Download or read book Performance in the Texts of Mallarm written by Mary Lewis Shaw and published by Penn State Press. This book was released on 1993-03-01 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake. Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts—Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des—revealing the consistent formal expression of his original conception of literature's relationship to the performing arts. Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts.
Download or read book Embodied Texts written by Mary Fleischer and published by BRILL. This book was released on 2007-01-01 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Embodied Texts: Symbolist Playwright-Dancer Collaborations explores the dynamic relationship between Symbolist theatre and early modern dance across Europe from the 1890s through the 1930s. Gabriele D’Annunzio’s projects with Ida Rubinstein; Hugo von Hofmannsthal’s pantomimes for Grete Wiesenthal; W. B. Yeats’s work with Michio Ito and Ninette de Valois; and Paul Claudel’s collaborations with Jean Börlin and the Ballets Suédois are studied in depth to shed new light on an evolving dance-theatre form within Symbolist culture. Buoyed by the era’s heightened interest in the expressive qualities of the body, these playwrights were highly invested in the authority of language, yet were drawn to the capacity of dance to evoke spiritual or psychological states which words could not completely capture. In its belief of fundamental correspondences among the arts, Symbolism encouraged experimentation across disciplines, and this study traces interconnections among many of its significant figures including Max Reinhardt, Claude Debussy, Gertrud Eysoldt, Edward Gordon Craig, Bronislava Nijinksa, Isadora Duncan, Jaques Dalcroze, Darius Milhaud, Vsevolod Meyerhold, Mariano Fortuny, Terence Gray, George Antheil, Eleonora Duse, and Michel Fokine.
Download or read book Stage Fright written by Martin Puchner and published by JHU Press. This book was released on 2003-04-01 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grounded equally in discussions of theater history, literary genre, and theory, Martin Puchner's Stage Fright: Modernism, Anti-Theatricality, and Drama explores the conflict between avant-garde theater and modernism. While the avant-garde celebrated all things theatrical, a dominant strain of modernism tended to define itself against the theater, valuing lyric poetry and the novel instead. Defenders of the theater dismiss modernism's aversion to the stage and its mimicking actors as one more form of the old "anti-theatrical" prejudice. But Puchner shows that modernism's ambivalence about the theater was shared even by playwrights and directors and thus was a productive force responsible for some of the greatest achievements in dramatic literature and theater. A reaction to the aggressive theatricality of Wagner and his followers, the modernist backlash against the theater led to the peculiar genre of the closet drama—a theatrical piece intended to be read rather than staged—whose long-overlooked significance Puchner traces from the theatrical texts of Mallarmé and Stein to the dramatic "Circe" chapter of Joyce's Ulysses. At times, then, the anti-theatrical impulse leads to a withdrawal from the theater. At other times, however, it returns to the stage, when Yeats blends lyric poetry with Japanese Nôh dancers, when Brecht controls the stage with novelistic techniques, and when Beckett buries his actors in barrels and behind obsessive stage directions. The modernist theater thus owes much to the closet drama whose literary strategies it blends with a new mise en scène. While offering an alternative history of modernist theater and literature, Puchner also provides a new account of the contradictory forces within modernism.
Download or read book Baroque Modernity written by Joseph Cermatori and published by JHU Press. This book was released on 2021-11-16 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking study on the vital role of baroque theater in shaping modernist philosophy, literature, and performance. Finalist for the Outstanding Book Award by the Association for Theatre in Higher Education, Honorable Mention for the Balakian Prize by the International Comparative Literature Association, Winner of the Helen Tartar Book Subvention Award by the American Comparative Literature Association, Finalist of the MSA First Book Prize by the Modernist Studies Association Baroque style—with its emphasis on ostentation, adornment, and spectacle—might seem incompatible with the dominant forms of art since the Industrial Revolution, but between 1875 and 1935, European and American modernists connected to the theater became fascinated with it. In Baroque Modernity, Joseph Cermatori argues that the memory of seventeenth-century baroque stages helped produce new forms of theater, space, and experience around the turn of the twentieth century. In response, modern theater helped give rise to the development of the baroque as a modern philosophical idea. The book focuses on avant-gardists whose writing takes place between theory and performance: philosophical theater-makers and theatrical philosophers including Friedrich Nietzsche, Stéphane Mallarmé, Walter Benjamin, and Gertrude Stein. Moving between page and stage, this study tracks the remnants of seventeenth-century theater through modernist aesthetics across an array of otherwise disparate materials, including modern opera, Bertolt Brecht's Epic Theater, poetic tragedies, and miracle plays. By reexamining the twentieth century's engagements with Gianlorenzo Bernini, William Shakespeare, Claudio Monteverdi, Calderón de la Barca, and other seventeenth-century predecessors, the book delineates an enduring tradition of baroque performance. Along the way, Cermatori expands our familiar narratives of "the modern" and traces a history of theatricality that reverberates into the twenty-first century. Baroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.
Download or read book Mallarm nd Wagner Music and Poetic Language written by Heath Lees and published by Routledge. This book was released on 2017-07-05 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges and replaces the existing view of Mallarm? mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm? 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm? early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm? reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannh?er, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn?enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm?xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm? repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm? best-known texts, hitherto judged 'difficult' by those who have failed to
Download or read book Yearbook of Comparative and General Literature written by and published by . This book was released on 1993 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Mazing of the Text written by Margaret M. Bolovan and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1999 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poetry that employs images and structures of the labyrinth simultaneously involves the poet's contemplative wanderings or deeper descents into self while searching for meaning. As a mythic symbol, the labyrinth also extends outside of any individual work, necessitating intertextual analysis in the quest to unravel the labyrinthine threads left in the «mille longs détours» of French poetic discourse. A Mazing of the Text explores the multifaceted nature of the labyrinth as manifest in selected French texts from the sixteenth to the twentieth century. Works by Joachim Du Bellay, Théophile de Viau, Saint-Amant, Thomas Corneille, Jean Racine, Stéphane Mallarmé, and Marguerite Yourcenar are examined in light of the metaphorical reflective capacity and the pluridimensional quality of mythic signification.
Download or read book Drama Review written by and published by . This book was released on 1996 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Body Ascendant written by Harold B. Segel and published by . This book was released on 1998 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: The revival of the Olympic Games in 1896 was just one result of the unparalleled interest in physical culture that consumed Europe and America in the late 19th and early 20th centuries. Author Harold Segel shows that this obsession with physical culture resonated widely through the modernist movement, and he traces its profound influence on the arts in the early 20th century. Illustrated.
Download or read book Dalhousie French Studies written by and published by . This book was released on 1996 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book L Esprit Cr ateur written by and published by . This book was released on 2000 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cyclopedia of World Authors written by Frank Northen Magill and published by . This book was released on 1997 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Studies written by and published by . This book was released on 1993 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Masterplots written by Frank Northen Magill and published by . This book was released on 1996 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Entries ae arranged alphabetically by title, with the type of work, author, type and time of plot, locale, first publication date, and principal characters listed. A plot synopsis is followed by a critical essay and a brief bibliography. Each entry is three to four pages in length. The four indexes included are by chronological date, by geographic locale, by title, and by author. The title 'Masterplots' does not convey the depth of information contained in the 12 volumes. The titles treated range chronologically from antiquity to the early 1990s, with the major emphasis on literature of the nineteenth and twentieth centuries. While the majority of the entries are British, European, and United States fiction, the work also encompasses drama, works or collections of poetry, and nonfiction." Am Ref Books Annu, 1997.
Download or read book HOW TO ACQUIRE BOOKS LISTED IN CURRENT CONTENTS written by and published by . This book was released on 1996 with total page 1538 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Kaleidoscope written by Thomas H. Goetz and published by Centre d'etudes romantiques Joseph Sable, St. Michael's College. This book was released on 1996 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dissertation Abstracts International written by and published by . This book was released on 1989 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt:
