Download or read book Pasifika Styles written by Rosanna Raymond and published by University of Cambridge Museum of Archaeology & Anthropology. This book was released on 2008 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In May 2006 some fifteen artists from New Zealand took over the Museum of Archaeology and Anthropology in Cambridge (UK) as part of Pasifika Styles, a groundbreaking experiment in the display of Pacific Art. Installing their works in cases next to taonga or treasures collected on the voyages of Cook and Vancouver, the artists flung open the stores of the museum to bring more of the museum's unparalleled Oceanic collections to light. At the opening of the exhibition, the song of ancient instruments played by contemporary musicians called historic artefacts to life, heralding a new era of collaborative curatorship in ethnographic museums. Over the next two years, visiting artists continued to bring vitality to the collections, offering workshops, seminars, public activities and a festival of performing arts. This book describes Pasifika Styles, from the perspectives of artists, museum professionals and scholars involved in this pioneering project, placing it in the context of current debates about museums, cultural property and art"--Back cover."In May 2006 some fifteen artists from New Zealand took over the Museum of Archaeology and Anthropology in Cambridge (UK) as part of Pasifika Styles, an experiment in the display of contemporary Pacific art. Installing their works next to taonga or treasures collected on the voyages of Cook and Vancouver, the artists flung open the stores of the museum to bring more of the museum's unparalleled Oceanic collections to light."--BOOK JACKET.
Download or read book Pasifika Styles written by Rosanna Raymond and published by University of Cambridge Museum of Archaeology & Anthropology. This book was released on 2008 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In May 2006 some fifteen artists from New Zealand took over the Museum of Archaeology and Anthropology in Cambridge (UK) as part of Pasifika Styles, a groundbreaking experiment in the display of Pacific Art. Installing their works in cases next to taonga or treasures collected on the voyages of Cook and Vancouver, the artists flung open the stores of the museum to bring more of the museum's unparalleled Oceanic collections to light. At the opening of the exhibition, the song of ancient instruments played by contemporary musicians called historic artefacts to life, heralding a new era of collaborative curatorship in ethnographic museums. Over the next two years, visiting artists continued to bring vitality to the collections, offering workshops, seminars, public activities and a festival of performing arts. This book describes Pasifika Styles, from the perspectives of artists, museum professionals and scholars involved in this pioneering project, placing it in the context of current debates about museums, cultural property and art"--Back cover."In May 2006 some fifteen artists from New Zealand took over the Museum of Archaeology and Anthropology in Cambridge (UK) as part of Pasifika Styles, an experiment in the display of contemporary Pacific art. Installing their works next to taonga or treasures collected on the voyages of Cook and Vancouver, the artists flung open the stores of the museum to bring more of the museum's unparalleled Oceanic collections to light."--BOOK JACKET.
Download or read book Pasifika Styles written by Museum of Archaeology and Anthropology and published by . This book was released on 2008 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Pasifika Styles written by and published by . This book was released on 2006 with total page 8 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Pacific Arts of Polynesia and Micronesia written by Adrienne L. Kaeppler and published by OUP Oxford. This book was released on 2008-03-27 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Pacific Ocean covers one-third of the earth's surface. Comprising thousands of islands and hundreds of cultural groups, Polynesia and Micronesia cover a large part of this vast ocean, from the dramatic mountains of Hawaii to the small, flat coral islands of Kiribati. Including both traditional and contemporary arts, this book introduces the rich artistic traditions of these two regions, traditions that have had a considerable impact on western art in the twentieth century through the influence of artists such as Gauguin. Instead of looking at Polynesia and Micronesia separately, the book focuses on the artistic types, styles, and concepts that they share, placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler looks at religious and sacred rituals and objects, carving, architecture, tattooing, personal ornaments, basket-making, clothing, textiles, fashion, the oral arts, dance, music and musical instruments - even canoe-construction - to provide the ultimate introduction to the rich and vibrant artistic cultures of the Polynesian and Micronesian islands.
Download or read book In Between Subjects written by Amelia Jones and published by Routledge. This book was released on 2020-11-09 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases. Addressing cultural forms from 1960s–70s sociology, performance art, and drag queen balls to more recent queer voguing performances by Pasifika and Māori people from New Zealand and pop culture television shows such as RuPaul’s Drag Race, the book traces how and why "queer" and "performativity" seem to belong together in so many discussions around identity, popular modes of gender display, and performance art. Drawing on art history and performance studies but also on feminist, queer, and sexuality studies, and postcolonial, indigenous, and critical race theoretical frameworks, it seeks to denaturalize these assumptions by questioning the US-centrism and white-dominance of discourses around queer performance or performativity. The book’s narrative is deliberately recursive, itself articulated in order performatively to demonstrate the specific valence and social context of each concept as it emerged, but also the overlap and interrelation among the terms as they have come to co-constitute one another in popular culture and in performance and visual arts theory, history, and practice. Written from a hybrid art historical and performance studies point of view, this will be essential reading for all those interested in art, performance, and gender, as well as in queer and feminist theory.
Download or read book Once Were Pacific written by Alice Te Punga Somerville and published by U of Minnesota Press. This book was released on 2012 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the relationship between indigeneity and migration among Maori and Pacific peoples
Download or read book Choreographing Intersubjectivity in Performance Art written by Victoria Wynne-Jones and published by Springer Nature. This book was released on 2021-09-29 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.
Download or read book Knowledge Is a Blessing on Your Mind written by Anne Salmond and published by Auckland University Press. This book was released on 2023-11-09 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: For fifty years, Dame Anne Salmond has navigated &‘ te ao hurihuri' &– travelling to hui in her little blue VW Beetle with Eruera and Amiria Stirling in the 1970s, working for a university marae alongside Merimeri Penfold, Patu Hohepa and Wharetoroa Kerr in the 1980s, giving evidence to the Waitangi Tribunal on the meaning of Te Tiriti in the 2000s. From Hui to The Trial of the Cannibal Dog to today' s debates about the future of Aotearoa, Anne Salmond has explored who we are to each other.This book traces Anne Salmond' s journey as an anthropologist, as a writer and activist, as a Pakeha New Zealander, as a friend, wife and mother. The book brings together her key writing on the Maori world, cultural contact, Te Tiriti and the wider Pacific &– much of it appearing in book form for the first time &– and embeds these writings in her life and relationships, her travels and friends.This is the story of Aotearoa and the story of one woman' s pathway through our changing land.
Download or read book Pacific Islands Writing written by Michelle Keown and published by OUP Oxford. This book was released on 2007-10-04 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. The first book of its kind, Pacific Islands Writing offers a broad-ranging introduction to the postcolonial literatures of the Pacific region. Drawing upon metaphors of oceanic voyaging, Michelle Keown takes the reader on a discursive journey through a variety of literary and cultural contexts in the Pacific, exploring the Indigenous literatures of Polynesia, Melanesia, and Micronesia, and also investigating a range of European or Western writing about the Pacific, from the adventure fictions of Herman Melville, R. L. Stevenson, and Jack London to the Päkehä (European) settler literatures of Aotearoa/New Zealand. The book explores the relevance of 'international' postcolonial theoretical paradigms to a reading of Pacific literatures, but it also offers a region-specific analysis of key authors and texts, drawing upon indigenous Pacific literary theories, and sketching in some of the key socio-historical trajectories that have inflected Pacific writing. Well-established Indigenous Pacific authors such as Albert Wendt, Witi Ihimaera, Alan Duff, and Patricia Grace are considered alongside emerging writers such as Sia Figiel, Caroline Sinavaiana-Gabbard, and Dan Taulapapa McMullin. The book focuses primarily upon Pacific literature in English - the language used by the majority of Pacific writers - but also breaks new ground in examining the growing corpus of francophone and hispanophone writing in French Polynesia, New Caledonia, and Easter Island/Rapa Nui.
Download or read book Museum Theory written by Andrea Witcomb and published by John Wiley & Sons. This book was released on 2020-04-06 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: MUSEUM THEORY EDITED BY ANDREA WITCOMB AND KYLIE MESSAGE Museum Theory offers critical perspectives drawn from a broad range of disciplinary and intellectual traditions. This volume describes and challenges previous ways of understanding museums and their relationship to society. Essays written by scholars from museology and other disciplines address theoretical reflexivity in the museum, exploring the contextual, theoretical, and pragmatic ways museums work, are understood, and are experienced. Organized around three themes—Thinking about Museums, Disciplines and Politics, and Theory from Practice/Practicing Theory—the text includes discussion and analysis of different kinds of museums from various, primarily contemporary, national and local contexts. Essays consider subjects including the nature of museums as institutions and their role in the public sphere, cutting-edge museum practice and their connections with current global concerns, and the links between museum studies and disciplines such as cultural studies, anthropology, and history.
Download or read book Curious Lessons in the Museum written by Claire Robins and published by Routledge. This book was released on 2016-05-13 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Amongst recent contemporary art and museological publications, there have been relatively few which direct attention to the distinct contributions that twentieth and twenty-first century artists have made to gallery and museum interpretation practices. There are fewer still that recognise the pedagogic potential of interventionist artworks in galleries and museums. This book fills that gap and demonstrates how artists have been making curious but, none-the-less, useful contributions to museum education and curation for some time. Claire Robins investigates in depth the phenomenon of artists' interventions in museums and examines their pedagogic implications. She also brings to light and seeks to resolve many of the contradictions surrounding artists' interventions, where on the one hand contemporary artists have been accused of alienating audiences and, on the other, appear to have played a significant role in orchestrating positive developments to the way that learning is defined and configured in museums. She examines the disruptive and parodic strategies that artists have employed, and argues for that they can be understood as part of a move to re-establish the museum as a discursive forum. This valuable book will be essential reading for students and scholars of museum studies, as well as art and cultural studies.
Download or read book The Routledge Companion to Cultural Property written by Jane Anderson and published by Routledge. This book was released on 2017-07-31 with total page 702 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Cultural Property contains new contributions from scholars working at the cutting edge of cultural property studies, bringing together diverse academic and professional perspectives to develop a coherent overview of this field of enquiry. The global range of authors use international case studies to encourage a comparative understanding of how cultural property has emerged in different parts of the world and continues to frame vital issues of national sovereignty, the free market, international law, and cultural heritage. Sections explore how cultural property is scaled to the state and the market; cultural property as law; cultural property and cultural rights; and emerging forms of cultural property, from yoga to the national archive. By bringing together disciplinary perspectives from anthropology, archaeology, law, Indigenous studies, history, folklore studies, and policy, this volume facilitates fresh debate and broadens our understanding of this issue of growing importance. This comprehensive and coherent statement of cultural property issues will be of great interest to cultural sector professionals and policy makers, as well as students and academic researchers engaged with cultural property in a variety of disciplines.
Download or read book The Frangipani is Dead written by Karen Stevenson and published by Huia Publishers. This book was released on 2008 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a contextual understanding of the contemporary Pacific art movement in New Zealand. As well as examining key individual artists, the book also addresses issues that underlie this movement and the inspirations for creating this art.
Download or read book Recomposing Art and Science written by Irene Hediger and published by Walter de Gruyter GmbH & Co KG. This book was released on 2016-09-12 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: The interfaces between art and the scientific disciplines of biology, environmental science, neuroscience, and physics pose interdisciplinary questions that are an inspiration to researchers. The authors compare artists’ experimentation set-ups and thereby reveal new levels of knowledge. The examples in the Artists-in-Labs program illustrate how artists approach problems and, in this way, create new tools for science. The authors of this illustrated volume of essays include Harriet Hawkins, Irene Hediger, Jill Scott, Arnd Schneider , Susanne Witzgall, Lisa Blackman, Jens Hauser and Dieter Mersch.
Download or read book Conservation of Contemporary Art written by Renée van de Vall and published by Springer Nature. This book was released on 2024-01-31 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: This open access book investigates whether and how theoretical findings and insights in contemporary art conservation can be translated into the daily work practices of conservators or, vice versa, whether and how the problems and dilemmas encountered in conservation practice can inform broader research questions and projects. For several decades now, the conservation of contemporary art has been a dynamic field of research and reflection. Because of contemporary art’s variable constitution, its care and management calls for a fundamental rethinking of the overall research landscape of museums, heritage institutions, private-sector organizations and universities. At first, this research was primarily pursued by conservation professionals working in or with museums and other heritage organizations, but increasingly academic researchers and universities became involved, for instance through collaborative projects. This book is the result of such collaboration. It sets out to bridge the “gap” between theory and practice by investigating conservation practices as a form of reflection and reflection as a form of practice.
Download or read book Heritage Affect and Emotion written by Divya P. Tolia-Kelly and published by Routledge. This book was released on 2016-07-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heritage and its economies are driven by affective politics and consolidated through emotions such as pride, awe, joy and pain. In the humanities and social sciences, there is a widespread acknowledgement of the limits not only of language and subjectivity, but also of visuality and representation. Social scientists, particularly within cultural geography and cultural studies, have recently attempted to define and understand that which is more-than-representational, through the development of theories of affect, assemblage, post-humanism and actor network theory, to name a few. While there have been some recent attempts to draw these lines of thinking more forcefully into the field of heritage studies, this book focuses for the first time on relating heritage with the politics of affect. The volume argues that our engagements with heritage are almost entirely figured through the politics of affective registers such as pain, loss, joy, nostalgia, pleasure, belonging or anger. It brings together a number of contributions that collectively - and with critical acuity - question how researchers working in the field of heritage might begin to discover and describe affective experiences, especially those that are shaped and expressed in moments and spaces that can be, at times, intensely personal, intimately shared and ultimately social. It explores current theoretical advances that enable heritage to be affected, released from conventional understandings of both ’heritage-as-objects’ and ’objects-as-representations’ by opening it up to a range of new meanings, emergent and formed in moments of encounter. Whilst representational understandings of heritage are by no means made redundant through this agenda, they are destabilized and can thus be judged anew in light of these developments. Each chapter offers a novel and provocative contribution, provided by an interdisciplinary team of researchers who are thinking theoretically about affect through landscapes, practices of commemoration, visitor experience, site interpretation and other heritage work.
