Download or read book Perspectives on Contemporary Theatre written by Oscar G. Brockett and published by LSU Press. This book was released on 1999-03-01 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary theatre is nearly as controversial as the changing society it reflects. Much of its journalistic notoriety derives from its seeming advocacy of behavior, language, and ideas once considered unsuitable for public performance. In this overview, a noted authority takes a perceptive look at the radical trends in modern drama and provides us with a new awareness of the forces and ideas behind the current theatrical battle. Professor Brockett demonstrates that many of the puzzling aspects of contemporary theatre—such as obscenity, nudity, and propaganda—are rooted in the traditions of Western stage and society. He traces the sifts in values over the past century and shows how these changes have affected modern drama. This uncertainty about values, says the author, has been accompanied by new conceptions of structural unity in theatre. He points out the various structural innovations in drama from Aristotle through wide range of playwrights, including Sophocles, Ionesco, Ibsen, Brecht, Artaud, Beckett, and Jean-Claude van Itallie, and discusses the relationship of “relevance” to “universality.” He examines the most recent theatrical shift—from detachment to commitment—and compares the plays of the anxious 1950s, such as Beckett’s Waiting for Godot, with today’s committed theatre, including such productions as Chicago 70, Hair, and Che! Perspectives on Contemporary Theatre is a thoughtful guide for the reader who seeks a better understanding of the radical changes in the nature and function of dramatic art.
Download or read book Perspectives on Contemporary Theatre written by Oscar Gross Brockett and published by Baton Rouge : Louisiana State University Press. This book was released on 1971 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Postdramatic Theatre and the Political written by Karen Jürs-Munby and published by A&C Black. This book was released on 2013-12-19 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance? The chapters in this book discuss crucial aspects of the issues raised by the postdramatic turn in theatre in the late twentieth and early twenty-first century: the status of the audience and modes of spectatorship in postdramatic theatre; the political claims of postdramatic theatre; postdramatic theatre's ongoing relationship with the dramatic tradition; its dialectical qualities, or its eschewing of the dialectic; questions of representation and the real in theatre; the role of bodies, perception, appearance and theatricality in postdramatic theatre; as well as subjectivity and agency in postdramatic theatre, dance and performance. Offering analyses of a wide range of international performance examples, scholars in this volume engage with Hans-Thies Lehmann's theoretical positions both affirmatively and critically, relating them to other approaches by thinkers ranging from early theorists such as Brecht, Adorno and Benjamin, to contemporary thinkers such as Fischer-Lichte, Rancière and others
Download or read book Perspectives on Contemporary Irish Theatre written by Anne Etienne and published by Springer. This book was released on 2017-10-20 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the notion posed by Thomas Kilroy in his definition of a playwright’s creative process: ‘We write plays, I feel, in order to populate the stage’. It gathers eclectic reflections on contemporary Irish theatre from both Irish theatre practitioners and international academics. The eighteen contributions offer innovative perspectives on Irish theatre since the early 1990s up to the present, testifying to the development of themes explored by emerging and established playwrights as well as to the (r)evolutions in practices and approaches to the stage that have taken place in the last thirty years. This cross-disciplinary collection devotes as much attention to contextual questions and approaches to the stage in practice as it does to the play text in its traditional and revised forms. The essays and interviews encourage dialectic exchange between analytical studies on contemporary Irish theatre and contributions by theatre practitioners.
Download or read book Critical Perspectives on Contemporary Plays by Women written by Penny Farfan and published by University of Michigan Press. This book was released on 2021-07-22 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores how women playwrights illuminate the contemporary world and contribute to its reshaping
Download or read book Making Contemporary Theatre written by Jen Harvie and published by Manchester University Press. This book was released on 2010-09-15 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making Contemporary Theatre reveals how some of the most significant international contemporary theatre is actually made. The book opens with an introductory chapter which contextualizes recent trends in approaches to theatre-making. In the ensuing eleven chapters, eleven different writer-observers describe, contextualize and analyze the theatre-making practices of eleven different companies and directors, including Japan’s Gekidan Kaitaisha and the Québécois director Robert Lepage. Each chapter is enriched with extensive illustrations as well as boxed-off "asides," giving the reader different perspectives on the work. Chapters usually focus on a single production, such as Complicite’s 2003-04 The Elephant Vanishes, allowing detailed investigations of complex practices to emerge. The book concludes with a brief manifesto for making contemporary theatre by the editors, plus a bibliography suggesting further reading. Making contemporary theatre is a rich resource for the theatre-making student and the theatre--goer alike, full of diverse examples of how the most exciting theatre is actually made.
Download or read book Redefining Theatre Communities written by Szabolcs Musca and published by Intellect (UK). This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.
Download or read book Theatres of War written by Lauri Scheyer and published by Bloomsbury Publishing. This book was released on 2021-09-23 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why do so many writers and audiences turn to theatre to resolve overwhelming topics of pain and suffering? This collection of essays from international scholars reconsiders how theatre has played a crucial part in encompassing and preserving significant human experiences. Plays about global issues, including terrorism and war, are increasing in attention from playwrights, scholars, critics and audiences. In this contemporary collection, a gathering of diverse contributors explain theatre's special ability to generate dialogue and promote healing when dealing with human tragedy. This collection discusses over 30 international plays and case studies from different time periods, all set in a backdrop of war. The four sections document British and American perspectives on theatres of war, global perspectives on theatres of war, perspectives on Black Watch and, finally, perspectives on The Great Game: Afghanistan. Through this, a range of international scholars from different disciplines imaginatively rethink theatre's unique ability to mediate the impacts and experiences of war. Featuring contributions from a variety of perspectives, this book provides a wealth of revealing insights into why authors and audiences have always turned to the unique medium of theatre to make sense of war.
Download or read book Adaptation in Contemporary Theatre written by Frances Babbage and published by Bloomsbury Publishing. This book was released on 2017-11-16 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why are so many theatre productions adaptations of one kind or another? Why do contemporary practitioners turn so frequently to non-dramatic texts for inspiration? This study explores the fascination of novels, short stories, children's books and autobiographies for theatre makers and examines what 'becomes' of literary texts when these are filtered into contemporary practice that includes physical theatre, multimedia performance, puppetry, immersive and site-specific performance and live art. In Adaptation in Contemporary Theatre, Frances Babbage offers a series of fresh critical perspectives on the theory of adaptation in theatre-making, focusing on meditations of prose literature within contemporary performance. Individual chapters explore the significance and impact of books as physical objects within productions; the relationship between the dramatic adaptation and literary edition; storytelling on the page and in performance; literary space and theatrical space; and prose fiction reframed as 'found text' in contemporary theatre and live art. Case studies are drawn from internationally acclaimed companies including Complicite, Elevator Repair Service, Kneehigh, Forced Entertainment, Gob Squad, Teatro Kismet and Stan's Cafe. Adaptation in Contemporary Theatre is a compelling and provocative resource for anyone interested in the potential and the challenges of using prose literature as material for new theatrical performance.
Download or read book The Social Perspective of Contemporary Theatre written by Charles Kemp and published by . This book was released on 1974 with total page 722 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Perspectives on Contemporary Spanish American Theatre written by Frank N. Dauster and published by Bucknell University Press. This book was released on 1996 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this collection, nine specialists in Spanish American theatre examine social and aesthetic issues reflected in today's vital drama." "The essays in this volume reflect a pattern of interests rapidly becoming dominant among scholars. Several of them deal with questions of genre or focus on metatheatre and parody, theatrical techniques widespread in Latin America. The majority treat these topics in conjunction with their social context. Dominant themes include the question of whether there can be culture-specific genres, incorporating the extremely varied ethnic and cultural strands of the Spanish American social fabric, or the use (and reinterpretation) of tragic and comic structures and classical myths to express social marginality or demythologize received history. A number of essays focus on the problematic situation of women in Spanish American society and their struggle to achieve equality in a highly traditional culture. At the same time the authors examine the role of women in the theatre, both as protagonists and as creative artists, and their struggle to gain acceptance of nontraditional roles and lifestyles."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book The Show and the Gaze of Theatre written by Erika Fischer-Lichte and published by University of Iowa Press. This book was released on 1997 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre, in some respects, resembles a market. Stories, rituals, ideas, perceptive modes, conversations, rules, techniques, behavior patterns, actions, language, and objects constantly circulate back and forth between theatre and the other cultural institutions that make up everyday life in the twentieth century. These exchanges, which challenge the established concept of theatre in a way that demands to be understood, form the core of Erika Fischer-Lichte's dynamic book. Each eclectic essay investigates the boundaries that separate theatre from other cultural domains. Every encounter between theatre and other art forms and institutions renegotiates and redefines these boundaries as part of an ongoing process. Drawing on a wealth of fascinating examples, both historical and contemporary, Fischer-Lichte reveals new perspectives in theatre research from quite a number of different approaches. Energetically and excitingly, she theorizes history, theorizes and historicizes performance analysis, and historicizes theory.
Download or read book New Dramaturgy written by Katalin Trencsényi and published by A&C Black. This book was released on 2014-04-24 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition. Emerging new aesthetics and new areas of dramaturgical work such as live art, devised and physical theatre, experimental performance, and dance demand new approaches and sensibilities. New Dramaturgy: International Perspectives on Theory and Practice is the first book to explore new dramaturgy in depth, and considers how our thinking about dramaturgy and the role of the dramaturg has been transformed. Edited by Katalin Trencsényi and Bernadette Cochrane, New Dramaturgy: International Perspectives on Theory and Practice provides an unrivalled resource for practitioners, scholars, and students.
Download or read book Theatre Institutions in Crisis written by Christopher Balme and published by Routledge. This book was released on 2020-12-30 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre Institutions in Crisis examines how theatre in Europe is beset by a crisis on an institutional level and the pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organised, delivered, and received. Balme and Fisher bring together scholars from different disciplines and countries across Europe to examine what factors can be said to be most common to the institutional crisis of European theatre today. The methods employed are drawn from systems theory, social-scientific approaches, economics and statistics, theatre and performance, and other interpretative approaches (hermeneutics), and labour studies. This book will be of great interest to researchers, students, and practitioners working in the fields of performance and theatre studies. It will be particularly relevant to researchers with a particular interest in European theatre and its networks. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Download or read book Experiencing Liveness in Contemporary Performance written by Matthew Reason and published by Taylor & Francis. This book was released on 2016-10-26 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making. Drawing together contributions from theatre, music, dance, and performance art, it takes an interdisciplinary approach in asking not what liveness is, but how it matters and to whom. The book invites readers to consider how liveness is produced through processes of audiencing - as spectators bring qualities of (a)liveness into being through the nature of their attention - and how it becomes materialized in acts of performance, acts of making, acts of archiving, and acts of remembering. Theoretical chapters and practice-based reflections explore liveness, eventness and nowness as key concepts in a range of topics such as affect, documentation, embodiment, fandom, and temporality, showing how the relationship between audience and event is rarely singular and more often malleable and multiple. With its focus on experiencing liveness, this collection will be of interest to disciplines including performance, audience and cultural studies, visual arts, cinema, and sound technologies.
Download or read book Modern Japanese Theatre and Performance written by David Jortner and published by Lexington Books. This book was released on 2007 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Japanese Theatre and Performance is a collection of sixteen essays on Japanese theatre, including historical overviews of twentieth century theatre, analyses of specific productions and individuals, and consideration of the intercultural nature of modern Japanese theatre. Also included is a new translation of a 'Superkyogen' play.
Download or read book Dramaturgy of Form written by Kasia Lech and published by Routledge. This book was released on 2021-03-01 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context. The book traces the dramaturgical operation of verse in new writings, musicals, devised performances, multilingual dramas, Hip Hop theatre, films, digital projects, and gig theatre, as well as translations and adaptations of classics and new theatre forms created by Irish, Spanish, Nigerian, Polish, American, Canadian, Australian, British, Russian, and multinational artists. Their verse dramaturgies explore timely issues such as global identities, agency and precarity, global and local politics, and generational and class stories. The development of dramaturgy is discussed with the focus turning to the new stylized approach to theatre, whose arrival Hans-Thies Lehmann foretold in his Postdramatic Theatre, documenting a turning point for contemporary Western theatre. Serving theatre-makers, scholars, and students working with classical and contemporary verse and poetry in performance contexts; practitioners and academics of aural and oral dramaturgies; voice and verse-speaking coaches; and actors seeking the creative opportunities that verse offers, Dramaturgy of Form reveals verse as a tool for innovation and transformation that is at the forefront of contemporary practices and experiences.
