choir Schools and Specialist Schools. Andrew Morris was Director of Music at Bedford School for thirty-two years and was President of the Music Masters and Mistresses Association in 1996-97. He is thus ideally placed to mastermind a substantial compendium which is eminently readable andabsorbing. The book includes material from Bernarr Rainbow's study, Music in the English Public School (1990) and brings it up to date. As a historian, Rainbow looked back at how music developed in independent schools. Progress was slow, even tortuous, but Rainbow's fascinating documents, supported by his commentary, show how idealism won through, and Morris and his colleagues bear eloquent witness to the very positive development over the last fifty years. ANDREW MORRIS taught in secondary modern, grammar and comprehensive schools in London before becoming Director of Music at Bedford School for thirty-two years. He was President of the Music Masters' and Mistresses' Association from 1996-97 and President of the RAM Club at the Royal Academy of Music 2005-06. He has examined for the ABRSM for over thirty years. BERNARR RAINBOW (1914-1998) is widely recognised as the leading authority on the history of music education. His seminal books are all published by Boydell and are listed on the back pages of this volume. His series of Classic Texts in Music Education is a major resource and in 1997 he foundedthe Bernarr Rainbow Trust which supports projects in music education. CONTRIBUTORS: Catherine Beddison, Elizabeth Blackford, Timothy Daniell, Richard Mayo, James Peschek, Alastair Sampson, Graham Smallbone, Jonathan Varcoe, Myfanwy Walters, Nathan Waring, Robert Weaver, Hilary Webster.

Book Elements of Sonata Theory

    Book Details:
  • Author : James Hepokoski
  • Publisher : Oxford University Press
  • Release : 2011-02-11
  • ISBN : 0199890234
  • Pages : 692 pages

Download or read book Elements of Sonata Theory written by James Hepokoski and published by Oxford University Press. This book was released on 2011-02-11 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt: Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.

Book The Critical Reception of Beethoven s Compositions by His German Contemporaries

Download or read book The Critical Reception of Beethoven s Compositions by His German Contemporaries written by Wayne M. Senner and published by U of Nebraska Press. This book was released on 1999-05-25 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.

Book New York Magazine

    Book Details:
  • Author :
  • Publisher :
  • Release : 1988-07-11
  • ISBN :
  • Pages : 104 pages

Download or read book New York Magazine written by and published by . This book was released on 1988-07-11 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Book The Shostakovich Wars

    Book Details:
  • Author :
  • Publisher : Ho and Feofanov
  • Release :
  • ISBN :
  • Pages : 326 pages

Download or read book The Shostakovich Wars written by and published by Ho and Feofanov. This book was released on with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Tchaikovsky Through Others  Eyes

Download or read book Tchaikovsky Through Others Eyes written by Alexander Poznansky and published by Indiana University Press. This book was released on 1999-04-22 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: The result is a dynamic portrayal of the composer, with all the complexities and paradoxes of a real life.

Book A dictionary index of musicians  eds  F  H  Martens  M  W  Cochran  and W  D  Darby

Download or read book A dictionary index of musicians eds F H Martens M W Cochran and W D Darby written by Daniel Gregory Mason and published by . This book was released on 1917 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Accenting the Classics

    Book Details:
  • Author : Deborah Mawer
  • Publisher : Boydell & Brewer
  • Release : 2023-03-14
  • ISBN : 1837650322
  • Pages : 383 pages

Download or read book Accenting the Classics written by Deborah Mawer and published by Boydell & Brewer. This book was released on 2023-03-14 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brings new insights to the music of well-known European composers by telling a fascinating, little-known story about French music publishing, specifically through the lens of Jacques Durand's Édition Classique. French composers, performers and musicologists acted as editors of eighteenth- and nineteenth-century European 'classics', primarily for piano. Among these editors were Fauré, Saint-Saëns, Debussy, Ravel and Dukas; the objects of their enquiries included core works by Rameau, Bach, Mozart, Beethoven, Mendelssohn, Schumann and Chopin. Presenting six composer-editor case studies, the volume shows that the French 'accent', both musical and cultural, upon this predominantly Austro-German music was highly varied. Editorial responses range from scholarly approaches to those directed by performance or compositional agendas, and from pan-European to strongly patriotic stances. Intriguing intersections are revealed between old and new, and between French and cross-European canons. Beyond editing, the book explores the Édition's role in pedagogy and performance, including by pianists Robert Casadesus and Yvonne Loriod, and in the reassertion of contemporary French composition, especially regarding innovation around neoclassicism. It will interest a wide readership, including musicologists, performers and concert-goers, cultural historians and other humanities scholars.

Book Becoming Clara Schumann

    Book Details:
  • Author : Alexander Stefaniak
  • Publisher : Indiana University Press
  • Release : 2021-11-02
  • ISBN : 0253058279
  • Pages : 238 pages

Download or read book Becoming Clara Schumann written by Alexander Stefaniak and published by Indiana University Press. This book was released on 2021-11-02 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Well before she married Robert Schumann, Clara Schumann was already an internationally renowned pianist, and she concertized extensively for several decades after her husband's death. Despite being tied professionally to Robert, Clara forged her own career and played an important role in forming what we now recognize as the culture of classical music. Becoming Clara Schumann guides readers through her entire career, including performance, composition, edits to her husband's music, and teaching. Alexander Stefaniak brings together the full run of Schumann's concert programs, detailed accounts of her performances and reception, and other previously unexplored primary source material to illuminate how she positioned herself within larger currents in concert life and musical aesthetics. He reveals that she was an accomplished strategist, having played roughly 1,300 concerts across western and central Europe over the course of her six-decade career, and she shaped the canonization of her husband's music. Extraordinary for her time, Schumann earned success and prestige by crafting her own playing style, selecting and composing her own concerts, and acting as her own manager. By highlighting Schumann's navigation of her musical culture's gendered boundaries, Becoming Clara Schumann details how she cultivated her public image in order to win over audiences and embody some of her field's most ambitious aspirations for musical performance.