Download or read book Performance Practices in the Classical Era written by Dennis Shrock and published by G I A Publications. This book was released on 2011 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Classical era, from 1751 to the 1830s and beyond, is one of the most revolutionary and creative times in the history of music. However, critical details about the performance of music during this extraordinary time have too often been lost to generations of re-interpretation, opinionated colorings, and changes in fashion and taste. In this remarkable volume, noted scholar and choral conductor, Dennis Shrock brings together in one place writings from more than 100 Classical-era authors and composers about performance practices of music during their time. These primary sources represent the entire time span of the Classical era, writings from throughout Europe and the United States, and details on virtually every type of performing medium and genre of composition common in the era. Dr. Shrock quotes from diaries, instruction books, dictionaries, letters, biographies, and essays all written during the eighteenth and early nineteenth centuries. Dr. Shrock organizes all of these comments - complete with detailed music examples - in sections devoted to sound, tempo, articulation and phrasing, metric accentuation, rhythmic alteration, ornamentation, and expression. What emerges is an insightful and colorful portrait certain to assist anyone who seeks to better understand the music of Mozart, Haydn, and other noted composers. Performance Practices in the Classical Era is a vital resource for any conductor, performer, or aficionado of classical music.
Download or read book Performance Practices in Classic Piano Music written by Sandra P. Rosenblum and published by Indiana University Press. This book was released on 1988-11-22 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. " . . . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." —American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." —Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." —Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." —The Musical Times "Its importance to thoughtful musicians cannot be overstated." —Choice " . . . thoroughly musicological." —Performance Practice Review " . . . indispensable . . . " —New York Times
Download or read book Classical and Romantic Performing Practice 1750 1900 written by Clive Brown and published by Oxford University Press. This book was released on 2004-05-20 with total page 677 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
Download or read book Performance Practices in the Baroque Era written by Dennis Shrock and published by . This book was released on 2013 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Baroque Era, stretching from 1600 to the 1750s, is a truly beloved time in the history of classical music, featuring works of Bach, Vivaldi, Monteverdi, and many more. However, critical details about the performance of music during the extraordinary time have been lost to generations of re-interpretation, opinionated colorings, and changes in fashion and taste. In this book, a companion to Performance Practices in the Classical Era, noted scholar and choral conductor Dennis Shrock brings together in one place treatises, primers, tutorials, letters, prefaces, and essays from the period to paint a detailed and informative portrait of this wonderful music as it was originally intended and experienced. The primary sources represent the entire time period of the Baroque era spanning all across Europe. Dr. Shrock expertly organizes these writings and music examples according to musical context: sections devoted to sound, tempo, articulation and phrasing, metric accentuation, rhythmic alteration, ornamentation, and expression.
Download or read book Performance Practice Music after 1600 written by Howard Mayer Brown and published by . This book was released on 1989 with total page 646 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music in the Classical World written by Bertil van Boer and published by Routledge. This book was released on 2019-03-08 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in the Classical World: Genre, Culture, and History provides a broad sociocultural and historical perspective of the music of the Classical Period as it relates to the world in which it was created. It establishes a background on the time span—1725 to 1815—offering a context for the music made during one of the more vibrant periods of achievement in history. Outlining how music interacted with society, politics, and the arts of that time, this kaleidescopic approach presents an overview of how the various genres expanded during the period, not just in the major musical centers but around the globe. Contemporaneous treatises and commentary documenting these changes are integrated into the narrative. Features include the following: A complete course with musical scores on the companion website, plus links to recordings—and no need to purchase a separate anthology The development of style and genres within a broader historical framework Extensive musical examples from a wide range of composers, considered in context of the genre A thorough collection of illustrations, iconography, and art relevant to the music of the age Source documents translated by the author Valuable student learning aids throughout, including a timeline, a register of people and dates, sidebars of political importance, and a selected reading list arranged by chapter and topic A companion website featuring scores of all music discussed in the text, recordings of most musical examples, and tips for listening Music in the Classical World: Genre, Culture, and History tells the story of classical music through eighteenth-century eyes, exposing readers to the wealth of music and musical styles of the time and providing a glimpse into that vibrant and active world of the Classical Period.
Download or read book PERFORMANCE PRACTICE Music After 1600 written by and published by . This book was released on 1990 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Performer s Guide to Music of the Classical Period written by Anthony Burton and published by . This book was released on 2002 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: Helps students and their teachers achieve stylish performances of music of the Baroque, Classical and Romantic periods. These guides include chapters from leading experts on historical background, notation and interpretation, and sources and editions. They are also illustrated with many music examples, facsimiles and pictures.
Download or read book Choral Music written by Robert L. Garretson and published by Pearson. This book was released on 1993 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Takes the reader through an enlightening tour of choral music, emphasizing on the musical style performance practice of different historical periods. The reference provides guidelines on the numerous aspects of performance practice for choral music based on the Renaissance Period, the Baroque Period, the Classical period, the Romantic period, and the Modern Period, with special emphasis on meter and stress, tempo, dynamics, tone quality, pitch, texture, and expressive aspects of the music of each period. Appropriate for Junior/Graduate-level courses in Choral Conducting and Literature..
Download or read book Singing in Style written by Martha Elliott and published by Yale University Press. This book was released on 2006-01-01 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Muziekhistorisch en musicologisch overzicht van de klassieke solozang vanaf de barok tot heden.
Download or read book Performing Baroque Music written by Mary Cyr and published by Routledge. This book was released on 2017-07-05 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: Listeners, performers, students and teachers will find here the analytical tools they need to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile to illustrate the conventions of 17th and 18th century notation, are included for close study. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music. The book is also a concise guide to reference materials in the field of baroque performance practice with extensive annotated bibliographies of modern and baroque sources that guide the reader toward further study. First published by Ashgate (at that time known as Scolar Press) in 1992 and having been out of print for some years, this title is now available as a print on demand title.
Download or read book The Clarinet in the Classical Period written by Albert R. Rice and published by Oxford University Press. This book was released on 2008-01-15 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.
Download or read book Companion to Baroque Music written by Julie Anne Sadie and published by Univ of California Press. This book was released on 1998-01-01 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.
Download or read book Anthology of classical piano music written by Maurice Hinson and published by Alfred Music Publishing. This book was released on 2003 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Anthology of Classical Piano Music is paired with the Performance Practices in Classical Piano Music DVD for a comprehensive look at the literature, performing conventions and musical style of the Classical era. On the DVD, Dr. Hinson performs music from the Anthology, and discusses musical characteristics, period instruments, and performance conventions not indicated in the manuscripts.
Download or read book Performing Renaissance Music written by Dennis Shrock and published by . This book was released on 2018 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Composing Capital written by Marianna Ritchey and published by University of Chicago Press. This book was released on 2019-08-05 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The familiar old world of classical music, with its wealthy donors and ornate concert halls, is changing. The patronage of a wealthy few is being replaced by that of corporations, leading to new unions of classical music and contemporary capitalism. In Composing Capital, Marianna Ritchey lays bare the appropriation of classical music by the current neoliberal regime, arguing that artists, critics, and institutions have aligned themselves—and, by extension, classical music itself—with free-market ideology. More specifically, she demonstrates how classical music has lent its cachet to marketing schemes, tech firm-sponsored performances, and global corporate partnerships. As Ritchey shows, the neoliberalization of classical music has put music at the service of contemporary capitalism, blurring the line between creativity and entrepreneurship, and challenging us to imagine how a noncommodified musical practice might be possible in today’s world.
Download or read book The Rest Is Noise written by Alex Ross and published by Farrar, Straus and Giroux. This book was released on 2007-10-16 with total page 706 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
