Download or read book Philip II of Spain Patron of the Arts written by Rosemarie Mulcahy and published by Four Courts Press. This book was released on 2004 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: The image of Philip II (1527-98) as stern and assiduous defender of his political inheritance and of the catholic faith is tempered and enriched by the image of patron and collector of art. During the forty-two years of his reign (1556-98) through widespread patronage and persistent guidance he transformed the arts in Spain, then largely provincial, into the international and modern. The building of the Escorial - known in its own time as the eighth wonder of the world - and other royal residences attracted artists and craftsmen to enter the royal service, among them Titian, Anthonis Mor, El Greco, Federico Zuccaro, Pompeo, Leoni and Alonso Sanchez Coello. Part of his collection was to form the basis of the Prado Museum when it was founded in the nineteenth century. Although Philip is recognized as one of the most important art patrons of the Renaissance little has been published in English on his remarkable achievement. This selection of essays by Rosemarie Mulcahy gives a sense of the variety of talent, both Spanish and foreign, that flourished under Philip II's patronage and provides fascinating insights into the king's artistic projects. The topics covered include: the function of religious art, court portraiture, art and diplomacy, art as propaganda, the use of preparatory drawings. The volume contains 16 colour plates and over 100 black and white illustrations.
Download or read book Philip II of Spain and the Architecture of Empire written by Laura Fernández-González and published by Penn State Press. This book was released on 2021-05-10 with total page 571 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philip II of Spain was a major patron of the arts, best known for his magnificent palace and royal mausoleum at the Monastery of San Lorenzo of El Escorial. However, neither the king’s monastery nor his collections fully convey the rich artistic landscape of early modern Iberia. In this book, Laura Fernández-González examines Philip’s architectural and artistic projects, placing them within the wider context of Europe and the transoceanic Iberian dominions. Philip II of Spain and the Architecture of Empire investigates ideas of empire and globalization in the art and architecture of the Iberian world during the sixteenth century, a time when the Spanish Empire was one of the largest in the world. Fernández-González illuminates Philip’s use of building regulations to construct an imperial city in Madrid and highlights the importance of his transformation of the Simancas fortress into an archive. She analyzes the refashioning of his imperial image upon his ascension to the Portuguese throne and uses the Hall of Battles in El Escorial as a lens through which to understand visual culture, history writing, and Philip’s kingly image as it was reflected in the funeral commemorations mourning his death across the Iberian world. Positioning Philip’s art and architectural programs within the wider cultural context of politics, legislation, religion, and theoretical trends, Fernández-González shows how design and images traveled across the Iberian world and provides a nuanced assessment of Philip’s role in influencing them. Original and important, this panoramic work will have a lasting impact on Philip II’s artistic legacy. Art historians and scholars of Iberia and sixteenth-century history will especially value Fernández-González’s research.
Download or read book The Making of Juana of Austria written by Noelia García Pérez and published by LSU Press. This book was released on 2021-12-08 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edited by art historian Noelia García Pérez, this first-ever collection of essays on Juana of Austria, the younger daughter of Holy Roman Emperor Charles V and sister to Philip II of Spain, offers an interdisciplinary study of the Habsburg princess that addresses her political, religious, and artistic dimensions. The volume’s contextual framework shows her sharing agency with other women of her dynastic family who governed in the sixteenth century and developed an outstanding reputation for promoting artists and works of art. The Making of Juana of Austria demonstrates how Juana’s role as a leading patron of the arts offered her a means of creating her own image, which she then promulgated through the objects she collected and her crowning architectural endeavor, the Monastery-Palace of the Descalzas Reales. Drawing on early modern literature, archival documents, and artworks, the essays in this volume delineate a new portrait of Juana of Austria. Contributors not only highlight her multiple facets—princess of Portugal, regent of Castile, and the only female Jesuit in history—but also show her as a discerning art patron and collector who pursued an active role of patronage, through which she constructed her own art collection and used it to articulate a visual statement of her lineage, power, and religious convictions. Her role as an art promoter culminated with the foundation of the Descalzas Reales and the works of art she collected and displayed within its walls. The Making of Juana of Austria offers a new perspective on female rule and patronage, exploring the achievements of a crucial figure in the history of art, court, and gender in early modern Europe.
Download or read book Rubens and His Spanish Patrons written by Alexander Vergara and published by . This book was released on 1999 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the relationship between Rubens and his Spanish patrons.
Download or read book Hans Khevenhuller at the Court of Philip II of Spain written by Annemarie Jordan Gschwend and published by . This book was released on 2017-01-30 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The quest for the exotic became an obsession for Renaissance princes and collectors, as markets in Lisbon and Seville were flooded by the mid 16th century with luxury goods, commodities, Ming porcelain, exotica, textiles, clothes, dress accessories and strange animals imported from Portuguese Asia, the Far East, Africa and the Americas. Shopping on a grand scale became a priority, especially for the Central European courts of the Habsburg, whose collections, known as Kunstkammers, represented their symbolic hegemony over a world empire, its peoples, flora and fauna. One man in particular played a formidable part in the expansion of these Habsburg Kunstkammers Hans Khevenhuller, imperial ambassador in Spain. As diplomat, he assumed diverse roles at the Spanish court politician, advisor, cultural broker, artistic agent, patron of the arts and collector. His global networks spanned continents, linking Habsburg courts across Europe with new worlds. Appointed in the early 1570s resident ambassador at the court of Philip II, he was a keen observer of the Spanish court, meticulously recording peoples, events and happenings. Crossing ceremonial boundaries, Khevenhuller became a trusted friend and counselor of Philip II and his royal family, gaining admission into their private lives. His diary and largely unpublished correspondence are remarkable for the insights, commentaries and information he provides about contemporaries and their courts, fellow diplomats and Habsburg patrons Maximilian II, Rudolf II, Ferdinand II of Tyrol, Karl II of Inner Austria and his wife, Maria of Bavaria.A true Renaissance man, with cultivated tastes and a discerning eye, Khevenhuller was single-handedly responsible for the acquisition of live animals, exotica, luxury goods, jewelry, precious stones, spices and drugs, including seeds and plants from overseas. In Spain, Venice, Vienna and Prague he sponsored and patronized painters, architects, goldsmiths, jewelers and artisans.Marking the 410th anniversary of Khevenhuller s death, this book will examine Khevenhuller s own art collection and Kunstkammer created for his residence in Madrid and his country estate at Arganda. A foreword by Martin Malcolm Elbl introduces the diplomatic world of Khevenhuller. Other contributions by Vanessa de Cruz Medina and Jorge Fernandez-Santos Ortiz-Iribas will focus on Khevenhuller s ties with the family of the imperial Ambassador Adam von Dietrichstein in Spain and Austria, and the reconstruction of Khevenhuller s library in his Madrid residence. Correspondence, documents and inventories located in archives in Geneva, Simancas (Valladolid), Lisbon, Madrid, Vienna, Karnten, Paris and Brno are highlighted in this book and in the appendices."
Download or read book Anthonis Mor written by Joanna Woodall and published by Studies in Netherlandish Art a. This book was released on 2016 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Painting contains a divine force which not only makes the absent present, as friendship is said to do, but moreover makes the dead seem almost alive.' Taking up Alberti's connection between divine power, mimesis and friendship, this study explores the artistry of the Utrecht portrait specialist Anthonis Mor. It considers Mor's work in relation to reformation debates, and to the challenges to dynastic authority that took place during his lifetime, tracing the breakdown and transformation of belief in 'friendship' or love as a means of binding abstract authority and the embodied world together. Although Mor succeeded Titian as principal portraitist to the Habsburgs, his ambition was not limited to portrayal in a narrow sense. His work enters into dialogue with the elevated conceptions of the artist being enunciated by his humanist friends, and with devotional and allegorical imagery. The book brings Mor's arresting vision to a wider public and reveals its centrality to a broader understanding of how authority was conceived and reshaped in the sixteenth-century.
Download or read book Princes and Artists written by Hugh Redwald Trevor-Roper and published by HarperCollins Publishers. This book was released on 1976 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The relationship between artists and their patrons has always been a complex and fascinating one. In the case of the Habsburg rules of the sixteenth and seventh centuries, this is especially true, not only because those rulers are themselves of intrinsic interest, but because the artists whom they encouraged or employed - Durer, Titian, El Grego, Rubens - were among the greatest of all times. In Princes and Artists Professor Trevor-Roper explores the relationship between art and patronage through the careers of the Emperor Charles V (1500-58), his son Philip II of Spain (1527-98), the Emperor Rudolf II (1552-1612) and 'the arch-dukes" - Albert and Isabella - who ruled the southern Netherlands from 1598 to 1633. In the context of their personal lives, their several courts, their political activities, and the ideological conflicts of the era, art played an immensely important role - partly as propaganda, partly for the sheer aesthetic pleasure it gave. The author argues that the distinctive characteristics of patronage in this period, which spanned the transition from the High Renaissance to the Baroque in art, from the Reformation to the Counter-Reformation in ideology, are to be explained by the 'world picture' of the age: "Art symbolised a whole view of life, of which politics were a part, and which the court had a duty to advertise and sustain." -- Book jacket.
Download or read book Philip II of Spain and the Architecture of Empire written by Laura Fernández-González and published by Penn State Press. This book was released on 2021-05-10 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philip II of Spain was a major patron of the arts, best known for his magnificent palace and royal mausoleum at the Monastery of San Lorenzo of El Escorial. However, neither the king’s monastery nor his collections fully convey the rich artistic landscape of early modern Iberia. In this book, Laura Fernández-González examines Philip’s architectural and artistic projects, placing them within the wider context of Europe and the transoceanic Iberian dominions. Philip II of Spain and the Architecture of Empire investigates ideas of empire and globalization in the art and architecture of the Iberian world during the sixteenth century, a time when the Spanish Empire was one of the largest in the world. Fernández-González illuminates Philip’s use of building regulations to construct an imperial city in Madrid and highlights the importance of his transformation of the Simancas fortress into an archive. She analyzes the refashioning of his imperial image upon his ascension to the Portuguese throne and uses the Hall of Battles in El Escorial as a lens through which to understand visual culture, history writing, and Philip’s kingly image as it was reflected in the funeral commemorations mourning his death across the Iberian world. Positioning Philip’s art and architectural programs within the wider cultural context of politics, legislation, religion, and theoretical trends, Fernández-González shows how design and images traveled across the Iberian world and provides a nuanced assessment of Philip’s role in influencing them. Original and important, this panoramic work will have a lasting impact on Philip II’s artistic legacy. Art historians and scholars of Iberia and sixteenth-century history will especially value Fernández-González’s research.
Download or read book Titian Tragic Painting written by Thomas Puttfarken and published by Yale University Press. This book was released on 2005-01-01 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Late in his life Titian created a series of paintings--the "Four Sinners,” the "poesie” for his patron Philip II of Spain, and the "Final Tragedies”--that were dark in tone and content, full of pathos and physical suffering.In this major reinterpretation of Titian’s art, Thomas Puttfarken shows that the often dramatic and violent subject matter of these works was not, as is often argued, the consequence of the artist’s increasing age and sense of isolation and tragedy. Rather, these paintings were influenced by discussions of Aristotle’s Poetics that permeated learned discourse in Italy in the mid-sixteenth century. The Poetics led directly to a rich theory of the visual arts, and painting in particular, that enabled artists like Titian to consider themselves on equal footing with poets. Puttfarken investigates Titian’s late works in this context and analyzes his relations with his patrons, his intellectual and humanistic contacts, and his choices of subject matter, style, and technique.
Download or read book Philip of Spain written by Henry Kamen and published by Yale University Press. This book was released on 1997-01-01 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reassesses King Philip II's reputation as narrow-minded tyrant, describes the major events of his reign, and presents a more rounded depiction of his personality
Download or read book The Decoration of the Royal Basilica of El Escorial written by Rosemarie Mulcahy and published by . This book was released on 1994-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reconstructs King Philip II's grand design for the royal basilica of El Escorial.
Download or read book Festival Culture in the World of the Spanish Habsburgs written by Professor Fernando Checa Cremades and published by Ashgate Publishing, Ltd.. This book was released on 2015-11-28 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Festivals and ceremonials played a major role in the Spanish world; through them local identities as well as a common Spanish culture made their presence manifest within and beyond the peninsula through ephemeral displays, music and print. This book explores Habsburg Visual culture at court and its connection with the creation of a language of triumph, the relationship between religion and the empire, and examines cultural, artistic and musical exchange in Naples and Rome. Taken together these essays contribute further to our growing appreciation of the importance of early-modern festival culture in general, and their significance in the world of the Spanish Habsburgs in particular.
Download or read book Sublime Truth and the Senses written by Marie Tanner and published by Harvey Miller. This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study Marie Tanner examines the ways in which Titian incorporates new concepts of sensuality and spirituality in the mythological paintings of King Philip II of Spain, whose originality and ravishing beauty belie their actual their didactic content. Titian's mythological paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip's triumphal parade through the empire as his father's heir apparent. The author proposes that Philip's expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus.
Download or read book Painting in Spain written by Jonathan Brown and published by Yale University Press. This book was released on 1998-01-01 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: El Greco, Ribera, Velázquez, Murillo--these are but a few of the great sixteenth- and seventeenth-century artists of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period. Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and explores Spain's contact with artistic centers in Italy and the Netherlands. He discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. Brown also examines the collections of foreign paintings that Spanish noblemen and prelates assembled and how these collections affected the production of art and the social status of the Spanish artist. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistic impulses it received from abroad to fit the needs of its own society.
Download or read book Titian written by Matthias Wivel and published by National Gallery London. This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A celebration of one of the most important groups of Renaissance paintings
Download or read book Philip II of Spain written by Charles Gayarré and published by . This book was released on 1866 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Luxury Arts of the Renaissance written by Marina Belozerskaya and published by Getty Publications. This book was released on 2005-10-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
