Download or read book Phases of Modern Music written by Lawrence Gilman and published by . This book was released on 1904 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern Music and Musicians written by and published by . This book was released on 1918 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern Music and Musicians for Vocalists Opera history and guide written by and published by . This book was released on 1918 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern Music and Musicians for Vocalists written by Louis Charles Elson and published by . This book was released on 1918 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Singing of the Future written by David Thomas Ffrangcon- Davies and published by . This book was released on 1905 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and as Process written by Vanessa Hawes and published by Cambridge Scholars Publishing. This book was released on 2016-08-17 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and/as Process brings together ideas about music and the notion of process from different sub-fields within musicology and from related fields in the creative arts as a whole. These can be loosely categorised into three broad areas – composition, performance and analysis – but work in all three of these groups in the volume overlaps into the others, covers a broad range of other musicological sub-fields, and draws inspiration from, non-musicological fields. Music and/as Process comprises chapters written by a mix of scholars; some are leaders in their field and some are newer researchers, but all share an innovative and forward-thinking attitude to music research, often not well represented within ‘traditional’ musicology. Much of the work represented here started as papers or discussions at one of the Royal Musical Association (RMA) Music and/as Process Study Group Annual Conferences. The first section of the book deals with the analysis of performance and the performance of analysis. The historical nature of music and the recognition of pieces as musical ‘works’ in the traditional sense is questioned by the authors, and is a factor in the analyses which address processes in composing, performing, and listening, and the links between these, in three very different but interlinking ways. These three approaches posit new directions and territory for musical analysis. The second section builds on the first, framing performance and/as process from the individual perspectives of the authors and their experiences as practitioners. Music by Berio, de Falla, music by the authors and their collaborators, and music composed for the authors are explored through looking at processes of interpretation and risk; processes which further undermine the ontology of the musical ‘work’ as traditionally understood, and bring the practitioner as active agent to the foreground of an examination of musical discourse. The third section encounters and questions the musical ‘work’ at its inception, exploring composition and/as process through its encounters with performance, analysis, collaboration, improvisation, translation, experimentation and cross-disciplinarity. Through explorations of new music, the way in which practitioners relate to music frame a personal and reflective account of the creative process, finally looking beyond music to musicology.
Download or read book Modern Music and Musicians for Vocalists Modern art songs written by and published by . This book was released on 1918 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ancient Drama in Music for the Modern Stage written by Peter Brown and published by OUP Oxford. This book was released on 2010-09-02 with total page 1755 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.
Download or read book Musical Studies written by Ernest Newman and published by . This book was released on 1914 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Trajectories and Themes in World Popular Music written by Simone Krüger Bridge and published by Equinox Publishing (UK). This book was released on 2018 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the trajectories of modern globalization since the late nineteenth century, and considers hegemonic cultural beliefs and practices during the various phases of the history of capitalism. It offers a way to study world popular music from the perspective of critical social theory.Moving chronologically, the book adopts the three phases in the history of capitalist hegemony since the nineteenth century-liberal, organized, and neoliberal capitalism-to consider world popular music in each of these cultural contexts. While capitalism is now everywhere, its history has been one borne out of racism and masculine hegemony. Early Europeanization and globalization have had a major impact on race/gender/sexuality/capitalist hegemony, while nascent technologies of capital have led to a renewed reification and exploitation of racialized, sexualized, and classed populations. This book offers a critique of the relationship between emergent capitalist formations and culture over the past hundred years. It explores the way that world popular music mediates economic, cultural, and ideological conditions, through which capitalism has been created in multiple and heterogeneous ways, understanding world popular music as the production of meaning through language and representation. The various dimensions considered in the book are the work of critical social science-a critique of capitalism's impact upon popular music in historical and world perspective.This book provides a powerful contemporary framework for contemporary popular music studies with a distinctive global and interdisciplinary awareness, covering empirical research from across the world in addition to well-established and newer theory from the music disciplines, social sciences, and humanities. It offers fresh conceptualizations about world popular music seen within the context of globalization, capitalism, and identity.
Download or read book Modern Music and Musicians Encyclopedia v 1 A history of music special articles great composers v 2 Religious music of the world vocal music and musicians the opera history and guide v 3 The theory of music piano technique special articles modern instruments anecdotes of musicians dictionary musical terms and biography written by Louis Charles Elson and published by . This book was released on 1912 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gender Branding and the Modern Music Industry written by Kristin Lieb and published by Routledge. This book was released on 2018-01-12 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gender, Branding, and the Modern Music Industry combines interview data with music industry professionals with theoretical frameworks from sociology, mass communication, and marketing to explain and explore the gender differences female artists experience. This book provides a rare lens on the rigid packaging process that transforms female artists of various genres into female pop stars. Stars—and the industry power brokers who make their fortunes—have learned to prioritize sexual attractiveness over talent as they fight a crowded field for movie deals, magazine covers, and fashion lines, let alone record deals. This focus on the female pop star’s body as her core asset has resigned many women to being "short term brands," positioned to earn as much money as possible before burning out or aging ungracefully. This book, which includes interview data from music industry insiders, explores the sociological forces that drive women into these tired representations, and the ramifications for the greater social world.
Download or read book Modern Music and Musicians written by Louis Charles Elson and published by . This book was released on 1912 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern Music and Musicians for Vocalists Song classics written by and published by . This book was released on 1918 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern Music and Musicians for Vocalists The singer s guide written by and published by . This book was released on 1918 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Modern Brazilian Stage written by David George and published by University of Texas Press. This book was released on 2014-07-03 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading a play and watching it performed onstage are quite different experiences. Likewise, studying a country's theatrical tradition with reference only to playtexts overlooks the vital impact of a play's performance on the audience and on the whole artistic community. In this performance-centered approach to Brazilian theatre since the 1940s, David George explores a total theatrical language—the plays, the companies that produced them, and the performances that set a standard for all future stagings. George structures the discussion around several important companies. He begins with Os Comediantes, whose revolutionary 1943 staging of Nelson Rodrigues' Vestido de Noiva (Bridal Gown) broke with the outmoded comedy-of-manners formula that had dominated the national stage since the nineteenth century. He considers three companies of the 1950s and 1960s—Teatro Brasileiro de Comédia, Teatro de Arena, and Teatro Oficina—along with the 1967 production of O Rei da Vela (The Candle King) by Teatro Oficina. The 1970s represented a wasteland for Brazilian theatre, George finds, in which a repressive military dictatorship muzzled artistic expression. The Grupo Macunaíma brought theatre alive again in the 1980s, with its productions of Macunaíma and Nelson 2 Rodrigues. Common to all theatrical companies, George concludes, was the desire to establish a national aesthetic, free from European and United States models. The creative tension this generated and the successes of modern Brazilian theatre make lively reading for all students of Brazilian and world drama.
Download or read book Jazz in Print 1859 1929 written by Karl Koenig and published by Pendragon Press. This book was released on 2002 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology was compiled to aid the scholar working on the origins and evolution of jazz. Covering materials published through 1929, it also begins with articles from 1856 which do not concern jazz directly, but will serve to present a solid foundation for understanding the American music scene from which jazz developed. Chronologically listed and well-indexed, the hundreds of articles comprise, in effect, a history of jazz as it evolved. Beginning with accounts of negro music in the pre-jazz era, continuing in an exploration of spirituals, followed by a description of ragtime, we finally learn about the development of jazz from its practitioners and informed audiences of the time.
