Download or read book Perspectives on Contemporary Irish Theatre written by Anne Etienne and published by Springer. This book was released on 2017-10-20 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the notion posed by Thomas Kilroy in his definition of a playwright’s creative process: ‘We write plays, I feel, in order to populate the stage’. It gathers eclectic reflections on contemporary Irish theatre from both Irish theatre practitioners and international academics. The eighteen contributions offer innovative perspectives on Irish theatre since the early 1990s up to the present, testifying to the development of themes explored by emerging and established playwrights as well as to the (r)evolutions in practices and approaches to the stage that have taken place in the last thirty years. This cross-disciplinary collection devotes as much attention to contextual questions and approaches to the stage in practice as it does to the play text in its traditional and revised forms. The essays and interviews encourage dialectic exchange between analytical studies on contemporary Irish theatre and contributions by theatre practitioners.
Download or read book The Palgrave Handbook of Contemporary Irish Theatre and Performance written by Eamonn Jordan and published by Springer. This book was released on 2018-09-18 with total page 866 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.
Download or read book Contemporary Irish Theatre written by Charlotte McIvor and published by Springer Nature. This book was released on with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Contemporary Irish Drama Cultural Identity written by Margaret Llewellyn-Jones and published by Intellect Books. This book was released on 2002 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the works of Brian Friel, Frank McGuinness, Tom Murphy, and Thomas Kilroy, the author presents an introduction on the historical context of Irish culture, with particular attention being paid to the works performed in the 1990s.
Download or read book Contemporary Irish Drama written by Anthony Roche and published by Palgrave MacMillan. This book was released on 2009-07-31 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new edition of Anthony Roche's pioneering survey of twentieth-century Irish drama brings the story up to date with new material on the contemporary Irish theatre scene.
Download or read book Theatre Stuff written by Eamonn Jordan and published by Peter Lang. This book was released on 2000 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on contemporary Irish theatre
Download or read book The Spaces of Irish Drama written by H. Lojek and published by Springer. This book was released on 2011-10-03 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lojek provides extensive analysis of space in plays by living Irish playwrights, applying practical understandings of staging and the insights of geographers and spatial theorists to drama in an era increasingly aware of space.
Download or read book Modern Irish Theatre written by Mary Trotter and published by John Wiley & Sons. This book was released on 2013-05-08 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analysing major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to twentieth-century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre’s political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.
Download or read book The Methuen Drama Guide to Contemporary Irish Playwrights written by Martin Middeke and published by A&C Black. This book was released on 2010-05-28 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Methuen Drama Guide to Contemporary Irish Playwrights is an authoritative guide to the work of twenty-five playwrights from the last 50 years whose work has helped to shape and define Irish theatre. Written by a team of international scholars, it provides an illuminating survey and analysis of each writer's plays and will be invaluable to anyone interested in, studying or teaching contemporary Irish drama. The playwrights examined range from John B. Keane, Brian Friel and Tom Murphy, to the crop of writers who emerged in the 1990s and who include Martin McDonagh, Marina Carr, Emma Donoghue and Mark O'Rowe. Each essay features: a biographical sketch and introduction to the playwright a discussion of their most important plays an analysis of their stylistic and thematic traits, the critical reception and their place in the discourses of Irish theatre a bibliography of texts and critical material With a total of 190 plays discussed in detail, over half of which were written during the 1990s and 2000s, The Methuen Drama Guide to Contemporary Irish Playwrights is unrivalled in its study of recent plays and playwrights.
Download or read book Studies on the Contemporary Irish Theatre written by Jacqueline Genet and published by . This book was released on 1991 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ce livre commence par l’un des plus illustres représentants du théâtre contemporain irlandais, Brian Friel, chez qui Nicholas Grene explore différents modes de vérité à travers une analyse de quelques-unes de ses plus grandes pièces comme The Freedom of the City, Faith Healer ou Dancing at Lughnasa. Terence Brown étudie le rôle de la musique dans le théâtre de Stewart Parker, sa vision de Belfast, la ville natale, qui s’élargit à l’histoire de la province et à celle de l’Irlande. Lynda Henderson souligne les relations problématiques qui, dans les premières pièces de Tom Murphy, relient le monde intérieur et le monde extérieur jusqu’au moment où, à partir de The Gigli Concert, le premier l’emporte clairement. L’abnégation est, dans le théâtre de Thomas Kilroy, nous explique Barbara Hayley, le seul moyen qui permette à certaines personnalités de s’affirmer. Quant aux thèmes de l’œuvre de Frank McGuinness, ce sont, selon le dramaturge lui-même, perte, désespoir, échec, violence, damnation, Heaney, The Cure at Troy, donne lieu de la part de Colin Meir à un compte rendu de la représentation au Lyric Players Theatre de Belfast en octobre 1990, suivi d’une analyse du texte. Christopher Murray choisit enfin d’étudier les thèmes de dramaturges moins célèbres, pour la plupart des jeunes, qui seront peut-être les grands noms de demain. Ainsi cet ouvrage nous offre un large panorama de la production théâtrale dans l’Irlande contemporaine.
Download or read book The Irish Dramatic Revival 1899 1939 written by Anthony Roche and published by Bloomsbury Publishing. This book was released on 2015-02-26 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Irish Dramatic Revival was to radically redefine Irish theatre and see the birth of Ireland's national theatre, the Abbey, in 1904. From a consideration of such influential precursors as Boucicault and Wilde, Anthony Roche goes on to examine the role of Yeats as both founder and playwright, the one who set the agenda until his death in 1939. Each of the major playwrights of the movement refashioned that agenda to suit their own very different dramaturgies. Roche explores Synge's experimentation in the creation of a new national drama and considers Lady Gregory not only as a co-founder and director of the Abbey Theatre but also as a significant playwright. A chapter on Shaw outlines his important intervention in the Revival. O'Casey's four ground-breaking Dublin plays receive detailed consideration, as does the new Irish modernism that followed in the 1930s and which also witnessed the founding of the Gate Theatre in Dublin. The Companion also features interviews and essays by leading theatre scholars and practitioners Paige Reynolds, P.J. Mathews and Conor McPherson who provide further critical perspectives on this period of radical change in modern Irish theatre.
Download or read book Migration and Performance in Contemporary Ireland written by Charlotte McIvor and published by Springer. This book was released on 2016-10-10 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates Ireland’s translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this ‘new interculturalism’ for theatre and performance studies at large. Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance.
Download or read book Dissident Dramaturgies written by Eamonn Jordan and published by . This book was released on 2010 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Boston to Berlin, and from Belfast to Beijing, the performances of Irish plays have been greeted with critical and box-office acclaim. Plays by Marina Carr, Brian Friel, Marie Jones, Martin McDonagh, Frank McGuinness, Tom Murphy, Mark O'Rowe, Conor McPherson and Enda Walsh have toured extensively, and have been translated and adapted for new performance contexts. This book examines the dominant approaches and the recurrent and variable dramaturgical patterns in the writings of the contemporary generation of writers from 1980 to the present. Six very specific, dominant configurations or constructions that shape the blatant dramaturgy of Irish Theatre will be considered in individual chapters that focus the relationships between history, memory and metatheatre, how the notion of innocence is contested, the various deployments of a range of myths by contemporary playwrights, the consequences of perverting pastoral consciousness, and the implications and repercussions of storytelling to a tradition of writing. In all of the work produced both locally and abroad, Ireland and a coerced and admired notion of 'Irishness' function in part as a commodity but also as something uniquely defiant, liberating and dissident in itself.
Download or read book Masculinities and the Contemporary Irish Theatre written by B. Singleton and published by Springer. This book was released on 2010-11-24 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Irish theatre and its histories appear to be dominated by men and their actions. This book's socially and culturally contextualized analysis of performance over the last two decades, however reveals masculinities that are anything but hegemonic, played out in theatres and other arenas of performance all over Ireland.
Download or read book That Was Us written by Fintan Walsh and published by Bloomsbury Publishing. This book was released on 2013-10-04 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the wake of Ireland’s recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures. That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance. Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others. Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally. In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics. Contents 1. The Power of the Powerless: Theatre in Turbulent Times by Fintan Walsh ONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton 3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers’ Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor 4. You Had to be There by Louise Lowe TWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy 6. The Writing Life by Helen Meany 7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan Tighe THREE: Bodies Out of Bounds 8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver 9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children’s Theatre by Eimear Beardmore 10. Living Inspiration by John Scott FOUR: Placing Performance 11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson 12. ‘Getting Known’: Beckett, Ireland, and the Creative Industries by Trish McTighe 13. The Art of Perspective by Michael West FIVE: Touring Performances 14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean 15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating 16. Viewed from Afar: Contemporary Irish Theatre on the World’s Stages by Peter Crawley 17. A Dance You Associate With Your Family by Gary Keegan
Download or read book Contemporary Irish Drama written by Anthony Roche and published by . This book was released on 1994 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: By comparing the theatre of Samuel Beckett to more culturally specific Irish plays, the book establishes a greater international and theatrically experimental context for the field than has been recognised. Its three central chapters offer close and contextualised readings of the careers of Brian Friel, Tom Murphy and Thomas Kilroy across a span of more than four decades. The drama of Northern Ireland and its theatrical response to political violence receives sustained attention through a wide range of playwrights, including Frank McGuinness, Gary Mitchell, Christina Reid and Anne Devlin. A new chapter considers the work of such younger playwrights as Martin McDonagh and Marina Carr who emerged in the 1990s to probe the shortcomings of the 'Celtic Tiger' phenomenon.
Download or read book A Century of Irish Drama written by Stephen Watt and published by Indiana University Press. This book was released on 2000 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor
