Download or read book Photomontages of the Nazi Period written by John Heartfield and published by . This book was released on 1977 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book John Heartfield written by John Heartfield and published by . This book was released on 1986 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Photomontages of the Nazi Period written by John Heartfield and published by . This book was released on 1977 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Heartfield Versus Hitler written by John Willett and published by Hazan. This book was released on 1997 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Born in Berlin in 1891, John Heartfield grew up in Germany during the formative years of the main modern movements: Expressionism, Cubism, Futurism, each of which contributed recognisably to the photomontages for which he would become famous. Sharply critical of the Weimar Republic in which he flourished, in Germany his work was banned for the duration of Hitler's Third Reich. In London, where he lived as an anti-Fascist exile throughout the Second World War, he remained an outsider till after his return to East Germany in 1950, It is only since the 1970s that he has become a European, if not a world figure."--Cover
Download or read book John Heartfield and the Agitated Image written by Andrés Mario Zervigón and published by University of Chicago Press. This book was released on 2012-12-01 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century. A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.
Download or read book Nazi Exhibition Design and Modernism written by Michael Tymkiw and published by U of Minnesota Press. This book was released on 2018-05-29 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new and challenging perspective on Nazi exhibition design In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon and reconfigured the practices and principles of modernism when designing exhibition spaces and the objects within. In this book, Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship"—attempts to elicit experiences among exhibition-goers that would pique their desire to become involved in wider processes of social and political change. For historians of art, architecture, performance, and other forms of visual culture, Nazi Exhibition Design and Modernism unravels long-held assumptions, particularly concerning the ideological stakes of participation.
Download or read book Photography in the Third Reich Art Physiognomy and Propaganda written by Christopher Webster and published by Open Book Publishers. This book was released on 2021-01-07 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lucid and comprehensive collection of essays by an international group of scholars constitutes a photo-historical survey of select photographers who embraced National Socialism during the Third Reich. These photographers developed and implemented physiognomic and ethnographic photography, and, through a Selbstgleichschaltung (a self-co-ordination with the regime), continued to practice as photographers throughout the twelve years of the Third Reich. The volume explores, through photographic reproductions and accompanying analysis, diverse aspects of photography during the Third Reich, ranging from the influence of Modernism, the qualitative effect of propaganda photography, and the utilisation of technology such as colour film, to the photograph as ideological metaphor. With an emphasis on the idealised representation of the German body and the role of physiognomy within this representation, the book examines how select photographers created and developed a visual myth of the ‘master race’ and its antitheses under the auspices of the Nationalist Socialist state. Photography in the Third Reich approaches its historical source photographs as material culture, examining their production, construction and proliferation. This detailed and informative text will be a valuable resource not only to historians studying the Third Reich, but to scholars and students of film, history of art, politics, media studies, cultural studies and holocaust studies.
Download or read book The Photomontages of Hannah H ch written by Hannah Höch and published by . This book was released on 1996 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.
Download or read book John Heartfield written by Douglas Kahn and published by . This book was released on 1985 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book John Heartfield written by Angela Lammert and published by Hirmer Verlag GmbH. This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The political collages of John Heartfield (1891-1968) have earned him a reputation as one of the most innovative graphic artists of the Weimar Republic. His photomontages and book covers based on collages which had their origins in Berlin's Dada scene were directed against Fascism and made him internationally famous. Their explosive power has lost none of its impact. Heartfield was a sharp and uncompromising observer who subverted the documentary character of the press photograph. He employed his art as political propaganda, and fought against war and Fascism with gripping pictures and trenchant humour. This catalogue will include not only the working materials which reveal Heartfield's method but also his trick films, work for the theatre and book design. The original art-works and documents all derive from his personal estate in Berlin. Statements by contemporary artists formulate positions and pose questions, which Heartfield's work raises in the age of fake news. Exhibition: Akademie der Künste, Berlin, Germany (21.03. - 21.06.2020) / Museum de Fundatie, Zwolle, The Netherlands (27.09.2020 - 03.01.2021) / Royal Academy of Arts, London, UK (27.06. - 26.09.2021).
Download or read book Weimar Germany written by Eric D. Weitz and published by Princeton University Press. This book was released on 2018-09-25 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: The definitive history of Weimar politics, culture, and society A New York Times Book Review Editor’s Choice A Financial Times Best Book of the Year Thoroughly up-to-date, skillfully written, and strikingly illustrated, Weimar Germany brings to life an era of unmatched creativity in the twentieth century—one whose influence and inspiration still resonate today. Eric Weitz has written the authoritative history that this fascinating and complex period deserves, and he illuminates the uniquely progressive achievements and even greater promise of the Weimar Republic. Weitz reveals how Germans rose from the turbulence and defeat of World War I and revolution to forge democratic institutions and make Berlin a world capital of avant-garde art. He explores the period’s groundbreaking cultural creativity, from architecture and theater, to the new field of "sexology"—and presents richly detailed portraits of some of the Weimar’s greatest figures. Weimar Germany also shows that beneath this glossy veneer lay political turmoil that ultimately led to the demise of the republic and the rise of the radical Right. Yet for decades after, the Weimar period continued to powerfully influence contemporary art, urban design, and intellectual life—from Tokyo to Ankara, and Brasilia to New York. Featuring a new preface, this comprehensive and compelling book demonstrates why Weimar is an example of all that is liberating and all that can go wrong in a democracy.
Download or read book Werner Scholem written by Mirjam Zadoff and published by University of Pennsylvania Press. This book was released on 2018-02-02 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Werner Scholem: A German Life, Mirjam Zadoff has written a book that is at once a biography of an individual, a family chronicle, and the story of an entire era.
Download or read book Berlin Metropolis 1918 1933 written by Leonhard Helten and published by Prestel Publishing. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1871 and 1919, the population of Berlin quadrupled and the city became the political center of Germany, as well as the turbulent crossroads of the modern age. This was reflected in the work of artists, directors, writers and critics of the time. As an imperial capital, Berlin was the site of violent political revolution and radical aesthetic innovation. After the German defeat in World War I, artists employed collage to challenge traditional concepts of art. Berlin Dadaists reflected upon the horrors of war and the terrors of revolution and civil war. Between 1924 and 1929, jazz, posters, magazines, advertisements and cinema played a central role in the development of Berlin's urban experience as the spirit of modernity took hold. The concept of the Neue Frau -the modern, emancipated woman-helped move the city in a new direction. Finally, Berlin became a stage for political confrontation between the left and the right and was deeply affected by the economic crisis and mass unemployment at the end of the 1920s. This book explores in numerous essays and illustrations the artistic, cultural and social upheavals in Berlin between 1918 and 1933 and places them in a broader historical framework.
Download or read book Objects as History in Twentieth century German Art written by Peter Chametzky and published by Univ of California Press. This book was released on 2010 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].
Download or read book Race and Photography written by Amos Morris-Reich and published by University of Chicago Press. This book was released on 2016-01-11 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historian Amos Morris-Reich here tracks the trajectory of racial photography from 1876 through the Weimar and Nazi periods in Germany and, briefly, after WWII. With a particular focus on German and Jewish contexts, "Race and Photography "reveals the important role of racial photography within academic discourse on race. Photography was not simply a medium of illustration but rather it was a conduit for new forms of visual perception. Approaching the history of racial photography from an epistemic point of view raises questions concerning the similarity and specific difference of photography compared with other scientific media, and makes explicit the scientific and cultural assumptions in which different uses of photography were embedded. Paying particular attention to the effect of photography on concepts of visual perception and also to the intricate relationship between racial photography and the imagination, Morris-Reich examines numerous scientists and scholars, both prominent and obscure, who developed photographic methods for the study of race or made methodical use of photography for its study. His careful reconstruction of individual cases, conceptual genealogies, and emergent patterns points to transformations in the scientific status of photography throughout the late nineteenth and early twentieth centuries and uncovers the agency of photographic media in the history of scientific racism. This work makes a distinctive contribution to the fields of history of science, history of photography, intellectual history, European and Jewish history, and the history of race.
Download or read book So This is Permanence written by Ian Curtis and published by Chronicle Books. This book was released on 2015-02-24 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: A treasure trove of personal writings by the great post-punk singer-songwriter—with a foreword by his wife Deborah and an introduction by Jon Savage. So This Is Permanence presents the lyrics and personal notebooks of one of the most enigmatic and influential music artists of the late twentieth century, Joy Division’s Ian Curtis. The fact of the band’s relatively few releases belies the power and enduring fascination its music holds, especially in light of Curtis’s tragic suicide in 1980 on the eve of the band’s first American tour. This volume features Curtis’s never-before-seen handwritten lyrics, accompanied by earlier drafts and previously unpublished pages from his notebooks that shed fascinating light on his writing and creative process. Also included are an insightful and moving foreword by Curtis’s widow Deborah, a substantial introduction by writer Jon Savage, and an appendix featuring books from Curtis’s library and a selection of fanzine interviews, letters, and other ephemera from his estate.
Download or read book Revolutionary Beauty written by Sabine T. Kriebel and published by Univ of California Press. This book was released on 2023-04-28 with total page 615 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revolutionary Beauty offers the first sustained study of the German artist John Heartfield's groundbreaking political photomontages, published in the left-wing weekly Arbeiter Illustrierte Zeitung (AIZ) during the 1930s. Sabine T. Kriebel foregrounds the critical artistic practices with which Heartfield directly confronted the turbulent, ideologically charged currents of interwar Europe, exposing the cultural politics of the crucial historical moment that witnessed the consolidation of National Socialism. In this period of radicalization and mass mobilization, the medium of photomontage—the cut-and-paste assemblage of photograph and text—offered a way to deconstruct the visual world and galvanize beholders on a mass scale. Kriebel transforms our understandings of montage as a quintessentially modern practice. Central to that reconceptualization is suture, a concept integral to film theory but recruited in this book to explore the psychic operations of Heartfield’s seamlessly welded AIZ photomontages. Revolutionary Beauty proposes that the language of sutured illusionism constitutes one of the most important and overlooked critiques of modern media, wherein a radical reassessment resides in suture. Scholars of photography, modern and contemporary art history, media studies, and European history will doubtlessly embrace this book.
